UPC · Release
Dowland, Fauré, Handel, Medtner, Rachmaninoff, Ned Rorem, Scarlatti, Villa‐Lobos, Brian Asawa, Tayler, Marriner, Kahane, McGegan
Last verified:
The UPC for “Brian Asawa: The Complete RCA Recordings” by Dowland, Fauré, Handel, Medtner, Rachmaninoff, Ned Rorem, Scarlatti, Villa‐Lobos, Brian Asawa, Tayler, Marriner, Kahane, McGegan is 886446147635. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-04-28. This release contains 139 tracks, each with its own ISRC. Tracks include GBARU9800232, GBARU9800233, GBARU9800234.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come Again, Sweet Love Doth Now Invite | — | ||
| 2 | His Golden Locks Time Hath to Silver Turn'd | — | ||
| 3 | Flow My Tears | — | ||
| 4 | It Was a Time When Silly Bees Could Speak | — | ||
| 5 | Sorrow, Stay! | — | ||
| 6 | Can She Excuse My Wrongs | — | ||
| 7 | A Shepherd In a Shade His Plaining Made | — | ||
| 8 | Time Stands Still | — | ||
| 9 | Go, Crystal Tears | — | ||
| 10 | I Saw My Lady Weep | — | ||
| 11 | Away with These Self-Loving Lads | — | ||
| 12 | Now Hath Flora Robb'd Her Bow'rs | — | ||
| 13 | Author of Light, Revive My Dying Sprite | — | ||
| 14 | Come Let Us Sound with Melody the Praises | — | ||
| 15 | Oft Have I Sigh'd for Him that Hears Me Not | — | ||
| 16 | Turn Back, You Wanton Flyer | — | ||
| 17 | This Merry Pleasant Spring | — | ||
| 18 | There Were Three Ravens | — | ||
| 19 | The Dark Is My Delight | — | ||
| 20 | Willow Song | — | ||
| 21 | Miserere My Maker | — | ||
| 22 | Where the Bee Sucks | — | ||
| 23 | O Death, Rock Me Asleep | — | ||
| 2-1 | Trois mélodies, Op. 18: II. Le Voyageur | — | ||
| 2-2 | Deux mélodies, Op. 43: II. Nocturne | — | ||
| 2-3 | Deux mélodies, Op. 76: II. Arpège | — | ||
| 2-4 | Cinq mélodies, Op.58: II. En Sourdine | — | ||
| 2-5 | Pavane, Op. 50 | — | ||
| 2-6 | 6 Gedichte von W. Goethe, Op. 18: V. Das Veilchen | — | ||
| 2-7 | Neun Lieder von W. Goethe, Op. 6: II. Mailied | — | ||
| 2-8 | Neun Lieder von W. Goethe, Op. 6: V. Aus "Claudine von Villa-Bella" | — | ||
| 2-9 | Zwölf Lieder von W. Goethe, Op. 15: IV. Aus "Erwine und Elmire" | — | ||
| 2-10 | Suite-Vocalise, Op. 41, No. 2 | — | ||
| 2-11 | Cançao do Amor, W546 | — | ||
| 2-12 | Canções típicas brasileiras, W159: VIII. Pálida Madona | — | ||
| 2-13 | Bachianas Brasileiras No. 5, W389: I. Ária | — | ||
| 2-14 | 12 Songs, Op. 14: I. I Wait for Thee (Ya zhdu tebia) | — | ||
| 2-15 | 12 Songs, Op. 14: IX. As Fair As Noon (Ona, kak polden' khorosha) | — | ||
| 2-16 | 6 Songs, Op. 38: II. To Her (K nei) | — | ||
| 2-17 | 6 Songs, Op. 4: III. In the Silent Night (V molchan'i nochi tainoi) | — | ||
| 2-18 | 14 Romances, Op. 34: XIV. Vocalise | — | ||
| 3-1 | More Than a Day: Ia. Do I Love You? More Than a Look | — | ||
| 3-2 | More Than a Day: Ib. Do I Love You? More Than a Word | — | ||
| 3-3 | More Than a Day: Ic. Do I Love You? More Than a Room | — | ||
| 3-4 | More Than a Day: Id. Do I Love You? More Than a Mirror | — | ||
| 3-5 | More Than a Day: Ie. Do I Love You? More Than a Day | — | ||
| 3-6 | More Than a Day: If. Do I Love You? More Than a Rock | — | ||
| 3-7 | More Than a Day: Ig. Do I Love You? More Than the Air | — | ||
| 3-8 | More Than a Day: II. My Brain Is Littered | — | ||
| 3-9 | More Than a Day: III. Oh Love, See How the Flowers Maste | — | ||
| 3-10 | Water Music: I. Prologue - Variation 1 | — | ||
| 3-11 | Water Music: II. The Tune (Calm and Sad) | — | ||
| 3-12 | Water Music: III. Variation 2 | — | ||
| 3-13 | Water Music: IV. Variation 3 | — | ||
| 3-14 | Water Music: V. Variation 4 | — | ||
| 3-15 | Water Music: VI. Variation 5 | — | ||
| 3-16 | Water Music: VII. Variation 6 | — | ||
| 3-17 | Water Music: VIII. Variation 7 | — | ||
| 3-18 | Water Music: IX. Variation 8 | — | ||
| 3-19 | Water Music: X. Variation 9 | — | ||
| 3-20 | From An Unknown Past: I. The Lover In Winter, Plaineth for the Spring | — | ||
| 3-21 | From An Unknown Past: II. Hey Nonny No! | — | ||
| 3-22 | From An Unknown Past: III. My Blood So Red | — | ||
| 3-23 | From An Unknown Past: IV. Suspiria | — | ||
| 3-24 | From An Unknown Past: V. The Miracle | — | ||
| 3-25 | From An Unknown Past: VI. Tears | — | ||
| 3-26 | From An Unknown Past: VII. Crabbed Age and Youth | — | ||
| 3-27 | Encountertenor (Excerpts): I. Countertenor's Conundrum | — | ||
| 3-28 | Encountertenor (Excerpts): II. The trouble with trebles in trousers... | — | ||
| 4-1 | Nel silenzio comune: I. Introduzione - Grave | — | ||
| 4-2 | Nel silenzio comune: II. Corrente | — | ||
| 4-3 | Nel silenzio comune: III. Minuetto | — | ||
| 4-4 | Nel silenzio comune: IV. Nel silenzio comune (Recitativo accompagnato) | — | ||
| 4-5 | Nel silenzio comune: V. Nel dormir l'anima mia (Aria) | — | ||
| 4-6 | Nel silenzio comune: VI. E pure, e pure voi dormite (Recitativo) | — | ||
| 4-7 | Nel silenzio comune: VII. Pupile care (Aria) | — | ||
| 4-8 | Nel silenzio comune: VIII. Ma no, dormi, ben mio (Recitativo) | — | ||
| 4-9 | Nel silenzio comune: IX. Se negasti vegliando (Aria) | — | ||
| 4-10 | Nel silenzio comune: X. Filli, Filli crudele destati (Recitativo) | — | ||
| 4-11 | Nel silenzio comune: XI. Acciò che rimbombe intorno al ben mio (Aria) | — | ||
| 4-12 | Ferma omai: I. Ferma omai | — | ||
| 4-13 | Ferma omai: II. Ov'unque il guardo giri (Recitativo) | — | ||
| 4-14 | Ferma omai: III. Va' che i lamenti miei | — | ||
| 4-15 | Clori vezzosa, e bella: I. Clori vezzosa, e bella (Recitativo) | — | ||
| 4-16 | Clori vezzosa, e bella: II. Volgi lo sguardo (Aria) | — | ||
| 4-17 | Clori vezzosa, e bella: III. Vivo, vivo penando (Recitativo) | — | ||
| 4-18 | Clori vezzosa, e bella: IV. Sì, ben mio, sì (Aria) | — | ||
| 4-19 | Piango, sospiro, e peno: I. Piango, sospiro e peno (Arioso) | — | ||
| 4-20 | Piango, sospiro, e peno: II. Ah' crudele/Non ti basta (Arioso) | — | ||
| 4-21 | Piango, sospiro, e peno: III. Sì, sì che in cener disciolto il cor vedrai (Recitativo) | — | ||
| 4-22 | Piango, sospiro, e peno: IV. Povero core - Dopo la morte (Aria) | — | ||
| 4-23 | Piango, sospiro, e peno: V. Dunque tormenti e scherni (Recitativo) | — | ||
| 4-24 | Piango, sospiro, e peno: VI. L'amarti o Filli (Arioso) | — | ||
| 4-25 | Non sò qual più m' ingombra: I. Non sò qual più m'ingombra (Recitativo) | — | ||
| 4-26 | Non sò qual più m' ingombra: II. Che die sarà (Aria) | — | ||
| 4-27 | Non sò qual più m' ingombra: III. E nato, è nato, al fin mi dice (Recitativo) | — | ||
| 4-28 | Non sò qual più m' ingombra: IV. Nacque col Gran Messia (Aria) | — | ||
| 5-1 | Serse, HWV 40: I. Overture | The Hanover Band, Nicholas McGegan | T-009.030.807-8 | |
| 5-2 | Serse, HWV 40: II. Allegro | The Hanover Band, Nicholas McGegan | T-915.520.107-3 | |
| 5-3 | Serse, HWV 40: III. Gigue | The Hanover Band, Nicholas McGegan | — | |
| 5-4 | Serse, HWV 40, Act I: Frondi tenere | The Hanover Band, Nicholas McGegan | — | |
| 5-5 | Serse, HWV 40: Ombra mai fu | Judith Malafronte, Hanover Band, Nicholas McGegan | T-308.021.303-8 | |
| 5-6 | Serse, HWV 40, Act I: Siam giunti, Elviro | The Hanover Band, Nicholas McGegan | — | |
| 5-7 | Serse, HWV 40: Act 1: No. 3 Sinfonia e Recitativo: "Sento un soave concento" | David Thomas, Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-8 | Serse, HWV 40, Act I: O voi, che penate! | The Hanover Band, Nicholas McGegan | — | |
| 5-9 | Serse, HWV 40: Act 1: Recitativo: "Arsamene!" - "Mio Sire!" | Judith Malafronte, Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-10 | Serse, HWV 40: Act 1: No. 5 Aria: "Va godendo vezzoso e bello" | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 5-11 | Serse, HWV 40, Act I: Quel canto a un bel amor | The Hanover Band, Nicholas McGegan | — | |
| 5-12 | Serse, HWV 40, Act I: Lo le diro che l'amo | The Hanover Band, Nicholas McGegan | — | |
| 5-13 | Serse, HWV 40, Act I: Tu le dirai che l'ami | The Hanover Band, Nicholas McGegan | — | |
| 5-14 | Serse, HWV 40: Act 1: Recitativo: "Arsamene!" - "Romilda" | Brian Asawa, Jennifer Smith, Lisa Milne, Hanover Band, Nicholas McGegan | — | |
| 5-15 | Serse, HWV 40, Act I: Si, si, mio ben, si, si | The Hanover Band, Nicholas McGegan | — | |
| 5-16 | Serse, HWV 40: Act 1: Recitativo: "Presto, signor" | Judith Malafronte, Brian Asawa, Jennifer Smith, Hanover Band, Nicholas McGegan | — | |
| 5-17 | Serse, HWV 40, Act I: Meglio in voi col mio partire | George Frideric Handel | — | |
| 5-18 | Serse, HWV 40, Act I: Eccoti Il foglio, Elviro | The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 5-19 | Serse, HWV 40: Act 1: No. 15 Arietta: "Signor, signor, lasciate far a me" | David Thomas, Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 5-20 | Serse, HWV 40, Act I: Non so, se sia la speme | The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 5-21 | Serse, HWV 40, Act II: E pazzo affe! | The Hanover Band, Nicholas McGegan | — | |
| 5-22 | Serse, HWV 40: Act 2: No. 32 Aria: "Quella che tutta fe" | Brian Asawa, The Hanover Band, Nicholas McGegan | — | |
| 5-23 | Serse, HWV 40, Act II: La virtute sol potea | The Hanover Band, Nicholas McGegan | — | |
| 5-24 | Serse, HWV 40, Act II: Ariodate! | The Hanover Band, Nicholas McGegan | — | |
| 5-25 | Serse, HWV 40: Act 2: Coro di marinari: "La virtute sol potea" | Hanover Chorus, Hanover Band, Nicholas McGegan | — | |
| 5-26 | Serse, HWV 40, Act II: Per dar fine alla mia pena | The Hanover Band, Nicholas McGegan | — | |
| 5-27 | Serse, HWV 40: Act 2: Recitativo: "Arsamene, ove andante?" | Judith Malafronte, Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-28 | Serse, HWV 40, Act II: Si, la voglio e la otterro! | The Hanover Band, Nicholas McGegan | — | |
| 5-29 | Serse, HWV 40, Act III: Sinfonia | The Hanover Band, Nicholas McGegan | T-306.482.958-5 | |
| 5-30 | Serse, HWV 40, Act III: Sono vani i pretesti | The Hanover Band, Nicholas McGegan | — | |
| 5-31 | Serse, HWV 40: Act 3: No. 44 Arietta: "No, no, se tu mi sprezzi" | Lisa Milne, Nicholas McGegan, Hanover Band | — | |
| 5-32 | Serse, HWV 40, Act III: Ecco in segno di fe | The Hanover Band, Nicholas McGegan | — | |
| 5-33 | Serse, HWV 40: Act 3: No. 45 Aria: "Per rendermi beato" | Judith Malafronte, Nicholas McGegan, Hanover Band | — | |
| 5-34 | Serse, HWV 40, Act III: Ubbidiro al mio re? | The Hanover Band, Nicholas McGegan | — | |
| 5-35 | Serse, HWV 40: Act 3: No. 46 Aria: "Amor, tiranno Amor" | Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-36 | Serse, HWV 40, Act III: Come gia vi accennammo | The Hanover Band, Nicholas McGegan | — | |
| 5-37 | Serse, HWV 40: Act 3: No. 47 Aria: "Del ciel d'amore" | Dean Ely, Hanover Band, Nicholas McGegan | — | |
| 5-38 | Serse, HWV 40, Act III: Il suo serto rifiuto! | The Hanover Band, Nicholas McGegan | — | |
| 5-39 | Serse, HWV 40: Act 3: No. 48 Aria: "Cagion son io del mio dolore" | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 5-40 | Serse, HWV 40, Act III: Romilda infida, e di me pensa ancora? | The Hanover Band, Nicholas McGegan | — | |
| 5-41 | Serse, HWV 40: Act 3: No. 49 Duetta: "Troppo oltraggi la mia fede" | Brian Asawa, Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 5-42 | Serse, HWV 40, Act III: Ritorna a noi la calma | The Hanover Band, Nicholas McGegan | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
886446147635 is a Universal Product Code (UPC) assigned to Brian Asawa: The Complete RCA Recordings by Dowland, Fauré, Handel, Medtner, Rachmaninoff, Ned Rorem, Scarlatti, Villa‐Lobos, Brian Asawa, Tayler, Marriner, Kahane, McGegan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 139 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Brian Asawa: The Complete RCA Recordings” by Dowland, Fauré, Handel, Medtner, Rachmaninoff, Ned Rorem, Scarlatti, Villa‐Lobos, Brian Asawa, Tayler, Marriner, Kahane, McGegan is 886446147635. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-04-28. This release contains 139 tracks, each with its own ISRC. Tracks include GBARU9800232, GBARU9800233, GBARU9800234.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come Again, Sweet Love Doth Now Invite | — | ||
| 2 | His Golden Locks Time Hath to Silver Turn'd | — | ||
| 3 | Flow My Tears | — | ||
| 4 | It Was a Time When Silly Bees Could Speak | — | ||
| 5 | Sorrow, Stay! | — | ||
| 6 | Can She Excuse My Wrongs | — | ||
| 7 | A Shepherd In a Shade His Plaining Made | — | ||
| 8 | Time Stands Still | — | ||
| 9 | Go, Crystal Tears | — | ||
| 10 | I Saw My Lady Weep | — | ||
| 11 | Away with These Self-Loving Lads | — | ||
| 12 | Now Hath Flora Robb'd Her Bow'rs | — | ||
| 13 | Author of Light, Revive My Dying Sprite | — | ||
| 14 | Come Let Us Sound with Melody the Praises | — | ||
| 15 | Oft Have I Sigh'd for Him that Hears Me Not | — | ||
| 16 | Turn Back, You Wanton Flyer | — | ||
| 17 | This Merry Pleasant Spring | — | ||
| 18 | There Were Three Ravens | — | ||
| 19 | The Dark Is My Delight | — | ||
| 20 | Willow Song | — | ||
| 21 | Miserere My Maker | — | ||
| 22 | Where the Bee Sucks | — | ||
| 23 | O Death, Rock Me Asleep | — | ||
| 2-1 | Trois mélodies, Op. 18: II. Le Voyageur | — | ||
| 2-2 | Deux mélodies, Op. 43: II. Nocturne | — | ||
| 2-3 | Deux mélodies, Op. 76: II. Arpège | — | ||
| 2-4 | Cinq mélodies, Op.58: II. En Sourdine | — | ||
| 2-5 | Pavane, Op. 50 | — | ||
| 2-6 | 6 Gedichte von W. Goethe, Op. 18: V. Das Veilchen | — | ||
| 2-7 | Neun Lieder von W. Goethe, Op. 6: II. Mailied | — | ||
| 2-8 | Neun Lieder von W. Goethe, Op. 6: V. Aus "Claudine von Villa-Bella" | — | ||
| 2-9 | Zwölf Lieder von W. Goethe, Op. 15: IV. Aus "Erwine und Elmire" | — | ||
| 2-10 | Suite-Vocalise, Op. 41, No. 2 | — | ||
| 2-11 | Cançao do Amor, W546 | — | ||
| 2-12 | Canções típicas brasileiras, W159: VIII. Pálida Madona | — | ||
| 2-13 | Bachianas Brasileiras No. 5, W389: I. Ária | — | ||
| 2-14 | 12 Songs, Op. 14: I. I Wait for Thee (Ya zhdu tebia) | — | ||
| 2-15 | 12 Songs, Op. 14: IX. As Fair As Noon (Ona, kak polden' khorosha) | — | ||
| 2-16 | 6 Songs, Op. 38: II. To Her (K nei) | — | ||
| 2-17 | 6 Songs, Op. 4: III. In the Silent Night (V molchan'i nochi tainoi) | — | ||
| 2-18 | 14 Romances, Op. 34: XIV. Vocalise | — | ||
| 3-1 | More Than a Day: Ia. Do I Love You? More Than a Look | — | ||
| 3-2 | More Than a Day: Ib. Do I Love You? More Than a Word | — | ||
| 3-3 | More Than a Day: Ic. Do I Love You? More Than a Room | — | ||
| 3-4 | More Than a Day: Id. Do I Love You? More Than a Mirror | — | ||
| 3-5 | More Than a Day: Ie. Do I Love You? More Than a Day | — | ||
| 3-6 | More Than a Day: If. Do I Love You? More Than a Rock | — | ||
| 3-7 | More Than a Day: Ig. Do I Love You? More Than the Air | — | ||
| 3-8 | More Than a Day: II. My Brain Is Littered | — | ||
| 3-9 | More Than a Day: III. Oh Love, See How the Flowers Maste | — | ||
| 3-10 | Water Music: I. Prologue - Variation 1 | — | ||
| 3-11 | Water Music: II. The Tune (Calm and Sad) | — | ||
| 3-12 | Water Music: III. Variation 2 | — | ||
| 3-13 | Water Music: IV. Variation 3 | — | ||
| 3-14 | Water Music: V. Variation 4 | — | ||
| 3-15 | Water Music: VI. Variation 5 | — | ||
| 3-16 | Water Music: VII. Variation 6 | — | ||
| 3-17 | Water Music: VIII. Variation 7 | — | ||
| 3-18 | Water Music: IX. Variation 8 | — | ||
| 3-19 | Water Music: X. Variation 9 | — | ||
| 3-20 | From An Unknown Past: I. The Lover In Winter, Plaineth for the Spring | — | ||
| 3-21 | From An Unknown Past: II. Hey Nonny No! | — | ||
| 3-22 | From An Unknown Past: III. My Blood So Red | — | ||
| 3-23 | From An Unknown Past: IV. Suspiria | — | ||
| 3-24 | From An Unknown Past: V. The Miracle | — | ||
| 3-25 | From An Unknown Past: VI. Tears | — | ||
| 3-26 | From An Unknown Past: VII. Crabbed Age and Youth | — | ||
| 3-27 | Encountertenor (Excerpts): I. Countertenor's Conundrum | — | ||
| 3-28 | Encountertenor (Excerpts): II. The trouble with trebles in trousers... | — | ||
| 4-1 | Nel silenzio comune: I. Introduzione - Grave | — | ||
| 4-2 | Nel silenzio comune: II. Corrente | — | ||
| 4-3 | Nel silenzio comune: III. Minuetto | — | ||
| 4-4 | Nel silenzio comune: IV. Nel silenzio comune (Recitativo accompagnato) | — | ||
| 4-5 | Nel silenzio comune: V. Nel dormir l'anima mia (Aria) | — | ||
| 4-6 | Nel silenzio comune: VI. E pure, e pure voi dormite (Recitativo) | — | ||
| 4-7 | Nel silenzio comune: VII. Pupile care (Aria) | — | ||
| 4-8 | Nel silenzio comune: VIII. Ma no, dormi, ben mio (Recitativo) | — | ||
| 4-9 | Nel silenzio comune: IX. Se negasti vegliando (Aria) | — | ||
| 4-10 | Nel silenzio comune: X. Filli, Filli crudele destati (Recitativo) | — | ||
| 4-11 | Nel silenzio comune: XI. Acciò che rimbombe intorno al ben mio (Aria) | — | ||
| 4-12 | Ferma omai: I. Ferma omai | — | ||
| 4-13 | Ferma omai: II. Ov'unque il guardo giri (Recitativo) | — | ||
| 4-14 | Ferma omai: III. Va' che i lamenti miei | — | ||
| 4-15 | Clori vezzosa, e bella: I. Clori vezzosa, e bella (Recitativo) | — | ||
| 4-16 | Clori vezzosa, e bella: II. Volgi lo sguardo (Aria) | — | ||
| 4-17 | Clori vezzosa, e bella: III. Vivo, vivo penando (Recitativo) | — | ||
| 4-18 | Clori vezzosa, e bella: IV. Sì, ben mio, sì (Aria) | — | ||
| 4-19 | Piango, sospiro, e peno: I. Piango, sospiro e peno (Arioso) | — | ||
| 4-20 | Piango, sospiro, e peno: II. Ah' crudele/Non ti basta (Arioso) | — | ||
| 4-21 | Piango, sospiro, e peno: III. Sì, sì che in cener disciolto il cor vedrai (Recitativo) | — | ||
| 4-22 | Piango, sospiro, e peno: IV. Povero core - Dopo la morte (Aria) | — | ||
| 4-23 | Piango, sospiro, e peno: V. Dunque tormenti e scherni (Recitativo) | — | ||
| 4-24 | Piango, sospiro, e peno: VI. L'amarti o Filli (Arioso) | — | ||
| 4-25 | Non sò qual più m' ingombra: I. Non sò qual più m'ingombra (Recitativo) | — | ||
| 4-26 | Non sò qual più m' ingombra: II. Che die sarà (Aria) | — | ||
| 4-27 | Non sò qual più m' ingombra: III. E nato, è nato, al fin mi dice (Recitativo) | — | ||
| 4-28 | Non sò qual più m' ingombra: IV. Nacque col Gran Messia (Aria) | — | ||
| 5-1 | Serse, HWV 40: I. Overture | The Hanover Band, Nicholas McGegan | T-009.030.807-8 | |
| 5-2 | Serse, HWV 40: II. Allegro | The Hanover Band, Nicholas McGegan | T-915.520.107-3 | |
| 5-3 | Serse, HWV 40: III. Gigue | The Hanover Band, Nicholas McGegan | — | |
| 5-4 | Serse, HWV 40, Act I: Frondi tenere | The Hanover Band, Nicholas McGegan | — | |
| 5-5 | Serse, HWV 40: Ombra mai fu | Judith Malafronte, Hanover Band, Nicholas McGegan | T-308.021.303-8 | |
| 5-6 | Serse, HWV 40, Act I: Siam giunti, Elviro | The Hanover Band, Nicholas McGegan | — | |
| 5-7 | Serse, HWV 40: Act 1: No. 3 Sinfonia e Recitativo: "Sento un soave concento" | David Thomas, Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-8 | Serse, HWV 40, Act I: O voi, che penate! | The Hanover Band, Nicholas McGegan | — | |
| 5-9 | Serse, HWV 40: Act 1: Recitativo: "Arsamene!" - "Mio Sire!" | Judith Malafronte, Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-10 | Serse, HWV 40: Act 1: No. 5 Aria: "Va godendo vezzoso e bello" | Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 5-11 | Serse, HWV 40, Act I: Quel canto a un bel amor | The Hanover Band, Nicholas McGegan | — | |
| 5-12 | Serse, HWV 40, Act I: Lo le diro che l'amo | The Hanover Band, Nicholas McGegan | — | |
| 5-13 | Serse, HWV 40, Act I: Tu le dirai che l'ami | The Hanover Band, Nicholas McGegan | — | |
| 5-14 | Serse, HWV 40: Act 1: Recitativo: "Arsamene!" - "Romilda" | Brian Asawa, Jennifer Smith, Lisa Milne, Hanover Band, Nicholas McGegan | — | |
| 5-15 | Serse, HWV 40, Act I: Si, si, mio ben, si, si | The Hanover Band, Nicholas McGegan | — | |
| 5-16 | Serse, HWV 40: Act 1: Recitativo: "Presto, signor" | Judith Malafronte, Brian Asawa, Jennifer Smith, Hanover Band, Nicholas McGegan | — | |
| 5-17 | Serse, HWV 40, Act I: Meglio in voi col mio partire | George Frideric Handel | — | |
| 5-18 | Serse, HWV 40, Act I: Eccoti Il foglio, Elviro | The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 5-19 | Serse, HWV 40: Act 1: No. 15 Arietta: "Signor, signor, lasciate far a me" | David Thomas, Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 5-20 | Serse, HWV 40, Act I: Non so, se sia la speme | The Hanover Band, Nicholas McGegan | T-905.063.977-5 | |
| 5-21 | Serse, HWV 40, Act II: E pazzo affe! | The Hanover Band, Nicholas McGegan | — | |
| 5-22 | Serse, HWV 40: Act 2: No. 32 Aria: "Quella che tutta fe" | Brian Asawa, The Hanover Band, Nicholas McGegan | — | |
| 5-23 | Serse, HWV 40, Act II: La virtute sol potea | The Hanover Band, Nicholas McGegan | — | |
| 5-24 | Serse, HWV 40, Act II: Ariodate! | The Hanover Band, Nicholas McGegan | — | |
| 5-25 | Serse, HWV 40: Act 2: Coro di marinari: "La virtute sol potea" | Hanover Chorus, Hanover Band, Nicholas McGegan | — | |
| 5-26 | Serse, HWV 40, Act II: Per dar fine alla mia pena | The Hanover Band, Nicholas McGegan | — | |
| 5-27 | Serse, HWV 40: Act 2: Recitativo: "Arsamene, ove andante?" | Judith Malafronte, Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-28 | Serse, HWV 40, Act II: Si, la voglio e la otterro! | The Hanover Band, Nicholas McGegan | — | |
| 5-29 | Serse, HWV 40, Act III: Sinfonia | The Hanover Band, Nicholas McGegan | T-306.482.958-5 | |
| 5-30 | Serse, HWV 40, Act III: Sono vani i pretesti | The Hanover Band, Nicholas McGegan | — | |
| 5-31 | Serse, HWV 40: Act 3: No. 44 Arietta: "No, no, se tu mi sprezzi" | Lisa Milne, Nicholas McGegan, Hanover Band | — | |
| 5-32 | Serse, HWV 40, Act III: Ecco in segno di fe | The Hanover Band, Nicholas McGegan | — | |
| 5-33 | Serse, HWV 40: Act 3: No. 45 Aria: "Per rendermi beato" | Judith Malafronte, Nicholas McGegan, Hanover Band | — | |
| 5-34 | Serse, HWV 40, Act III: Ubbidiro al mio re? | The Hanover Band, Nicholas McGegan | — | |
| 5-35 | Serse, HWV 40: Act 3: No. 46 Aria: "Amor, tiranno Amor" | Brian Asawa, Hanover Band, Nicholas McGegan | — | |
| 5-36 | Serse, HWV 40, Act III: Come gia vi accennammo | The Hanover Band, Nicholas McGegan | — | |
| 5-37 | Serse, HWV 40: Act 3: No. 47 Aria: "Del ciel d'amore" | Dean Ely, Hanover Band, Nicholas McGegan | — | |
| 5-38 | Serse, HWV 40, Act III: Il suo serto rifiuto! | The Hanover Band, Nicholas McGegan | — | |
| 5-39 | Serse, HWV 40: Act 3: No. 48 Aria: "Cagion son io del mio dolore" | Susan Bickley, The Hanover Band, Nicholas McGegan | — | |
| 5-40 | Serse, HWV 40, Act III: Romilda infida, e di me pensa ancora? | The Hanover Band, Nicholas McGegan | — | |
| 5-41 | Serse, HWV 40: Act 3: No. 49 Duetta: "Troppo oltraggi la mia fede" | Brian Asawa, Jennifer Smith, The Hanover Band, Nicholas McGegan | — | |
| 5-42 | Serse, HWV 40, Act III: Ritorna a noi la calma | The Hanover Band, Nicholas McGegan | — |
