UPC · Release
Americans in Paris (The City of Love and All That Jazz)
Various Artists
Last verified:
885150335697 is the Universal Product Code (UPC barcode) for the release “Americans in Paris (The City of Love and All That Jazz)” by Various Artists, released 2012-01-01 on Membran. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 132 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (132)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cognac Blues | — | ||
| 2 | Cocktails for Two | — | ||
| 3 | Moon Nocturne | — | ||
| 4 | Sabla Y Blu | — | ||
| 5 | Blue and Sentimental | — | ||
| 6 | Just One More Chance | — | ||
| 7 | They Can’t Take That Away From Me | — | ||
| 8 | Break at the Beginning (Taking a Chance on Love) | — | ||
| 9 | When It’s Sleepy Time Down South | — | ||
| 10 | Lullaby in Rhythm | — | ||
| 11 | Just Blues (One More Blues) | — | ||
| 12 | Ain’t Misbehavin’ | — | ||
| 13 | Summertime | — | ||
| 14 | Blue Moon | — | ||
| 15 | Mama’s Blues | — | ||
| 16 | Undecided | — | ||
| 17 | The Way You Look Tonight | — | ||
| 2-1 | Dance of the Infidels | — | ||
| 2-2 | The Midget | — | ||
| 2-3 | A Night in Tunisia | — | ||
| 2-4 | Just by Myself | — | ||
| 2-5 | I Remember Clifford | — | ||
| 2-6 | Moanin | — | ||
| 2-7 | Justice | — | ||
| 2-8 | Blues March | — | ||
| 2-9 | Whisper Not | — | ||
| 3-1 | Voice of the North | — | ||
| 3-2 | A La French | — | ||
| 3-3 | Crazy Rhythm | — | ||
| 3-4 | Zebu | — | ||
| 3-5 | All the Things You Are | — | ||
| 3-6 | I Cover the Waterfront | — | ||
| 3-7 | Night and Day | — | ||
| 4-1 | Avalon | — | ||
| 4-2 | Scratchin’ the Gravel | — | ||
| 4-3 | Rock Me | — | ||
| 4-4 | I Made You Love Paris | — | ||
| 4-5 | Nancy Is in Love With the Colonel | — | ||
| 4-6 | Swingin’ for the Guys | — | ||
| 4-7 | Club Francais Blues | — | ||
| 4-8 | Freight Train Blues | — | ||
| 4-9 | Memories of You | — | ||
| 4-10 | Leg’n Lou | — | ||
| 4-11 | Mary Lou Blues | — | ||
| 4-12 | Between the Devil and the Deep Blue Sea | — | ||
| 4-13 | There’s a Small Hotel | — | ||
| 4-14 | En Ce Temps‐Là | — | ||
| 4-15 | Lover | — | ||
| 4-16 | Carioca | — | ||
| 4-17 | Nicole | — | ||
| 4-18 | Tire Tire L’Aiguille | — | ||
| 4-19 | Autumn in New York | — | ||
| 5-1 | Please Be Kind | — | ||
| 5-2 | The Midnight Sun Will Never Set | — | ||
| 5-3 | Live for Love | — | ||
| 5-4 | Misty | — | ||
| 5-5 | I’m Lost | — | ||
| 5-6 | Love Me | — | ||
| 5-7 | That’s All | — | ||
| 5-8 | Day by Day | — | ||
| 5-9 | Gone With the Wind | — | ||
| 5-10 | I’ll Close My Eyes | — | ||
| 5-11 | The Thrill Is Gone | — | ||
| 5-12 | On the Sunny Side of the Street | — | ||
| 5-13 | Que Reste‐t‐il de Nos Amours? | — | ||
| 5-14 | That Old Black Magic | — | ||
| 5-15 | Teach Me Tonight | — | ||
| 5-16 | Smoke Gets in Your Eyes | — | ||
| 5-17 | Over the Rainbow | — | ||
| 5-18 | I Only Have Eyes for You | — | ||
| 5-19 | I’ve Gotta Right to Sing the Blues | — | ||
| 5-20 | Sleep | — | ||
| 5-21 | Everybody’s Doin’ It | — | ||
| 5-23 | Scoubidou | — | ||
| 5-24 | Smooth Sailin’ | — | ||
| 6-1 | I Didn’t Know What Time It Was | — | ||
| 6-2 | Oh, Lady, Be Good! | — | ||
| 6-3 | Almost Like Being in Love | — | ||
| 6-4 | Three Little Words | — | ||
| 6-6 | I Can’t Get Started | — | ||
| 6-7 | Indiana | — | ||
| 6-8 | Pennies From Heaven | — | ||
| 6-9 | New D.B. Bluew | — | ||
| 6-10 | Lullaby of Birdland | — | ||
| 6-11 | There Will Never Be Another You | — | ||
| 6-12 | Tea for Two | — | ||
| 7-2 | You Go to My Head | — | ||
| 7-3 | Tenderly | — | ||
| 7-4 | Lover Man | — | ||
| 7-7 | These Foolish Things | — | ||
| 7-8 | I’ll Remember April | — | ||
| 8-1 | The Man I Love | — | ||
| 8-2 | Souscription | — | ||
| 8-3 | There’s No You | — | ||
| 8-4 | Influence | — | ||
| 8-5 | Marcel Le Fourreur | — | ||
| 8-6 | Tight Squeeze | — | ||
| 8-7 | Meet Quincy Jones | — | ||
| 8-9 | G and B | — | ||
| 8-10 | I Want a Little Girl | — | ||
| 8-11 | Paris Blues | — | ||
| 8-12 | Up Above My Head | — | ||
| 8-13 | Minor Blues | — | ||
| 8-14 | Sweet Georgia Brown | — | ||
| 8-15 | How Long Blues | — | ||
| 8-16 | Lucky T | — | ||
| 8-17 | Embassy Boogie | — | ||
| 9-1 | Art’s Blues | — | ||
| 9-2 | My Funny Valentine | — | ||
| 9-3 | Hommage to Neal Hefti | — | ||
| 9-4 | Too Marvelous for Words | — | ||
| 9-5 | The Lady Is a Tramp | — | ||
| 9-6 | What Is This Thing Called Love | — | ||
| 9-7 | Nice Work If You Can Get It | — | ||
| 9-8 | Sail’em | — | ||
| 9-9 | Things Ain’t What They Used to Be | — | ||
| 9-10 | Johnnie Pate’s Blues | — | ||
| 9-11 | R and R Groove | — | ||
| 9-12 | The Champ | — | ||
| 9-13 | Easy Listening | — | ||
| 9-14 | Chasing Sarah | — | ||
| 9-15 | Doxology | — | ||
| 10-1 | Dear Old Stockholm | — | ||
| 10-2 | Paul’s Pal | — | ||
| 10-3 | Flute Blues | — | ||
| 10-4 | Ray’s Idea | — | ||
| 10-5 | The Blues Walk | — | ||
| 10-6 | Salt Peanuts | — | ||
| 10-7 | Parisian Thoroughfare | — | ||
| 10-8 | Stardust | — | ||
| 10-9 | 52nd Street Theme | — | ||
| 10-10 | Two‐Bass Hit | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+29 more
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 885150335697?
885150335697 is a Universal Product Code (UPC) assigned to Americans in Paris (The City of Love and All That Jazz) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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