UPC · Release
Dance Chart 32
Various Artists
Last verified:
886443193789 is the Universal Product Code (UPC barcode) for the release “Dance Chart 32” by Various Artists, released 2012-01-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include DKGL51100602, DK4YA1107601, DKBV71101304.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Synd for dig | Medina | — | |
| 2 | Fuck hvor er det fedt (At være hip hop'er) (,Part 2: G-mix) | Kato | T-911.268.167-1 | |
| 3 | Gi’ mig dine tanker | Nik & Jay | — | |
| 4 | Veninder | Niklas | T-205.123.064-6 | |
| 5 | Fugt i fundamentet | Nik, Ras, Pharfar, Burhan G | — | |
| 6 | Dobbeltslag | Joey Moe | T-909.260.975-1 | |
| 7 | Dans Som Michael Jackson | USO | — | |
| 8 | U Know It Ain't Love (David May edit) | R.J., Pitbull | T-911.907.370-0 | |
| 9 | Trash the Club (radio edit) | DJ Aligator, Al Agami | T-912.497.946-0 | |
| 10 | Turn This Club Around | R.I.O. | T-042.838.743-2 | |
| 11 | Get Back (ASAP) (radio edit) | Alexandra Stan | T-906.245.278-2 | |
| 12 | Sweet Love (radio edit) | Liviu Hodor, Mona | T-319.318.795-6 | |
| 13 | Løber i stiletter | Jasmin | — | |
| 14 | En verden perfekt | Camille Jones, Steffen Brandt | T-909.071.418-4 | |
| 15 | Du Gør Mig Loco | DJ Dex, KNA Connected | — | |
| 16 | Ready or Not (club edit) | Michael Mind Project, Sean Kingston | T-910.856.522-6 | |
| 17 | Click Click Click (radio edit) | Stilettos | — | |
| 18 | Puls | Darwich | T-911.085.648-9 | |
| 19 | U R A Million $ Girl (Dex edit) | Dwaine, Diddy, Keri Hilson, Trina | T-909.367.973-3 | |
| 20 | The Actor 2011 (Musikk edit) | Michael Learns to Rock | — | |
| 21 | Insane (In da Brain) (radio edit) | DJs From Mars, Fragma | T-915.739.210-4 | |
| 22 | Basket Case (PH Electro edit) | Basslovers United | T-305.765.250-9 | |
| 23 | Boom (video edit) | ItaloBrothers, Carlprit | T-803.112.629-2 | |
| 24 | International Love | Pitbull, Chris Brown | T-917.542.110-0 | |
| 25 | Libertiner | L.O.C. | T-905.985.000-9 | |
| 26 | Klovn | Morten Hampenberg & Alexander Brown, Yepha, Casper Christensen | T-912.304.614-0 | |
| 27 | Sirenerne | Rasmus Seebach | T-911.082.643-2 | |
| 28 | Concentrate! | Filur, Simon Kvamm | T-909.260.976-2 | |
| 30 | Natural Disaster (UK radio edit) | Example, Laidback Luke | T-906.909.220-2 | |
| 31 | Forever | Wolfgang Gartner, will.i.am | T-906.279.713-1 | |
| 32 | Must Be a Reason Why (Afrojack edit) | J Pearl, Shayne Ward | — | |
| 33 | Insomnia | Mike Candys | T-010.771.666-4 | |
| 34 | The Way We Are (DJ Antoine vs Mad Mark radio edit) | Remady, Manu-L | — | |
| 35 | 1234 (edit) | Carlprit | T-042.838.754-5 | |
| 36 | I’m Day Dreaming (David May edit) | Redd, Akon, Snoop Dogg | T-904.786.573-6 | |
| 37 | Ma chérie (DJ Antoine vs Mad Mark 2k12 radio edit) | DJ Antoine, The Beat Shakers | T-905.277.528-7 | |
| 38 | Dance With Me (radio edit) | Bryce, Carlprit | — | |
| 39 | Far l’amore (radio edit) | Bob Sinclar, Raffaella Carrà | T-901.155.589-8 | |
| 40 | You Got That (Right Energy) (original) | Kongsted, Emerge, S.O.A.P. | T-913.065.305-3 | |
| 41 | Big Bad Wolf | Duck Sauce | T-906.620.366-5 | |
| 42 | Close to Me | Benny Benassi, Gary Go | T-918.173.593-3 | |
| 43 | Feel So Close (radio edit) | Calvin Harris | T-911.118.315-4 | |
| 44 | Trouble (Lars Van Dalen edit) | Nabiha | T-911.821.074-5 | |
| 45 | Smoke and Mirrors (Michael Cassette edit) | Shanghai | T-011.512.873-8 | |
| 46 | Ingen anden drøm | Pegboard Nerds, Morten Breum | T-000.365.419-0 | |
| 47 | Shake the Pressure (original Mylo Mash Up mix) | Deekline & Ed Solo, Splack Pack & Kidd Money | — | |
| 48 | Letting You Go (Greece 2000) (Dabruck & Klein vocal radio edit) | Three Drives | T-031.672.120-6 | |
| 50 | Soul Bossa Nova (Chuckie & Mastiksoul edit) | Aba & Simonsen | T-071.286.789-4 | |
| 51 | Off the Wall (Electro mix) | Wisdome | T-070.918.336-7 | |
| 52 | Catch Your Fall (radio edit) | Clokx | T-911.794.713-4 | |
| 53 | Pusher (Asle radio edit) | Loose Connection | — | |
| 54 | Loser (original mix) | Jørgensen, Jesse Voorn | T-070.103.901-1 | |
| 55 | Lift Off (radio edit) | Alexander Brown, Christian Amby | T-913.691.043-5 | |
| 56 | No Beef | Afrojack, Steve Aoki, Miss Palmer | T-912.364.681-1 | |
| 57 | Drink to Get Drunk (radio edit) | Sander van Doorn | — | |
| 58 | Long Time | John de Sohn | — | |
| 59 | Don’t Throw It Away (The Sound of Freedom edit) | Dominatorz, Bassmonkeys, Amanda Wilson | — | |
| 60 | Final Countdown (original mix) | Marc MacRowland | T-011.238.889-2 |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ma Cherie | DJ Antoine | T-905.277.528-7 |
| Dobbeltslag | Joey Moe | — |
| Touch Me (Svenstrup & Vendelboe Remix Edit) | Electric Lady Lab | — |
| Believe It (Cazzette's Androids Sound Hot Remix) | Spencer & Hill, Nadia Ali | T-911.539.245-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
+37 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+34 more
Identifier Graph
People also ask
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What is UPC 886443193789?
886443193789 is a Universal Product Code (UPC) assigned to Dance Chart 32 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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