UPC · Album
The Bootleg Series, Vol. 9: The Witmark Demos: 1962–1964
Bob Dylan
Last verified:
884977748314 is the Universal Product Code (UPC barcode) for the release “The Bootleg Series, Vol. 9: The Witmark Demos: 1962–1964” by Bob Dylan, released 2010-10-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include USSM10504144, USSM11003264, USSM11003265.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (47)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Don’t Think Twice, It’s All Right | Bob Dylan | USSM10504144 |
| Man on the Street (fragment) | Bob Dylan | USSM11003264 |
| Hard Times in New York Town | Bob Dylan | USSM11003265 |
| Poor Boy Blues | Bob Dylan | USSM11003266 |
| Ballad for a Friend | Bob Dylan | USSM11003267 |
| Rambling, Gambling Willie | Bob Dylan | USSM11003268 |
| Talking Bear Mountain Picnic Massacre Blues | Bob Dylan | USSM11003269 |
| Standing on the Highway | Bob Dylan | USSM11003270 |
| Man on the Street | Bob Dylan | USSM11003271 |
| Blowin’ in the Wind | Bob Dylan | USSM11003272 |
| Long Ago, Far Away | Bob Dylan | USSM11003273 |
| A Hard Rain’s A‐Gonna Fall | Bob Dylan | USSM11003274 |
| Tomorrow Is a Long Time | Bob Dylan | USSM11003275 |
| The Death of Emmett Till | Bob Dylan | USSM11003276 |
| Let Me Die in My Footsteps | Bob Dylan | USSM11003277 |
| Ballad of Hollis Brown | Bob Dylan | USSM11003278 |
| Quit Your Low Down Ways | Bob Dylan | USSM11003279 |
| Baby, I’m in the Mood for You | Bob Dylan | USSM11003280 |
| Bound to Lose, Bound to Win | Bob Dylan | USSM11003281 |
| All Over You | Bob Dylan | USSM11003282 |
| I’d Hate to Be You on That Dreadful Day | Bob Dylan | USSM11003283 |
| Long Time Gone | Bob Dylan | USSM11003284 |
| Talkin’ John Birch Paranoid Blues | Bob Dylan | USSM11003285 |
| Masters of War | Bob Dylan | USSM11003286 |
| Oxford Town | Bob Dylan | USSM11003287 |
| Farewell | Bob Dylan | USSM11003288 |
| Walkin’ Down the Line | Bob Dylan | USSM11003289 |
| I Shall Be Free | Bob Dylan | USSM11003290 |
| Bob Dylan’s Blues | Bob Dylan | USSM11003291 |
| Bob Dylan’s Dream | Bob Dylan | USSM11003292 |
| Boots of Spanish Leather | Bob Dylan | USSM11003293 |
| Girl From the North Country | Bob Dylan | USSM11003294 |
| Seven Curses | Bob Dylan | USSM11003295 |
| Hero Blues | Bob Dylan | USSM11003296 |
| Whatcha Gonna Do? | Bob Dylan | USSM11003297 |
| Gypsy Lou | Bob Dylan | USSM11003298 |
| Ain’t Gonna Grieve | Bob Dylan | USSM11003299 |
| John Brown | Bob Dylan | USSM11003300 |
| Only a Hobo | Bob Dylan | USSM11003301 |
| Paths of Victory | Bob Dylan | USSM11003302 |
| Guess I’m Doing Fine | Bob Dylan | USSM11003303 |
| Baby, Let Me Follow You Down | Bob Dylan | USSM11003304 |
| Mama, You Been on My Mind | Bob Dylan | USSM11003305 |
| Mr. Tambourine Man | Bob Dylan | USSM11003306 |
| I’ll Keep It With Mine | Bob Dylan | USSM11003307 |
| The Times They Are A‐Changin’ | Bob Dylan | USSM16300200 |
| When the Ship Comes In | Bob Dylan | USSM19100116 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
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What is UPC 884977748314?
884977748314 is a Universal Product Code (UPC) assigned to The Bootleg Series, Vol. 9: The Witmark Demos: 1962–1964 by Bob Dylan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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