UPC · Album

The Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge (deluxe edition)

Bob Dylan

886445477979
111 tracksReleased 2015-11-06

Last verified:

886445477979 is the Universal Product Code (UPC barcode) for the release The Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge (deluxe edition) by Bob Dylan, released 2015-11-06. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include USSM10504152, USSM10504156, USSM11505455.

Format

8Number system
86445Manufacturer
47797Product
9Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge (deluxe edition)
ISRC113 recordings
ISWC89 works
IPI2 songwriters

Track List (113)

It’s All Over Now, Baby Blue (alternate take)
Bob Dylan
Tombstone Blues (alternate take)
Bob Dylan
Love Minus Zero/No Limit (take 2, 1/13/1965, complete)
Bob Dylan
I’ll Keep It With Mine (take 1, piano demo)
Bob Dylan
She Belongs to Me (take 1, 1/13/1965, complete)
Bob Dylan
Subterranean Homesick Blues (take 1 remake, 1/14/1965, complete)
Bob Dylan
Outlaw Blues (take 2 remake, 1/13/1965, complete)
Bob Dylan
On the Road Again (take 4, 1/14/1965, complete)
Bob Dylan
Farewell, Angelina
Bob Dylan
If You Gotta Go, Go Now (take 2, 1/15/1965, complete)
Bob Dylan
You Don’t Have to Do That (take 1, 1/13/1965, incomplete)
Bob Dylan
California (take 1, 1/13/1965, complete)
Bob Dylan
Mr. Tambourine Man (take 3, 1/15/1965, breakdown)
Bob Dylan
It Takes a Lot to Laugh, It Takes a Train to Cry (take 8, 6/15/1965, complete)
Bob Dylan
Sitting on a Barbed‐Wire Fence (take 2, 6/15/1965, complete)
Bob Dylan
Medicine Sunday (take 1, 10/05/1965, incomplete)
Bob Dylan
Like a Rolling Stone (take 11 remake, 6/16/1965, complete)
Bob Dylan
Desolation Row (take 2, 8/04/1965, rehearsal)
Bob Dylan
Desolation Row (take 1, alternate take)
Bob Dylan
Tombstone Blues (take 1, 7/29/1965, complete)
Bob Dylan
Positively 4th Street (take 5, 7/29/1965, complete)
Bob Dylan
Just Like Tom Thumb’s Blues (take 3, 8/02/1965, complete)
Bob Dylan
Highway 61 Revisited (take 3, 8/02/1965, complete)
Bob Dylan
Queen Jane Approximately (take 5, 8/02/1965, complete)
Bob Dylan
Visions of Johanna (take 5, 11/30/1965, complete)
Bob Dylan
She’s Your Lover Now (take 6, 1/21/1966, complete)
Bob Dylan
Lunatic Princess (take 1, 1/27/1966, incomplete)
Bob Dylan
Leopard‐Skin Pill‐Box Hat (take 8, 2/14/1966, complete)
Bob Dylan
One of Us Must Know (Sooner or Later)
Bob Dylan
Stuck Inside of Mobile With the Memphis Blues Again (take 13, 2/17/1966, breakdown)
Bob Dylan
Absolutely Sweet Marie (take 1, 3/07/1966, complete)
Bob Dylan
Just Like a Woman (take 4, 3/08/1966, complete)
Bob Dylan
Pledging My Time (take 1, 3/08/1966, breakdown)
Bob Dylan
I Want You (take 4, alternate take)
Bob Dylan
Highway 61 Revisited (take 7, 8/02/1965, false start)
Bob Dylan
Bob Dylan’s 115th Dream (take 2, 1/13/1965, complete)
Bob Dylan
Love Minus Zero/No Limit (take 1, 1/13/1965, breakdown)
Bob Dylan
Love Minus Zero/No Limit (take 3 remake, 1/13/1965, complete)
Bob Dylan
Love Minus Zero/No Limit (take 1 remake, 1/14/1965, complete)
Bob Dylan
It’s All Over Now, Baby Blue (alternate take)
Bob Dylan
Bob Dylan’s 115th Dream (take 1, fragment)
Bob Dylan
She Belongs to Me (take 2 remake, 1/13/1965, complete)
Bob Dylan
She Belongs to Me (take 1 remake, 1/14/1965, complete)
Bob Dylan
Subterranean Homesick Blues (take 1)
Bob Dylan
Outlaw Blues (take 1, 1/13/1965, complete)
Bob Dylan
On the Road Again (take 1, 1/13/1965, complete)
Bob Dylan
On the Road Again (take 1 remake, 1/15/1965, complete)
Bob Dylan
On the Road Again (take 7 remake, 1/15/1965, complete)
Bob Dylan
If You Gotta Go, Go Now (take 1, 1/13/1965, complete)
Bob Dylan
It’s Alright, Ma (I’m Only Bleeding)
Bob Dylan
Mr. Tambourine Man (takes 1–2, 1/15/1965, false starts)
Bob Dylan
It Takes a Lot to Laugh, It Takes a Train to Cry (take 1, 6/15/1965, complete)
Bob Dylan
It Takes a Lot to Laugh, It Takes a Train to Cry (take 3, 7/29/1965, incomplete)
Bob Dylan
It Takes a Lot to Laugh, It Takes a Train to Cry (take 3, 7/29/1965, complete)
Bob Dylan
Tombstone Blues (alternate take)
Bob Dylan
Positively 4th Street (takes 1–3, 7/29/1965, false starts)
Bob Dylan
Positively 4th Street (take 4, 7/29/1965, complete)
Bob Dylan
Desolation Row (take 5 remake, 8/02/1965, complete)
Bob Dylan
From a Buick 6 (take 1, 7/30/1965, false start)
Bob Dylan
From a Buick 6 (take 4, 7/30/1965, accidentally released on the first pressing of Highway 61 Revisited, 1965)
Bob Dylan
Like a Rolling Stone (takes 1–3, 6/15/1965, rehearsal)
Bob Dylan
Like a Rolling Stone (take 4, rehearsal)
Bob Dylan
Like a Rolling Stone (take 5 remake, rehearsal)
Bob Dylan
Like a Rolling Stone (rehearsal remake, 6/16/1965, rehearsal)
Bob Dylan
Like a Rolling Stone (take 1 remake, 6/16/1965, rehearsal)
Bob Dylan
Like a Rolling Stone (takes 2–3 remake, 6/16/1965, false starts)
Bob Dylan
"Like a Rolling Stone" Take 4 (6/16/1965)
Bob Dylan
Like a Rolling Stone (take 6 remake, 6/16/1965, false start)
Bob Dylan
Like a Rolling Stone (take 8 remake, 6/16/1965, breakdown)
Bob Dylan
Like a Rolling Stone (takes 9–10 remake, 6/16/1965, false starts)
Bob Dylan
Like a Rolling Stone (take 12 remake, 6/16/1965, false start)
Bob Dylan
Like a Rolling Stone (take 13 remake, 6/16/1965, breakdown)
Bob Dylan
Like a Rolling Stone (take 14 remake, 6/16/1965, false start)
Bob Dylan
Like a Rolling Stone (take 15 remake, 6/16/1965, breakdown)
Bob Dylan
Like a Rolling Stone (6/16/1965, master take, guitar)
Bob Dylan
Like a Rolling Stone (6/16/1965, master take, vocals, guitar (BD))
Bob Dylan
Like a Rolling Stone (6/16/1965, master take, piano, bass)
Bob Dylan
Like a Rolling Stone (6/16/1965, master take, drums, organ)
Bob Dylan
Can You Please Crawl Out Your Window? (take 17, 7/30/1965, accidentally released as the b‐side of the first pressing of the Positively 4th Street single)
Bob Dylan
Highway 61 Revisited (take 5, 8/02/1965, complete)
Bob Dylan
Just Like Tom Thumb’s Blues (take 1, 8/02/1965, breakdown)
Bob Dylan
Just Like Tom Thumb’s Blues (take 13, 8/02/1965, complete)
Bob Dylan
Queen Jane Approximately (take 2, 8/02/1965, complete)
Bob Dylan
Ballad of a Thin Man (take 2, 8/02/1965, breakdown)
Bob Dylan
Jet Pilot (take 1, 10/05/1965, released on Biograph, 1985)
Bob Dylan
I Wanna Be Your Lover (take 1, 10/05/1965, fragment)
Bob Dylan
I Wanna Be Your Lover (take 6, 10/05/1965, complete)
Bob Dylan
Instrumental (take 2, 10/05/1965, complete)
Bob Dylan
Can You Please Crawl Out Your Window? (take 6, 11/30/1965, complete)
Bob Dylan
Visions of Johanna (take 1, 11/30/1965, rehearsal)
Bob Dylan
Visions of Johanna (take 7, 11/30/1965, complete)
Bob Dylan
Visions of Johanna (take 8, 11/30/1965, released on The Bootleg Series, Vol.7, 2005)
Bob Dylan
Visions of Johanna (take 14, 11/30/1965, complete)
Bob Dylan
She’s Your Lover Now (take 1, 1/21/1966, breakdown)
Bob Dylan
She’s Your Lover Now (take 15, 1/21/1966, released on The Bootleg Series, Vol. 1-3, 1991)
Bob Dylan
She’s Your Lover Now (take 16, 1/21/1966, complete)
Bob Dylan
One of Us Must Know (Sooner or Later)
Bob Dylan
One of Us Must Know (Sooner or Later) (1/25/1966, rehearsal)
Bob Dylan
Fourth Time Around (take 11, 2/14/1966, complete)
Bob Dylan
Leopard‐Skin Pill‐Box Hat (take 3, 2/14/1966, complete)
Bob Dylan
Rainy Day Women #12 & 35 (take 1, 3/10/1966, released on Blonde on Blonde, 1966)
Bob Dylan
Stuck Inside of Mobile With the Memphis Blues Again (take 1, 2/17/1966, rehearsal)
Bob Dylan
Stuck Inside of Mobile With the Memphis Blues Again (2/17/1966, rehearsal)
Bob Dylan
Stuck Inside of Mobile With the Memphis Blues Again (take 5)
Bob Dylan
Stuck Inside of Mobile With the Memphis Blues Again (take 14, 2/17/1966, complete)
Bob Dylan
Just Like a Woman (take 1, 3/08/1966, complete)
Bob Dylan
Just Like a Woman (take 8, 3/08/1966, complete)
Bob Dylan
Most Likely You Go Your Way (and I’ll Go Mine) (take 1, 3/09/1966, complete)
Bob Dylan
Temporary Like Achilles (take 3, 3/09/1966, complete)
Bob Dylan
Obviously Five Believers (take 3, 3/10/1966, complete)
Bob Dylan
Sad‐Eyed Lady of the Lowlands (take 1, 2/16/1966, complete)
Bob Dylan
Can You Please Crawl Out Your Window? (take 1, 7/30/1965, complete)
Bob Dylan
Like a Rolling Stone (take 5, 6/15/1965, breakdown)
Bob Dylan

People also ask

What is UPC 886445477979?
UPC 886445477979 is the Universal Product Code (barcode) for "The Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge (deluxe edition)" by Bob Dylan.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 886445477979?
UPC 886445477979 contains 111 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 886445477979?

886445477979 is a Universal Product Code (UPC) assigned to The Bootleg Series, Vol. 12: 1965–1966, The Cutting Edge (deluxe edition) by Bob Dylan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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