UPC · Release
Cowardy Custard (Original London Festival Cast Recording)
Noël Coward
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886443954366 is the Universal Product Code (UPC barcode) for the release “Cowardy Custard (Original London Festival Cast Recording)” by Noël Coward, released 2013-10-11. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include USBC11300072, USBC11300073, USBC11300074.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Opening Medley | Anna Sharkey, Cowardy Custard Ensemble, Derek Waring, Elaine Delmar, Geoffrey Burridge, John Moffat, Jonathan Cecil, Laurel Ford, Patricia Routledge, Peter Gale, Tudor Davies, Una Stubbs | T-918.943.957-4 | |
| 2 | Louisa | Olivia Breeze, Patricia Routledge, John Moffat | — | |
| 3 | Mad About the Boy (From “Words and Music”) | Patricia Routledge, Una Stubbs, Anna Sharkey, Elaine Delmar | T-010.434.808-4 | |
| 4 | The Stately Homes of England (From “Operette”) | Jonathan Cecil, Tudor Davies, John Moffat, Derek Waring | — | |
| 5 | Twentieth Century Blues (From “Cavalcade”) | Elaine Delmar | — | |
| 6 | I Went to a Marvellous Party (From “Set to Music”) | Patricia Routledge | — | |
| 7 | The Magic of an Empty Theatre | John Moffatt | — | |
| 8 | Auditions | Derek Waring | — | |
| 9 | Mrs. Worthington | John Moffatt | — | |
| 2-1 | Excerpts from Critics / Why Must the Show Go On? | Cowardy Custard Ensemble | — | |
| 2-2 | London Sequence | Anna Sharkey, Cowardy Custard Ensemble, Derek Waring, Elaine Delmar, John Moffat, Patricia Routledge, Una Stubbs | — | |
| 2-3 | Return to London, 1941 | Derek Waring | — | |
| 2-4 | There Are Bad Times Just Around the Corner (From “The Globe Revue”) | Peter Gale, John Moffat, Derek Waring | T-010.461.805-4 | |
| 2-5 | Alice Is at It Again | Tudor Davies, Una Stubbs | — | |
| 2-6 | Travel Sequence | Cowardy Custard Ensemble, Derek Waring, John Moffat, Patricia Routledge, Tudor Davies, Geoffrey Burridge, Laurel Ford, Olivia Breeze, Peter Gale | — | |
| 2-7 | Mad Dogs and Englishmen (From “Words and Music”) | Elaine Delmar | T-010.436.885-5 | |
| 2-8 | Nina (From “Sigh No More”) | John Moffatt | — | |
| 2-9 | I Like America (From “Ace of Clubs”) | Peter Gale | — | |
| 2-10 | Bronxville Darby and Joan (From “Sail Away”) | Patricia Routledge, John Moffat | — | |
| 2-11 | Darjeeling (From “South Sea Bubble”) | Jonathan Cecil, Laurel Ford | — | |
| 2-12 | I Wonder What Happened to Him? (From “Sigh No More”) | Jonathan Cecil, John Moffat, Derek Waring | — | |
| 2-13 | Miss Mouse (From “Waiting in the Wings”) | Una Stubbs | T-011.536.150-6 | |
| 2-14 | Let’s Do It | Geoffrey Burridge, Jonathan Cecil, Tudor Davies, Peter Gale, John Moffat, Derek Waring | T-070.095.689-3 | |
| 2-15 | Last Words | Una Stubbs, John Moffat | — | |
| 2-16 | The Boy Actor | John Moffatt | — | |
| 2-17 | Closing Medley | Anna Sharkey, Cowardy Custard Ensemble, Derek Waring, Elaine Delmar, Geoffrey Burridge, Patricia Routledge, Peter Gale, Tudor Davies, Una Stubbs, John Moffat, Olivia Breeze, Laurel Ford, Jonathan Cecil | — |
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Musical Works (ISWC)
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What is UPC 886443954366?
886443954366 is a Universal Product Code (UPC) assigned to Cowardy Custard (Original London Festival Cast Recording) by Noël Coward. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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