UPC · Release
Ladies in Jazz: Fabulous Female Jazz Singers
Various Artists
Last verified:
885150333563 is the Universal Product Code (UPC barcode) for the release “Ladies in Jazz: Fabulous Female Jazz Singers” by Various Artists, released 2011-01-01 on The Intense Media. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 163 tracks, each with its own ISRC. Tracks include FR6F31455930, DKAAS9600613, ES31E2520034.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (163)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | S’ Wonderful | — | ||
| 2 | I Get a Kick Out of You | — | ||
| 3 | Lullaby of Birdland | — | ||
| 4 | Day In, Day Out | — | ||
| 5 | Honeysuckle Rose | — | ||
| 6 | Evaline | — | ||
| 7 | Just One of Those Things | — | ||
| 8 | Softly, as in a Morning Sunrise | Abbey Lincoln | T-070.136.432-0 | |
| 9 | A Sleepin’ Bee | — | ||
| 10 | The Song Is You | — | ||
| 11 | Manhattan | — | ||
| 12 | Surrey With the Fringe on Top | — | ||
| 13 | Between the Devil and the Deep Blue Sea | — | ||
| 14 | My Baby Just Cares for Me | Nina Simone | T-070.110.622-0 | |
| 15 | Can’t We Be Friends | — | ||
| 16 | The Man I Love | — | ||
| 17 | Kissing Bug | — | ||
| 2-1 | Sometimes I’m Happy | — | ||
| 2-2 | Stars Fell on Alabama | — | ||
| 2-3 | It Ain’t Neccessarily So | — | ||
| 2-4 | I Could Write a Book | — | ||
| 2-5 | Let’s Fall in Love | — | ||
| 2-6 | Fine and Dandy | — | ||
| 2-7 | Are You With Me | — | ||
| 2-8 | Bewitched, Bothered, and Bewildered | — | ||
| 2-9 | The Very Thought of You | — | ||
| 2-10 | The Night We Called It a Day | — | ||
| 2-11 | Mood Indigo | Nina Simone | T-901.136.164-1 | |
| 2-12 | Afro Blue | — | ||
| 2-13 | Azure‐Te | — | ||
| 2-14 | Then I’ll Be Happy | — | ||
| 2-15 | Destination Moon | — | ||
| 2-16 | Just You, Just Me | — | ||
| 3-1 | Love Me or Leave Me | — | ||
| 3-2 | The Lady Is a Tramp | — | ||
| 3-3 | Everybody’s Doin’ It | — | ||
| 3-4 | Blue Gardenia | — | ||
| 3-5 | Gee, Baby Ain’t I Good to You | Peggy Lee | T-070.063.839-6 | |
| 3-6 | Give Me the Simple Life | — | ||
| 3-7 | A Sunday Kind of Love | — | ||
| 3-8 | From the Land of the Sky Blue Water - Alternate Take | Mildred Bailey & Her Orchestra | T-914.724.228-2 | |
| 3-9 | Anything Goes | — | ||
| 3-10 | Thou Swell | — | ||
| 3-11 | Our Love Is Here to Stay | — | ||
| 3-12 | It Might as Well Be Spring | Sarah Vaughan | T-070.907.117-9 | |
| 3-13 | No Moon at All | — | ||
| 3-14 | There’s a Boat Dat’s Leavin’ Soon for New York | — | ||
| 3-15 | Ain’t Nobody’s Business | — | ||
| 3-16 | Let’s Call the Whole Thing Off | — | ||
| 4-1 | There Will Never Be Another You | — | ||
| 4-2 | They Can’t Take That Away From Me | — | ||
| 4-3 | You’d Be So Nice to Come Home To | Sarah Vaughan | T-070.211.122-5 | |
| 4-4 | Black Coffee | Peggy Lee | T-070.011.447-1 | |
| 4-5 | Night People | — | ||
| 4-6 | No Moon at All | — | ||
| 4-7 | Yardbird Suite | — | ||
| 4-8 | Cotton Tail | — | ||
| 4-9 | I’ve Gotta Right to Sing the Blues | — | ||
| 4-10 | Well, Alright (Tonight’s the Night) | — | ||
| 4-11 | I’ll Get By | — | ||
| 4-12 | Make the Man Love Me | — | ||
| 4-13 | I Hadn’t Anyone Til You | — | ||
| 4-14 | Easy to Love | — | ||
| 4-15 | Almost Like Being in Love | — | ||
| 4-16 | I Let a Song Go Out of My Heart | — | ||
| 5-1 | Why Don’t You Do Right? | — | ||
| 5-2 | An Occasional Man | — | ||
| 5-3 | I Am in Love | — | ||
| 5-4 | Beautiful Love | — | ||
| 5-5 | You’re Blasé | — | ||
| 5-6 | There’s a Small Hotel | — | ||
| 5-7 | We Could Make Such Beautiful Music Together | — | ||
| 5-8 | Like Young | — | ||
| 5-9 | I Could Write a Book | — | ||
| 5-10 | I Wished on the Moon | — | ||
| 5-11 | How Little We Know | — | ||
| 5-12 | If I Had You | — | ||
| 5-13 | Doodlin’ | Sarah Vaughan | T-010.031.880-6 | |
| 5-14 | What’s My Name? | — | ||
| 5-15 | Interlude | — | ||
| 5-16 | Summertime | — | ||
| 6-1 | I Never Knew | — | ||
| 6-2 | The Lady From Twenty‐Nine Palms | — | ||
| 6-3 | So Blue | — | ||
| 6-4 | Love for Sale | — | ||
| 6-5 | Heat Wave | — | ||
| 6-6 | You Leave Me Breathless | — | ||
| 6-7 | I Cried for You | — | ||
| 6-8 | Body & Soul | — | ||
| 6-9 | Let Up | — | ||
| 6-10 | Ain’t Misbehavin | — | ||
| 6-11 | Moe’s Blues | — | ||
| 6-12 | Let’s Begin | — | ||
| 6-13 | You Forgot Your Gloves | — | ||
| 6-14 | I’d Love to Make Love to You | — | ||
| 6-15 | Babe’s Blues | — | ||
| 6-16 | Easy Living | — | ||
| 7-1 | Where Flamingos Fly | — | ||
| 7-2 | Snuggled on Your Shoulder | — | ||
| 7-3 | Come in Out of the Rain | — | ||
| 7-4 | You Better Go Now | — | ||
| 7-5 | Flying Down to Rio | — | ||
| 7-6 | In the Night | — | ||
| 7-7 | One for My Baby (And One More for the Road) | — | ||
| 7-8 | Wait Til You See Her | — | ||
| 7-9 | Anytime, Any Day, Anywhere | — | ||
| 7-10 | Lilac Wine | — | ||
| 7-11 | How Deep Is the Ocean | — | ||
| 7-12 | Something to Live For | — | ||
| 7-13 | A Woman Alone With the Blues | Peggy Lee | T-070.200.605-0 | |
| 7-14 | You Don’t Know What Love Is | — | ||
| 7-15 | As Time Goes By | — | ||
| 7-16 | Lonely House | — | ||
| 7-17 | Misty | Sarah Vaughan, the Quincy Jones Orchestra | T-070.109.662-9 | |
| 8-1 | Rockin’ in Rhythm | — | ||
| 8-2 | Shulie a Bop | — | ||
| 8-3 | I’ve Got You Under My Skin | — | ||
| 8-4 | Comes Love | — | ||
| 8-5 | All in Fun | — | ||
| 8-6 | Say It Ain’t So, Joe | — | ||
| 8-7 | They’re Either Too Young or Too Old | — | ||
| 8-8 | A Woman’s Intuition | — | ||
| 8-9 | Something to Live For | — | ||
| 8-10 | Little Niles | — | ||
| 8-11 | Stairway to the Stars | — | ||
| 8-12 | Welcome to the Club | — | ||
| 8-13 | Grievin’ | — | ||
| 8-14 | Thou Swell | — | ||
| 8-15 | Love Is Here to Stay | — | ||
| 8-16 | Makin’ Whoopee | — | ||
| 8-17 | Sleep | — | ||
| 9-1 | Exactly Like You | — | ||
| 9-2 | Everything I’ve Got | — | ||
| 9-3 | Caravan | — | ||
| 9-4 | My Heart Belongs to Daddy | Peggy Lee | T-070.110.901-4 | |
| 9-5 | In the Still of the Night | — | ||
| 9-6 | Mood Indigo | Nina Simone | T-901.136.164-1 | |
| 9-7 | Get Out of Town | — | ||
| 9-8 | All I Do Is Dream of You | — | ||
| 9-9 | Falling in Love With Love | — | ||
| 9-10 | Social Call | — | ||
| 9-11 | They Can’t Take That Away From Me | — | ||
| 9-12 | Ask a Woman Who Knows | — | ||
| 9-13 | A Foggy Day | Billie Holiday | T-010.434.159-4 | |
| 9-14 | Everything but You | — | ||
| 9-15 | Remind Me | — | ||
| 9-16 | The Wind | — | ||
| 10-1 | Night and Day | — | ||
| 10-2 | Just One of Those Things | — | ||
| 10-3 | Laugh, Clown, Laugh | — | ||
| 10-4 | All of Me | — | ||
| 10-5 | Love Me or Leave Me | — | ||
| 10-6 | Up Pops Love | — | ||
| 10-7 | Out of This World | — | ||
| 10-8 | Frenesi | — | ||
| 10-9 | Runnin’ Wild | — | ||
| 10-10 | Blue Moon | — | ||
| 10-11 | Soft Light and Sweet Music | — | ||
| 10-12 | Autumn Leaves | — | ||
| 10-13 | Spring Will Be a Little Late This Year | — | ||
| 10-14 | I Won’t Dance | — | ||
| 10-15 | It Don’t Mean a Thing If It Ain’t Got That Swing | — | ||
| 10-16 | Ev’ry Time We Say Goodbye | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+53 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Credits Graph
People also ask
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What is UPC 885150333563?
885150333563 is a Universal Product Code (UPC) assigned to Ladies in Jazz: Fabulous Female Jazz Singers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 163 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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