UPC · Release
R. Strauss, Wagner, Lortzing, Brahms, Bizet, Auber, Beethoven, Josef Strauss, Mozart, Smetana, Tchaikovsky, Borodin, Janáček, Bruckner, Naumann, Weber, Bartók, Schumann, Ravel, Elgar, Staatskapelle Dresden, Fritz Busch, Karl Böhm, Karl Elmendorff, Joseph Keilberth, Rudolf Kempe, Franz Konwitschny, Otmar Suitner, Kurt Sanderling, Martin Turnovský, Herbert Blomstedt, Hans Vonk, Giuseppe Sinopoli, Bernard Haitink, Fabio Luisi, Myung-Whun Chung, Sir Colin Davis, Christian Thielemann
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881488230079 is the Universal Product Code (UPC barcode) for the release “475 Jahre Sächsische Staatskapelle Dresden” by R. Strauss, Wagner, Lortzing, Brahms, Bizet, Auber, Beethoven, Josef Strauss, Mozart, Smetana, Tchaikovsky, Borodin, Janáček, Bruckner, Naumann, Weber, Bartók, Schumann, Ravel, Elgar, Staatskapelle Dresden, Fritz Busch, Karl Böhm, Karl Elmendorff, Joseph Keilberth, Rudolf Kempe, Franz Konwitschny, Otmar Suitner, Kurt Sanderling, Martin Turnovský, Herbert Blomstedt, Hans Vonk, Giuseppe Sinopoli, Bernard Haitink, Fabio Luisi, Myung-Whun Chung, Sir Colin Davis, Christian Thielemann. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 83 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der Bürger und sein Edelmann in G Major, op. 60b - IIIa: Menuett | — | ||
| 2 | Die Macht Des Schicksals: Ouvertüre | — | ||
| 3 | Tannhäuser und der Sängerkrieg auf der Wartburg: Ouvertüre | — | ||
| 4 | Don Quixote op. 35: Senderkennung des BBC | — | ||
| 5 | Don Quixote op. 35: Introduktion: Mäßiges Zeitmaß - Don Quixotte verliert über der Lekrtüre der Ritterromande seinen Verstand und beschließt, selbst fahrender Ritter zu werden | — | ||
| 6 | Don Quixote op. 35: Thema: Mäßig - Don Quichotte, der Ritter von der traurigen Gestalt | — | ||
| 7 | Don Quixote op. 35: Variation I: Gemächlich - Abenteuer an den Windmühlen | — | ||
| 8 | Don Quixote op. 35: Variation II: Kriegerisch - Der siegreiche Kampf gegen das Heer des großen Kaisers Alifanfaron | — | ||
| 9 | Don Quixote op. 35: Variation III: Mäßiges Zeitmaß - Gespräch zwischen Ritter und Knappen | — | ||
| 10 | Don Quixote op. 35: Variation IV: Etwas breiter - Unglückliches Abenteuer mit einer Prozession von Büßern | — | ||
| 11 | Don Quixote op. 35: Variation V: Sehr langsam - Die Waffenwache | — | ||
| 12 | Don Quixote op. 35: Variation VI: Schnell - Bewegung mit Dulzinea | — | ||
| 13 | Don Quixote op. 35: Variation VII: Ein wenig ruhiger als vorher - Der Ritt durch die Luft | — | ||
| 14 | Don Quixote op. 35: Variation VIII: Gemächlich - Die unglückliche Fahrt auf dem venezianischen Nachen | — | ||
| 15 | Don Quixote op. 35: Vatiation XI: Schnell und stürmisch - Kampf gegen den vermeintlichen Zauberer | — | ||
| 16 | Don Quixote op. 35: Vatiation X: Viel breiter - Zweikampf mit dem Ritter vom blanken Mond | — | ||
| 17 | Don Quixote op. 35: Finale: Sehr ruhig - Wieder zur Besinnung gekommen | — | ||
| 18 | Zar und Zimmerman: Holzschuh | — | ||
| 19 | Ungarischer Tanz Nr. 5 | — | ||
| 20 | Carmen: Ouvertüre | — | ||
| 21 | Frau Diavolo: Ouvertüre | — | ||
| 22 | Die Walküre: Feuerzauber | — | ||
| 2-1 | Fidelio: Ouvertüre | — | ||
| 2-2 | Die Meistersinger von Nürnberg: Prelude | — | ||
| 2-3 | Salome: Dance of the Seven Veils | — | ||
| 2-4 | Lohengrin: Prelude | — | ||
| 2-5 | Tristan und Isolde: Prelude und "Isoldes Liebestod" | — | ||
| 2-6 | Der Rosenkavalier: Introduction | — | ||
| 2-7 | Daphne, op. 82: (Daphnes Verwandlung) "Ich komme... Ich komme, grünende Brüder" | — | ||
| 2-8 | Waltz op. 235: Sphärenklänge | — | ||
| 3-1 | Til Eulenspiegel's Merry Pranks Op. 28: Til Eulenspiegel's Merry Pranks op. 28 | — | ||
| 3-2 | Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto | — | ||
| 3-3 | Symphony no. 40 in G minor, K. 550 “Great”: II. Andante | — | ||
| 3-4 | Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio | — | ||
| 3-5 | Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai | — | ||
| 3-6 | Die Entführung aus dem Serail K384: Ouvertüre | — | ||
| 3-7 | The Barted Bride: Overture | — | ||
| 3-8 | The Barted Bride: How you foam in the mugs, good juice of the bar | — | ||
| 3-9 | The Barted Bride: Furiant | — | ||
| 3-10 | The Barted Bride: Dance of the Comedians | — | ||
| 4-1 | Romeo and Juliet: Overture | — | ||
| 4-2 | Endless expanse of the steppe | — | ||
| 4-3 | Symphony no. 2 in B minor: I. Allegro | — | ||
| 4-4 | Symphony no. 2 in B minor: II. Scherzo. Prestissimo | — | ||
| 4-5 | Symphony no. 2 in B minor: III. Andante | — | ||
| 4-6 | Symphony no. 2 in B minor: IV. Finale. Allegro | — | ||
| 4-7 | Moravian Dances: Goat dance - Kozich | — | ||
| 4-8 | Moravian Dances: May dance - Kalamajka | — | ||
| 4-9 | Moravian Dances: Threesome - Trojka | — | ||
| 4-10 | Moravian Dances: Promenade - Silnice | — | ||
| 4-11 | Moravian Dances: Quadrille - Rosen | — | ||
| 4-12 | Slavnostní pochod op. 54 B88: Festival March | — | ||
| 5-1 | Symphony in E Flat Major, WAB 104: I. Bewegt, nicht zu schnell | — | ||
| 5-2 | Symphony in E Flat Major, WAB 104: II. Andante, quasi Allegretto | — | ||
| 5-3 | Symphony in E Flat Major, WAB 104: III. Scherzo. Bewegt - Trio. Nicht zu schnell, keinesfalls schleppend | — | ||
| 5-4 | Symphony in E Flat Major, WAB 104: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 5-5 | Te Deum | — | ||
| 6-1 | Oberon: Overture | — | ||
| 6-2 | Euryanthe: Dem Frieden Heil - Introduction | — | ||
| 6-3 | Preciosa: Overture | — | ||
| 6-4 | Die Sonn erwacht / Es blinken so lustig die Sterne: Die Sonn erwacht / Es blinken so lustig die Sterne | — | ||
| 6-5 | Jubilee Overture in E major op. 59 | — | ||
| 6-6 | Symphony in D Major, op. 73: I. Allegretto grazioso (quasi Andantino) | — | ||
| 6-7 | Symphony in D Major, op. 73: II. Allegro con spirito | — | ||
| 6-8 | Symphony in D Major, op. 73: III. Allegro non troppo | — | ||
| 6-9 | Symphony in D Major, op. 73: IV. Adagio non troppo | — | ||
| 7-1 | Dance Suite S 277: Moderato - Allegro molto - Allegro vivace - Molto tranquillo - Comodo - Finale: Allegro | — | ||
| 7-2 | Thus spake Zarathustra Op. 30: Introduction - From those in worlds beyond - Of great longing - Of joys and passions - The dirge - Of science - The convalescent - The dance song - Sleep-walker's song | — | ||
| 8-1 | Manfred op. 115: Overture | — | ||
| 8-2 | An Alpine Symphony Op. 64: Night - Sunrise - The ascent - Entering the wood - and more | — | ||
| 9-1 | Daphnis et Chloé Fragments symphoniques: Lever du jour- Pantomime - Danse générale | — | ||
| 9-2 | Symphony in A Flat Major, Op. 55: I. Lever du jour- Pantomime - Danse générale | — | ||
| 9-3 | Symphony in A Flat Major, Op. 55: II. Allegro molto | — | ||
| 9-4 | Symphony in A Flat Major, Op. 55: III. attacca Adagio - Molto expressivo e sostenuto | — | ||
| 9-5 | Symphony in A Flat Major, Op. 55: IV. Lento - Allegro - Grandioso | — | ||
| 10-1 | The Flying Dutchman: Ouverture | — | ||
| 10-2 | Rienzi WWV 49: Overture | — | ||
| 10-3 | Winterstürme - Twighlight of the Gods - WWV 86D: Dawn | — | ||
| 10-4 | Winterstürme - Twighlight of the Gods - WWV 86D: Siegfried's Rhine journey | — | ||
| 10-5 | Winterstürme - Twighlight of the Gods - WWV 86D: Siegfried's funeral march | — | ||
| 10-6 | Winterstürme - Twighlight of the Gods - WWV 86D: Starke Scheite schichtet mir dort | — | ||
| 10-7 | Das Liebesmahl der Apostel WWV 69: Voices from on high | — | ||
| 10-8 | Das Liebesmahl der Apostel WWV 69: The Apostles | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
881488230079 is a Universal Product Code (UPC) assigned to 475 Jahre Sächsische Staatskapelle Dresden by R. Strauss, Wagner, Lortzing, Brahms, Bizet, Auber, Beethoven, Josef Strauss, Mozart, Smetana, Tchaikovsky, Borodin, Janáček, Bruckner, Naumann, Weber, Bartók, Schumann, Ravel, Elgar, Staatskapelle Dresden, Fritz Busch, Karl Böhm, Karl Elmendorff, Joseph Keilberth, Rudolf Kempe, Franz Konwitschny, Otmar Suitner, Kurt Sanderling, Martin Turnovský, Herbert Blomstedt, Hans Vonk, Giuseppe Sinopoli, Bernard Haitink, Fabio Luisi, Myung-Whun Chung, Sir Colin Davis, Christian Thielemann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
881488230079 is the Universal Product Code (UPC barcode) for the release “475 Jahre Sächsische Staatskapelle Dresden” by R. Strauss, Wagner, Lortzing, Brahms, Bizet, Auber, Beethoven, Josef Strauss, Mozart, Smetana, Tchaikovsky, Borodin, Janáček, Bruckner, Naumann, Weber, Bartók, Schumann, Ravel, Elgar, Staatskapelle Dresden, Fritz Busch, Karl Böhm, Karl Elmendorff, Joseph Keilberth, Rudolf Kempe, Franz Konwitschny, Otmar Suitner, Kurt Sanderling, Martin Turnovský, Herbert Blomstedt, Hans Vonk, Giuseppe Sinopoli, Bernard Haitink, Fabio Luisi, Myung-Whun Chung, Sir Colin Davis, Christian Thielemann. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 83 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der Bürger und sein Edelmann in G Major, op. 60b - IIIa: Menuett | — | ||
| 2 | Die Macht Des Schicksals: Ouvertüre | — | ||
| 3 | Tannhäuser und der Sängerkrieg auf der Wartburg: Ouvertüre | — | ||
| 4 | Don Quixote op. 35: Senderkennung des BBC | — | ||
| 5 | Don Quixote op. 35: Introduktion: Mäßiges Zeitmaß - Don Quixotte verliert über der Lekrtüre der Ritterromande seinen Verstand und beschließt, selbst fahrender Ritter zu werden | — | ||
| 6 | Don Quixote op. 35: Thema: Mäßig - Don Quichotte, der Ritter von der traurigen Gestalt | — | ||
| 7 | Don Quixote op. 35: Variation I: Gemächlich - Abenteuer an den Windmühlen | — | ||
| 8 | Don Quixote op. 35: Variation II: Kriegerisch - Der siegreiche Kampf gegen das Heer des großen Kaisers Alifanfaron | — | ||
| 9 | Don Quixote op. 35: Variation III: Mäßiges Zeitmaß - Gespräch zwischen Ritter und Knappen | — | ||
| 10 | Don Quixote op. 35: Variation IV: Etwas breiter - Unglückliches Abenteuer mit einer Prozession von Büßern | — | ||
| 11 | Don Quixote op. 35: Variation V: Sehr langsam - Die Waffenwache | — | ||
| 12 | Don Quixote op. 35: Variation VI: Schnell - Bewegung mit Dulzinea | — | ||
| 13 | Don Quixote op. 35: Variation VII: Ein wenig ruhiger als vorher - Der Ritt durch die Luft | — | ||
| 14 | Don Quixote op. 35: Variation VIII: Gemächlich - Die unglückliche Fahrt auf dem venezianischen Nachen | — | ||
| 15 | Don Quixote op. 35: Vatiation XI: Schnell und stürmisch - Kampf gegen den vermeintlichen Zauberer | — | ||
| 16 | Don Quixote op. 35: Vatiation X: Viel breiter - Zweikampf mit dem Ritter vom blanken Mond | — | ||
| 17 | Don Quixote op. 35: Finale: Sehr ruhig - Wieder zur Besinnung gekommen | — | ||
| 18 | Zar und Zimmerman: Holzschuh | — | ||
| 19 | Ungarischer Tanz Nr. 5 | — | ||
| 20 | Carmen: Ouvertüre | — | ||
| 21 | Frau Diavolo: Ouvertüre | — | ||
| 22 | Die Walküre: Feuerzauber | — | ||
| 2-1 | Fidelio: Ouvertüre | — | ||
| 2-2 | Die Meistersinger von Nürnberg: Prelude | — | ||
| 2-3 | Salome: Dance of the Seven Veils | — | ||
| 2-4 | Lohengrin: Prelude | — | ||
| 2-5 | Tristan und Isolde: Prelude und "Isoldes Liebestod" | — | ||
| 2-6 | Der Rosenkavalier: Introduction | — | ||
| 2-7 | Daphne, op. 82: (Daphnes Verwandlung) "Ich komme... Ich komme, grünende Brüder" | — | ||
| 2-8 | Waltz op. 235: Sphärenklänge | — | ||
| 3-1 | Til Eulenspiegel's Merry Pranks Op. 28: Til Eulenspiegel's Merry Pranks op. 28 | — | ||
| 3-2 | Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto | — | ||
| 3-3 | Symphony no. 40 in G minor, K. 550 “Great”: II. Andante | — | ||
| 3-4 | Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio | — | ||
| 3-5 | Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai | — | ||
| 3-6 | Die Entführung aus dem Serail K384: Ouvertüre | — | ||
| 3-7 | The Barted Bride: Overture | — | ||
| 3-8 | The Barted Bride: How you foam in the mugs, good juice of the bar | — | ||
| 3-9 | The Barted Bride: Furiant | — | ||
| 3-10 | The Barted Bride: Dance of the Comedians | — | ||
| 4-1 | Romeo and Juliet: Overture | — | ||
| 4-2 | Endless expanse of the steppe | — | ||
| 4-3 | Symphony no. 2 in B minor: I. Allegro | — | ||
| 4-4 | Symphony no. 2 in B minor: II. Scherzo. Prestissimo | — | ||
| 4-5 | Symphony no. 2 in B minor: III. Andante | — | ||
| 4-6 | Symphony no. 2 in B minor: IV. Finale. Allegro | — | ||
| 4-7 | Moravian Dances: Goat dance - Kozich | — | ||
| 4-8 | Moravian Dances: May dance - Kalamajka | — | ||
| 4-9 | Moravian Dances: Threesome - Trojka | — | ||
| 4-10 | Moravian Dances: Promenade - Silnice | — | ||
| 4-11 | Moravian Dances: Quadrille - Rosen | — | ||
| 4-12 | Slavnostní pochod op. 54 B88: Festival March | — | ||
| 5-1 | Symphony in E Flat Major, WAB 104: I. Bewegt, nicht zu schnell | — | ||
| 5-2 | Symphony in E Flat Major, WAB 104: II. Andante, quasi Allegretto | — | ||
| 5-3 | Symphony in E Flat Major, WAB 104: III. Scherzo. Bewegt - Trio. Nicht zu schnell, keinesfalls schleppend | — | ||
| 5-4 | Symphony in E Flat Major, WAB 104: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 5-5 | Te Deum | — | ||
| 6-1 | Oberon: Overture | — | ||
| 6-2 | Euryanthe: Dem Frieden Heil - Introduction | — | ||
| 6-3 | Preciosa: Overture | — | ||
| 6-4 | Die Sonn erwacht / Es blinken so lustig die Sterne: Die Sonn erwacht / Es blinken so lustig die Sterne | — | ||
| 6-5 | Jubilee Overture in E major op. 59 | — | ||
| 6-6 | Symphony in D Major, op. 73: I. Allegretto grazioso (quasi Andantino) | — | ||
| 6-7 | Symphony in D Major, op. 73: II. Allegro con spirito | — | ||
| 6-8 | Symphony in D Major, op. 73: III. Allegro non troppo | — | ||
| 6-9 | Symphony in D Major, op. 73: IV. Adagio non troppo | — | ||
| 7-1 | Dance Suite S 277: Moderato - Allegro molto - Allegro vivace - Molto tranquillo - Comodo - Finale: Allegro | — | ||
| 7-2 | Thus spake Zarathustra Op. 30: Introduction - From those in worlds beyond - Of great longing - Of joys and passions - The dirge - Of science - The convalescent - The dance song - Sleep-walker's song | — | ||
| 8-1 | Manfred op. 115: Overture | — | ||
| 8-2 | An Alpine Symphony Op. 64: Night - Sunrise - The ascent - Entering the wood - and more | — | ||
| 9-1 | Daphnis et Chloé Fragments symphoniques: Lever du jour- Pantomime - Danse générale | — | ||
| 9-2 | Symphony in A Flat Major, Op. 55: I. Lever du jour- Pantomime - Danse générale | — | ||
| 9-3 | Symphony in A Flat Major, Op. 55: II. Allegro molto | — | ||
| 9-4 | Symphony in A Flat Major, Op. 55: III. attacca Adagio - Molto expressivo e sostenuto | — | ||
| 9-5 | Symphony in A Flat Major, Op. 55: IV. Lento - Allegro - Grandioso | — | ||
| 10-1 | The Flying Dutchman: Ouverture | — | ||
| 10-2 | Rienzi WWV 49: Overture | — | ||
| 10-3 | Winterstürme - Twighlight of the Gods - WWV 86D: Dawn | — | ||
| 10-4 | Winterstürme - Twighlight of the Gods - WWV 86D: Siegfried's Rhine journey | — | ||
| 10-5 | Winterstürme - Twighlight of the Gods - WWV 86D: Siegfried's funeral march | — | ||
| 10-6 | Winterstürme - Twighlight of the Gods - WWV 86D: Starke Scheite schichtet mir dort | — | ||
| 10-7 | Das Liebesmahl der Apostel WWV 69: Voices from on high | — | ||
| 10-8 | Das Liebesmahl der Apostel WWV 69: The Apostles | — |
