UPC · Release
Various Artists
Last verified:
883717016225 is the Universal Product Code (UPC barcode) for the release “White Boy Blues” by Various Artists, released 2004-03-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’m Your Witch Doctor | — | ||
| 2 | Man of the World | — | ||
| 3 | I’m a Man | — | ||
| 4 | Baby What’s Wrong | — | ||
| 5 | Boom Boom | — | ||
| 6 | They Call It Stormy Monday Blues, Part 1 | — | ||
| 7 | L.A. Breakdown | — | ||
| 8 | Train Time | — | ||
| 9 | Tribute to Elmore | — | ||
| 10 | Steelin’ | — | ||
| 11 | I Tried | — | ||
| 12 | Freight Loader | — | ||
| 13 | Look Down at My Woman | — | ||
| 14 | Cry Me a River | — | ||
| 15 | Dimples | — | ||
| 2-1 | Five Long Years | — | ||
| 2-2 | Bright Lights | — | ||
| 2-3 | Telephone Blues | — | ||
| 2-4 | Can I Get a Witness | — | ||
| 2-5 | See See Rider | — | ||
| 2-6 | Little Miss Understood | — | ||
| 2-7 | Gin House Blues | — | ||
| 2-8 | Snake Drive | — | ||
| 2-9 | Ain’t Gonna Cry No More | — | ||
| 2-10 | Can’t Quit You Baby | — | ||
| 2-11 | Draiggin’ My Tail | — | ||
| 2-12 | Don’t Want You No More | — | ||
| 2-13 | Spoonful | — | ||
| 2-14 | Stormy Monday | — | ||
| 2-15 | Peter Gunn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
883717016225 is a Universal Product Code (UPC) assigned to White Boy Blues by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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