UPC · Release
For Now We Know: In Part 1
Headnoise
Last verified:
881087355029 is the Universal Product Code (UPC barcode) for the release “For Now We Know: In Part 1” by Headnoise, released 2005-01-01 on Grrr Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nightmare Today | — | ||
| 2 | MAD (a.k.a. 'Mutually Assured Destruction') | — | ||
| 3 | Pell Mell Release of Chaos | — | ||
| 4 | Defiled | — | ||
| 5 | Imperial Supremacy | — | ||
| 6 | Dues Ex Machina | — | ||
| 7 | Hey America | — | ||
| 8 | Dirtraveingravepa | — | ||
| 9 | Refused to Be Eaten and Embraced to Death | — | ||
| 10 | Trainwreck 555 | — | ||
| 11 | Killing the Dead Man Again | — | ||
| 12 | [untitled] | — | ||
| 13 | [silence] | — | ||
| 14 | [silence] | — | ||
| 15 | [silence] | — | ||
| 16 | [untitled] | — | ||
| 17 | [untitled] | — |
Credits Graph
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What is UPC 881087355029?
881087355029 is a Universal Product Code (UPC) assigned to For Now We Know: In Part 1 by Headnoise. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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