UPC · Release
Das Vermächtnis (The Legacy)
Wilhelm Furtwängler
885150331101
193 tracksReleased 2011-01-01Membran
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885150331101 is the Universal Product Code (UPC barcode) for the release “Das Vermächtnis (The Legacy)” by Wilhelm Furtwängler, released 2011-01-01 on Membran. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 193 tracks, each with its own ISRC. Tracks include DEF054800021, DEF054800022, DEF054800023.
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Credit Chain
UPCDas Vermächtnis (The Legacy)
ISRC14 recordings
ISWC5 works
IPI1 songwriter
Track List (193)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no. 3 in D major, BWV 1068: I. Overture | Berliner Philharmoniker, Wilhelm Furtwängler | T-702.622.103-6 | |
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Berliner Philharmoniker, Wilhelm Furtwängler | T-914.248.874-2 | |
| 3 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I & II | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 4 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourée | Berliner Philharmoniker, Wilhelm Furtwängler | T-210.339.525-8 | |
| 5 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 6 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | — | ||
| 7 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 9 | Brandenburg Concerto no. 5 in D major, BWV 1030: I. Allegro | — | ||
| 10 | Brandenburg Concerto no. 5 in D major, BWV 1030: II. Affettuoso | — | ||
| 11 | Brandenburg Concerto no. 5 in D major, BWV 1030: III. Allegro | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Kommt, ihr Töchter, helft mir klagen | — | ||
| 2-2 | St. Matthew Passion, BWV 244: Herzliebster Jesu, was hast Du verbrochen | — | ||
| 2-3 | St. Matthew Passion, BWV 244: Du lieber Heiland Du | — | ||
| 2-4 | St. Matthew Passion, BWV 244: Blute nur, Du liebes Herz | — | ||
| 2-5 | St. Matthew Passion, BWV 244: Ich bin’s, ich sollte büßen | — | ||
| 2-6 | St. Matthew Passion, BWV 244: Wiewohl mein Herz in Tränen schwimmt | — | ||
| 2-7 | St. Matthew Passion, BWV 244: Erkenne mich, mein Hüter | — | ||
| 2-8 | St. Matthew Passion, BWV 244: O Schmerz! | — | ||
| 2-9 | St. Matthew Passion, BWV 244: Der Heiland fallt vor seinem Vater nieder | — | ||
| 3-1 | St. Matthew Passion, BWV 244: Was mein Gott will, das g’scheh’ allzeit | — | ||
| 3-2 | St. Matthew Passion, BWV 244: So ist mein Jesus nun gefangen | — | ||
| 3-3 | St. Matthew Passion, BWV 244: O Mensch’ bewein’ dein’ Sunde groß | — | ||
| 3-4 | St. Matthew Passion, BWV 244: Ach, nun ist mein Jesus hin! | — | ||
| 3-5 | St. Matthew Passion, BWV 244: Wer hat Dich so geschlagen | — | ||
| 3-6 | St. Matthew Passion, BWV 244: Erbarme Dich, mein Gott | — | ||
| 3-7 | St. Matthew Passion, BWV 244: Befiehl Du Deine Wege | — | ||
| 4-1 | St. Matthew Passion, BWV 244: Der Landpfleger sagte | — | ||
| 4-2 | St. Matthew Passion, BWV 244: Er hat uns allen wohlgetan | — | ||
| 4-3 | St. Matthew Passion, BWV 244: Erbarm’ es Gott | — | ||
| 4-4 | St. Matthew Passion, BWV 244: O Haupt voll Blut und Wunden | — | ||
| 4-5 | St. Matthew Passion, BWV 244: Ja! Freilich will in uns das Fleisch und Blut | — | ||
| 4-6 | St. Matthew Passion, BWV 244: Ach, Golgatha, unsel’ges Golgatha | — | ||
| 4-7 | St. Matthew Passion, BWV 244: Wenn ich einmal soll scheiden | — | ||
| 4-8 | St. Matthew Passion, BWV 244: Am Abend, da es kühle war | — | ||
| 4-9 | St. Matthew Passion, BWV 244: Wir setzen uns mit Tränen nieder | — | ||
| 5-1 | Concerto Grosso in D major, op. 6, no. 5: I. Larghetto e staccato | — | ||
| 5-2 | Concerto Grosso in D major, op. 6, no. 5: II. Allegro | — | ||
| 5-3 | Concerto Grosso in D major, op. 6, no. 5: III. Preso | — | ||
| 5-4 | Concerto Grosso in D major, op. 6, no. 5: IV. Largo | — | ||
| 5-5 | Concerto Grosso in D major, op. 6, no. 5: V. Menuet. Un poco larghetto | — | ||
| 5-6 | Concerto Grosso in D major, op. 6, no. 5: VI. Allegro | — | ||
| 5-7 | Concerto Grosso in D minor, op. 6, no. 10: I. Overture | — | ||
| 5-8 | Concerto Grosso in D minor, op. 6, no. 10: II. Allegro | — | ||
| 5-9 | Concerto Grosso in D minor, op. 6, no. 10: III. Air. Lentement | — | ||
| 5-10 | Concerto Grosso in D minor, op. 6, no. 10: IV. Allegro | — | ||
| 5-11 | Concerto Grosso in D minor, op. 6, no. 10: V. Allegro moderato | — | ||
| 5-12 | Alceste: Overture | — | ||
| 5-13 | Iphigénie en Aulide: Overture | — | ||
| 5-14 | Brandenburg Concerto no. 3 in G major BWV 1040: I. (Allegro) | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 5-15 | Brandenburg Concerto no. 3 in G major BWV 1040: II. Allegro | — | ||
| 5-16 | Orchestral Suite (Overture) no. 3 in D major BWV 1068: Air | — | ||
| 6-1 | Orfeo ed Euridice: Act I: Overture | — | ||
| 6-2 | Orfeo ed Euridice: Act I: Ah! se intorno a quest’urna funesta | — | ||
| 6-3 | Orfeo ed Euridice: Act I: Ite voi tutti | — | ||
| 6-4 | Orfeo ed Euridice: Act I: Piango il mio ben cosi | — | ||
| 6-5 | Orfeo ed Euridice: Act I: Amor assistera | — | ||
| 6-6 | Orfeo ed Euridice: Act I: Ascolta | — | ||
| 6-7 | Orfeo ed Euridice: Act I: Che disse | — | ||
| 6-8 | Orfeo ed Euridice: Act II: Chi mai dell’Erebo | — | ||
| 6-9 | Orfeo ed Euridice: Act II: Deh! placatevi con me | — | ||
| 6-10 | Orfeo ed Euridice: Act II: Mille pene! Ombre sdegnose | — | ||
| 6-11 | Orfeo ed Euridice: Act II: Danza delle furie | — | ||
| 6-12 | Orfeo ed Euridice: Act II: Danza degli Spiriti beati | — | ||
| 7-1 | Orfeo ed Euridice: Act II: Questo asilo di placide calme | — | ||
| 7-2 | Orfeo ed Euridice: Act II: Che puro ciel! | — | ||
| 7-3 | Orfeo ed Euridice: Act II: Vieni ai regni del riposo | — | ||
| 7-4 | Orfeo ed Euridice: Act II: Ballo delgi eroi | — | ||
| 7-5 | Orfeo ed Euridice: Act II: O voi, ombre felici | — | ||
| 7-6 | Orfeo ed Euridice: Act II: Torna, o bella, al tua consorte | — | ||
| 7-7 | Orfeo ed Euridice: Act III: Ah; Vien Euridice | — | ||
| 7-8 | Orfeo ed Euridice: Act III: Vien, appaga il tuo consorte | — | ||
| 7-9 | Orfeo ed Euridice: Act III: Ah! Perche non rispondi | — | ||
| 7-10 | Orfeo ed Euridice: Act III: Che fiero momento | — | ||
| 7-11 | Orfeo ed Euridice: Act III: Piu frenarti non posso | — | ||
| 7-12 | Orfeo ed Euridice: Act III: Che faro senza Euridice | — | ||
| 7-13 | Orfeo ed Euridice: Act III: Orfeo, che fai? | — | ||
| 7-14 | Orfeo ed Euridice: Act III: Trionfi amore | — | ||
| 7-15 | Orfeo ed Euridice: Act III: Divo Amore | — | ||
| 7-16 | Orfeo ed Euridice: Act III: Trionfi amore, e il manda interno | — | ||
| 8-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto. Allegro con brio | — | ||
| 8-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 8-3 | Symphony no. 1 in C major, op. 21: III. Minuetto: Allegro molto e vivace | — | ||
| 8-4 | Symphony no. 1 in C major, op. 21: IV. Adagio. Allegro molto e vivace | — | ||
| 8-5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 8-6 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai | — | ||
| 8-7 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | — | ||
| 8-8 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto. | — | ||
| 9-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 9-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 9-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 9-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 9-5 | Symphony no. 4 in B major, op. 60: I. Adagio - Allegro vivace | — | ||
| 9-6 | Symphony no. 4 in B major, op. 60: II. Adagio | — | ||
| 9-7 | Symphony no. 4 in B major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro) | — | ||
| 9-8 | Symphony no. 4 in B major, op. 60: IV. Allegro ma non troppo | — | ||
| 10-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 10-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 10-3 | Symphony no. 5 in C minor, op. 67: III. Allegro. attacca | — | ||
| 10-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 10-5 | Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo | — | ||
| 10-6 | Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso | — | ||
| 10-7 | Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro | — | ||
| 10-8 | Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro | — | ||
| 10-9 | Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto | — | ||
| 11-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace | — | ||
| 11-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 11-3 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 11-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 11-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 11-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 11-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Minuetto | — | ||
| 11-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 12-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 12-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | — | ||
| 12-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | — | ||
| 12-4 | Symphony no. 9 in D minor, op. 125: IV. Presto, allegro | — | ||
| 13-1 | Egmont, op. 84: I. Overture | — | ||
| 13-2 | Coriolan, op. 62: I. Overture | — | ||
| 13-3 | Overture Leonore II, op. 72 | — | ||
| 13-4 | Great Fugue in B-flat major, op. 133 | — | ||
| 14-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 14-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 14-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando | — | ||
| 14-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Conrad Hansen, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 14-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Conrad Hansen, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 14-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Conrad Hansen, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 15-1 | Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 15-2 | Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 15-3 | Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro | — | ||
| 16-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 16-2 | Violin Concerto in D major, op. 61: II. Larghetto, attacca | Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 16-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 16-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | — | ||
| 16-5 | Romance for Violin and Orchestra no. 2 in F major, op. 50 | — | ||
| 17-1 | Fidelia, op. 72: Overture | — | ||
| 17-2 | Fidelia, op. 72: Act I: Jetzt, Schaetzchen, jetzt sind wir allein | — | ||
| 17-3 | Fidelia, op. 72: Act I: O waer ich schon mit dir vereint | — | ||
| 17-4 | Fidelia, op. 72: Act I: Mir ist so wunderbar | — | ||
| 17-5 | Fidelia, op. 72: Act I: Hat man nicht auch Gold beineben | — | ||
| 17-6 | Fidelia, op. 72: Act I: Gut Soehnchen, gut, hab immer Mut | — | ||
| 17-7 | Fidelia, op. 72: Act I: Marsch | — | ||
| 17-8 | Fidelia, op. 72: Act I: Ha! Welch ein Augenblick! | — | ||
| 17-9 | Fidelia, op. 72: Act I: Jetzt, Alter, jetzt hat es Eile! | — | ||
| 17-10 | Fidelia, op. 72: Act I: Abscheulicher! Wo eilst du hin? | — | ||
| 17-11 | Fidelia, op. 72: Act I: O welche Lust! | — | ||
| 17-12 | Fidelia, op. 72: Act I: Nun sprecht, wie ging's? | — | ||
| 17-13 | Fidelia, op. 72: Act I: Ach! Vater, Vater, eilt! | — | ||
| 18-1 | Fidelio, op. 72: Act II: Introduction | — | ||
| 18-2 | Fidelio, op. 72: Act II: Gott! Welch' Dunkel hier! | — | ||
| 18-3 | Fidelio, op. 72: Act II: Wie kalt ist es hier! | — | ||
| 18-4 | Fidelio, op. 72: Act II: Nur hurtig fort, nur frisch gegraben | — | ||
| 18-5 | Fidelio, op. 72: Act II: Euch werde Lohn in besser'n Welten | — | ||
| 18-6 | Fidelio, op. 72: Act II: Er sterbe! | — | ||
| 18-7 | Fidelio, op. 72: Act II: Vater Rocco! | — | ||
| 18-8 | Fidelio, op. 72: Act II: O namenlose Freude! | — | ||
| 18-9 | Fidelio, op. 72: Act II: Ouverture Leonore III | — | ||
| 18-10 | Fidelio, op. 72: Act II: Heil sei dem Tag | — | ||
| 18-11 | Fidelio, op. 72: Act II: Des besten Konigs Wink und Wille | — | ||
| 18-12 | Fidelio, op. 72: Act II: Du schlossest auf des Edlen Grab | — | ||
| 18-13 | Fidelio, op. 72: Act II: Wer ein holdes Weib errungen | — | ||
| 19-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 19-2 | Egmont Overture | — | ||
| 19-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale | — | ||
| 19-4 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 19-5 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | — | ||
| 20-1 | Overture “Leonore no. 3”, op. 72b | Wiener Philharmoniker, Wilhelm Furtwängler | — | |
| 20-2 | Piano Concerto no. 4 in G major, op. 58: III. Rondo | — | ||
| 20-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | — | ||
| 20-4 | Fidelio, op. 72: Act I: Jetzt, Schätzchen, jetzt sind wir allein | — | ||
| 20-5 | Fidelio, op. 72: Act I: O wär ich schon mit dir vereint | — | ||
| 20-6 | Fidelio, op. 72: Act I: Mir ist so wunderbar | — | ||
| 20-7 | Fidelio, op. 72: Act I: Gut, Söhnchen, gut, hab immer Mut | — | ||
| 20-8 | Fidelio, op. 72: Act I: Abscheulicher! Wo eilst du hin? | — | ||
| 21-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro | — | ||
| 21-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 21-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 21-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo ma con brio | — | ||
| 21-5 | Variationen über ein Thema von Joseph Haydn, op. 56a | Berliner Philharmoniker, Wilhelm Furtwängler | T-322.398.473-0 | |
| 22-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 22-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 22-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Presto | — | ||
| 22-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 22-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 22-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 22-7 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 22-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 99-1 | Anacréon: Ouvertüre | — | ||
| 99-2 | Kaiserwalzer, op. 347 | — | ||
| 99-3 | Pizzicato-Polka | — | ||
| 99-4 | Die Fledermaus, op. 362: Ouvertüre | — | ||
| 99-5 | La gazza ladra: Ouvertüre | — | ||
| 99-6 | Il barbiere di Siviglia: Ouvertüre | — |
Berliner Philharmoniker, Wilhelm Furtwängler
Berliner Philharmoniker, Wilhelm Furtwängler
Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I & II
Berliner Philharmoniker, Wilhelm Furtwängler
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Berliner Philharmoniker, Wilhelm Furtwängler
Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue
Berliner Philharmoniker, Wilhelm Furtwängler
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Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
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Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
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Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
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Brandenburg Concerto no. 5 in D major, BWV 1030: I. Allegro
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Brandenburg Concerto no. 5 in D major, BWV 1030: II. Affettuoso
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Brandenburg Concerto no. 5 in D major, BWV 1030: III. Allegro
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St. Matthew Passion, BWV 244: Kommt, ihr Töchter, helft mir klagen
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St. Matthew Passion, BWV 244: Herzliebster Jesu, was hast Du verbrochen
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St. Matthew Passion, BWV 244: Du lieber Heiland Du
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St. Matthew Passion, BWV 244: Blute nur, Du liebes Herz
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St. Matthew Passion, BWV 244: Ich bin’s, ich sollte büßen
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St. Matthew Passion, BWV 244: Wiewohl mein Herz in Tränen schwimmt
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St. Matthew Passion, BWV 244: Erkenne mich, mein Hüter
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St. Matthew Passion, BWV 244: O Schmerz!
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St. Matthew Passion, BWV 244: Der Heiland fallt vor seinem Vater nieder
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St. Matthew Passion, BWV 244: Was mein Gott will, das g’scheh’ allzeit
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St. Matthew Passion, BWV 244: So ist mein Jesus nun gefangen
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St. Matthew Passion, BWV 244: O Mensch’ bewein’ dein’ Sunde groß
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St. Matthew Passion, BWV 244: Ach, nun ist mein Jesus hin!
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St. Matthew Passion, BWV 244: Wer hat Dich so geschlagen
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St. Matthew Passion, BWV 244: Erbarme Dich, mein Gott
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St. Matthew Passion, BWV 244: Befiehl Du Deine Wege
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St. Matthew Passion, BWV 244: Der Landpfleger sagte
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St. Matthew Passion, BWV 244: Er hat uns allen wohlgetan
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St. Matthew Passion, BWV 244: Erbarm’ es Gott
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St. Matthew Passion, BWV 244: O Haupt voll Blut und Wunden
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St. Matthew Passion, BWV 244: Ja! Freilich will in uns das Fleisch und Blut
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St. Matthew Passion, BWV 244: Ach, Golgatha, unsel’ges Golgatha
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St. Matthew Passion, BWV 244: Wenn ich einmal soll scheiden
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St. Matthew Passion, BWV 244: Am Abend, da es kühle war
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St. Matthew Passion, BWV 244: Wir setzen uns mit Tränen nieder
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Concerto Grosso in D major, op. 6, no. 5: I. Larghetto e staccato
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Concerto Grosso in D major, op. 6, no. 5: II. Allegro
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Concerto Grosso in D major, op. 6, no. 5: III. Preso
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Concerto Grosso in D major, op. 6, no. 5: IV. Largo
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Concerto Grosso in D major, op. 6, no. 5: V. Menuet. Un poco larghetto
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Concerto Grosso in D major, op. 6, no. 5: VI. Allegro
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Concerto Grosso in D minor, op. 6, no. 10: I. Overture
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Concerto Grosso in D minor, op. 6, no. 10: II. Allegro
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Concerto Grosso in D minor, op. 6, no. 10: III. Air. Lentement
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Concerto Grosso in D minor, op. 6, no. 10: IV. Allegro
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Concerto Grosso in D minor, op. 6, no. 10: V. Allegro moderato
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Alceste: Overture
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Iphigénie en Aulide: Overture
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Brandenburg Concerto no. 3 in G major BWV 1040: I. (Allegro)
Berliner Philharmoniker, Wilhelm Furtwängler
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Brandenburg Concerto no. 3 in G major BWV 1040: II. Allegro
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Orchestral Suite (Overture) no. 3 in D major BWV 1068: Air
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Orfeo ed Euridice: Act I: Overture
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Orfeo ed Euridice: Act I: Ah! se intorno a quest’urna funesta
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Orfeo ed Euridice: Act I: Ite voi tutti
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Orfeo ed Euridice: Act I: Piango il mio ben cosi
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Orfeo ed Euridice: Act I: Amor assistera
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Orfeo ed Euridice: Act I: Ascolta
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Orfeo ed Euridice: Act I: Che disse
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Orfeo ed Euridice: Act II: Chi mai dell’Erebo
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Orfeo ed Euridice: Act II: Deh! placatevi con me
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Orfeo ed Euridice: Act II: Mille pene! Ombre sdegnose
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Orfeo ed Euridice: Act II: Danza delle furie
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Orfeo ed Euridice: Act II: Danza degli Spiriti beati
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Orfeo ed Euridice: Act II: Questo asilo di placide calme
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Orfeo ed Euridice: Act II: Che puro ciel!
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Orfeo ed Euridice: Act II: Vieni ai regni del riposo
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Orfeo ed Euridice: Act II: Ballo delgi eroi
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Orfeo ed Euridice: Act II: O voi, ombre felici
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Orfeo ed Euridice: Act II: Torna, o bella, al tua consorte
—
Orfeo ed Euridice: Act III: Ah; Vien Euridice
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Orfeo ed Euridice: Act III: Vien, appaga il tuo consorte
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Orfeo ed Euridice: Act III: Ah! Perche non rispondi
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Orfeo ed Euridice: Act III: Che fiero momento
—
Orfeo ed Euridice: Act III: Piu frenarti non posso
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Orfeo ed Euridice: Act III: Che faro senza Euridice
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Orfeo ed Euridice: Act III: Orfeo, che fai?
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Orfeo ed Euridice: Act III: Trionfi amore
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Orfeo ed Euridice: Act III: Divo Amore
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Orfeo ed Euridice: Act III: Trionfi amore, e il manda interno
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Symphony no. 1 in C major, op. 21: I. Adagio molto. Allegro con brio
—
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
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Symphony no. 1 in C major, op. 21: III. Minuetto: Allegro molto e vivace
—
Symphony no. 1 in C major, op. 21: IV. Adagio. Allegro molto e vivace
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai
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Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto.
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Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
—
Symphony no. 2 in D major, op. 36: II. Larghetto
—
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
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Symphony no. 2 in D major, op. 36: IV. Allegro molto
—
Symphony no. 4 in B major, op. 60: I. Adagio - Allegro vivace
—
Symphony no. 4 in B major, op. 60: II. Adagio
—
Symphony no. 4 in B major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro)
—
Symphony no. 4 in B major, op. 60: IV. Allegro ma non troppo
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
—
Symphony no. 5 in C minor, op. 67: II. Andante con moto
—
Symphony no. 5 in C minor, op. 67: III. Allegro. attacca
—
Symphony no. 5 in C minor, op. 67: IV. Allegro
—
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo
—
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso
—
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro
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Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro
—
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto
—
Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace
—
Symphony no. 7 in A major, op. 92: II. Allegretto
—
Symphony no. 7 in A major, op. 92: III. Presto
—
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
—
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
—
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
—
Symphony no. 8 in F major, op. 93: III. Tempo di Minuetto
—
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
—
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
—
Symphony no. 9 in D minor, op. 125: II. Molto vivace
—
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
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Symphony no. 9 in D minor, op. 125: IV. Presto, allegro
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Egmont, op. 84: I. Overture
—
Coriolan, op. 62: I. Overture
—
Overture Leonore II, op. 72
—
Great Fugue in B-flat major, op. 133
—
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
—
Piano Concerto no. 1 in C major, op. 15: II. Largo
—
Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando
—
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
Conrad Hansen, Berliner Philharmoniker, Wilhelm Furtwängler
—
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
Conrad Hansen, Berliner Philharmoniker, Wilhelm Furtwängler
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Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
Conrad Hansen, Berliner Philharmoniker, Wilhelm Furtwängler
—
Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro
—
Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso
—
Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro
—
Violin Concerto in D major, op. 61: I. Allegro ma non troppo
Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler
—
Violin Concerto in D major, op. 61: II. Larghetto, attacca
Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler
—
Violin Concerto in D major, op. 61: III. Rondo: Allegro
Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler
—
Romance for Violin and Orchestra no. 1 in G major, op. 40
—
Romance for Violin and Orchestra no. 2 in F major, op. 50
—
Fidelia, op. 72: Overture
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Fidelia, op. 72: Act I: Jetzt, Schaetzchen, jetzt sind wir allein
—
Fidelia, op. 72: Act I: O waer ich schon mit dir vereint
—
Fidelia, op. 72: Act I: Mir ist so wunderbar
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Fidelia, op. 72: Act I: Hat man nicht auch Gold beineben
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Fidelia, op. 72: Act I: Gut Soehnchen, gut, hab immer Mut
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Fidelia, op. 72: Act I: Marsch
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Fidelia, op. 72: Act I: Ha! Welch ein Augenblick!
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Fidelia, op. 72: Act I: Jetzt, Alter, jetzt hat es Eile!
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Fidelia, op. 72: Act I: Abscheulicher! Wo eilst du hin?
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Fidelia, op. 72: Act I: O welche Lust!
—
Fidelia, op. 72: Act I: Nun sprecht, wie ging's?
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Fidelia, op. 72: Act I: Ach! Vater, Vater, eilt!
—
Fidelio, op. 72: Act II: Introduction
—
Fidelio, op. 72: Act II: Gott! Welch' Dunkel hier!
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Fidelio, op. 72: Act II: Wie kalt ist es hier!
—
Fidelio, op. 72: Act II: Nur hurtig fort, nur frisch gegraben
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Fidelio, op. 72: Act II: Euch werde Lohn in besser'n Welten
—
Fidelio, op. 72: Act II: Er sterbe!
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Fidelio, op. 72: Act II: Vater Rocco!
—
Fidelio, op. 72: Act II: O namenlose Freude!
—
Fidelio, op. 72: Act II: Ouverture Leonore III
—
Fidelio, op. 72: Act II: Heil sei dem Tag
—
Fidelio, op. 72: Act II: Des besten Konigs Wink und Wille
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Fidelio, op. 72: Act II: Du schlossest auf des Edlen Grab
—
Fidelio, op. 72: Act II: Wer ein holdes Weib errungen
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
—
Egmont Overture
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale
—
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
—
Symphony no. 9 in D minor, op. 125: II. Molto vivace
—
Overture “Leonore no. 3”, op. 72b
Wiener Philharmoniker, Wilhelm Furtwängler
—
Piano Concerto no. 4 in G major, op. 58: III. Rondo
—
Violin Concerto in D major, op. 61: III. Rondo: Allegro
—
Fidelio, op. 72: Act I: Jetzt, Schätzchen, jetzt sind wir allein
—
Fidelio, op. 72: Act I: O wär ich schon mit dir vereint
—
Fidelio, op. 72: Act I: Mir ist so wunderbar
—
Fidelio, op. 72: Act I: Gut, Söhnchen, gut, hab immer Mut
—
Fidelio, op. 72: Act I: Abscheulicher! Wo eilst du hin?
—
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro
—
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
—
Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
—
Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo ma con brio
—
Berliner Philharmoniker, Wilhelm Furtwängler
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
—
Symphony no. 2 in D major, op. 73: II. Adagio non troppo
—
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Presto
—
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
—
Symphony no. 3 in F major, op. 90: I. Allegro con brio
—
Symphony no. 3 in F major, op. 90: II. Andante
—
Symphony no. 3 in F major, op. 90: III. Poco Allegretto
—
Symphony no. 3 in F major, op. 90: IV. Allegro
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Anacréon: Ouvertüre
—
Kaiserwalzer, op. 347
—
Pizzicato-Polka
—
Die Fledermaus, op. 362: Ouvertüre
—
La gazza ladra: Ouvertüre
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Il barbiere di Siviglia: Ouvertüre
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What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055160248000000007839605000000000797302250000000080784896000000008387650X0000000108964232000000010928207300000001093754050000000109442305000000010948736X
+23 more
00000001102068440000000110264964000000011027989100000001109037540000000114439290000000011569431400000001160090670000000119418763000000011954617500000001201914980000000120978012000000012107672300000001211442470000000121195925000000012120827100000001213966980000000121615037000000012189233300000001227979360000000122880668000000012291086300000001232169530000000123641765
Identifier Graph
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What is UPC 885150331101?
885150331101 is a Universal Product Code (UPC) assigned to Das Vermächtnis (The Legacy) by Wilhelm Furtwängler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 193 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm