UPC · Release
The Mixtape, Vol. 3
Kartier
Last verified:
884502093100 is the Universal Product Code (UPC barcode) for the release “The Mixtape, Vol. 3” by Kartier, released 2009-05-06. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro (Ellos no brillan) | — | ||
| 2 | Bien buena | — | ||
| 3 | Si ella supiera | — | ||
| 4 | ¿Dónde estás? | — | ||
| 5 | Te sigo el paso | — | ||
| 6 | Anoche | — | ||
| 7 | La música | — | ||
| 8 | Freakin' loca (La Trini) | — | ||
| 9 | A punto e' caramelo | — | ||
| 10 | Si no bailas | — | ||
| 11 | Su recuerdo | — | ||
| 12 | Una noche y ya | — | ||
| 13 | La Stripper (Sigue bailando) | — | ||
| 14 | Eres mía hoy | — | ||
| 15 | Pídeme | — | ||
| 16 | Sufriendo | — | ||
| 17 | La detective | — | ||
| 18 | Me pones mal | — | ||
| 19 | Ow no! | — | ||
| 20 | Vacía (street version) | — |
Verified on
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People also ask
What is UPC 884502093100?
884502093100 is a Universal Product Code (UPC) assigned to The Mixtape, Vol. 3 by Kartier. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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