UPC · Album
Another Self Portrait (1969–1971): The Bootleg Series, Vol. 10
Bob Dylan
Last verified:
886444106405 is the Universal Product Code (UPC barcode) for the release “Another Self Portrait (1969–1971): The Bootleg Series, Vol. 10” by Bob Dylan, released 2013-08-27. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include USSM11300597, USSM11300598, USSM11303444.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Wigwam (without overdubs, Self Portrait) | Bob Dylan | USSM11300597 |
| Thirsty Boots (unreleased, Self Portrait) | Bob Dylan | USSM11300598 |
| Went to See the Gypsy (demo) | Bob Dylan | USSM11303444 |
| Little Sadie (without overdubs, Self Portrait) | Bob Dylan | USSM11303445 |
| Pretty Saro (unreleased, Self Portrait) | Bob Dylan | USSM11303446 |
| Alberta #3 (alternate version, Self Portrait) | Bob Dylan | USSM11303447 |
| Spanish Is the Loving Tongue (unreleased, Self Portrait) | Bob Dylan | USSM11303448 |
| Annie’s Going to Sing Her Song (unreleased, Self Portrait) | Bob Dylan | USSM11303449 |
| Time Passes Slowly #1 (alternate version, New Morning) | Bob Dylan | USSM11303450 |
| Only a Hobo (unreleased, Greatest Hits II) | Bob Dylan | USSM11303451 |
| Minstrel Boy (unreleased, The Basement Tapes) | Bob Dylan | USSM11303452 |
| I Threw It All Away (alternate version, Nashville Skyline) | Bob Dylan | USSM11303453 |
| Railroad Bill (unreleased, Self Portrait) | Bob Dylan | USSM11303454 |
| This Evening So Soon (unreleased, Self Portrait) | Bob Dylan | USSM11303455 |
| These Hands (unreleased, Self Portrait) | Bob Dylan | USSM11303456 |
| In Search of Little Sadie (without overdubs, Self Portrait) | Bob Dylan | USSM11303457 |
| House Carpenter (unreleased, Self Portrait) | Bob Dylan | USSM11303458 |
| All the Tired Horses (without overdubs, Self Portrait) | Bob Dylan | USSM11303459 |
| If Not for You (alternate version, New Morning) | Bob Dylan | USSM11303460 |
| Wallflower (alternate version, 1971) | Bob Dylan | USSM11303461 |
| Days of 49 (without overdubs, Self Portrait) | Bob Dylan | USSM11303462 |
| Working on a Guru (unreleased, New Morning) | Bob Dylan | USSM11303463 |
| Country Pie (alternate version, Nashville Skyline) | Bob Dylan | USSM11303464 |
| I’ll Be Your Baby Tonight (live, Isle of Wight, 1969) | Bob Dylan, The Band | USSM11303465 |
| Highway 61 Revisited (live, Isle of Wight, 1969) | Bob Dylan, The Band | USSM11303466 |
| Copper Kettle (without overdubs, Self Portrait) | Bob Dylan | USSM11303467 |
| Bring Me a Little Water (unreleased, New Morning) | Bob Dylan | USSM11303468 |
| Sign on the Window (with orchestral overdubs, New Morning) | Bob Dylan | USSM11303469 |
| Tattle O’Day (unreleased, Self Portrait) | Bob Dylan | USSM11303470 |
| If Dogs Run Free (alternate version, New Morning) | Bob Dylan | USSM11303471 |
| New Morning (with horn section overdubs, New Morning) | Bob Dylan | USSM11303472 |
| Went to See the Gypsy (alternate version, New Morning) | Bob Dylan | USSM11303473 |
| Belle Isle (without overdubs, Self Portrait) | Bob Dylan | USSM11303474 |
| Time Passes Slowly #2 (alternate version, New Morning) | Bob Dylan | USSM11303475 |
| When I Paint My Masterpiece (demo) | Bob Dylan | USSM11303476 |
| She Belongs to Me (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303477 |
| I Threw It All Away (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303478 |
| Maggie’s Farm (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303479 |
| Wild Mountain Time (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303480 |
| It Ain’t Me, Babe (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303481 |
| To Ramona (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303482 |
| Mr. Tambourine Man (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303483 |
| I Dreamed I Saw St. Augustine (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303484 |
| Highway 61 Revisited (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303486 |
| One Too Many Mornings (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303487 |
| I Pity the Poor Immigrant (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303488 |
| Like a Rolling Stone (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303489 |
| I’ll Be Your Baby Tonight (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303490 |
| (Quinn the Eskimo) The Mighty Quinn (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303491 |
| Minstrel Boy (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303492 |
| Rainy Day Women #12 & 35 (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303493 |
| Lay Lady Lay (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303635 |
| Intro (live in Isle of Wight) (remixed) | Bob Dylan, The Band | USSM11303636 |
What other identifiers does this connect to?
Musical Works (ISWC)
+30 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 886444106405?
886444106405 is a Universal Product Code (UPC) assigned to Another Self Portrait (1969–1971): The Bootleg Series, Vol. 10 by Bob Dylan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm