UPC · Release
The Collected Works
Sol Invictus
884388303232
389 tracksReleased 2011-01-01Auerbach Tonträger
Last verified:
884388303232 is the Universal Product Code (UPC barcode) for the release “The Collected Works” by Sol Invictus, released 2011-01-01 on Auerbach Tonträger. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 389 tracks, each with its own ISRC. Tracks include DES561192201, DES561192202, DES561192203.
Format
8Number system
84388Manufacturer
30323Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Collected Works
ISRC27 recordings
ISWC7 works
Track List (389)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Angels Fall | — | ||
| 2 | Raven Chorus | — | ||
| 3 | Against the Modern World | — | ||
| 4 | Long Live Death | — | ||
| 5 | A Ship Is Burning | — | ||
| 6 | [untitled] | — | ||
| 7 | Summer Ends | — | ||
| 8 | Wolf-Age, Axe-Age | — | ||
| 9 | The Joy of the World | — | ||
| 10 | Looking for Europe | — | ||
| 11 | Amongst the Ruins | — | ||
| 12 | Black Easter | — | ||
| 13 | Untitled II | — | ||
| 14 | Heroes' Day | — | ||
| 15 | Hammer or the Anvil | — | ||
| 16 | Abattoirs of Love | — | ||
| 17 | See the Dove Fall | — | ||
| 2-1 | Angels Fall | — | ||
| 2-2 | Rise and Fall | — | ||
| 2-3 | The World Turns | — | ||
| 2-4 | The Runes | — | ||
| 2-5 | Gold Is King | — | ||
| 2-6 | TWA Corbies | — | ||
| 2-7 | Somewhere in Europe | — | ||
| 2-8 | Media | — | ||
| 2-9 | Abattoirs of Love | — | ||
| 2-10 | Raven Chorus | — | ||
| 3-1 | Intro / Rex Talionis | — | ||
| 3-2 | Angels Fall | — | ||
| 3-3 | English Murder | — | ||
| 3-4 | Lex Talionis | — | ||
| 3-5 | Fields | — | ||
| 3-6 | Trees in Winter | — | ||
| 3-7 | Raven Chorus | — | ||
| 3-8 | Tooth and Claw | — | ||
| 3-9 | Black Easter | — | ||
| 3-10 | Death of the West | — | ||
| 3-11 | Rex Talionis | — | ||
| 3-12 | Against the Modern World | — | ||
| 3-13 | A Ship Is Burning | — | ||
| 4-1 | Blood and Wine | — | ||
| 4-2 | Lex Talionis | — | ||
| 4-3 | Black Easter | — | ||
| 4-4 | Kneel to the Cross | — | ||
| 4-5 | The Ruins | — | ||
| 4-6 | Tooth and Claw | — | ||
| 4-7 | Blood Against Gold | — | ||
| 4-8 | Fields | — | ||
| 4-9 | Abattoirs of Love | — | ||
| 4-10 | Heroes' Day | — | ||
| 4-11 | Rex Talionis | — | ||
| 4-12 | Wine and Blood | — | ||
| 4-13 | Reynardine & Abattoirs of Love (LP version) | — | ||
| 4-14 | The Hammer or the Anvil (From original DAT) | — | ||
| 4-15 | Fields | — | ||
| 4-16 | Abattoirs of Love (edit) | — | ||
| 5-1 | English Murder | — | ||
| 5-2 | Sawney Bean | — | ||
| 5-3 | Gold Is King | — | ||
| 5-4 | Media | — | ||
| 5-5 | Looking for Europe | — | ||
| 5-6 | Here We Stand | — | ||
| 5-7 | Michael | — | ||
| 5-8 | Deceit | — | ||
| 5-9 | Blood of Summer | — | ||
| 5-10 | Trees in Winter | — | ||
| 5-11 | Somewhere in Europe | — | ||
| 5-12 | Looking for Europe | — | ||
| 6-1 | Like a Sword | — | ||
| 6-2 | In a Silent Place | — | ||
| 6-3 | Let Us Prey | — | ||
| 6-4 | The Killing Tide | — | ||
| 6-5 | Figures on a Beach | — | ||
| 6-6 | The Man Next Door Is Very Strange | — | ||
| 6-7 | Our Lady of the Missing Presumed Dead | — | ||
| 6-8 | The Wild Hunt - Something Grim This Way Comes | — | ||
| 6-9 | A Figure on a Beach | — | ||
| 6-10 | The World Turns | — | ||
| 6-11 | English Murder | — | ||
| 6-12 | Fields | — | ||
| 6-13 | Raven Chorus | — | ||
| 6-14 | Black Easter | — | ||
| 6-15 | Death of the West | — | ||
| 6-16 | Somewhere in Europe | — | ||
| 7-1 | Sun & Moon | — | ||
| 7-2 | The Gods Looked Down | — | ||
| 7-3 | Tears and Rain | — | ||
| 7-4 | The Return | — | ||
| 7-5 | Lonely Crawls the Night | — | ||
| 7-6 | Edward | — | ||
| 7-7 | World Turn Green | — | ||
| 7-8 | Someday | — | ||
| 7-9 | All's Well in Hell | — | ||
| 7-10 | The Watching Moon | — | ||
| 7-11 | King & Queen | — | ||
| 7-12 | Against the Modern World | — | ||
| 7-13 | Blood Against Gold | — | ||
| 7-14 | Media | — | ||
| 7-15 | Angels Fall | — | ||
| 7-16 | Gold Is King | — | ||
| 7-17 | A Ship Is Burning | — | ||
| 7-18 | Somewhere in Europe | — | ||
| 7-19 | Tooth and Claw | — | ||
| 8-1 | Angels Fall | — | ||
| 8-2 | Fields | — | ||
| 8-3 | English Murder | — | ||
| 8-4 | Lex Talionis | — | ||
| 8-5 | In a Silent Place | — | ||
| 8-6 | Gold Is King | — | ||
| 8-7 | Lonely Crawls the Night | — | ||
| 8-8 | Blood of Summer | — | ||
| 8-9 | Trees in Winter | — | ||
| 8-10 | World Turn Green | — | ||
| 8-11 | Like a Sword | — | ||
| 8-12 | Sawney Bean | — | ||
| 8-13 | Somewhere in Europe | — | ||
| 8-14 | Let Us Prey | — | ||
| 8-15 | The Killing Tide | — | ||
| 8-16 | Death of the West | — | ||
| 8-17 | Against the Modern World | — | ||
| 9-1 | Amongst the Ruins | — | ||
| 9-2 | Summer Ends | — | ||
| 9-3 | Abattoirs of Love | — | ||
| 9-4 | The Fool | — | ||
| 9-5 | Lonely Crawls the Night | — | ||
| 9-6 | Media | — | ||
| 9-7 | Like a Sword | — | ||
| 9-8 | Trees in Winter | — | ||
| 9-9 | Somewhere in Europe | — | ||
| 9-10 | Fields | — | ||
| 9-11 | Holy Water | — | ||
| 9-12 | Against the Modern World | — | ||
| 9-13 | The Death of the West | — | ||
| 9-14 | A Ship Is Burning | — | ||
| 9-15 | Kneel to the Cross | — | ||
| 10-1 | Angels Fall | — | ||
| 10-2 | Fields | — | ||
| 10-3 | English Murder | — | ||
| 10-4 | In a Silent Place | — | ||
| 10-5 | Gold Is King | — | ||
| 10-6 | Lonely Crawls the Night | — | ||
| 10-7 | Blood of Summer | — | ||
| 10-8 | Trees in Winter | — | ||
| 10-9 | World Turn Green | — | ||
| 10-10 | Like a Sword | — | ||
| 10-11 | Let Us Prey | — | ||
| 10-12 | The Killing Tide | — | ||
| 11-2 | Tooth & Claw | — | ||
| 11-3 | Angels Fall | — | ||
| 11-4 | English Murder | — | ||
| 11-5 | Fields | — | ||
| 11-6 | World Turned Green | — | ||
| 11-7 | Abattoirs of Love | — | ||
| 11-8 | Sheath & Knife | — | ||
| 11-9 | The Killing Tide | — | ||
| 11-10 | Like a Sword | — | ||
| 11-11 | Kneel to the Cross | — | ||
| 12-1 | La Croix | — | ||
| 12-2 | The Fool | — | ||
| 12-3 | Double Cross | — | ||
| 12-4 | Come the Horsemen | — | ||
| 12-5 | The Wheel of the Sun | — | ||
| 12-6 | The Yew | — | ||
| 12-7 | La Croix | — | ||
| 12-8 | La Croix (live) | — | ||
| 13-1 | In the West | — | ||
| 13-2 | Sheath and Knife | — | ||
| 13-3 | Amongst the Ruins | — | ||
| 13-4 | Kneel to the Cross | — | ||
| 13-5 | The West | — | ||
| 13-6 | Death of the West | — | ||
| 13-7 | Here Am I | — | ||
| 13-8 | Our Lady of the Wildflowers | — | ||
| 13-9 | Petals From a Rose | — | ||
| 13-10 | Come, Join the Dance | — | ||
| 13-11 | In the West | — | ||
| 13-12 | On and On | — | ||
| 13-13 | The Coffin Road | — | ||
| 13-14 | Above Us the Sun | — | ||
| 14-1 | Europa in the Rain I | — | ||
| 14-2 | Stay | — | ||
| 14-3 | Believe Me | — | ||
| 14-4 | Down the Years | — | ||
| 14-5 | In the Rain | — | ||
| 14-6 | Fall Like Rain | — | ||
| 14-7 | Oh What Fun | — | ||
| 14-8 | An English Garden | — | ||
| 14-9 | The World Shrugged | — | ||
| 14-10 | In Days to Come | — | ||
| 14-11 | Europa in the Rain II | — | ||
| 14-12 | Hedda Gabbler | — | ||
| 14-13 | Did You See | — | ||
| 15-1 | Cupid & Death I | — | ||
| 15-2 | Le Lac Noir | — | ||
| 15-3 | Jardin Du Luxembourg | — | ||
| 15-4 | La Nuit Est Arrivée | — | ||
| 15-5 | The Day of the Angel | — | ||
| 15-6 | A Rose in Hell | — | ||
| 15-7 | Heaven & Hell | — | ||
| 15-8 | Cupid & Death II | — | ||
| 15-9 | Summer Ends | — | ||
| 15-10 | Media | — | ||
| 15-11 | Somewhere in Europe | — | ||
| 15-12 | A Ship Is Burning | — | ||
| 15-13 | Above Us the Sun | — | ||
| 16-1 | The Blade | Sol Invictus | T-071.029.524-1 | |
| 16-2 | In Heaven | Sol Invictus | T-071.396.189-7 | |
| 16-3 | Time Flies | Sol Invictus | — | |
| 16-4 | The House Above the World | Sol Invictus | — | |
| 16-5 | Laws and Crowns | Sol Invictus | — | |
| 16-6 | Once Upon a Time | Sol Invictus | T-901.465.505-1 | |
| 16-7 | See How We Fall | Sol Invictus | — | |
| 16-8 | Gealdor | Sol Invictus | — | |
| 16-9 | From the Wreckage | Sol Invictus | — | |
| 16-10 | Nothing Here | Sol Invictus | — | |
| 16-11 | Remember and Forget | Sol Invictus | — | |
| 16-13 | Time to Meet the King | Sol Invictus | — | |
| 16-15 | Only I Know | Sol Invictus | — | |
| 16-16 | In God We Trust | Sol Invictus | — | |
| 17-1 | Invocation | — | ||
| 17-2 | Media | — | ||
| 17-3 | The Fool | — | ||
| 17-4 | The Return | — | ||
| 17-5 | Cupid & Death | — | ||
| 17-6 | A Rose in Hell | — | ||
| 17-7 | Believe Me | — | ||
| 17-8 | Paths | — | ||
| 17-9 | A Ship Is Burning | — | ||
| 17-10 | Against the Modern World | — | ||
| 17-11 | Double Cross | — | ||
| 17-12 | In Europa | — | ||
| 17-13 | Sheath & Knife | — | ||
| 17-14 | English Murder | — | ||
| 17-15 | Abattoirs of Love | — | ||
| 17-16 | Summer Ends | — | ||
| 17-17 | Come the Horsemen | — | ||
| 17-18 | Ave Maria | — | ||
| 17-19 | Quartet Noir: Petals From a Rose | — | ||
| 18-1 | Ave Maria | — | ||
| 18-2 | O Rubor Sanguinis | — | ||
| 18-3 | Come the Morning | — | ||
| 18-4 | Summer Ends | — | ||
| 18-5 | Media | — | ||
| 18-6 | The Fool | — | ||
| 18-7 | Fields | — | ||
| 18-8 | Abattoirs of Love | — | ||
| 18-9 | The Praties Song | — | ||
| 18-10 | Believe Me | — | ||
| 18-11 | The Widow | — | ||
| 18-12 | Remember and Forget | — | ||
| 18-13 | In Europa | — | ||
| 18-14 | Death of the West | — | ||
| 18-15 | A Ship Is Burning | — | ||
| 18-16 | Against the Modern World | — | ||
| 18-17 | Sheath and Knife | — | ||
| 18-18 | Fields | — | ||
| 19-1 | Europa | — | ||
| 19-2 | Come the Morning | — | ||
| 19-3 | O Rubor Sanguinis | — | ||
| 19-4 | Song of the Flower | — | ||
| 19-5 | Ave Maria | — | ||
| 19-6 | In a Garden Green | — | ||
| 19-7 | The Praties Song | — | ||
| 19-8 | No One | — | ||
| 19-9 | Europa Calling | — | ||
| 20-1 | O Rubor Sanguinis | — | ||
| 20-2 | Come the Morning | — | ||
| 20-3 | In My Garden | — | ||
| 20-4 | In a Garden Green | — | ||
| 20-5 | Remember & Forget | Amongst the Ruins | — | ||
| 20-6 | Media | — | ||
| 20-7 | The Fool | — | ||
| 20-8 | Sheath and Knife | — | ||
| 20-9 | Fields | — | ||
| 20-10 | Believe Me | — | ||
| 20-11 | See How We Fall | Laws and Crowns | — | ||
| 20-12 | A Ship Is Burning | Against the Modern World | — | ||
| 20-13 | In Europa | — | ||
| 20-14 | Death of the West | — | ||
| 21-1 | Chime the Day | — | ||
| 21-2 | A German Requiem | — | ||
| 21-3 | Black Dawn | — | ||
| 21-4 | December Song | — | ||
| 21-5 | Eve | — | ||
| 21-6 | Chime the Night | — | ||
| 21-7 | God Told Me To | — | ||
| 21-8 | The Street of Many Murders | — | ||
| 21-9 | Hundreds | — | ||
| 21-10 | The Hill of Crosses | — | ||
| 22-3 | Street of Many Murders (demo) | — | ||
| 22-5 | God Told Me To (demo) | — | ||
| 22-7 | The Widow (live) | — | ||
| 23-1 | Gods | — | ||
| 23-2 | Do and Say | — | ||
| 23-3 | Gonesville | — | ||
| 23-4 | Thrones | — | ||
| 23-5 | Then He Killed Her | — | ||
| 23-6 | In God We Trust | — | ||
| 23-7 | Driftwood Thrones | — | ||
| 23-8 | The Thrill Is Gone | — | ||
| 23-9 | No Gods | — | ||
| 23-10 | In the Blink of a Star | — | ||
| 24-1 | In God We Trust (demo) | — | ||
| 24-2 | Then He Killed Her (demo) | — | ||
| 24-3 | The Angel | — | ||
| 24-5 | In the Wake of the Wolf | — | ||
| 24-6 | Eve (instrumental) | — | ||
| 24-7 | Eve (acoustic) | — | ||
| 24-8 | Light Me the Candle | — | ||
| 24-9 | Owl & Pussycat | — | ||
| 24-10 | Welcome | — | ||
| 24-11 | Amongst the Ruins (live in Paris) | — | ||
| 25-1 | We Are the Dead Men | — | ||
| 25-2 | Old London Weeps | — | ||
| 25-3 | The North Ship | — | ||
| 25-4 | A Steed for the Devil | — | ||
| 25-5 | There Did Three Knights Come From the West | — | ||
| 25-6 | Twa Corbies | — | ||
| 25-7 | Semaphore Seasons | — | ||
| 25-8 | O Death Come Close My Eyes | — | ||
| 25-9 | The Devil's Steed | — | ||
| 25-10 | The Edge Beckons | — | ||
| 25-11 | Where Stone Lions Prowl | — | ||
| 25-12 | Come Winter Rain | — | ||
| 25-13 | A Window to the Sun | — | ||
| 25-14 | The Silver Swan | — | ||
| 25-16 | There Did Three Knights Come From the West (demo) | — | ||
| 25-17 | The North Ship (demo) | — | ||
| 25-18 | The Devil's Steed (demo) | — | ||
| 26-1 | Raining in April | Sol Invictus | — | |
| 26-2 | To Kill All Kings | Sol Invictus | — | |
| 26-3 | The Sailor’s Aria | Sol Invictus | — | |
| 26-4 | Fool’s Ship | Sol Invictus | — | |
| 26-5 | Toys | Sol Invictus | — | |
| 26-6 | Edward | Sol Invictus | T-010.157.660-6 | |
| 26-7 | The Bad Luck Bird | Sol Invictus | T-911.159.315-8 | |
| 26-8 | April Rain | Sol Invictus | — | |
| 26-9 | Cruel Lincoln | Sol Invictus | — | |
| 26-10 | Something’s Coming | Sol Invictus | — | |
| 26-11 | Stella Maris | Sol Invictus | — | |
| 26-12 | The Cruellest Month | Sol Invictus | T-911.152.056-0 | |
| 26-13 | The Blackleg Miner | Sol Invictus | T-911.152.055-9 | |
| 27-2 | Amongst the Ruins | — | ||
| 27-3 | Sheath and Knife | — | ||
| 27-4 | Media | — | ||
| 27-5 | English Murder | — | ||
| 27-6 | The Fool | — | ||
| 27-7 | Like a Sword | — | ||
| 27-8 | The Killing Tide | — | ||
| 27-9 | Fields | — | ||
| 27-10 | Believe Me | — | ||
| 27-11 | Down the Years | — | ||
| 27-12 | The World Shrugged | — | ||
| 27-13 | In Days to Come | — | ||
| 27-14 | A Rose in Hell | — | ||
| 27-15 | Death of the West | — | ||
| 28-1 | O Rubor Sanguinis | — | ||
| 28-2 | Come the Morning | — | ||
| 28-3 | In My Garden | — | ||
| 28-4 | In a Garden Green | — | ||
| 28-5 | Remember and Forget | — | ||
| 28-6 | Amongst the Ruins | — | ||
| 28-7 | Media | — | ||
| 28-8 | The Fool | — | ||
| 28-9 | Sheath and Knife | — | ||
| 28-10 | The Widow | — | ||
| 28-11 | Fields | — | ||
| 28-12 | Believe Me | — | ||
| 28-13 | See How We Fall | — | ||
| 28-14 | Laws and Crowns | — | ||
| 28-15 | A Ship Is Burning | — | ||
| 28-16 | Against the Modern World | — | ||
| 28-17 | In Europa | — | ||
| 29-1 | A Fool in April | — | ||
| 29-2 | Aprilis I | — | ||
| 29-3 | Aprilis II | — | ||
| 29-4 | Aprilis III | — | ||
| 30-1 | Angels Fall | — | ||
| 30-2 | Against the Modern World | — | ||
| 30-3 | Summer Ends | — | ||
| 30-4 | Old Londinium Weeps | — | ||
| 30-5 | Down the Road Slowly | — | ||
| 30-6 | Eve | — | ||
| 30-7 | Stella Maris | — | ||
| 30-8 | The Blackleg Miner | — | ||
| 30-9 | To Kill All Kings | — | ||
| 30-10 | In a Silent Place | — | ||
| 30-11 | Stay | — | ||
| 30-12 | Black Easter (live) | — |
Angels Fall
—
Raven Chorus
—
Against the Modern World
—
Long Live Death
—
A Ship Is Burning
—
[untitled]
—
Summer Ends
—
Wolf-Age, Axe-Age
—
The Joy of the World
—
Looking for Europe
—
Amongst the Ruins
—
Black Easter
—
Untitled II
—
Heroes' Day
—
Hammer or the Anvil
—
Abattoirs of Love
—
See the Dove Fall
—
Angels Fall
—
Rise and Fall
—
The World Turns
—
The Runes
—
Gold Is King
—
TWA Corbies
—
Somewhere in Europe
—
Media
—
Abattoirs of Love
—
Raven Chorus
—
Intro / Rex Talionis
—
Angels Fall
—
English Murder
—
Lex Talionis
—
Fields
—
Trees in Winter
—
Raven Chorus
—
Tooth and Claw
—
Black Easter
—
Death of the West
—
Rex Talionis
—
Against the Modern World
—
A Ship Is Burning
—
Blood and Wine
—
Lex Talionis
—
Black Easter
—
Kneel to the Cross
—
The Ruins
—
Tooth and Claw
—
Blood Against Gold
—
Fields
—
Abattoirs of Love
—
Heroes' Day
—
Rex Talionis
—
Wine and Blood
—
Reynardine & Abattoirs of Love (LP version)
—
The Hammer or the Anvil (From original DAT)
—
Fields
—
Abattoirs of Love (edit)
—
English Murder
—
Sawney Bean
—
Gold Is King
—
Media
—
Looking for Europe
—
Here We Stand
—
Michael
—
Deceit
—
Blood of Summer
—
Trees in Winter
—
Somewhere in Europe
—
Looking for Europe
—
Like a Sword
—
In a Silent Place
—
Let Us Prey
—
The Killing Tide
—
Figures on a Beach
—
The Man Next Door Is Very Strange
—
Our Lady of the Missing Presumed Dead
—
The Wild Hunt - Something Grim This Way Comes
—
A Figure on a Beach
—
The World Turns
—
English Murder
—
Fields
—
Raven Chorus
—
Black Easter
—
Death of the West
—
Somewhere in Europe
—
Sun & Moon
—
The Gods Looked Down
—
Tears and Rain
—
The Return
—
Lonely Crawls the Night
—
Edward
—
World Turn Green
—
Someday
—
All's Well in Hell
—
The Watching Moon
—
King & Queen
—
Against the Modern World
—
Blood Against Gold
—
Media
—
Angels Fall
—
Gold Is King
—
A Ship Is Burning
—
Somewhere in Europe
—
Tooth and Claw
—
Angels Fall
—
Fields
—
English Murder
—
Lex Talionis
—
In a Silent Place
—
Gold Is King
—
Lonely Crawls the Night
—
Blood of Summer
—
Trees in Winter
—
World Turn Green
—
Like a Sword
—
Sawney Bean
—
Somewhere in Europe
—
Let Us Prey
—
The Killing Tide
—
Death of the West
—
Against the Modern World
—
Amongst the Ruins
—
Summer Ends
—
Abattoirs of Love
—
The Fool
—
Lonely Crawls the Night
—
Media
—
Like a Sword
—
Trees in Winter
—
Somewhere in Europe
—
Fields
—
Holy Water
—
Against the Modern World
—
The Death of the West
—
A Ship Is Burning
—
Kneel to the Cross
—
Angels Fall
—
Fields
—
English Murder
—
In a Silent Place
—
Gold Is King
—
Lonely Crawls the Night
—
Blood of Summer
—
Trees in Winter
—
World Turn Green
—
Like a Sword
—
Let Us Prey
—
The Killing Tide
—
Tooth & Claw
—
Angels Fall
—
English Murder
—
Fields
—
World Turned Green
—
Abattoirs of Love
—
Sheath & Knife
—
The Killing Tide
—
Like a Sword
—
Kneel to the Cross
—
La Croix
—
The Fool
—
Double Cross
—
Come the Horsemen
—
The Wheel of the Sun
—
The Yew
—
La Croix
—
La Croix (live)
—
In the West
—
Sheath and Knife
—
Amongst the Ruins
—
Kneel to the Cross
—
The West
—
Death of the West
—
Here Am I
—
Our Lady of the Wildflowers
—
Petals From a Rose
—
Come, Join the Dance
—
In the West
—
On and On
—
The Coffin Road
—
Above Us the Sun
—
Europa in the Rain I
—
Stay
—
Believe Me
—
Down the Years
—
In the Rain
—
Fall Like Rain
—
Oh What Fun
—
An English Garden
—
The World Shrugged
—
In Days to Come
—
Europa in the Rain II
—
Hedda Gabbler
—
Did You See
—
Cupid & Death I
—
Le Lac Noir
—
Jardin Du Luxembourg
—
La Nuit Est Arrivée
—
The Day of the Angel
—
A Rose in Hell
—
Heaven & Hell
—
Cupid & Death II
—
Summer Ends
—
Media
—
Somewhere in Europe
—
A Ship Is Burning
—
Above Us the Sun
—
Time Flies
Sol Invictus
—
The House Above the World
Sol Invictus
—
Laws and Crowns
Sol Invictus
—
See How We Fall
Sol Invictus
—
Gealdor
Sol Invictus
—
From the Wreckage
Sol Invictus
—
Nothing Here
Sol Invictus
—
Remember and Forget
Sol Invictus
—
Time to Meet the King
Sol Invictus
—
Only I Know
Sol Invictus
—
In God We Trust
Sol Invictus
—
Invocation
—
Media
—
The Fool
—
The Return
—
Cupid & Death
—
A Rose in Hell
—
Believe Me
—
Paths
—
A Ship Is Burning
—
Against the Modern World
—
Double Cross
—
In Europa
—
Sheath & Knife
—
English Murder
—
Abattoirs of Love
—
Summer Ends
—
Come the Horsemen
—
Ave Maria
—
Quartet Noir: Petals From a Rose
—
Ave Maria
—
O Rubor Sanguinis
—
Come the Morning
—
Summer Ends
—
Media
—
The Fool
—
Fields
—
Abattoirs of Love
—
The Praties Song
—
Believe Me
—
The Widow
—
Remember and Forget
—
In Europa
—
Death of the West
—
A Ship Is Burning
—
Against the Modern World
—
Sheath and Knife
—
Fields
—
Europa
—
Come the Morning
—
O Rubor Sanguinis
—
Song of the Flower
—
Ave Maria
—
In a Garden Green
—
The Praties Song
—
No One
—
Europa Calling
—
O Rubor Sanguinis
—
Come the Morning
—
In My Garden
—
In a Garden Green
—
Remember & Forget | Amongst the Ruins
—
Media
—
The Fool
—
Sheath and Knife
—
Fields
—
Believe Me
—
See How We Fall | Laws and Crowns
—
A Ship Is Burning | Against the Modern World
—
In Europa
—
Death of the West
—
Chime the Day
—
A German Requiem
—
Black Dawn
—
December Song
—
Eve
—
Chime the Night
—
God Told Me To
—
The Street of Many Murders
—
Hundreds
—
The Hill of Crosses
—
Street of Many Murders (demo)
—
God Told Me To (demo)
—
The Widow (live)
—
Gods
—
Do and Say
—
Gonesville
—
Thrones
—
Then He Killed Her
—
In God We Trust
—
Driftwood Thrones
—
The Thrill Is Gone
—
No Gods
—
In the Blink of a Star
—
In God We Trust (demo)
—
Then He Killed Her (demo)
—
The Angel
—
In the Wake of the Wolf
—
Eve (instrumental)
—
Eve (acoustic)
—
Light Me the Candle
—
Owl & Pussycat
—
Welcome
—
Amongst the Ruins (live in Paris)
—
We Are the Dead Men
—
Old London Weeps
—
The North Ship
—
A Steed for the Devil
—
There Did Three Knights Come From the West
—
Twa Corbies
—
Semaphore Seasons
—
O Death Come Close My Eyes
—
The Devil's Steed
—
The Edge Beckons
—
Where Stone Lions Prowl
—
Come Winter Rain
—
A Window to the Sun
—
The Silver Swan
—
There Did Three Knights Come From the West (demo)
—
The North Ship (demo)
—
The Devil's Steed (demo)
—
Raining in April
Sol Invictus
—
To Kill All Kings
Sol Invictus
—
The Sailor’s Aria
Sol Invictus
—
Fool’s Ship
Sol Invictus
—
Toys
Sol Invictus
—
April Rain
Sol Invictus
—
Cruel Lincoln
Sol Invictus
—
Something’s Coming
Sol Invictus
—
Stella Maris
Sol Invictus
—
Amongst the Ruins
—
Sheath and Knife
—
Media
—
English Murder
—
The Fool
—
Like a Sword
—
The Killing Tide
—
Fields
—
Believe Me
—
Down the Years
—
The World Shrugged
—
In Days to Come
—
A Rose in Hell
—
Death of the West
—
O Rubor Sanguinis
—
Come the Morning
—
In My Garden
—
In a Garden Green
—
Remember and Forget
—
Amongst the Ruins
—
Media
—
The Fool
—
Sheath and Knife
—
The Widow
—
Fields
—
Believe Me
—
See How We Fall
—
Laws and Crowns
—
A Ship Is Burning
—
Against the Modern World
—
In Europa
—
A Fool in April
—
Aprilis I
—
Aprilis II
—
Aprilis III
—
Angels Fall
—
Against the Modern World
—
Summer Ends
—
Old Londinium Weeps
—
Down the Road Slowly
—
Eve
—
Stella Maris
—
The Blackleg Miner
—
To Kill All Kings
—
In a Silent Place
—
Stay
—
Black Easter (live)
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Blade | Sol Invictus | T-071.029.524-1 |
| Nothing Here & Remember and Forget | Sol Invictus | — |
Sol Invictus
Nothing Here & Remember and Forget
Sol Invictus
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
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What is UPC 884388303232?
884388303232 is a Universal Product Code (UPC) assigned to The Collected Works by Sol Invictus. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 389 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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