UPC · Release
Doctor Who: The BBC Radio Episodes
Barry Letts, Victor Pemberton, Bernard Venables, Adrian Mourby, Eric Saward
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883761467561 is the Universal Product Code (UPC barcode) for the release “Doctor Who: The BBC Radio Episodes” by Barry Letts, Victor Pemberton, Bernard Venables, Adrian Mourby, Eric Saward, released 2011-01-01 on BBC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 156 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (156)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Episode 1, Part 1: Opening Titles | — | ||
| 2 | Episode 1, Part 2: Good Publicity | — | ||
| 3 | Episode 1, Part 3: Interview with the Doctor | — | ||
| 4 | Episode 1, Part 4: A Visit to Space World | — | ||
| 5 | Episode 1, Part 5: Don't Laugh, Here Comes Jeremy | — | ||
| 6 | Episode 1, Part 6: Guided Tour | — | ||
| 7 | Episode 1, Part 7: Experienced Reality | — | ||
| 8 | Episode 1, Part 8: The Means to Control the World | — | ||
| 9 | Episode 1, Part 9: Remote Control Murder | — | ||
| 10 | Episode 2, Part 1: Opening Titles | — | ||
| 11 | Episode 2, Part 2: Discussions After the Fall | — | ||
| 12 | Episode 2, Part 3: Post Mortem | — | ||
| 13 | Episode 2, Part 4: Freeth Surprised | — | ||
| 14 | Episode 2, Part 5: Space World After Hours | — | ||
| 15 | Episode 2, Part 6: Sarah Stows Away | — | ||
| 16 | Episode 2, Part 7: Tragan Revealed | — | ||
| 17 | Episode 2, Part 8: Next Stop: Parakon | — | ||
| 18 | Episode 3, Part 1: Opening Titles | — | ||
| 19 | Episode 3, Part 2: Blestinu | — | ||
| 20 | Episode 3, Part 3: Fortress Tragan | — | ||
| 21 | Episode 3, Part 4: The President’s Palace, Parakon | — | ||
| 22 | Episode 3, Part 5: Experienced Reality: The Kill | — | ||
| 23 | Episode 3, Part 6: Selling Paradise | — | ||
| 2-1 | Episode 3, Part 7: Everything That Money Can Buy | — | ||
| 2-2 | Episode 3, Part 8: Drig-Drig and Blip-Juice | — | ||
| 2-3 | Episode 3, Part 9: The Paradise Equation | — | ||
| 2-4 | Episode 4, Part 1: Opening Titles | — | ||
| 2-5 | Episode 4, Part 2: Imprisonment and Escape | — | ||
| 2-6 | Episode 4, Part 3: Onya Tells of Paradise Lost | — | ||
| 2-7 | Episode 4, Part 4: At the Place of No Hope | — | ||
| 2-8 | Episode 4, Part 5: On Foot to Skyland | — | ||
| 2-9 | Episode 4, Part 6: The Land in the Sky | — | ||
| 2-10 | Episode 4, Part 7: Waldo Rudley on the Run | — | ||
| 2-11 | Episode 4, Part 8: Rescue Mission | — | ||
| 2-12 | Episode 5, Part 1: Opening Titles | — | ||
| 2-13 | Episode 5, Part 2: Gift to the Gargan | — | ||
| 2-14 | Episode 5, Part 3: Preparations for Attack | — | ||
| 2-15 | Episode 5, Part 4: Return to Parakon | — | ||
| 2-16 | Episode 5, Part 5: Preparation for the Games | — | ||
| 2-17 | Episode 5, Part 6: The Awful Truth | — | ||
| 2-18 | Episode 5, Part 7: Hors D’oeuvre | — | ||
| 2-19 | Episode 5, Part 8: The Brigadier Attacks | — | ||
| 2-20 | Episode 5, Part 9: Introduction to the Big Fight | — | ||
| 2-21 | Episode 5, Part 10: Last Combat | — | ||
| 2-22 | Episode 5, Part 11: Epilogue | — | ||
| 2-23 | Episode 5, Part 12: Closing Titles | — | ||
| 3-1 | Episode 1, Part 1: Opening Titles | — | ||
| 3-2 | Episode 1, Part 2: The Brigadier’s Uncle | — | ||
| 3-3 | Episode 1, Part 3: A Summons From Sicily | — | ||
| 3-4 | Episode 1, Part 4: Talking Business | — | ||
| 3-5 | Episode 1, Part 5: San Stefano Minore | — | ||
| 3-6 | Episode 1, Part 6: The Lady in White | — | ||
| 3-7 | Episode 1, Part 7: Synchronicity | — | ||
| 3-8 | Episode 1, Part 8: N-Space | — | ||
| 3-9 | Episode 2, Part 1: Opening Titles | — | ||
| 3-10 | Episode 2, Part 2: Action Replay | — | ||
| 3-11 | Episode 2, Part 3: A Visit From Vilmio | — | ||
| 3-12 | Episode 2, Part 4: Rat Skull and Boiled Egg | — | ||
| 3-13 | Episode 2, Part 5: The Mystery of the Castello | — | ||
| 3-14 | Episode 2, Part 6: Out of the Body 1 | — | ||
| 3-15 | Episode 2, Part 7: Out of the Body 2 | — | ||
| 3-16 | Episode 2, Part 8: Plans for an Accident | — | ||
| 3-17 | Episode 2, Part 9: 1818 | — | ||
| 3-18 | Episode 2, Part 10: At Dinner | — | ||
| 4-1 | Episode 3, Part 1: Opening Titles | — | ||
| 4-2 | Episode 3, Part 2: A Touch of Concussion | — | ||
| 4-3 | Episode 3, Part 3: Dinner Resumed | — | ||
| 4-4 | Episode 3, Part 4: Jeremy the Spy | — | ||
| 4-5 | Episode 3, Part 5: Louisa’s Secrets | — | ||
| 4-6 | Episode 3, Part 6: Blunderbuss | — | ||
| 4-7 | Episode 3, Part 7: Louisa’s Last Secret | — | ||
| 4-8 | Episode 3, Part 8: Jeremy Interrogated | — | ||
| 4-9 | Episode 3, Part 9: A Fiend and a Warning | — | ||
| 4-10 | Episode 3, Part 10: Maggie and Jeremy | — | ||
| 4-11 | Episode 3, Part 11: Maximilian | — | ||
| 4-12 | Episode 4, Part 1: Opening Titles | — | ||
| 4-13 | Episode 4, Part 2: Lifeboat | — | ||
| 4-14 | Episode 4, Part 3: Jack and Guido | — | ||
| 4-15 | Episode 4, Part 4: Council of War | — | ||
| 4-16 | Episode 4, Part 5: The Alchemists’ Code | — | ||
| 4-17 | Episode 4, Part 6: Dungeon | — | ||
| 4-18 | Episode 4, Part 7: Defensive Measures | — | ||
| 4-19 | Episode 4, Part 8: A Debt Repaid | — | ||
| 4-20 | Episode 4, Part 9: Stop the Clock | — | ||
| 5-1 | Episode 5, Part 1: Opening Titles | — | ||
| 5-2 | Episode 5, Part 2: Celebration Breakfast | — | ||
| 5-3 | Episode 5, Part 3: The Attack Begins | — | ||
| 5-4 | Episode 5, Part 4: Maggie’s Rapture | — | ||
| 5-5 | Episode 5, Part 5: Connoisseur of Wonders | — | ||
| 5-6 | Episode 5, Part 6: Maggie’s Flames | — | ||
| 5-7 | Episode 5, Part 7: Clancy’s Comet | — | ||
| 5-8 | Episode 5, Part 8: Ouroboros | — | ||
| 5-9 | Episode 5, Part 9: Interlude in the TARDIS | — | ||
| 5-10 | Episode 5, Part 10: H-Hour | — | ||
| 5-11 | Episode 6, Part 1: Opening Titles | — | ||
| 5-12 | Episode 6, Part 2: Spaghetti and Insomnia | — | ||
| 5-13 | Episode 6, Part 3: Maximilian’s Hell | — | ||
| 5-14 | Episode 6, Part 4: Duel | — | ||
| 5-15 | Episode 6, Part 5: Well Done, Jeremy! | — | ||
| 5-16 | Episode 6, Part 6: Louisa’s Release | — | ||
| 5-17 | Episode 6, Part 7: Maximilian Vanquished | — | ||
| 5-18 | Episode 6, Part 8: Minstrel | — | ||
| 5-19 | Episode 6, Part 9: Closing Titles | — | ||
| 6-1 | Part 1, Track 1: Opening Theme / Introduction | — | ||
| 6-2 | Part 1, Track 2: The Beach | — | ||
| 6-3 | Part 1, Track 3: The Lost Expeditions | — | ||
| 6-4 | Part 1, Track 4: Underwater Exploration | — | ||
| 6-5 | Part 1, Track 5: The Doctor Explains | — | ||
| 6-6 | Part 1, Track 6: The Pescaton Attacks | — | ||
| 6-7 | Part 1, Track 7: London Zoo | — | ||
| 6-8 | Part 1, Track 8: The Aquarium Hall | — | ||
| 6-9 | Part 1, Track 9: Meteorites | — | ||
| 6-10 | Part 2, Track 1: Opening Theme and Reprise | — | ||
| 6-11 | Part 2, Track 2: Pescaton Invasion | — | ||
| 6-12 | Part 2, Track 3: Pesca | — | ||
| 6-13 | Part 2, Track 4: A Desolate Panorama | — | ||
| 6-14 | Part 2, Track 5: Zor | — | ||
| 6-15 | Part 2, Track 6: London: An Uneasy Calm | — | ||
| 6-16 | Part 2, Track 7: Pescaton Onslaught | — | ||
| 6-17 | Part 2, Track 8: The Doctor and Sarah Are Attacked | — | ||
| 6-18 | Part 2, Track 9: A Pescaton Trapped Underground | — | ||
| 6-19 | Part 2, Track 10: The Hunt for Zor | — | ||
| 6-20 | Part 2, Track 11: The Final Confrontation | — | ||
| 6-21 | Part 2, Track 12: The End of Pesca / Closing Theme | — | ||
| 7-1 | Exploration Earth, Part 1: Opening Titles | — | ||
| 7-2 | Exploration Earth, Part 2: Lost in Space | — | ||
| 7-3 | Exploration Earth, Part 3: The Beginning of the Earth | — | ||
| 7-4 | Exploration Earth, Part 4: The High Lord of Chaos | — | ||
| 7-5 | Exploration Earth, Part 5: The Earth Torn Apart | — | ||
| 7-6 | Exploration Earth, Part 6: The End of Chaos | — | ||
| 7-7 | Whatever Happened to ... Susan? Part 1 | — | ||
| 7-8 | Whatever Happened to ... Susan? Part 2 | — | ||
| 7-9 | Whatever Happened to ... Susan? Part 3 | — | ||
| 7-10 | Whatever Happened to ... Susan? Part 4 | — | ||
| 7-11 | Whatever Happened to ... Susan? Part 5 | — | ||
| 8-1 | Episode 1, Part 1: Something Nasty in the Ducting | — | ||
| 8-2 | Episode 1, Part 2: Opening Titles | — | ||
| 8-3 | Episode 1, Part 3: The Dissolute Time Lord | — | ||
| 8-4 | Episode 1, Part 4: Bath Time | — | ||
| 8-5 | Episode 2, Part 1: Opening Titles | — | ||
| 8-6 | Episode 2, Part 2: Running from the Maston | — | ||
| 8-7 | Episode 2, Part 3: The Voice Within | — | ||
| 8-8 | Episode 3, Part 1: Opening Titles | — | ||
| 8-9 | Episode 3, Part 2: Seedle and Snatch | — | ||
| 8-10 | Episode 3, Part 3: Barton | — | ||
| 8-11 | Episode 4, Part 1: Opening Titles | — | ||
| 8-12 | Episode 4, Part 2: Den of Iniquity | — | ||
| 8-13 | Episode 4, Part 3: The Search Begins | — | ||
| 8-14 | Episode 5, Part 1: Opening Titles | — | ||
| 8-15 | Episode 5, Part 2: The Meeting of the Minds | — | ||
| 8-16 | Episode 5, Part 3: The Search Ends | — | ||
| 8-17 | Episode 6, Part 1: Opening Titles | — | ||
| 8-18 | Episode 6, Part 2: Mors Immedicabilis | — | ||
| 8-19 | Episode 6, Part 3: Snatch Lunch | — | ||
| 8-20 | Episode 6, Part 4: The Eclipse of Time | — | ||
| 8-21 | Episode 6, Part 5: Closing Titles | — |
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What is UPC 883761467561?
883761467561 is a Universal Product Code (UPC) assigned to Doctor Who: The BBC Radio Episodes by Barry Letts, Victor Pemberton, Bernard Venables, Adrian Mourby, Eric Saward. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 156 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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