UPC · Release
Königskinder / The King’s Children
Engelbert Humperdinck, Dagmar Schellenberger, Thomas Moser, Dietrich Henschel, Marilyn Schmiege, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Fabio Luisi
Last verified:
881488501728 is the Universal Product Code (UPC barcode) for the release “Königskinder / The King’s Children” by Engelbert Humperdinck, Dagmar Schellenberger, Thomas Moser, Dietrich Henschel, Marilyn Schmiege, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Fabio Luisi, released 2005-01-01 on Profil. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Königskinder: I. Akt. Intro | — | ||
| 2 | Königskinder: I. Akt. “He! Trulle! Wo mag sie nur stecken?” | — | ||
| 3 | Königskinder: I. Akt. “Ach, bin ich allein!” | — | ||
| 4 | Königskinder: I. Akt. “Ich biete dir gute Zeite!” | — | ||
| 5 | Königskinder: I. Akt. “Was ist ein König?” | — | ||
| 6 | Königskinder: I. Akt. “Willst du mein Maienbuhle sein” | — | ||
| 7 | Königskinder: I. Akt. “Der Wind! Hat den Kranz mir abgeweht!” | — | ||
| 8 | Königskinder: I. Akt. “Hörst du nicht?” | — | ||
| 9 | Königskinder: I. Akt. “Drei Narren zogen aus” | — | ||
| 10 | Königskinder: I. Akt. “Sintemalen in Hellabrunn“ | — | ||
| 11 | Königskinder: I. Akt. “Was packst du dich nicht mit deinen Gesellen?” | — | ||
| 12 | Königskinder: I. Akt. “Vater, Mutter! Hier will ich knien!“ | — | ||
| 2-1 | Königskinder: II. Akt. Intro | — | ||
| 2-2 | Königskinder: II. Akt. “Jungfer, das ist ein Leben in der Stadt!” | — | ||
| 2-3 | Königskinder: II. Akt. “Kommt ihr nicht ein Kleines herunter?” | — | ||
| 2-4 | Königskinder: II. Akt. “Ei, ist das schwer, ein Bettler sein!” | — | ||
| 2-5 | Königskinder: II. Akt. “Torwächter, macht uns auf!” | — | ||
| 2-6 | Königskinder: II. Akt. “Vivat der Holzhacker!” | — | ||
| 2-7 | Königskinder: II. Akt. “Du! Mann!” | — | ||
| 2-8 | Königskinder: II. Akt. “Die Ratsherren kommen!” | — | ||
| 2-9 | Königskinder: II. Akt. “Die Glocken! Mittag!” | — | ||
| 3-1 | Königskinder: III. Akt. Intro | — | ||
| 3-2 | Königskinder: III. Akt. “Meine grauen Täublein! Seid in der Nähe?” | — | ||
| 3-3 | Königskinder: III. Akt. “Hier, Besenbinder, hier ist die Wende” | — | ||
| 3-4 | Königskinder: III. Akt. “Nicht stören! Geht fort!” | — | ||
| 3-5 | Königskinder: III. Akt. “Wohin bist du gegangen?” | — | ||
| 3-6 | Königskinder: III. Akt. “Du Lieber!” | — | ||
| 3-7 | Königskinder: III. Akt. “Wir sind Bettler!” | — | ||
| 3-8 | Königskinder: III. Akt. “Eins hatt' ich Gold …” | — | ||
| 3-9 | Königskinder: III. Akt. “Hast schon wieder ein wenig rot …” | — | ||
| 3-10 | Königskinder: III. Akt. “Tapfer, ihr Kinder, voran!” | — | ||
| 3-11 | Königskinder: III. Akt. “Verdorben! Gestorben!” | — |
Additional database matches (32)
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What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 881488501728?
881488501728 is a Universal Product Code (UPC) assigned to Königskinder / The King’s Children by Engelbert Humperdinck, Dagmar Schellenberger, Thomas Moser, Dietrich Henschel, Marilyn Schmiege, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Fabio Luisi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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