UPC · Release
The God of Tango
Carlos Gardel
Last verified:
885150335819 is the Universal Product Code (UPC barcode) for the release “The God of Tango” by Carlos Gardel, released 2012-01-01 on The Intense Media. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 145 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (145)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mi tierra | — | ||
| 2 | La copa del olvido | — | ||
| 3 | Eche otra caña, pulpero | — | ||
| 4 | Nubes de humo | — | ||
| 5 | La mina del Ford | — | ||
| 6 | Principe | — | ||
| 7 | La garçonière | — | ||
| 8 | Entrá nomás | — | ||
| 9 | Soy una fiera | — | ||
| 10 | Tengo miedo | — | ||
| 11 | A media luz | — | ||
| 12 | Dicha pasada | — | ||
| 13 | Ave sin rumbo | — | ||
| 14 | Aquella cantina de la ribera | — | ||
| 15 | Bésame en la boca | — | ||
| 16 | Corrientes | — | ||
| 17 | Sanjuanina de mi amor | — | ||
| 18 | Siga el corso | — | ||
| 19 | Oro muerto | — | ||
| 2-1 | No te quiero más | — | ||
| 2-2 | Noche de reyes | — | ||
| 2-3 | Ebrio | — | ||
| 2-4 | Un tropezón | — | ||
| 2-5 | Una tarde | — | ||
| 2-6 | Yo te perdono | — | ||
| 2-7 | Gajito de cedrón | — | ||
| 2-8 | Carnaval | — | ||
| 2-9 | Amurado | — | ||
| 2-10 | Compadrón | — | ||
| 2-11 | Arrabalero | — | ||
| 2-12 | Che Mariano | — | ||
| 2-13 | Copetín, vos sos mi hermano | — | ||
| 2-14 | Lo han visto con otra | — | ||
| 2-15 | Mala entraña | — | ||
| 2-16 | Pan comido | — | ||
| 2-17 | Paseo de Julio | — | ||
| 2-18 | Patadura | — | ||
| 2-19 | Adiós muchachos | — | ||
| 3-1 | Alma en pena | — | ||
| 3-2 | Bandoneón arrabalero | — | ||
| 3-3 | Barra querida | — | ||
| 3-4 | Buenos Aires | — | ||
| 3-5 | Caminito | — | ||
| 3-6 | Che, Bartolo | — | ||
| 3-7 | Che papusa, oí | — | ||
| 3-8 | Chorra | — | ||
| 3-9 | Claveles mendocinos | — | ||
| 3-10 | Dandy | — | ||
| 3-11 | El bulín de la calle Ayacucho | — | ||
| 3-12 | Esta noche me emborracho | — | ||
| 3-13 | Fierro chifle | — | ||
| 3-14 | La borrachera del tango | — | ||
| 3-15 | La cieguita | — | ||
| 3-16 | La cumparsita | — | ||
| 3-17 | Medianoche | — | ||
| 3-18 | Milonguera | — | ||
| 3-19 | Pato | — | ||
| 4-1 | Pompas de jabón | — | ||
| 4-2 | Rosas de otoño | — | ||
| 4-3 | Tu vieja ventana | — | ||
| 4-4 | Te aconsejo que me olvides | — | ||
| 4-5 | Senda florida | — | ||
| 4-6 | Todavía hay otarios | — | ||
| 4-7 | Silbando | — | ||
| 4-8 | Por qué me das dique | — | ||
| 4-9 | Lloró como una mujer | — | ||
| 4-10 | Haragán | — | ||
| 4-11 | Malevaje | — | ||
| 4-12 | Mano a mano | — | ||
| 4-13 | Ríe, payaso | — | ||
| 4-14 | De todo te olvidas | — | ||
| 4-15 | Qué vachaché | — | ||
| 4-16 | Misa de Once | — | ||
| 4-17 | Muñeca brava | — | ||
| 4-18 | Tras cartón | — | ||
| 4-19 | Por qué soy reo | — | ||
| 5-1 | Te odio | — | ||
| 5-2 | Tango argentino | — | ||
| 5-3 | Aquel tapado de armiño | — | ||
| 5-4 | Uno y uno | — | ||
| 5-5 | Viejo curda | — | ||
| 5-6 | Almagro | — | ||
| 5-7 | Amargura | — | ||
| 5-8 | Aquellas farras | — | ||
| 5-9 | Canchero | — | ||
| 5-10 | Caprichosa | — | ||
| 5-11 | Corazón de papel | — | ||
| 5-12 | El sol del veinticinco | — | ||
| 5-13 | Farolito de papel | — | ||
| 5-14 | Juventud | — | ||
| 5-15 | La mariposa | — | ||
| 5-16 | La pastelera | — | ||
| 6-1 | Mañanita de campo | — | ||
| 6-2 | Matala | — | ||
| 6-3 | Mi noche triste | — | ||
| 6-4 | Palomita blanca | — | ||
| 6-5 | Silencio | — | ||
| 6-6 | Tarde gris | — | ||
| 6-7 | Tortazos | — | ||
| 6-8 | Vieja recova | — | ||
| 6-9 | Viejo rincón | — | ||
| 6-10 | Viejo smoking | — | ||
| 6-11 | Yira... yira... | — | ||
| 6-12 | Tomo y obligo | — | ||
| 6-13 | Madreselva | — | ||
| 6-14 | Je te dirai | — | ||
| 6-15 | Anclao en París | — | ||
| 6-16 | Como abrazado a un rencor | — | ||
| 6-17 | El rosal | — | ||
| 6-18 | Sueño de juventud | — | ||
| 7-1 | Ausencia | — | ||
| 7-2 | Criollita de mis ensueños | — | ||
| 7-3 | Desdén | — | ||
| 7-4 | La canción de Buenos Aires | — | ||
| 7-5 | Tu diagnóstico | — | ||
| 7-6 | Suena guitarra querida | — | ||
| 7-7 | Para quererte nací | — | ||
| 7-8 | Parlez-moi d'amour | — | ||
| 7-9 | Mirala cómo se va | — | ||
| 7-10 | Recuerdo malevo | — | ||
| 7-11 | Secreto | — | ||
| 7-12 | Me da pena confesarlo | — | ||
| 7-13 | Me enamoré una vez | — | ||
| 7-14 | Medallita de la suerte | — | ||
| 7-15 | Melodía de arrabal | — | ||
| 7-16 | Mi manta pampa | — | ||
| 7-17 | Clavel del aire | — | ||
| 8-1 | Ventarrón | — | ||
| 8-2 | Milonga sentimental | — | ||
| 8-3 | El tirador platedo | — | ||
| 8-4 | Mi Buenos Aires querido | — | ||
| 8-5 | Soledad | — | ||
| 8-6 | Criollita, decí que sí | — | ||
| 8-7 | Cuesta abajo | — | ||
| 8-8 | Golondrinas | — | ||
| 8-9 | Guitarra mía | — | ||
| 8-10 | Por una cabeza | — | ||
| 8-11 | Cheating muchachita | — | ||
| 8-12 | Arrabal amargo | — | ||
| 8-13 | Apure delantero buey | — | ||
| 8-14 | Sus ojos se cerraron | — | ||
| 8-15 | El día que me quieras | — | ||
| 8-16 | Volvió una noche | — | ||
| 8-17 | Lejana tierra mía | — | ||
| 8-18 | Volver | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 885150335819?
885150335819 is a Universal Product Code (UPC) assigned to The God of Tango by Carlos Gardel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 145 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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