UPC · Release
Sviatoslav Richter plays Beethoven
Beethoven, Sviatoslav Richter
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881488160307 is the Universal Product Code (UPC barcode) for the release “Sviatoslav Richter plays Beethoven” by Beethoven, Sviatoslav Richter, released 2016-01-01 on Profil Edition Günter Hänssler. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 158 tracks, each with its own ISRC. Tracks include FR8Z94721134, FR8Z94721135, FR8Z94721136.
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Track List (158)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in C major, op. 2/3 - Allegro con brio | — | ||
| 2 | Piano Sonata no. 3 in C major, op. 2/3 - Adagio | — | ||
| 3 | Piano Sonata no. 3 in C major, op. 2/3 - Scherzo: Allegro | — | ||
| 4 | Piano Sonata no. 3 in C major, op. 2/3 - Allegro assai | — | ||
| 5 | Piano Sonata no. 7 in D major, op. 10/3 - Presto | — | ||
| 6 | Piano Sonata no. 7 in D major, op. 10/3 - Largo e maestoso | — | ||
| 7 | Piano Sonata no. 7 in D major, op. 10/3 - Menuetto: Allegro | — | ||
| 8 | Piano Sonata no. 7 in D major, op. 10/3 - Rondo: Allegro | — | ||
| 9 | Piano Sonata no. 8 in c, op. 13: I Grave - Allegro di molto e con brio | — | ||
| 10 | Piano Sonata no. 8 in c, op. 13: II Adagio cantabile | — | ||
| 11 | Piano Sonata no. 8 in c, op. 13: III Rondo: Allegro | — | ||
| 12 | Piano Sonata no. 8 in c, op. 13: I Grave - Allegro di molto e con brio | — | ||
| 13 | Piano Sonata no. 8 in c, op. 13: II Adagio cantabile | — | ||
| 14 | Piano Sonata no. 8 in c, op. 13: III Rondo: Allegro | — | ||
| 2-1 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro (1947 recording) | Sviatoslav Richter | — | |
| 2-2 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto (1947 recording) | Sviatoslav Richter | — | |
| 2-3 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo (Allegro comodo) (1947 recording) | Sviatoslav Richter | — | |
| 2-4 | Piano Sonata no. 10 in G major, op. 14, no. 2 (1947 Moscow live recording): I. Allegro | — | ||
| 2-5 | Piano Sonata no. 10 in G major, op. 14, no. 2 (1947 Moscow live recording): II. Andante | — | ||
| 2-6 | Piano Sonata no. 10 in G major, op. 14, no. 2 (1947 Moscow live recording): III. Scherzo: Allegro assai | — | ||
| 2-7 | Piano Sonata no. 9 in E major, op. 14, no. 1 (1963 Paris studio recording): I. Allegro | — | ||
| 2-8 | Piano Sonata no. 9 in E major, op. 14, no. 1 (1963 Paris studio recording): II. Allegretto | — | ||
| 2-9 | Piano Sonata no. 9 in E major, op. 14, no. 1 (1963 Paris studio recording): III. Rondo: Allegro comodo | — | ||
| 2-10 | Piano Sonata no. 10 in G major, op. 14, no. 2 (1963 Paris studio recording): I. Allegro | — | ||
| 2-11 | Piano Sonata no. 10 in G major, op. 14, no. 2 (1963 Paris studio recording): II. Andante | — | ||
| 2-12 | Piano Sonata no. 10 in G major, op. 14, no. 2 (1963 Paris studio recording): III. Scherzo: Allegro assai | — | ||
| 3-1 | Piano Sonata no. 11 in B-flat major, op. 22 (1951 Moscow live recording): I. Allegro con brio | — | ||
| 3-2 | Piano Sonata no. 11 in B-flat major, op. 22 (1951 Moscow live recording): II. Adagio con molta espressione | — | ||
| 3-3 | Piano Sonata no. 11 in B-flat major, op. 22 (1951 Moscow live recording): III. Minuetto | — | ||
| 3-4 | Piano Sonata no. 11 in B-flat major, op. 22 (1951 Moscow live recording): IV. Rondo: Allegretto | — | ||
| 3-5 | Piano Sonata no. 12 in A-flat major, op. 26, "Sonate mit dem Trauermarsch": I. Andante con variazioni | — | ||
| 3-6 | Piano Sonata no. 12 in A-flat major, op. 26, "Sonate mit dem Trauermarsch": II. Scherzo: Allegro molto | — | ||
| 3-7 | Piano Sonata no. 12 in A-flat major, op. 26, "Sonate mit dem Trauermarsch": III. Marcia funebre sulla morte d'un eroe | — | ||
| 3-8 | Piano Sonata no. 12 in A-flat major, op. 26, "Sonate mit dem Trauermarsch": IV. Allegro | — | ||
| 3-9 | Piano Sonata no. 11 in B-flat major, op. 22 (1963 Paris studio recording): I. Allegro con brio | — | ||
| 3-10 | Piano Sonata no. 11 in B-flat major, op. 22 (1963 Paris studio recording): II. Adagio con molta espressione | — | ||
| 3-11 | Piano Sonata no. 11 in B-flat major, op. 22 (1963 Paris studio recording): III. Minuetto | — | ||
| 3-12 | Piano Sonata no. 11 in B-flat major, op. 22 (1963 Paris studio recording): IV. Rondo: Allegretto | — | ||
| 4-1 | Piano Sonata no. 17 in D minor, op. 31, no. 2, "Tempest" (1951 Moscow live recording): I. Largo: Allegro | — | ||
| 4-2 | Piano Sonata no. 17 in D minor, op. 31, no. 2, "Tempest" (1951 Moscow live recording): II. Adagio | — | ||
| 4-3 | Piano Sonata no. 17 in D minor, op. 31, no. 2, "Tempest" (1951 Moscow live recording): III. Allegretto | — | ||
| 4-4 | Piano Sonata no. 18 in E-flat major, op. 31, no. 3, "La Chasse": I. Allegro | — | ||
| 4-5 | Piano Sonata no. 18 in E-flat major, op. 31, no. 3, "La Chasse": II. Scherzo: Allegretto vivace | — | ||
| 4-6 | Piano Sonata no. 18 in E-flat major, op. 31, no. 3, "La Chasse": III. Menuetto: Moderato e grazioso: Trio | — | ||
| 4-7 | Piano Sonata no. 18 in E-flat major, op. 31, no. 3, "La Chasse": IV. Presto con fuoco | — | ||
| 4-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — | |
| 4-9 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | — | |
| 4-10 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | — | |
| 5-1 | Piano Sonata no. 19 in G minor, op. 49, no. 1: I. Andante | — | ||
| 5-2 | Piano Sonata no. 19 in G minor, op. 49, no. 1: II. Rondo: Allegro | — | ||
| 5-3 | Piano Sonata no. 20 in G major, op. 49, no. 2: I. Allegro ma non troppo | — | ||
| 5-4 | Piano Sonata no. 20 in G major, op. 49, no. 2: II. Tempo di menuetto | — | ||
| 5-5 | Piano Sonata no. 22 in F major, op. 54: I. in tempo d'un minuetto | — | ||
| 5-6 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto: Più allegro | — | ||
| 5-7 | Piano Sonata no. 23 in F minor, op. 57, "Appassionata" (1960 Leningrad live recording): I. Allegro assai | — | ||
| 5-8 | Piano Sonata no. 23 in F minor, op. 57, "Appassionata" (1960 Leningrad live recording): II. Andante con moto | — | ||
| 5-9 | Piano Sonata no. 23 in F minor, op. 57, "Appassionata" (1960 Leningrad live recording): III. Allegro ma non troppo: Presto | — | ||
| 6-1 | Piano Sonata no. 27 in E minor, op. 90: I. Mit lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 6-2 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 6-3 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung | — | ||
| 6-4 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmassig | — | ||
| 6-5 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll | — | ||
| 6-6 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit | — | ||
| 6-7 | Piano Sonata no. 23 in F minor, op. 57, "Appassionata" (1960 New York studio recording): I. Allegro assai | — | ||
| 6-8 | Piano Sonata no. 23 in F minor, op. 57, "Appassionata" (1960 New York studio recording): II. Andante con moto | — | ||
| 6-9 | Piano Sonata no. 23 in F minor, op. 57, "Appassionata" (1960 New York studio recording): III. Allegro ma non troppo: Presto | — | ||
| 7-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo | — | ||
| 7-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 7-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung: Andante molto cantabile ed espressivo | — | ||
| 7-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 7-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 7-6 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo: Fuga: Allegro ma non troppo | — | ||
| 7-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso: Allegro con brio ed appassionato | — | ||
| 7-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 8-1 | Diabelli Variations, op. 120: Theme. Vivace | — | ||
| 8-2 | Diabelli Variations, op. 120: Var. 1, Alla marcia, maestoso | — | ||
| 8-3 | Diabelli Variations, op. 120: Var. 2, Poco allegro | — | ||
| 8-4 | Diabelli Variations, op. 120: Var. 3, L'istesso tempo | — | ||
| 8-5 | Diabelli Variations, op. 120: Var. 4, Un poco più vivace | — | ||
| 8-6 | Diabelli Variations, op. 120: Var. 5, Allegro vivace | — | ||
| 8-7 | Diabelli Variations, op. 120: Var. 6, Allegro ma non troppo e serioso | — | ||
| 8-8 | Diabelli Variations, op. 120: Var. 7, Un poco più allegro | — | ||
| 8-9 | Diabelli Variations, op. 120: Var. 8, Poco vivace | — | ||
| 8-10 | Diabelli Variations, op. 120: Var. 9, Allegro pesante e risoluto | — | ||
| 8-11 | Diabelli Variations, op. 120: Var. 10, Presto | — | ||
| 8-12 | Diabelli Variations, op. 120: Var. 11, Allegretto | — | ||
| 8-13 | Diabelli Variations, op. 120: Var. 12, Un poco più mosso | — | ||
| 8-14 | Diabelli Variations, op. 120: Var. 13, Vivace | — | ||
| 8-15 | Diabelli Variations, op. 120: Var. 14, Grave e maestoso | — | ||
| 8-16 | Diabelli Variations, op. 120: Var. 15, Presto scherzando | — | ||
| 8-17 | Diabelli Variations, op. 120: Var. 16, Allegro | — | ||
| 8-18 | Diabelli Variations, op. 120: Var. 17, (Allegro) | — | ||
| 8-19 | Diabelli Variations, op. 120: Var. 18, Poco moderato | — | ||
| 8-20 | Diabelli Variations, op. 120: Var. 19, Presto | — | ||
| 8-21 | Diabelli Variations, op. 120: Var. 20, Andante | — | ||
| 8-22 | Diabelli Variations, op. 120: Var. 21, Allegro con brio | — | ||
| 8-23 | Diabelli Variations, op. 120: Var. 22, Allegro molto | — | ||
| 8-24 | Diabelli Variations, op. 120: Var. 23, Allegro assai | — | ||
| 8-25 | Diabelli Variations, op. 120: Var. 24, Fughetta - Andante | — | ||
| 8-26 | Diabelli Variations, op. 120: Var. 25, Allegro | — | ||
| 8-27 | Diabelli Variations, op. 120: Var. 26, Piacevole | — | ||
| 8-28 | Diabelli Variations, op. 120: Var. 27, Vivace | — | ||
| 8-29 | Diabelli Variations, op. 120: Var. 28, Allegro | — | ||
| 8-30 | Diabelli Variations, op. 120: Var. 29, Adagio ma non troppo | — | ||
| 8-31 | Diabelli Variations, op. 120: Var. 30, Andante, sempre cantabile | — | ||
| 8-32 | Diabelli Variations, op. 120: Var. 31, Largo, molto espressivo | — | ||
| 8-33 | Diabelli Variations, op. 120: Var. 32, Fuga - Allegro | — | ||
| 8-34 | Diabelli Variations, op. 120: Var. 33, Tempo di menuetto, moderato | — | ||
| 8-35 | Eroica Variations in E-flat major, op. 35: Introduzione col basso del tema | — | ||
| 8-36 | Eroica Variations in E-flat major, op. 35: Tema | — | ||
| 8-37 | Eroica Variations in E-flat major, op. 35: Var. 1 | — | ||
| 8-38 | Eroica Variations in E-flat major, op. 35: Var. 2 | — | ||
| 8-39 | Eroica Variations in E-flat major, op. 35: Var. 3 | — | ||
| 8-40 | Eroica Variations in E-flat major, op. 35: Var. 4 | — | ||
| 8-41 | Eroica Variations in E-flat major, op. 35: Var. 5 | — | ||
| 8-42 | Eroica Variations in E-flat major, op. 35: Var. 6 | — | ||
| 8-43 | Eroica Variations in E-flat major, op. 35: Var. 7 | — | ||
| 8-44 | Eroica Variations in E-flat major, op. 35: Var. 8 | — | ||
| 8-45 | Eroica Variations in E-flat major, op. 35: Var. 9 | — | ||
| 8-46 | Eroica Variations in E-flat major, op. 35: Var. 10 | — | ||
| 8-47 | Eroica Variations in E-flat major, op. 35: Var. 11 | — | ||
| 8-48 | Eroica Variations in E-flat major, op. 35: Var. 12 | — | ||
| 8-49 | Eroica Variations in E-flat major, op. 35: Var. 13 | — | ||
| 8-50 | Eroica Variations in E-flat major, op. 35: Var. 14 | — | ||
| 8-51 | Eroica Variations in E-flat major, op. 35: Var. 15 | — | ||
| 8-52 | Eroica Variations in E-flat major, op. 35: Coda | — | ||
| 8-53 | Eroica Variations in E-flat major, op. 35: Finale. Alla fuga | — | ||
| 9-1 | 6 Variations on an Original Theme in F major, op. 34 | — | ||
| 9-2 | 6 Variations on an Original Theme in D major, op. 76 | — | ||
| 9-3 | Rondo in C major, op. 51, no. 1 | — | ||
| 9-4 | Rondo in G major, op. 51, no. 2 | — | ||
| 9-5 | 7 Bagatelles, op. 33 (excerpts): no. 5 in C major | — | ||
| 9-6 | 7 Bagatelles, op. 33 (excerpts): no. 3 in F major | — | ||
| 9-7 | 11 Bagatelles, op. 119 (excerpts): no. 7 in C major | — | ||
| 9-8 | 11 Bagatelles, op. 119 (excerpts): no. 9 in A minor | — | ||
| 9-9 | 6 Bagatelles, op. 126 (excerpts): no. 1 in G major | — | ||
| 9-10 | 6 Bagatelles, op. 126 (excerpts): no. 4 in B minor | — | ||
| 9-11 | 6 Bagatelles, op. 126 (excerpts): no. 6 in E-flat major | — | ||
| 9-12 | 11 Bagatelles, op. 119: no. 2 in C major: 11 Bagatelles, Op. 119: no. 2 in C Major | — | ||
| 10-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 10-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 10-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro | — | ||
| 10-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 10-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 10-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | — | ||
| 10-7 | Rondo in B-flat major, WoO 6: Rondo in B-flat major, WoO 6 | — | ||
| 11-1 | Cello Sonata no. 1 in F major, op. 5, no. 1: I. Adagio sostenuto: Allegro | — | ||
| 11-2 | Cello Sonata no. 1 in F major, op. 5, no. 1: II. Rondo: Allegro vivace | — | ||
| 11-3 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 11-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 11-5 | Cello Sonata no. 3 in A major, op. 69: I. Allegro non tanto | — | ||
| 11-6 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo: Allegro molto | — | ||
| 11-7 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile: Allegro vivace | — | ||
| 12-1 | Cello Sonata no. 4 in C major, op. 102, no. 1: I. Andante: Allegro vivace | — | ||
| 12-2 | Cello Sonata no. 4 in C major, op. 102, no. 1: II. Adagio: Tempo d'andante: Allegro vivace | — | ||
| 12-3 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-4 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | Sviatoslav Richter, Mstislav Rostropovich | — | |
| 12-5 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Sviatoslav Richter, Mstislav Rostropovich | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | T-310.769.687-3 |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | T-310.769.687-3 |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | — |
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What is UPC 881488160307?
881488160307 is a Universal Product Code (UPC) assigned to Sviatoslav Richter plays Beethoven by Beethoven, Sviatoslav Richter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 158 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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