UPC · Album

Of Thee I Sing / Let ’Em Eat Cake (Studio Cast Recording (1987))

George Gershwin, Orchestra of St. Luke’s, Michael Tilson Thomas

884977622980
52 tracks

Last verified:

884977622980 is the Universal Product Code (UPC barcode) for the release Of Thee I Sing / Let ’Em Eat Cake (Studio Cast Recording (1987)) by George Gershwin, Orchestra of St. Luke’s, Michael Tilson Thomas. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include USSM19931592, USSM19931593, USSM19931594.

Format

8Number system
84977Manufacturer
62298Product
0Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCOf Thee I Sing / Let ’Em Eat Cake (Studio Cast Recording (1987))
ISRC52 recordings
ISWC23 works

Track List (52)

Of Thee I Sing: Of Thee I Sing Overture
Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Wintergreen for President
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Of Thee I Sing: Who Is the Lucky Girl to Be?
Paige O’Hara, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: The Dimple on My Knee
Paige O’Hara, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Because, Because
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Of Thee I Sing: Never Was There a Girl So Fair
Paige O’Hara, Larry Kert, Merwin Goldsmith, Walter Hook, Frank Kopyc, Raymond Thorne, Mark Zimmerman, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Some Girls Can Bake a Pie
Larry Kert, Paige O’Hara, Merwin Goldsmith, Walter Hook, Frank Kopyc, Raymond Thorne, Mark Zimmerman, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Love Is Sweeping the Country
George Dvorsky, Louise Edeiken, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Of Thee I Sing
Larry Kert, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Supreme Court Judges
Casper Roos, Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: A Kiss for Cinderella / Some Girls Can Bake a Pie (Reprise) / Of Thee I Sing (Reprise)
Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Hello, Good Morning
George Dvorsky, Louise Edeiken, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Who Cares?
Larry Kert, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: The Illegitimate Daughter / Because, Because (Reprise)
Jack Dabdoub, Larry Kert, Merwin Goldsmith, Walter Hook, Frank Kopyc, Raymond Thorne, Mark Zimmerman, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Who Cares? (Reprise)
Maureen McGovern, Larry Kert, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: The Senator from Minnesota
Jack Gilford, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: The Senate
Jack Gilford, Walter Hook, Raymond Thorne, Mark Zimmerman, Jack Dabdoub, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Jilted / I’m About to Be a Mother
Paige O’Hara, Jack Gilford, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Posterity Is Just Around the Corner
Larry Kert, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Trumpeter Blow Your Golden Horn
George Dvorsky, Merwin Goldsmith, Frank Kopyc, Mark Zimmerman, Walter Hook, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Of Thee I Sing: Finale Ultimo
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Of Thee I Sing: Of Thee I Sing (Reprise)
Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Let ’Em Eat Cake Overture
Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Tweedledee for President
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Let ’Em Eat Cake: Union Square
David Garrison, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Store Scene: Shirts by the Millions
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Let ’Em Eat Cake: Comes the Revolution
Jack Gilford, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Mine
Larry Kert, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Climb Up the Social Ladder (The New Blue D.A.R.)
Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: The Union League (Cloistered from the City Noise)
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Let ’Em Eat Cake: On and On and On
Jack Dabdoub, Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Introduction
George Dvorsky, Michael Tilson Thomas, Orchestra of St. Luke’s
Let ’Em Eat Cake: I’ve Brushed My Teeth
Jack Dabdoub, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: The General’s Gone to a Party
George Dvorsky, Gordon Haskell, Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Mothers of the Nation
Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Let ’Em Eat Cake
Larry Kert, Gordon Haskell, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Blue, Blue, Blue
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Let ’Em Eat Cake: Who’s the Greatest?
Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: The League of Nations
George Dvorsky, Maureen McGovern, Larry Kert, Jack Dabdoub, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: No Comprenez, No Capish, No Versteh? (Kruger, Wintergreen, Chorus)
David Garrison, Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: When Nations Get Together
Larry Kert, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Why Speak of Money? / Who’s the Greatest? (Reprise)
David Garrison, Larry Kert, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Up and at ’Em
Casper Roos, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: The Trial of Throttlebottom: That’s What He Did
David Garrison, Larry Kert, Jack Gilford, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: I Know a Foul Ball
Jack Gilford, David Garrison, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Throttle Throttlebottom
David Garrison, Larry Kert, Merwin Goldsmith, Walter Hook, Frank Kopyc, Raymond Thorne, Mark Zimmerman, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: The Trial of Wintergreen: It Isn’t What You Did
Larry Kert, David Garrison, Merwin Goldsmith, Walter Hook, Frank Kopyc, Raymond Thorne, Mark Zimmerman, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Mine (Reprise)
Larry Kert, Maureen McGovern, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: First Lady and First Gent
Paige O’Hara, David Garrison, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Hanging Throttlebottom in the Morning
Orchestra of St. Luke’s, New York Choral Artists, Michael Tilson Thomas
Let ’Em Eat Cake: Fashion Show
Maureen McGovern, Paige O’Hara, David Garrison, Orchestra of St. Luke’s, Michael Tilson Thomas
Let ’Em Eat Cake: Finale Ultimo / Of Thee I Sing (Reprise)
Larry Kert, Maureen McGovern, Jack Gilford, Paige O’Hara, David Garrison, Jack Dabdoub, New York Choral Artists, Orchestra of St. Luke’s, Michael Tilson Thomas

People also ask

What is UPC 884977622980?
UPC 884977622980 is the Universal Product Code (barcode) for "Of Thee I Sing / Let ’Em Eat Cake (Studio Cast Recording (1987))" by George Gershwin, Orchestra of St. Luke’s, Michael Tilson Thomas.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 884977622980?
UPC 884977622980 contains 52 tracks, each with its own ISRC.
SourcesMusicBrainz

What is UPC 884977622980?

884977622980 is a Universal Product Code (UPC) assigned to Of Thee I Sing / Let ’Em Eat Cake (Studio Cast Recording (1987)) by George Gershwin, Orchestra of St. Luke’s, Michael Tilson Thomas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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