UPC · Release
Eugene Ormandy, The Philadelphia Orchestra
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The UPC for “The Columbia Stereo Collection 1958–1963” by Eugene Ormandy, The Philadelphia Orchestra is 886446259529. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-11-17. This release contains 777 tracks, each with its own ISRC. Tracks include USSM15800868, USSM15800869, USSM15800870.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pini di Roma: I. I pini di Villa Borghese | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2 | Pini di Roma: II. Pini presso una catacomba | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 3 | Pini di Roma: III. I pini del Gianicolo | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4 | Pini di Roma: IV. I pini della Via Appia | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5 | Fontane di Roma: I. La fontana di Valle Giulia all’alba | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 6 | Fontane di Roma: II. La fontana del Tritone al mattino | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 7 | Fontane di Roma: III. La fontana di Trevi al meriggio | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 8 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 9 | Feste romane: I. Circenses | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 10 | Feste romane: II. Il giubileo | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 11 | Feste romane: III. L’ottobrata | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 12 | Feste romane: IV. La befana | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 2-1 | Grand Canyon Suite: I. Sunrise | — | ||
| 2-2 | Grand Canyon Suite: II. Painted Desert | — | ||
| 2-3 | Grand Canyon Suite: III. On the Trail | — | ||
| 2-4 | Grand Canyon Suite: IV. Sunset | — | ||
| 2-5 | Grand Canyon Suite: V. Cloudburst | — | ||
| 3-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 3-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 3-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 3-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 4-1 | Concerto in A minor for Piano and Orchestra, op. 16: I: Allegro molto moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-902.781.050-0 | |
| 4-2 | Concerto in A minor for Piano and Orchestra, op. 16: II: Adagio | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-927.972.087-5 | |
| 4-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-4 | Rhapsody on a Theme of Paganini, op. 43 | Philippe Entremont, Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-2 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-5 | Symphony no. 7 in C major, op. 105: Adagio - Vivacissimo - Adagio - Allegro molto moderato - Allegro moderato - Presto - Adagio - Largamente molto - Affettuoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-1 | Hungarian Rhapsody no. 1 in F minor, S. 359 | — | ||
| 6-2 | Hungarian Rhapsody no. 2 in C minor, S. 244 | — | ||
| 6-3 | Romanian Rhapsody no. 1 in A major, op. 11 | — | ||
| 6-4 | Romanian Rhapsody no. 2 in D major, op. 11 | — | ||
| 6-5 | Liebestraum no. 3 in A-flat major, S. 541: "Oh Lieb, so lang du lieben kannst" | — | ||
| 7-1 | Air Power Suite: Introduction | — | ||
| 7-2 | Air Power Suite: Frolics of the Early Days | — | ||
| 7-3 | Air Power Suite: Mission in the Sky | — | ||
| 7-4 | Air Power Suite: War Scenes: I. March of the German Legions | — | ||
| 7-5 | Air Power Suite: War Scenes: II. Lonely Pilot's Letter Home | — | ||
| 7-6 | Air Power Suite: War Scenes: III. Russian Soldier Dance | — | ||
| 7-7 | Air Power Suite: War Scenes: IV. Japanese Prayer for Victory | — | ||
| 7-8 | Air Power Suite: War Scenes: V. Convoy and Wolf Pack Attack | — | ||
| 7-9 | Air Power Suite: War Scenes: VI. The Liberators and War's End | — | ||
| 8-1 | Carmen Suite no. 1: Les Toréadors. Allegro giocoso | — | ||
| 8-2 | Carmen Suite no. 1: Prélude. Andante moderato | — | ||
| 8-3 | Carmen Suite no. 1: Aragonaise. Allegro vivo | — | ||
| 8-4 | Carmen Suite no. 1: Intermezzo. Andantino quasi allegretto | — | ||
| 8-5 | Carmen Suite no. 1: Les Dragons d'Alcala. Allegro moderato | — | ||
| 8-6 | Carmen Suite no. 2: Marche des contrebandiers. Allegro moderato | — | ||
| 8-7 | Carmen Suite no. 2: Habanera. Allegretto quasi andantino | — | ||
| 8-8 | Carmen Suite no. 2: Nocturne. Andantino molto | — | ||
| 8-9 | Carmen Suite no. 2: La Garde montante. Allegro | — | ||
| 8-10 | Carmen Suite no. 2: Danse bohème. Andante quasi allegretto | — | ||
| 9-1 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro | Bernard Garfield, Anthony Gigliotti, Mason Jones, John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-2 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio | Bernard Garfield, Anthony Gigliotti, Mason Jones, John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | T-010.194.421-1 | |
| 9-3 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): III. Andantino con variazioni | Bernard Garfield, Anthony Gigliotti, Mason Jones, John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-4 | Sinfonia Concertante for Violin, Cello, Oboe, Bassoon & Orchestra in B-flat major, Hob. I:105: I. Allegro | — | ||
| 9-5 | Sinfonia Concertante for Violin, Cello, Oboe, Bassoon & Orchestra in B-flat major, Hob. I:105: II. Andante | — | ||
| 9-6 | Sinfonia Concertante for Violin, Cello, Oboe, Bassoon & Orchestra in B-flat major, Hob. I:105: III. Allegro con spirito | — | ||
| 9-7 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: I. Allegro | — | ||
| 9-8 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: II. Andante | — | ||
| 9-9 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: III. Finale. Allegro | — | ||
| 10-1 | Peter and the Wolf, op. 67: Introduction | — | ||
| 10-2 | Peter and the Wolf, op. 67: "Early one morning" | — | ||
| 10-3 | Peter and the Wolf, op. 67: "Suddenly something caught Peter's eye" | — | ||
| 10-4 | Peter and the Wolf, op. 67: "No sooner had Peter gone" | — | ||
| 10-5 | Peter and the Wolf, op. 67: "And now, this is how things stood" | — | ||
| 10-6 | Peter and the Wolf, op. 67: "Just then some hunters came out of the woods" | — | ||
| 10-7 | Peter and the Wolf, op. 67: "Imagine the triumphant procession" | — | ||
| 10-8 | The Young Person's Guide to the Orchestra, op. 34 | — | ||
| 11-1 | Concerto in D major for Violin and Orchestra, op. 35: 1. .Allegro moderato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-2 | Concerto in D major for Violin and Orchestra, op. 35: 2. Canzonetta (Andante) | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-3 | Concerto in D major for Violin and Orchestra, op. 35: 3. Finale (Allegro vivacissimo) | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-4 | Concerto in E minor for Violin and Orchestra, op. 64: 1. Allegro molto appassionato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-5 | Concerto in E minor for Violin and Orchestra, op. 64: 2. Andante | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | T-071.481.827-5 | |
| 11-6 | Concerto in E minor for Violin and Orchestra, op. 64: 3. Allegretto non troppo | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 12-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 12-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 12-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 12-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piú Andante - Allegro non troppo, ma con brio - Piú Allegro | — | ||
| 12-5 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria | — | ||
| 12-6 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation I | — | ||
| 12-7 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation II | — | ||
| 12-8 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation III | — | ||
| 12-9 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation IV: Risoluto | — | ||
| 12-10 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation V: Espressivo | — | ||
| 12-11 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation VI | — | ||
| 12-12 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation VII: Con vivacità | — | ||
| 12-13 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation VIII | — | ||
| 12-14 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation IX: Poco sostenuto | — | ||
| 12-15 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation X | — | ||
| 12-16 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XI | — | ||
| 12-17 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XII | — | ||
| 12-18 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XIII: Largamente, ma non più | — | ||
| 12-19 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XIV | — | ||
| 12-20 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XV | — | ||
| 12-21 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XVI | — | ||
| 12-22 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XVII: Più mosso | — | ||
| 12-23 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XVIII | — | ||
| 12-24 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XIX: Leggiero e vivace | — | ||
| 12-25 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XX | — | ||
| 12-26 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXI | — | ||
| 12-27 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXII | — | ||
| 12-28 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXIII | — | ||
| 12-29 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXIV | — | ||
| 12-30 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXV | — | ||
| 12-31 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Fuga | — | ||
| 13-1 | Oratorio from the Book of Mormons: The Lord's Prayer | — | ||
| 13-2 | Come, Come Ye Saints | — | ||
| 13-3 | A German Requiem, op. 45: "Blessed Are They That Mourn" | — | ||
| 13-4 | O My Father | — | ||
| 13-5 | How Great the Wisdom and the Love | — | ||
| 13-6 | St. Cecilia Mass, CG 56: "Holy, Holy, Holy" | — | ||
| 13-7 | Psalm 148, H. 117/2: "Lord, Who hast made us for Thine own" | — | ||
| 13-8 | Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 13-9 | David's Lamentation | — | ||
| 13-10 | Londonderry Air | — | ||
| 13-11 | Battle Hymn of the Republic | — | ||
| 13-12 | Ave Maria, D. 839 | — | ||
| 13-13 | La Rédemption: "Unfold, Ye Portals" | — | ||
| 13-14 | Requiem, K. 626: Requiem aeternam: "Give unto the meek" - Kyrie eleison: "Show Thy Mercy" | — | ||
| 13-15 | Oratorio from the Book of Mormon: "Old Things Are Done Away" | — | ||
| 13-16 | The Lord's Prayer | — | ||
| 14-1 | Variations symphoniques, FWV 46 | — | ||
| 14-2 | Symphonie sur un chant montagnard français, op. 25 : I. Assez lent - Modérément animé - Assez lent | — | ||
| 14-3 | Symphonie sur un chant montagnard français, op. 25 : II. Assez modéré, mais sans lenteur | — | ||
| 14-4 | Symphonie sur un chant montagnard français, op. 25 : III. Animé | — | ||
| 15-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-1 | 1812 Overture, Op. 49 | Richard P. Condie, The Mormon Tabernacle Choir, Philadelphia Orchestra, Valley Forge Military Academy Band, Col. D. Keith Feltham, Eugene Ormandy | — | |
| 16-2 | In the Steppes of Central Asia | — | ||
| 16-3 | Polovtsian Dances (From "Prince Igor") : Dance of the Polovtsian Maidens | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-4 | Polovtsian Dances (From "Prince Igor"): Polovtsian Dance: Introduzione. Andantino | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-5 | Polovtsian Dances (From "Prince Igor"): Allegro vivo | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-6 | Polovtsian Dances (From "Prince Igor"): Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-7 | Polovtsian Dances (From "Prince Igor"): Presto I | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-8 | Polovtsian Dances (From "Prince Igor"): Moderato alla breve | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-9 | Polovtsian Dances (From "Prince Igor"): Presto II | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-10 | Polovtsian Dances (From "Prince Igor"): Allegro con spirito - Coda. Più animato | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-11 | Night on Bald Mountain | — | ||
| 16-12 | Masquerade Suite, op. 48a: V. Galop | — | ||
| 16-13 | Suite no. 1 from "Gayane", op. 53: II. Dance of the Young Maidens | — | ||
| 16-14 | Suite from "The Age of Gold", op. 22a: III. Polka | — | ||
| 16-15 | Suite from "Christmas Eve": VII. Polonaise | — | ||
| 16-16 | Suite from “The Snow Maiden”: IV. Dance of the Tumblers | — | ||
| 16-17 | The Comedians, op. 26: II. Galop | — | ||
| 16-18 | The Fair at Sorochintsï: Hopak | — | ||
| 16-19 | Suite no. 3 from “Gayaneh”, op. 55: V. Sabre Dance | — | ||
| 16-20 | Slava!, op. 21 | — | ||
| 17-1 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 17-2 | Daphnis et Chloé Suite no. 2, M. 57b | — | ||
| 17-3 | La Mer, L. 109 : I. De l'aube à midi sur la mer. Très lent | — | ||
| 17-4 | La Mer, L. 109 : II. Jeux de vagues. Allegro | — | ||
| 17-5 | La Mer, L. 109 : III. Dialogue du vent et de la mer. Animé et tumultueux | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-5 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-6 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 19-1 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 19-2 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 19-3 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto - Trio | — | ||
| 19-4 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 19-5 | Orchestral Suite no. 3 in D Major, BWV 1068: II. Air on the G String | — | ||
| 19-6 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": I. Vivace - Grave - Allegro | — | ||
| 19-7 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": II. Adagio - Allegro - Adagio | — | ||
| 19-8 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": III. Vivace | — | ||
| 19-9 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": IV. Allegro - | — | ||
| 19-10 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": V. Pastorale. Largo | — | ||
| 19-11 | Octet for Strings in E-flat major, op. 20: III. Scherzo | — | ||
| 20-1 | Messiah: 1. Overture | Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-2 | Messiah: 2. Comfort ye, my people | Davis Cunningham, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-3 | Messiah: 3. Every valley shall be exalted | The Philadelphia Orchestra, Eugene Ormandy | T-906.831.104-6 | |
| 20-4 | Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-5 | Messiah: 5. Thus saith the Lord | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | T-312.613.379-3 | |
| 20-6 | Messiah: 6. But who may abide | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-7 | Messiah: 7. And He shall purify | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-8 | Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-9 | Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-10 | Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-11 | Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | T-916.330.297-4 | |
| 20-12 | Messiah: 14. There were shepherds | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-13 | Messiah: 15. And the angel said unto them | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-14 | Messiah: 16. And suddenly there was with the angel | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-15 | Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-16 | Messiah: 19. Then shall the eyes of the blind be opened | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-17 | Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-1 | Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-2 | Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-3 | Messiah: 23. He was despised | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-4 | Messiah: 24. Surely He hath borne our griefs | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-5 | Messiah: 25. And with His stripes we are healed | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-6 | Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-7 | Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-8 | Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-9 | Messiah: 42. He that dwelleth in Heaven | Davis Cunningham, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-10 | Messiah: 43. Thou shalt break them | Davis Cunningham, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-11 | Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-911.137.534-9 | |
| 21-12 | Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-13 | Messiah: 47. Behold, I tell you a mystery | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-14 | Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-15 | Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 22-1 | Le Coq d'or : I. Tsar Dodon in His Palace | — | ||
| 22-2 | Le Coq d'or : II. Tsar Dodon on the Battlefield | — | ||
| 22-3 | Le Coq d'or : III. Tsar Dodon and the Queen of Shemakha | — | ||
| 22-4 | Le Coq d'or : IV. Bridal Procession and Lamentable Death of Tsar Dodon | — | ||
| 22-5 | Russian Easter Festival, op. 36 | — | ||
| 22-6 | Ruslan and Lyudmila: Overture | — | ||
| 22-7 | Slavonic March in B-flat minor, op. 31 "Marche slave" | — | ||
| 22-8 | Islamey, op. 18 | — | ||
| 23-1 | Royal Fireworks Suite: I. Overture. Maestoso - Allegro | — | ||
| 23-2 | Royal Fireworks Suite: II. Alla Siciliana. Molto tranquillo ma con moto | — | ||
| 23-3 | Royal Fireworks Suite: III. Bourrée. Vivace - IV. Menuet II. Moderato con molto ritmo | — | ||
| 23-4 | Suite for Strings after 12 Violin Sonatas, op. 5: I. Sarabanda. Largo | — | ||
| 23-5 | Suite for Strings after 12 Violin Sonatas, op. 5: II. Giga | — | ||
| 23-6 | Suite for Strings after 12 Violin Sonatas, op. 5: III. Badinerie. Vivace | — | ||
| 23-7 | Water Music Suite: I. Allegro | — | ||
| 23-8 | Water Music Suite: II. Andante espressivo | — | ||
| 23-9 | Water Music Suite: III. Air | — | ||
| 23-10 | Water Music Suite: IV. Bourrée | — | ||
| 23-11 | Water Music Suite: V. Hornpipe | — | ||
| 23-12 | Water Music Suite: VI. Allegro deciso | — | ||
| 24-1 | Symphony no. 5 in E minor, op. 64: I. Andante; Allegro con anima | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 24-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza; Moderato con anima | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 24-3 | Symphony no. 5 in E minor, op. 64: III. Valse | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 24-4 | Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso); Allegro vivace | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-1 | Symphony no. 2 in E minor, op. 27: I. Largo; Allegro molto | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-2 | Symphony no. 2 in E minor, op. 27: II. Allegro molto | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-4 | Symphony no. 2 in E minor, op. 27: IV. Allegro vivace | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-1 | Cello Concerto no. 1, op. 107: I. Allegretto | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-2 | Cello Concerto no. 1, op. 107: II. Moderato | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-3 | Cello Concerto no. 1, op. 107: III. Cadenza | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-4 | Cello Concerto no. 1, op. 107: IV. Allegro con moto | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-5 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo | — | ||
| 26-6 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 26-7 | Symphony no. 1 in F minor, op. 10: III. Lento - Largo | — | ||
| 26-8 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento - Allegro molto | — | ||
| 27-1 | Concerto for Piano and Orchestra no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 27-2 | Concerto for Piano and Orchestra no. 1 in G minor, op. 25: II. Andante | — | ||
| 27-3 | Concerto for Piano and Orchestra no. 1 in G minor, op. 25: III. Presto - Molto allegro vivace | — | ||
| 27-4 | Concerto for Piano and Orchestra no. 2 in D minor, op. 40: I. Allegro appassionato | — | ||
| 27-5 | Concerto for Piano and Orchestra no. 2 in D minor, op. 40: II. Adagio. Molto sostenuto | — | ||
| 27-6 | Concerto for Piano and Orchestra no. 2 in D minor, op. 40: III. Finale. Presto scherzando | — | ||
| 27-7 | A Midsummer Night's Dream, op. 61: Ouverture | — | ||
| 27-8 | A Midsummer Night's Dream, op. 61: no. 1 Scherzo. Allegro vivace | — | ||
| 27-9 | A Midsummer Night's Dream, op. 61: no. 5 Intermezzo. Allegro appassionato - Allegro molto comodo | — | ||
| 27-10 | A Midsummer Night's Dream, op. 61: no. 7 Notturno. Andante tranquilo | — | ||
| 28-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 28-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 28-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 28-4 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 28-5 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo - Allegro con fuoco - Cadenza | — | ||
| 28-6 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro moderato (à la zingara) | — | ||
| 29-1 | The Martyrdom of St. Sebastian, L. 124 : Act I La Cour des Lys, no. 1 : Prélude. "Frère, que sera-t-il le monde" | — | ||
| 29-2 | The Martyrdom of St. Sebastian, L. 124 : Act I La Cour des Lys, no. 2 : Mouvement du Prélude. "Sébastien! Sébastien! Sébastien!" | — | ||
| 29-3 | The Martyrdom of St. Sebastian, L. 124 : Act I La Cour des Lys, no. 3 : Assez animé. "Hymnes, toute l'ombre s'efface" | — | ||
| 29-4 | The Martyrdom of St. Sebastian, L. 124 : Act II La Chambre magique, no. 1 : Prélude | — | ||
| 29-5 | The Martyrdom of St. Sebastian, L. 124 : Act II La Chambre magique, no. 2 : Andantino. "Je fauchais l'épi de froment" | — | ||
| 29-6 | The Martyrdom of St. Sebastian, L. 124 : Act II La Chambre magique, no. 3 : Modéré. "Qui pleure mon enfant si doux" | — | ||
| 29-7 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 1 : Prélude. Fanfares 1 & 2 | — | ||
| 29-8 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 3 : Modéré. "Païan, Lyre d'or" | — | ||
| 29-9 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 4 : Lent. "Ah, Tu pleures le Bien-Aimé!" | — | ||
| 29-10 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 5 : Très Modéré. "Cessez, ô pleureuses!" | — | ||
| 29-11 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 6 : Assez animé. "Io! Io! Adoniastes!" | — | ||
| 29-12 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 7 : Lent. "Il est mort, le bel Adonis" | — | ||
| 29-13 | The Martyrdom of St. Sebastian, L. 124 : Act IV. Le Laurier blessé, no. 1 : Prélude | — | ||
| 29-14 | The Martyrdom of St. Sebastian, L. 124 : Act IV. Le Laurier blessé, no. 2 : Très modéré | — | ||
| 29-15 | The Martyrdom of St. Sebastian, L. 124 : Act IV. Le Laurier blessé, no. 3 : Modéré. "Hélas! Ah! Pleurez, ô femmes de Syrie" | — | ||
| 29-16 | The Martyrdom of St. Sebastian, L. 124 : Act V. Le Paradis, no. 1 : Interlude | — | ||
| 29-17 | The Martyrdom of St. Sebastian, L. 124 : Act V. Le Paradis, no. 2 : Modéré. "Gloire!" | — | ||
| 30-1 | Symphony no. 4 in C major, op. 112: I. Andante - Allegro eroico | — | ||
| 30-2 | Symphony no. 4 in C major, op. 112: II. Andante tranquillo | — | ||
| 30-3 | Symphony no. 4 in C major, op. 112: III. Moderato, quasi allegretto | — | ||
| 30-4 | Symphony no. 4 in C major, op. 112: IV. Allegro risoluto - Andantino - Allegro come prima | — | ||
| 31-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 31-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 31-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Temp I | — | ||
| 31-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 32-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 32-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con gracia | — | ||
| 32-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 32-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 33-1 | Violin Concerto in D, op. 47: I. Allegro moderato | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-2 | Violin Concerto in D, op. 47: II. Adagio di molto | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-3 | Violin Concerto in D, op. 47: III. Allegro, ma non tanto | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-4 | The Swan of Tuonela, op. 22 no. 3 | Louis Rosenblatt, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 34-1 | Carmina Burana: Fortuna imperatrix mundi: "O Fortuna" | — | ||
| 34-2 | Carmina Burana: Fortuna imperatrix mundi: "Fortune plango vulnera" | — | ||
| 34-3 | Carmina Burana: I. Primo vere: "Veris leta facies" | — | ||
| 34-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | — | ||
| 34-5 | Carmina Burana: I. Primo vere: "Ecce gratum" | — | ||
| 34-6 | Carmina Burana: Uf dem Anger: Tanz | — | ||
| 34-7 | Carmina Burana: Uf dem Anger: "Floret silva" | — | ||
| 34-8 | Carmina Burana: Uf dem Anger: "Chramer, gip die varwe mir" | — | ||
| 34-9 | Carmina Burana: Uf dem Anger: Reie | — | ||
| 34-10 | Carmina Burana: Uf dem Anger: "Swaz hie gat umbe" / "Chume, chum, geselle min!" / "Swaz hie gat umbe" | — | ||
| 34-11 | Carmina Burana: Uf dem Anger: "Were diu werlt alle min" | — | ||
| 34-12 | Carmina Burana: II. In taberna: "Estuans interius" | — | ||
| 34-13 | Carmina Burana: II. In taberna: "Olim lacus colueram" | — | ||
| 34-14 | Carmina Burana: II. In taberna: "Ego sum abbas" | — | ||
| 34-15 | Carmina Burana: II. In taberna: "In taberna quando sumus" | — | ||
| 34-16 | Carmina Burana: III. Cour d'Amours: "Amor volat undique" | — | ||
| 34-17 | Carmina Burana: III. Cour d'Amours: "Dies, nox et omnia" | — | ||
| 34-18 | Carmina Burana: III. Cour d'Amours: "Stetit puella" | — | ||
| 34-19 | Carmina Burana: III. Cour d'Amours: "Circa mea pectora" | — | ||
| 34-20 | Carmina Burana: III. Cour d'Amours: "Si puer cum puellula" | — | ||
| 34-21 | Carmina Burana: III. Cour d'Amours: "Veni, veni, venias" | — | ||
| 34-22 | Carmina Burana: III. Cour d'Amours: "In trutina" | — | ||
| 34-23 | Carmina Burana: III. Cour d'Amours: "Tempus est iocundum" | — | ||
| 34-24 | Carmina Burana: III. Cour d'Amours: "Dulcissime" | — | ||
| 34-25 | Carmina Burana: Blanziflor et Helena: "Ave formosissima" | — | ||
| 34-26 | Carmina Burana: Fortuna imperatrix mundi: "O Fortuna" | — | ||
| 35-1 | Boléro, M. 81 | — | ||
| 35-2 | Le Tombeau de Couperin, M. 68a : I. Prélude. Vif | — | ||
| 35-3 | Le Tombeau de Couperin, M. 68a : II. Forlane. Allegretto | — | ||
| 35-4 | Le Tombeau de Couperin, M. 68a : III. Menuet. Allegro moderato | — | ||
| 35-5 | Le Tombeau de Couperin, M. 68a : IV. Rigaudon. Assez vif | — | ||
| 35-6 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 35-7 | España - Rhapsody for Orchestra | — | ||
| 35-8 | Pavane pour une infante défunte, M. 19 | — | ||
| 35-9 | Clair de lune | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 35-10 | La Valse, M. 72 | — | ||
| 36-1 | Symphonic Poem After Descartes: I. Introduction. Cogito - Ergo Sum - Intuitions - Vortex - Meditations | — | ||
| 36-2 | Symphonic Poem After Descartes: II. Folium Passacaglia - Exaltation - Contemplation - Finale | — | ||
| 36-3 | Symphony in D - A Festival Piece In One Movement | — | ||
| 37-1 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 37-2 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: Allegro spiritoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-3 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-4 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-5 | Toccata, Adagio and Fugue in C major, BWV 564 | The Philadelphia Orchestra, Eugene Ormandy | T-902.757.483-0 | |
| 37-6 | Passacaglia in C minor, BWV 582 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-1 | Concerto in E major for Violin, Strings & Basso Continuo, RV 269 "Spring": I. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-2 | Concerto in E major for Violin, Strings & Basso Continuo, RV 269 "Spring": II. Largo | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-3 | Concerto in E major for Violin, Strings & Basso Continuo, RV 269 "Spring": III. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.836.120-8 | |
| 38-4 | Concerto in G minor for Violin, Strings & Basso Continuo, RV 315 "Summer": I. Allegro non molto - Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.802.010-2 | |
| 38-5 | Concerto in G minor for Violin, Strings & Basso Continuo, RV 315 "Summer": II. Adagio | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-802.445.410-3 | |
| 38-6 | Concerto in G minor for Violin, Strings & Basso Continuo, RV 315 "Summer": III. Presto | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-7 | Concerto in F major for Violin, Strings & Basso Continuo, RV 293 "Autumn": I. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-8 | Concerto in F major for Violin, Strings & Basso Continuo, RV 293 "Autumn": II. Adagio molto | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-9 | Concerto in F major for Violin, Strings & Basso Continuo, RV 293 "Autumn": III. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.836.120-8 | |
| 38-10 | Concerto in F minor for Violin, Strings & Basso Continuo, RV 297 "Winter": I. Allegro non molto | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-11 | Concerto in F minor for Violin, Strings & Basso Continuo, RV 297 "Winter": II. Largo | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-12 | Concerto in F minor for Violin, Strings & Basso Continuo, RV 297 "Winter": III. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.836.120-8 | |
| 39-1 | Peer Gynt Suite no. 1: I. Morning Mood | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-2 | Peer Gynt Suite no. 1: II. Ase's Death | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-3 | Peer Gynt Suite no. 1: III. Anitra's Dance | The Philadelphia Orchestra, Eugene Ormandy | T-011.745.412-2 | |
| 39-4 | Peer Gynt Suite no. 1: IV. In the Hall of the Mountain King | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-5 | Valse triste, op. 44 no. 1 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-6 | Swedish Rhapsody no. 1, op. 19 "Midsommarvaka" | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-7 | Finlandia, op. 26 | The Philadelphia Orchestra, Eugene Ormandy | T-910.256.702-2 | |
| 39-8 | En Saga, op. 9 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 40-1 | Concerto for Violin and Orchestra in B minor: I. Andante tranquillo | — | ||
| 40-2 | Concerto for Violin and Orchestra in B minor: II. Presto capriccioso alla napolitana | — | ||
| 40-3 | Concerto for Violin and Orchestra in B minor: III. Vivace | — | ||
| 40-4 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 40-5 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | — | ||
| 40-6 | Symphonie espagnole in D minor, op. 21: III. Andante | — | ||
| 40-7 | Symphonie espagnole in D minor, op. 21: IV. Rondo. Allegro | — | ||
| 41-1 | Concerto for 2 Violins in D minor, RV 514: I. Allegro non molto | — | ||
| 41-2 | Concerto for 2 Violins in D minor, RV 514: II. Adagio | — | ||
| 41-3 | Concerto for 2 Violins in D minor, RV 514: III. Allegro molto | — | ||
| 41-4 | Concerto for 2 Violins in C minor, RV 509: I. Allegro ma poco e cantabile | — | ||
| 41-5 | Concerto for 2 Violins in C minor, RV 509: II. Andante molto | — | ||
| 41-6 | Concerto for 2 Violins in C minor, RV 509: III. Allegro | — | ||
| 41-7 | Concerto for 2 Violins in G minor, RV 517: I. Allegro | — | ||
| 41-8 | Concerto for 2 Violins in G minor, RV 517: II. Andante | — | ||
| 41-9 | Concerto for 2 Violins in G minor, RV 517: III. Allegro | — | ||
| 41-10 | Concerto for 2 Violins in D major, RV 512: I. Allegro molto | — | ||
| 41-11 | Concerto for 2 Violins in D major, RV 512: II. Largo | — | ||
| 41-12 | Concerto for 2 Violins in D major, RV 512: III. Allegro | — | ||
| 42-1 | Symphonic Dances, op. 45: I. Non allegro - Lento - Tempo I | — | ||
| 42-2 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 42-3 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | — | ||
| 42-4 | Paganiniana op. 65: I. Allegro agitato | — | ||
| 42-5 | Paganiniana op. 65: II. Polacchetta. Allegretto moderato | — | ||
| 42-6 | Paganiniana op. 65: III. Romanza. Larghetto cantabile, amoroso | — | ||
| 42-7 | Paganiniana op. 65: IV. Tarantella. Presto molto | — | ||
| 43-1 | Serenade for String Orchestra in C major, op. 48: I. Pezzo in forma di sonatina | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-2 | Serenade for String Orchestra in C major, op. 48: II. Valse - Moderato - Tempo di valse | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-3 | Serenade for String Orchestra in C major, op. 48: III. Elegie - Larghetto elegiaco | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-4 | Serenade for String Orchestra in C major, op. 48: IV. Finale - (Tema Russo) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-5 | Nocturne for String Orchestra | The Philadelphia Orchestra, Eugene Ormandy | T-927.211.282-0 | |
| 43-6 | Adagio for Strings, op. 11 | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 43-7 | Fantasia on Greensleeves from Sir John in Love | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-8 | 2 Elegiac Melodies, op. 34, no. 1: The Wounded Heart. Allegretto espressivo | — | ||
| 43-9 | 2 Elegiac Melodies, op. 34, no. 2: Last Spring. Andante | — | ||
| 43-10 | Schwanengesang, D.957, no. 4: Serenade | — | ||
| 43-11 | To a Wild Rose, op. 51 no. 1 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-12 | Méditation from "Thaïs" for Violin and Orchestra | — | ||
| 44-1 | Frühlingsstimmen, op. 410 | — | ||
| 44-2 | Kaiser-Walzer, op. 437 | — | ||
| 44-3 | Wiener Blut, op. 354 | — | ||
| 44-4 | An der schönen blauen Donau, op. 314 | — | ||
| 44-5 | Geschichten aus dem Wienerwald, op. 325 | — | ||
| 45-1 | Passacaglia, Recitative and Fugue for Piano and Orchestra: I. Passacaglia | — | ||
| 45-2 | Passacaglia, Recitative and Fugue for Piano and Orchestra: II. Recitative | — | ||
| 45-3 | Passacaglia, Recitative and Fugue for Piano and Orchestra: III. Fugue | — | ||
| 45-4 | Chorale Prelude: "Veni, Sancte Spiritus" | — | ||
| 45-5 | "Cantus Animae et Cordis" for String Orchestra | — | ||
| 45-6 | Symphony no. 2 "Psalms": I. Psalm 130 | — | ||
| 45-7 | Symphony no. 2 "Psalms": II. Prologue – Psalm 95 – Psalm 27 – Fugue – Psalm 24 – Psalm 121 – Psalm 24 | — | ||
| 46-1 | Concerto for Piano and Orchestra in F minor, op. 114: I. Allegro moderato | — | ||
| 46-2 | Concerto for Piano and Orchestra in F minor, op. 114: II. Largo con gran espressione | — | ||
| 46-3 | Concerto for Piano and Orchestra in F minor, op. 114: III. Allegretto con spirito | — | ||
| 47-1 | Aufforderung zum Tanz, op. 65 | — | ||
| 47-2 | Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S. 110/2 | — | ||
| 47-3 | Danse Macabre, Op. 40 | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | T-003.008.160-7 | |
| 47-4 | Hungarian Dances, WoO 1 no. 17 in F-sharp minor: Andantino - Vivace | — | ||
| 47-5 | Hungarian Dances, WoO 1, no. 18 in D major: Molto vivace | — | ||
| 47-6 | Hungarian Dances, WoO 1, no. 19 in B minor: Allegretto | — | ||
| 47-7 | Hungarian Dances, WoO 1, no. 20 in E minor: Poco Allegretto - Vivace | — | ||
| 47-8 | Hungarian Dances, WoO 1, no. 21 in E minor: Vivace | — | ||
| 47-9 | Russian Sailors' Dance from "The Red Poppy Suite", op. 70 | — | ||
| 47-10 | Euryanthe, op. 81: Overture | — | ||
| 47-11 | Polka and Fugue from "Schwanda the Bagpiper": I. Polka | — | ||
| 47-12 | Polka and Fugue from "Schwanda the Bagpiper": II. Fugue | — | ||
| 48-1 | Symphonie fantastique, op. 14 : I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai | — | ||
| 48-2 | Symphonie fantastique, op. 14 : II. Un bal. Valse. Allegro non troppo | — | ||
| 48-3 | Symphonie fantastique, op. 14 : III. Scène aux champs. Adagio | — | ||
| 48-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice. Allegretto non troppo | — | ||
| 48-5 | Symphonie fantastique, op. 14 : V. Songe d'une nuit du sabbat. Larghetto - Allegro - | — | ||
| 48-6 | Symphonie fantastique, op. 14 : V. Dies irae - | — | ||
| 48-7 | Symphonie fantastique, op. 14 : V. Ronde du sabbat. Poco meno mosso - | — | ||
| 48-8 | Symphonie fantastique, op. 14 : V. Dies irae et ronde du sabbat ensemble | — | ||
| 48-9 | Samson et Dalila, Act III: Bacchanale | The Philadelphia Orchestra, Eugene Ormandy | T-926.158.921-3 | |
| 48-10 | The Sorcerer's Apprentice | The Philadelphia Orchestra, Eugene Ormandy | T-003.005.584-5 | |
| 49-1 | Ein Heldenleben, op. 40: I. Der Held. Lebhaft bewegt | — | ||
| 49-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher. Etwas langsamer | — | ||
| 49-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin. Lebhaft bewegt | — | ||
| 49-4 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt. Lebhaft | — | ||
| 49-5 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke. Mit groẞem Schwung und Begeisterung | — | ||
| 49-6 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung. Mäẞig langsam | — | ||
| 50-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 50-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romanze. Larghetto | — | ||
| 50-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 50-4 | Totentanz, S. 126 "Danse macabre" | — | ||
| 51-1 | Belshazzar's Feast: Thus Spake Isaiah | — | ||
| 51-2 | Belshazzar's Feast: By the Waters of Babylon | — | ||
| 51-3 | Belshazzar's Feast: If I forget thee, O Jerusalem | — | ||
| 51-4 | Belshazzar's Feast: O daughter of Babylon | — | ||
| 51-5 | Belshazzar's Feast: Babylon was a great city | — | ||
| 51-6 | Belshazzar's Feast: In Babylon, the mighty city | — | ||
| 51-7 | Belshazzar's Feast: Praise Ye | — | ||
| 51-8 | Belshazzar's Feast: And in the same hour, as they feasted... | — | ||
| 51-9 | Belshazzar's Feast: Then sing aloud to God our strength | — | ||
| 51-10 | Belshazzar's Feast: The trumpets and pipers are silent | — | ||
| 51-11 | Belshazzar's Feast: Alleluia! | — | ||
| 51-12 | Bacchus et Ariane, op. 43: Suite no. 2 | — | ||
| 52-1 | Piano Concerto for the Left Hand in D Major, M. 82 | Robert Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 52-2 | Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 52-3 | Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 52-4 | Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — | |
| 53-1 | Concerto for Violin and Orchestra no. 1, Sz. 36: I. Andante sostenuto | — | ||
| 53-2 | Concerto for Violin and Orchestra no. 1, Sz. 36: II. Allegro giocoso | — | ||
| 53-3 | Concerto for Violin and Orchestra no. 22 in A minor: I. Moderato | — | ||
| 53-4 | Concerto for Violin and Orchestra no. 22 in A minor: II. Adagio | — | ||
| 53-5 | Concerto for Violin and Orchestra no. 22 in A minor: III. Agitato assai | — | ||
| 54-1 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 54-2 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 54-3 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Tempo I | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 54-4 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Philippe Entremont | — | |
| 54-5 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I - Menuetto II | Philippe Entremont | — | |
| 54-6 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Philippe Entremont | — | |
| 55-1 | The Sleeping Beauty, op. 66: Introduction | The Philadelphia Orchestra, Eugene Ormandy | T-703.788.538-6 | |
| 55-2 | The Sleeping Beauty, op. 66: Pas de six (from prologue) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-3 | The Sleeping Beauty, op. 66: Waltz (Act I) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-4 | The Sleeping Beauty, op. 66: Pas d’action (Act I) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-5 | The Sleeping Beauty, op. 66: Panorama (Act II) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-6 | The Sleeping Beauty, op. 66: March (Act III) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-7 | The Sleeping Beauty, op. 66: Pas de quatre (Act III) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-8 | The Sleeping Beauty, op. 66: Pas de caractère (Act III) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-9 | The Sleeping Beauty, op. 66: Pas de quatre (Act III) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-10 | The Sleeping Beauty, op. 66: Pas de deux (Act III) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-11 | The Sleeping Beauty, op. 66: Apotheosis (Act III) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 56-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 56-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 56-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 57-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 57-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 57-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 58-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso - Poco piú moderato - Temp I | — | ||
| 58-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | — | ||
| 58-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 59-1 | Swan Lake, op. 20: Act I, no. 1. Scène: Allegro giusto | — | ||
| 59-2 | Swan Lake, op. 20: Act I, no. 2. Valse: Tempo di valse | — | ||
| 59-3 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: Intrada. Allegro - Andante - Allegro semplice - Moderato - Allegro | — | ||
| 59-4 | Swan Lake, op. 20: Act II, no. 10. Scène: Moderato | — | ||
| 59-5 | Swan Lake, op. 20: Act II, no. 13. Danses des cygnes: V. Pas d'Action. Andante - Andante non troppo - Allegro | — | ||
| 59-6 | Swan Lake, op. 20: Act II, no. 13. Danses des cygnes: IV. Allegro moderato | — | ||
| 59-7 | Swan Lake, op. 20: Act III, no. 21. Danse espagnole: Allegro non troppo | — | ||
| 59-8 | Swan Lake, op. 20: Act III, no. 20. Danse hongroise: Czárdás. Moderato assai - Allegro moderato - | — | ||
| 59-9 | Swan Lake, op. 20: Act III, no. 20. Danse hongroise: Czárdás. Vivace | — | ||
| 59-10 | Swan Lake, op. 20: Act III, no. 23. Mazurka: Tempo di Mazurka | — | ||
| 59-11 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse ma non troppo vivo - IV. Coda. Allegro molto vivace | — | ||
| 59-12 | Swan Lake, op. 20: Act IV, no. 27. Danse des petits cygnes: Moderato | — | ||
| 59-13 | Swan Lake, op. 20: Act IV, no. 29. Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 60-1 | Don Juan, op. 20 | — | ||
| 60-2 | Tod und Verklärung, op. 24 | — | ||
| 61-1 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-2 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-3 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: III. Allegro assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-4 | Sinfonia for Two Flutes and Strings in D minor, F. 65 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-5 | Concerto for Orchestra in D major: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-6 | Concerto for Orchestra in D major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-7 | Concerto for Orchestra in D major: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-1 | Symphony in E-flat major: I. Allegro brillante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-2 | Symphony in E-flat major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-3 | Symphony in E-flat major: III. Scherzo. Vivace assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-4 | Symphony in E-flat major: IV. Finale. Allegro maestoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 63-1 | Feuerfest!, op. 269 | — | ||
| 63-2 | Tritsch-Tratsch-Polka, op. 214 | — | ||
| 63-3 | Rosen aus dem Süden, op. 388 | — | ||
| 63-4 | Auf der Jagd, op. 373 | — | ||
| 63-5 | Neue Pizzicato Polka, op. 449 | — | ||
| 63-6 | Unter Donner und Blitz, op. 324 | — | ||
| 63-7 | Explosions-Polka, op. 43 | — | ||
| 63-8 | Wein, Weib und Gesang Walzer, op. 333 | — | ||
| 63-9 | Annen-Polka, op. 117 | — | ||
| 63-10 | Tausend und eine Nacht, op. 346 | — | ||
| 63-11 | Leichtes Blut, op. 319 | — | ||
| 64-1 | Scheherazade, op. 35: I. The Sea and Sindbad's Ship | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 64-2 | Scheherazade, op. 35: II. The Story of the Kalander Prince | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 64-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-921.977.698-4 | |
| 64-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - The Shipwreck on a Rock | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 65-1 | Hark! The Herald Angels Sing | — | ||
| 65-2 | O Little Town of Bethlehem | — | ||
| 65-3 | Joy to the World | — | ||
| 65-4 | O Holy Night | — | ||
| 65-5 | O Come, O Come, Emmanuel | — | ||
| 65-6 | God Rest Ye Merry, Gentlemen | — | ||
| 65-7 | Ave Maria | — | ||
| 65-8 | O Come, All Ye Faithful | — | ||
| 65-9 | The First Nowell | — | ||
| 65-10 | Deck the Halls With Boughs of Holly | — | ||
| 65-11 | O Sanctissima | — | ||
| 65-12 | The Worship of God | — | ||
| 65-13 | O Come, Little Children | — | ||
| 65-14 | Silent Night, Holy Night | — | ||
| 65-15 | The Heavens are Telling | — | ||
| 66-1 | Brigg Fair | — | ||
| 66-2 | A Dance Rhapsody no. 2 | — | ||
| 66-3 | On Hearing the First Cuckoo in Spring | — | ||
| 66-4 | In a Summer Garden | — | ||
| 67-1 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: I. Energico, non troppo allegro | — | ||
| 67-2 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: II. Andante tranquillo | — | ||
| 67-3 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: III. Allegretto e grottesco | — | ||
| 67-4 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: IV. Allegro pressando | — | ||
| 67-5 | Symphony no. 2: I. Declamando | — | ||
| 67-6 | Symphony no. 2: II. Allegro scherzando | — | ||
| 67-7 | Symphony no. 2: III. Molto tranquilo | — | ||
| 67-8 | Symphony no. 2: IV. Finale. Tempo primo ma incalzando | — | ||
| 67-9 | Symphony no. 2: V. Coda | — | ||
| 68-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 68-3 | Symphony no. 1. op. 39: III. Scherzo. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-4 | Symphony no. 1 in E minor, op. 39: IV. Finale | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-5 | Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-6 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-7 | Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 69-1 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: I. Andante | — | ||
| 69-2 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: II. Allegro giocoso | — | ||
| 69-3 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: III. Subito andante moderato | — | ||
| 69-4 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: IV. Tempo allegro. Molto agitato | — | ||
| 69-5 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: V. Très calme. Lent | — | ||
| 69-6 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: VI. Tempo de l'allegro initial | — | ||
| 69-7 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: VII. Tempo introduction. Largo | — | ||
| 69-8 | Festliches Präludium, op. 61 | — | ||
| 69-9 | Toccata Festiva, op. 36 | — | ||
| 70-1 | Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro | — | ||
| 70-2 | Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro | — | ||
| 70-3 | Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto | — | ||
| 70-4 | Piano Concerto no. 4, op. 53 (for the Left Hand): 1st Movement. Vivace | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 70-5 | Piano Concerto no. 4, op. 53 (for the Left Hand): 2nd Movement. Andante | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 70-6 | Piano Concerto no. 4, op. 53 (for the Left Hand): 3rd Movement. Moderato | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 70-7 | Piano Concerto no. 4, op. 53 (for the Left Hand): 4th Movement. Vivace | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 71-1 | The Star-Spangled Banner | — | ||
| 71-2 | Pomp and Circumstance, Op. 39: Land of Hope and Glory | — | ||
| 71-3 | Give Me Your Tired, Your Poor | — | ||
| 71-4 | La Marseillaise | — | ||
| 71-5 | "On Great Lone Hills" from Finlandia, op. 26 | — | ||
| 71-6 | Hatikva | — | ||
| 71-7 | The Maple Leaf Forever | — | ||
| 71-8 | America, the Beautiful | — | ||
| 71-9 | This Is My Country | — | ||
| 71-10 | Columbia, the Gem of the Ocean | — | ||
| 71-11 | God Bless America | — | ||
| 71-12 | Washington Post March | — | ||
| 71-13 | Grand Walkaround from Cakewalk | — | ||
| 71-14 | Variations on "America" | — | ||
| 71-15 | 4 Dance Episodes from Rodeo: V. Hoe-Down | — | ||
| 71-16 | The Star-Spangled Banner | — | ||
| 72-1 | Bluebeard's Castle, Sz. 48: Prologue | — | ||
| 72-2 | Bluebeard's Castle, Sz. 48: The First Door: Bluebeards's Torture Chamber | — | ||
| 72-3 | Bluebeard's Castle, Sz. 48: The Second Door: The Armoury | — | ||
| 72-4 | Bluebeard's Castle, Sz. 48: The Third Door: The Treasury | — | ||
| 72-5 | Bluebeard's Castle, Sz. 48: The Fourth Door: The Secret Garden | — | ||
| 72-6 | Bluebeard's Castle, Sz. 48: The Fifth Door: Bluebeard's Kingdom | — | ||
| 72-7 | Bluebeard's Castle, Sz. 48: The Sixth Door: The Lake of Tears | — | ||
| 72-8 | Bluebeard's Castle, Sz. 48: The Seventh Door: Bluebeard's Former Wives | — | ||
| 73-1 | Mass in B minor, BWV 232: Kyrie, no. 1 Chorus: "Kyrie eleison" | — | ||
| 73-2 | Mass in B minor, BWV 232: Kyrie no. 2 Duet: "Christie eleison" | — | ||
| 73-3 | Mass in B minor, BWV 232: Kyrie no. 3 Chorus: "Kyrie eleison" | — | ||
| 73-4 | Mass in B minor, BWV 232: Gloria no. 4 Chorus: "Gloria in excelsis" | — | ||
| 73-5 | Mass in B minor, BWV 232: Gloria no. 5 Chorus: "Et in terra pax" | — | ||
| 73-6 | Mass in B minor, BWV 232: Gloria no. 6 Aria: "Laudamus te" | — | ||
| 73-7 | Mass in B minor, BWV 232: Gloria no. 7 Chorus: "Gratias agimus tibi" | — | ||
| 73-8 | Mass in B minor, BWV 232 : Gloria no. 8 Duet: "Domine Deus" | — | ||
| 73-9 | Mass in B minor, BWV 232: Gloria: no. 9 Chorus: "Qui tollis peccata mundi" | — | ||
| 73-10 | Mass in B minor, BWV 232: Gloria: no. 10 Aria: "Qui sedes ad dextram Patris" | — | ||
| 73-11 | Mass in B minor, BWV 232: Gloria: no. 11 Aria: "Quoniam tu solus Sanctus" | — | ||
| 73-12 | Mass in B minor, BWV 232: Gloria: no. 12 Chorus: "Cum Sancto Spiritu" | — | ||
| 74-1 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 13 Chorus: "Credo in unum Deum" | — | ||
| 74-2 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 14 Chorus: "Credo in unum Deum, Patrem omnium" | — | ||
| 74-3 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 15 Duet: "Et in unum Dominum" | — | ||
| 74-4 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 16 Chorus: "Et incarnatus est" | — | ||
| 74-5 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 17 Chorus: "Crucifixus" | — | ||
| 74-6 | Mass in B minor, BWV 232 : Symbolum Nicenum: no. 18 Chorus: "Et resurrexit" | — | ||
| 74-7 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 19 Aria: "Et in Spiritum Sanctum" | — | ||
| 74-8 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 20 Chorus: "Confiteor unum baptisma" | — | ||
| 74-9 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 21 Chorus: "Et expecto resurrectionem" | — | ||
| 74-10 | Mass in B minor, BWV 232: Sanctus: no. 22 Chorus: "Sanctus" | — | ||
| 74-11 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 23 Chorus: "Osanna in excelsis" | — | ||
| 74-12 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 24 Aria: "Benedictus qui venit" | — | ||
| 74-13 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 25 Chorus: "Osanna in excelsis" | — | ||
| 74-14 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 26 Aria: "Agnus Dei" | — | ||
| 74-15 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 27 Chorus: "Dona nobis pacem" | — | ||
| 75-1 | Lohengrin, WWV 75: Prelude to Act III | — | ||
| 75-2 | Siegfried, WWV 86C: Waldweben | — | ||
| 75-3 | Die Meistersinger von Nürnberg, WWV 96: Prelude to Act III & Dance of the Apprentices & Entrance of the Meistersingers | — | ||
| 75-4 | Tannhäuser, WWV 70: Overture & Venusberg Music | — | ||
| 75-5 | Siegfried-Idyll, WWV 103 | — | ||
| 76-1 | Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto | — | ||
| 76-2 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | — | ||
| 76-3 | Symphony no. 4 in C minor, op. 43: III. Largo - Allegro | — | ||
| 77-1 | Façade: Fanfare | — | ||
| 77-2 | Façade: 1. Hornpipe | — | ||
| 77-3 | Façade: 2. En Famille | — | ||
| 77-4 | Façade: 3. Mariner Man | — | ||
| 77-5 | Façade: 4. Long Steel Grass | — | ||
| 77-6 | Façade: 5. Through Gilded Trellises | — | ||
| 77-7 | Façade: 6. Tango-Pasodoble | — | ||
| 77-8 | Façade: 9. Tarantella - 10. A Man from a far Country | — | ||
| 77-9 | Façade: 11. By the Lake | — | ||
| 77-10 | Façade: 12. Country Dance | — | ||
| 77-11 | Façade: 13. Polka | — | ||
| 77-12 | Façade: 16. Valse | — | ||
| 77-13 | Façade: 17. Jodellling Song | — | ||
| 77-14 | Façade: 18. Scotch Rhapsody | — | ||
| 77-15 | Façade: 19. Popular Song - 20. Fox-Trot "Old Sir Faulk" | — | ||
| 77-16 | Façade: 21. Sir Beelzebub | — | ||
| 77-17 | Divertissment : I. Introduction. Allegro vivo | — | ||
| 77-18 | Divertissment : II. Cortège. Moderato molto - Animato subito - Allegro moderato - Animato subito | — | ||
| 77-19 | Divertissment : III. Nocturne. Lento | — | ||
| 77-20 | Divertissment : IV. Valse. Animato assai - Tempo di Valze - Poco più animato - Vivo molto | — | ||
| 77-21 | Divertissment : V. Parade. Tempo di marcia | — | ||
| 77-22 | Divertissment : VI. Finale. Quasi cadenza - Vivo (Tempo di galop) | — | ||
| 77-23 | Escales : I. Rome - Palerme. Calme - Assez animé - Calme | — | ||
| 77-24 | Escales : II. Tunis - Nefta. Modéré, très rythmé | — | ||
| 77-25 | Escales : III. Valencia. Animé - Légèrement moins animé - Modéré - Anime - Un peu plus animé | — | ||
| 78-1 | Bassoon Concerto in B-flat major, K. 191 (186e): I. Allegro | Bernard Garfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-2 | Bassoon Concerto in B-flat major, K. 191 (186e): II. Andante ma adagio | Bernard Garfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-3 | Bassoon Concerto in B-flat major, K. 191 (186e): III. Rondeau. Tempo di menuetto | Bernard Garfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-4 | Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso | William Kincaid, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-5 | Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo | William Kincaid, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-6 | Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto | William Kincaid, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-1 | Oboe Concerto in C major, K. 314 (285d): I. Allegro aperto | John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-2 | Oboe Concerto in C major, K. 314 (285d): II. Adagio ma non troppo | John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-3 | Oboe Concerto in C major, K. 314 (285d): III. Rondo. Allegretto | John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-4 | Concerto for Clarinet in A major, K. 622: I. Allegro | Anthony Gigliotti, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-5 | Concerto for Clarinet in A major, K. 622: II. Adagio | Anthony Gigliotti, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-6 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | Anthony Gigliotti, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 80-1 | Symphony no. 1: I. Legend | — | ||
| 80-2 | Symphony no. 1: II. Aria | — | ||
| 80-3 | Symphony no. 1: III. March | — | ||
| 80-4 | Concerto for Violin and Orchestra: I. Allegro maestoso | — | ||
| 80-5 | Concerto for Violin and Orchestra: II. Andante | — | ||
| 80-6 | Concerto for Violin and Orchestra: III. Allegro | — | ||
| 81-1 | Symphony No. 3 in C minor, Op. 78 "Organ": Ia. Adagio | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-001.439.586-8 | |
| 81-2 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | T-926.158.921-3 | |
| 81-3 | Symphony No. 3 in C minor, Op. 78 "Organ": Ic. Poco adagio | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-923.676.859-5 | |
| 81-4 | Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | — | |
| 81-5 | Symphony No. 3 in C minor, Op. 78 "Organ": IIb. Presto | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-802.189.622-1 | |
| 81-6 | Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | — | |
| 81-7 | Symphony No. 3 in C minor, Op. 78 "Organ": IId. Allegro | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-913.521.687-4 | |
| 81-8 | The Carnival of the Animals, R.125: 1. Introduction and the Lion's Royal March | — | ||
| 81-9 | The Carnival of the Animals, R.125: 2. Hens and Roosters | — | ||
| 81-10 | The Carnival of the Animals, R.125: 3. Jackasses (Wild Animals) | — | ||
| 81-11 | The Carnival of the Animals, R.125: 4. Tortoises | — | ||
| 81-12 | The Carnival of the Animals, R.125: 5. The Elephant | — | ||
| 81-13 | The Carnival of the Animals, R.125: 6. Kangaroos | — | ||
| 81-14 | The Carnival of the Animals, R.125: 7. Aquarium | — | ||
| 81-15 | The Carnival of the Animals, R.125: 8. Characters with Long Ears | — | ||
| 81-16 | The Carnival of the Animals, R.125: 9. The Cuckoo in the Deep Woods | — | ||
| 81-17 | The Carnival of the Animals, R.125: 10. Aviary | — | ||
| 81-18 | The Carnival of the Animals, R.125: 11. Pianists | — | ||
| 81-19 | The Carnival of the Animals, R.125: 12. Fossils | — | ||
| 81-20 | The Carnival of the Animals, R.125: 13. The Swan | — | ||
| 81-21 | The Carnival of the Animals, R.125: 14. Finale | — | ||
| 82-1 | The Stars and Stripes Forever | — | ||
| 82-2 | Coronation March from “Le Prophète” | — | ||
| 82-3 | Turkish March from “The Ruins of Athens” | — | ||
| 82-4 | Funeral March of a Marionette | — | ||
| 82-5 | American Salute (“When Johnny Comes Marching Home”) | — | ||
| 82-6 | Grand March from “Aida” | — | ||
| 82-7 | March of the Toreadors from “Carmen” | — | ||
| 82-8 | March of the Toys from “Babes in Toyland” | — | ||
| 82-9 | Marche militaire no. 1 in D major, D. 733/1 | — | ||
| 82-10 | March from “The Love for Three Oranges”, op. 33 | — | ||
| 82-11 | Radetzky March, op. 228 | — | ||
| 82-12 | Meadowlands from Symphony no. 4, op. 41 | — | ||
| 82-13 | Pomp and Circumstance, op. 39: March no. 1 in D major | — | ||
| 83-1 | A German Requiem, op. 45: I. Blessed are they that mourn | — | ||
| 83-2 | A German Requiem, op. 45: II. Behold, all flesh is as the grass | — | ||
| 83-3 | A German Requiem, op. 45: III. Lord, make me to know | — | ||
| 83-4 | A German Requiem, op. 45: IV. How lovely are thy dwellings | — | ||
| 83-5 | A German Requiem, op. 45: V. Ye now are sorrowful | — | ||
| 83-6 | A German Requiem, op. 45: VI. Here on earth have we no lasting place | — | ||
| 83-7 | A German Requiem, op. 45: VII. Blessed are the dead | — | ||
| 84-1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | — | ||
| 84-2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 84-3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | — | ||
| 85-1 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : I. Allegro | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 85-2 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : II. Adagio | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 85-3 | Concerto for 3 Pianos and Orchestra in F Major, K. 242: III. Rondo - Tempo di Menuetto | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 85-4 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: I. [without tempo indication] | — | ||
| 85-5 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 85-6 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: III. Allegro | — | ||
| 85-7 | Concerto in F Major, BWV 971 “Italian”: I. Allegro | — | ||
| 85-8 | Concerto in F Major, BWV 971 “Italian”: II. Andante | — | ||
| 85-9 | Concerto in F Major, BWV 971 “Italian”: III. Presto | — | ||
| 86-1 | Les Sylphides : I. Prelude in A major, op. 28/7 | — | ||
| 86-2 | Les Sylphides : II. Nocturne in A‐flat major, op. 32/2 | — | ||
| 86-3 | Les Sylphides : III. Waltz in G‐flat major, op. 70/1 | — | ||
| 86-4 | Les Sylphides : IV. Prélude in A major, op. 28/7 | — | ||
| 86-5 | Les Sylphides : V. Mazurka in D major, op. 33/2 | — | ||
| 86-6 | Les Sylphides : VI. Mazurka in C major, op. 67/3 | — | ||
| 86-7 | Les Sylphides : VII. Waltz in C‐sharp minor, Op. 64/2 | — | ||
| 86-8 | Les Sylphides : VIII. Grande Valse Brillante in E‐flat major, op. 18/1 | — | ||
| 86-9 | Sylvia Ballet Suite : 1. Prélude et Les Chasseresses | — | ||
| 86-10 | Sylvia Ballet Suite : 2. Intermezzo et Valse lente | — | ||
| 86-11 | Sylvia Ballet Suite : 3. Pizzicati | — | ||
| 86-12 | Sylvia Ballet Suite : 4. Cortège de Bacchus | — | ||
| 86-13 | Coppélia Ballet Suite : Prélude et Mazurka | — | ||
| 86-14 | Coppélia Ballet Suite : Scène et Valse de la poupée | — | ||
| 86-15 | Coppélia Ballet Suite : Thème slave varié: Var. I‐IV | — | ||
| 86-16 | Coppélia Ballet Suite : Csárdás | — | ||
| 86-17 | Nocturne in E‐flat major, op. 9/2 | — | ||
| 87-1 | Don Quixote, op. 35: Introduction | — | ||
| 87-2 | Don Quixote, op. 35: Theme. The Knight of the Rueful Countenance | — | ||
| 87-3 | Don Quixote, op. 35: Variation I. The Adventure of the Windmills | — | ||
| 87-4 | Don Quixote, op. 35: Variation II. The Battle With the Sheep | — | ||
| 87-5 | Don Quixote, op. 35: Variation III. Dialogue of Knights and Squire | — | ||
| 87-6 | Don Quixote, op. 35: Variation IV. The Adventure With the Procession of Penitents | — | ||
| 87-7 | Don Quixote, op. 35: Variation V. Don Quixote’s Vigil | — | ||
| 87-8 | Don Quixote, op. 35: Variation VI. Dulcinea’s Enchantment | — | ||
| 87-9 | Don Quixote, op. 35: Variation VII. The Ride Through the Air | — | ||
| 87-10 | Don Quixote, op. 35: Variation VIII. The Adventure of the Enchanted Boat | — | ||
| 87-11 | Don Quixote, op. 35: Variation IX. The Contest with the Enchanters | — | ||
| 87-12 | Don Quixote, op. 35: Variation X. Joust with the Knight of the White Moon – The Defeated Don Quixote’s Journey Home | — | ||
| 87-13 | Don Quixote, op. 35: Epilogue. Don Quixote’s Death | — | ||
| 87-14 | Schelomo – Hebraic Rhapsody for Cello & Orchestra | — | ||
| 88-1 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1 : I. Vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-2 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-802.445.410-3 | |
| 88-3 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-4 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: I. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-5 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: II. Largo - attacca subito | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-6 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — |
Identifier Graph
886446259529 is a Universal Product Code (UPC) assigned to The Columbia Stereo Collection 1958–1963 by Eugene Ormandy, The Philadelphia Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 777 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — |
| Concerto in D major for Violin and Orchestra, op. 35: 1. .Allegro moderato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — |
| Concerto in D major for Violin and Orchestra, op. 35: 2. Canzonetta (Andante) | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — |
| Concerto in D major for Violin and Orchestra, op. 35: 3. Finale (Allegro vivacissimo) | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.066-9 |
| Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | T-922.332.080-7 |
| Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — |
| Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | T-050.063.889-0 |
| Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — |
| Valse triste, op. 44 no. 1 | The Philadelphia Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Columbia Stereo Collection 1958–1963” by Eugene Ormandy, The Philadelphia Orchestra is 886446259529. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-11-17. This release contains 777 tracks, each with its own ISRC. Tracks include USSM15800868, USSM15800869, USSM15800870.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pini di Roma: I. I pini di Villa Borghese | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 2 | Pini di Roma: II. Pini presso una catacomba | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 3 | Pini di Roma: III. I pini del Gianicolo | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4 | Pini di Roma: IV. I pini della Via Appia | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5 | Fontane di Roma: I. La fontana di Valle Giulia all’alba | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 6 | Fontane di Roma: II. La fontana del Tritone al mattino | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 7 | Fontane di Roma: III. La fontana di Trevi al meriggio | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 8 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | The Philadelphia Orchestra, Eugene Ormandy | T-902.294.706-4 | |
| 9 | Feste romane: I. Circenses | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 10 | Feste romane: II. Il giubileo | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 11 | Feste romane: III. L’ottobrata | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 12 | Feste romane: IV. La befana | The Philadelphia Orchestra, Eugene Ormandy | T-309.480.518-8 | |
| 2-1 | Grand Canyon Suite: I. Sunrise | — | ||
| 2-2 | Grand Canyon Suite: II. Painted Desert | — | ||
| 2-3 | Grand Canyon Suite: III. On the Trail | — | ||
| 2-4 | Grand Canyon Suite: IV. Sunset | — | ||
| 2-5 | Grand Canyon Suite: V. Cloudburst | — | ||
| 3-1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 3-2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 3-3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 3-4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 4-1 | Concerto in A minor for Piano and Orchestra, op. 16: I: Allegro molto moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-902.781.050-0 | |
| 4-2 | Concerto in A minor for Piano and Orchestra, op. 16: II: Adagio | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-927.972.087-5 | |
| 4-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 4-4 | Rhapsody on a Theme of Paganini, op. 43 | Philippe Entremont, Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-2 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 5-5 | Symphony no. 7 in C major, op. 105: Adagio - Vivacissimo - Adagio - Allegro molto moderato - Allegro moderato - Presto - Adagio - Largamente molto - Affettuoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6-1 | Hungarian Rhapsody no. 1 in F minor, S. 359 | — | ||
| 6-2 | Hungarian Rhapsody no. 2 in C minor, S. 244 | — | ||
| 6-3 | Romanian Rhapsody no. 1 in A major, op. 11 | — | ||
| 6-4 | Romanian Rhapsody no. 2 in D major, op. 11 | — | ||
| 6-5 | Liebestraum no. 3 in A-flat major, S. 541: "Oh Lieb, so lang du lieben kannst" | — | ||
| 7-1 | Air Power Suite: Introduction | — | ||
| 7-2 | Air Power Suite: Frolics of the Early Days | — | ||
| 7-3 | Air Power Suite: Mission in the Sky | — | ||
| 7-4 | Air Power Suite: War Scenes: I. March of the German Legions | — | ||
| 7-5 | Air Power Suite: War Scenes: II. Lonely Pilot's Letter Home | — | ||
| 7-6 | Air Power Suite: War Scenes: III. Russian Soldier Dance | — | ||
| 7-7 | Air Power Suite: War Scenes: IV. Japanese Prayer for Victory | — | ||
| 7-8 | Air Power Suite: War Scenes: V. Convoy and Wolf Pack Attack | — | ||
| 7-9 | Air Power Suite: War Scenes: VI. The Liberators and War's End | — | ||
| 8-1 | Carmen Suite no. 1: Les Toréadors. Allegro giocoso | — | ||
| 8-2 | Carmen Suite no. 1: Prélude. Andante moderato | — | ||
| 8-3 | Carmen Suite no. 1: Aragonaise. Allegro vivo | — | ||
| 8-4 | Carmen Suite no. 1: Intermezzo. Andantino quasi allegretto | — | ||
| 8-5 | Carmen Suite no. 1: Les Dragons d'Alcala. Allegro moderato | — | ||
| 8-6 | Carmen Suite no. 2: Marche des contrebandiers. Allegro moderato | — | ||
| 8-7 | Carmen Suite no. 2: Habanera. Allegretto quasi andantino | — | ||
| 8-8 | Carmen Suite no. 2: Nocturne. Andantino molto | — | ||
| 8-9 | Carmen Suite no. 2: La Garde montante. Allegro | — | ||
| 8-10 | Carmen Suite no. 2: Danse bohème. Andante quasi allegretto | — | ||
| 9-1 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro | Bernard Garfield, Anthony Gigliotti, Mason Jones, John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-2 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio | Bernard Garfield, Anthony Gigliotti, Mason Jones, John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | T-010.194.421-1 | |
| 9-3 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): III. Andantino con variazioni | Bernard Garfield, Anthony Gigliotti, Mason Jones, John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-4 | Sinfonia Concertante for Violin, Cello, Oboe, Bassoon & Orchestra in B-flat major, Hob. I:105: I. Allegro | — | ||
| 9-5 | Sinfonia Concertante for Violin, Cello, Oboe, Bassoon & Orchestra in B-flat major, Hob. I:105: II. Andante | — | ||
| 9-6 | Sinfonia Concertante for Violin, Cello, Oboe, Bassoon & Orchestra in B-flat major, Hob. I:105: III. Allegro con spirito | — | ||
| 9-7 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: I. Allegro | — | ||
| 9-8 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: II. Andante | — | ||
| 9-9 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: III. Finale. Allegro | — | ||
| 10-1 | Peter and the Wolf, op. 67: Introduction | — | ||
| 10-2 | Peter and the Wolf, op. 67: "Early one morning" | — | ||
| 10-3 | Peter and the Wolf, op. 67: "Suddenly something caught Peter's eye" | — | ||
| 10-4 | Peter and the Wolf, op. 67: "No sooner had Peter gone" | — | ||
| 10-5 | Peter and the Wolf, op. 67: "And now, this is how things stood" | — | ||
| 10-6 | Peter and the Wolf, op. 67: "Just then some hunters came out of the woods" | — | ||
| 10-7 | Peter and the Wolf, op. 67: "Imagine the triumphant procession" | — | ||
| 10-8 | The Young Person's Guide to the Orchestra, op. 34 | — | ||
| 11-1 | Concerto in D major for Violin and Orchestra, op. 35: 1. .Allegro moderato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-2 | Concerto in D major for Violin and Orchestra, op. 35: 2. Canzonetta (Andante) | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-3 | Concerto in D major for Violin and Orchestra, op. 35: 3. Finale (Allegro vivacissimo) | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-4 | Concerto in E minor for Violin and Orchestra, op. 64: 1. Allegro molto appassionato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-5 | Concerto in E minor for Violin and Orchestra, op. 64: 2. Andante | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | T-071.481.827-5 | |
| 11-6 | Concerto in E minor for Violin and Orchestra, op. 64: 3. Allegretto non troppo | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 12-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 12-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 12-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 12-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piú Andante - Allegro non troppo, ma con brio - Piú Allegro | — | ||
| 12-5 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Aria | — | ||
| 12-6 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation I | — | ||
| 12-7 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation II | — | ||
| 12-8 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation III | — | ||
| 12-9 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation IV: Risoluto | — | ||
| 12-10 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation V: Espressivo | — | ||
| 12-11 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation VI | — | ||
| 12-12 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation VII: Con vivacità | — | ||
| 12-13 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation VIII | — | ||
| 12-14 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation IX: Poco sostenuto | — | ||
| 12-15 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation X | — | ||
| 12-16 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XI | — | ||
| 12-17 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XII | — | ||
| 12-18 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XIII: Largamente, ma non più | — | ||
| 12-19 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XIV | — | ||
| 12-20 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XV | — | ||
| 12-21 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XVI | — | ||
| 12-22 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XVII: Più mosso | — | ||
| 12-23 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XVIII | — | ||
| 12-24 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XIX: Leggiero e vivace | — | ||
| 12-25 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XX | — | ||
| 12-26 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXI | — | ||
| 12-27 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXII | — | ||
| 12-28 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXIII | — | ||
| 12-29 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXIV | — | ||
| 12-30 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Variation XXV | — | ||
| 12-31 | Variations and Fugue on a Theme by Handel in B-flat major, op. 24: Fuga | — | ||
| 13-1 | Oratorio from the Book of Mormons: The Lord's Prayer | — | ||
| 13-2 | Come, Come Ye Saints | — | ||
| 13-3 | A German Requiem, op. 45: "Blessed Are They That Mourn" | — | ||
| 13-4 | O My Father | — | ||
| 13-5 | How Great the Wisdom and the Love | — | ||
| 13-6 | St. Cecilia Mass, CG 56: "Holy, Holy, Holy" | — | ||
| 13-7 | Psalm 148, H. 117/2: "Lord, Who hast made us for Thine own" | — | ||
| 13-8 | Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 13-9 | David's Lamentation | — | ||
| 13-10 | Londonderry Air | — | ||
| 13-11 | Battle Hymn of the Republic | — | ||
| 13-12 | Ave Maria, D. 839 | — | ||
| 13-13 | La Rédemption: "Unfold, Ye Portals" | — | ||
| 13-14 | Requiem, K. 626: Requiem aeternam: "Give unto the meek" - Kyrie eleison: "Show Thy Mercy" | — | ||
| 13-15 | Oratorio from the Book of Mormon: "Old Things Are Done Away" | — | ||
| 13-16 | The Lord's Prayer | — | ||
| 14-1 | Variations symphoniques, FWV 46 | — | ||
| 14-2 | Symphonie sur un chant montagnard français, op. 25 : I. Assez lent - Modérément animé - Assez lent | — | ||
| 14-3 | Symphonie sur un chant montagnard français, op. 25 : II. Assez modéré, mais sans lenteur | — | ||
| 14-4 | Symphonie sur un chant montagnard français, op. 25 : III. Animé | — | ||
| 15-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - III. Allegretto vivace. Allegro animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-3 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-4 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai. L'istesso tempo | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-5 | Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai - Un poco piu mosso - Tempo del andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-6 | Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-7 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso - L'istesso tempo - Sempre allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-8 | Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno. Allegro - Un poco animato - Un poco piu mosso | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 15-9 | Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato - Stretto | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-1 | 1812 Overture, Op. 49 | Richard P. Condie, The Mormon Tabernacle Choir, Philadelphia Orchestra, Valley Forge Military Academy Band, Col. D. Keith Feltham, Eugene Ormandy | — | |
| 16-2 | In the Steppes of Central Asia | — | ||
| 16-3 | Polovtsian Dances (From "Prince Igor") : Dance of the Polovtsian Maidens | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-4 | Polovtsian Dances (From "Prince Igor"): Polovtsian Dance: Introduzione. Andantino | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-5 | Polovtsian Dances (From "Prince Igor"): Allegro vivo | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-6 | Polovtsian Dances (From "Prince Igor"): Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-7 | Polovtsian Dances (From "Prince Igor"): Presto I | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-8 | Polovtsian Dances (From "Prince Igor"): Moderato alla breve | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-9 | Polovtsian Dances (From "Prince Igor"): Presto II | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-10 | Polovtsian Dances (From "Prince Igor"): Allegro con spirito - Coda. Più animato | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 16-11 | Night on Bald Mountain | — | ||
| 16-12 | Masquerade Suite, op. 48a: V. Galop | — | ||
| 16-13 | Suite no. 1 from "Gayane", op. 53: II. Dance of the Young Maidens | — | ||
| 16-14 | Suite from "The Age of Gold", op. 22a: III. Polka | — | ||
| 16-15 | Suite from "Christmas Eve": VII. Polonaise | — | ||
| 16-16 | Suite from “The Snow Maiden”: IV. Dance of the Tumblers | — | ||
| 16-17 | The Comedians, op. 26: II. Galop | — | ||
| 16-18 | The Fair at Sorochintsï: Hopak | — | ||
| 16-19 | Suite no. 3 from “Gayaneh”, op. 55: V. Sabre Dance | — | ||
| 16-20 | Slava!, op. 21 | — | ||
| 17-1 | Prélude à l'après-midi d'un faune, L. 86 | — | ||
| 17-2 | Daphnis et Chloé Suite no. 2, M. 57b | — | ||
| 17-3 | La Mer, L. 109 : I. De l'aube à midi sur la mer. Très lent | — | ||
| 17-4 | La Mer, L. 109 : II. Jeux de vagues. Allegro | — | ||
| 17-5 | La Mer, L. 109 : III. Dialogue du vent et de la mer. Animé et tumultueux | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-5 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-6 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 19-1 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 19-2 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 19-3 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto - Trio | — | ||
| 19-4 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 19-5 | Orchestral Suite no. 3 in D Major, BWV 1068: II. Air on the G String | — | ||
| 19-6 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": I. Vivace - Grave - Allegro | — | ||
| 19-7 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": II. Adagio - Allegro - Adagio | — | ||
| 19-8 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": III. Vivace | — | ||
| 19-9 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": IV. Allegro - | — | ||
| 19-10 | Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": V. Pastorale. Largo | — | ||
| 19-11 | Octet for Strings in E-flat major, op. 20: III. Scherzo | — | ||
| 20-1 | Messiah: 1. Overture | Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-2 | Messiah: 2. Comfort ye, my people | Davis Cunningham, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-3 | Messiah: 3. Every valley shall be exalted | The Philadelphia Orchestra, Eugene Ormandy | T-906.831.104-6 | |
| 20-4 | Messiah: 4. And the glory of the Lord | Richard P. Condie, Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-5 | Messiah: 5. Thus saith the Lord | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | T-312.613.379-3 | |
| 20-6 | Messiah: 6. But who may abide | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-7 | Messiah: 7. And He shall purify | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-8 | Behold, a Virgin Shall Conceive | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-9 | Messiah: 9. O thou that tellest good tidings to Zion | Richard P. Condie, Martha Lipton, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-10 | Messiah, HWV 56: Part I, no. 12. Chorus "For Unto us a Child is Born" | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-11 | Messiah: 13. Pastoral Symphony | Philadelphia Orchestra, Eugene Ormandy | T-916.330.297-4 | |
| 20-12 | Messiah: 14. There were shepherds | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-13 | Messiah: 15. And the angel said unto them | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-14 | Messiah: 16. And suddenly there was with the angel | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-15 | Messiah: 17. Glory to God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-16 | Messiah: 19. Then shall the eyes of the blind be opened | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 20-17 | Messiah: 20. He shall feed His flock | Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-1 | Messiah: 21. His yoke is easy | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-2 | Messiah: 22. Behold the Lamb of God | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-3 | Messiah: 23. He was despised | Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-4 | Messiah: 24. Surely He hath borne our griefs | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-5 | Messiah: 25. And with His stripes we are healed | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-6 | Messiah: 26. All we like sheep have gone astray | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-7 | Messiah: 33. Lift up your heads | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-8 | Messiah: 40. Why do the nations? | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-9 | Messiah: 42. He that dwelleth in Heaven | Davis Cunningham, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-10 | Messiah: 43. Thou shalt break them | Davis Cunningham, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-11 | Messiah: 44. Hallelujah! | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy | T-911.137.534-9 | |
| 21-12 | Messiah: 45. I know that my Redeemer liveth | Eileen Farrell, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-13 | Messiah: 47. Behold, I tell you a mystery | William Warfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-14 | Messiah: 48. The trumpet shall sound | William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 21-15 | Messiah: 53. Worthy is the Lamb | Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 22-1 | Le Coq d'or : I. Tsar Dodon in His Palace | — | ||
| 22-2 | Le Coq d'or : II. Tsar Dodon on the Battlefield | — | ||
| 22-3 | Le Coq d'or : III. Tsar Dodon and the Queen of Shemakha | — | ||
| 22-4 | Le Coq d'or : IV. Bridal Procession and Lamentable Death of Tsar Dodon | — | ||
| 22-5 | Russian Easter Festival, op. 36 | — | ||
| 22-6 | Ruslan and Lyudmila: Overture | — | ||
| 22-7 | Slavonic March in B-flat minor, op. 31 "Marche slave" | — | ||
| 22-8 | Islamey, op. 18 | — | ||
| 23-1 | Royal Fireworks Suite: I. Overture. Maestoso - Allegro | — | ||
| 23-2 | Royal Fireworks Suite: II. Alla Siciliana. Molto tranquillo ma con moto | — | ||
| 23-3 | Royal Fireworks Suite: III. Bourrée. Vivace - IV. Menuet II. Moderato con molto ritmo | — | ||
| 23-4 | Suite for Strings after 12 Violin Sonatas, op. 5: I. Sarabanda. Largo | — | ||
| 23-5 | Suite for Strings after 12 Violin Sonatas, op. 5: II. Giga | — | ||
| 23-6 | Suite for Strings after 12 Violin Sonatas, op. 5: III. Badinerie. Vivace | — | ||
| 23-7 | Water Music Suite: I. Allegro | — | ||
| 23-8 | Water Music Suite: II. Andante espressivo | — | ||
| 23-9 | Water Music Suite: III. Air | — | ||
| 23-10 | Water Music Suite: IV. Bourrée | — | ||
| 23-11 | Water Music Suite: V. Hornpipe | — | ||
| 23-12 | Water Music Suite: VI. Allegro deciso | — | ||
| 24-1 | Symphony no. 5 in E minor, op. 64: I. Andante; Allegro con anima | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 24-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza; Moderato con anima | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 24-3 | Symphony no. 5 in E minor, op. 64: III. Valse | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 24-4 | Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso); Allegro vivace | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-1 | Symphony no. 2 in E minor, op. 27: I. Largo; Allegro molto | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-2 | Symphony no. 2 in E minor, op. 27: II. Allegro molto | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 25-4 | Symphony no. 2 in E minor, op. 27: IV. Allegro vivace | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-1 | Cello Concerto no. 1, op. 107: I. Allegretto | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-2 | Cello Concerto no. 1, op. 107: II. Moderato | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-3 | Cello Concerto no. 1, op. 107: III. Cadenza | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-4 | Cello Concerto no. 1, op. 107: IV. Allegro con moto | Mstislav Rostropovich, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 26-5 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo | — | ||
| 26-6 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 26-7 | Symphony no. 1 in F minor, op. 10: III. Lento - Largo | — | ||
| 26-8 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento - Allegro molto | — | ||
| 27-1 | Concerto for Piano and Orchestra no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 27-2 | Concerto for Piano and Orchestra no. 1 in G minor, op. 25: II. Andante | — | ||
| 27-3 | Concerto for Piano and Orchestra no. 1 in G minor, op. 25: III. Presto - Molto allegro vivace | — | ||
| 27-4 | Concerto for Piano and Orchestra no. 2 in D minor, op. 40: I. Allegro appassionato | — | ||
| 27-5 | Concerto for Piano and Orchestra no. 2 in D minor, op. 40: II. Adagio. Molto sostenuto | — | ||
| 27-6 | Concerto for Piano and Orchestra no. 2 in D minor, op. 40: III. Finale. Presto scherzando | — | ||
| 27-7 | A Midsummer Night's Dream, op. 61: Ouverture | — | ||
| 27-8 | A Midsummer Night's Dream, op. 61: no. 1 Scherzo. Allegro vivace | — | ||
| 27-9 | A Midsummer Night's Dream, op. 61: no. 5 Intermezzo. Allegro appassionato - Allegro molto comodo | — | ||
| 27-10 | A Midsummer Night's Dream, op. 61: no. 7 Notturno. Andante tranquilo | — | ||
| 28-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 28-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 28-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 28-4 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 28-5 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo - Allegro con fuoco - Cadenza | — | ||
| 28-6 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro moderato (à la zingara) | — | ||
| 29-1 | The Martyrdom of St. Sebastian, L. 124 : Act I La Cour des Lys, no. 1 : Prélude. "Frère, que sera-t-il le monde" | — | ||
| 29-2 | The Martyrdom of St. Sebastian, L. 124 : Act I La Cour des Lys, no. 2 : Mouvement du Prélude. "Sébastien! Sébastien! Sébastien!" | — | ||
| 29-3 | The Martyrdom of St. Sebastian, L. 124 : Act I La Cour des Lys, no. 3 : Assez animé. "Hymnes, toute l'ombre s'efface" | — | ||
| 29-4 | The Martyrdom of St. Sebastian, L. 124 : Act II La Chambre magique, no. 1 : Prélude | — | ||
| 29-5 | The Martyrdom of St. Sebastian, L. 124 : Act II La Chambre magique, no. 2 : Andantino. "Je fauchais l'épi de froment" | — | ||
| 29-6 | The Martyrdom of St. Sebastian, L. 124 : Act II La Chambre magique, no. 3 : Modéré. "Qui pleure mon enfant si doux" | — | ||
| 29-7 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 1 : Prélude. Fanfares 1 & 2 | — | ||
| 29-8 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 3 : Modéré. "Païan, Lyre d'or" | — | ||
| 29-9 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 4 : Lent. "Ah, Tu pleures le Bien-Aimé!" | — | ||
| 29-10 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 5 : Très Modéré. "Cessez, ô pleureuses!" | — | ||
| 29-11 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 6 : Assez animé. "Io! Io! Adoniastes!" | — | ||
| 29-12 | The Martyrdom of St. Sebastian, L. 124 : Act III. Le Concile des faux dieux, no. 7 : Lent. "Il est mort, le bel Adonis" | — | ||
| 29-13 | The Martyrdom of St. Sebastian, L. 124 : Act IV. Le Laurier blessé, no. 1 : Prélude | — | ||
| 29-14 | The Martyrdom of St. Sebastian, L. 124 : Act IV. Le Laurier blessé, no. 2 : Très modéré | — | ||
| 29-15 | The Martyrdom of St. Sebastian, L. 124 : Act IV. Le Laurier blessé, no. 3 : Modéré. "Hélas! Ah! Pleurez, ô femmes de Syrie" | — | ||
| 29-16 | The Martyrdom of St. Sebastian, L. 124 : Act V. Le Paradis, no. 1 : Interlude | — | ||
| 29-17 | The Martyrdom of St. Sebastian, L. 124 : Act V. Le Paradis, no. 2 : Modéré. "Gloire!" | — | ||
| 30-1 | Symphony no. 4 in C major, op. 112: I. Andante - Allegro eroico | — | ||
| 30-2 | Symphony no. 4 in C major, op. 112: II. Andante tranquillo | — | ||
| 30-3 | Symphony no. 4 in C major, op. 112: III. Moderato, quasi allegretto | — | ||
| 30-4 | Symphony no. 4 in C major, op. 112: IV. Allegro risoluto - Andantino - Allegro come prima | — | ||
| 31-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 31-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 31-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Temp I | — | ||
| 31-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 32-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 32-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con gracia | — | ||
| 32-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 32-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 33-1 | Violin Concerto in D, op. 47: I. Allegro moderato | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-2 | Violin Concerto in D, op. 47: II. Adagio di molto | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-3 | Violin Concerto in D, op. 47: III. Allegro, ma non tanto | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 33-4 | The Swan of Tuonela, op. 22 no. 3 | Louis Rosenblatt, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 34-1 | Carmina Burana: Fortuna imperatrix mundi: "O Fortuna" | — | ||
| 34-2 | Carmina Burana: Fortuna imperatrix mundi: "Fortune plango vulnera" | — | ||
| 34-3 | Carmina Burana: I. Primo vere: "Veris leta facies" | — | ||
| 34-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | — | ||
| 34-5 | Carmina Burana: I. Primo vere: "Ecce gratum" | — | ||
| 34-6 | Carmina Burana: Uf dem Anger: Tanz | — | ||
| 34-7 | Carmina Burana: Uf dem Anger: "Floret silva" | — | ||
| 34-8 | Carmina Burana: Uf dem Anger: "Chramer, gip die varwe mir" | — | ||
| 34-9 | Carmina Burana: Uf dem Anger: Reie | — | ||
| 34-10 | Carmina Burana: Uf dem Anger: "Swaz hie gat umbe" / "Chume, chum, geselle min!" / "Swaz hie gat umbe" | — | ||
| 34-11 | Carmina Burana: Uf dem Anger: "Were diu werlt alle min" | — | ||
| 34-12 | Carmina Burana: II. In taberna: "Estuans interius" | — | ||
| 34-13 | Carmina Burana: II. In taberna: "Olim lacus colueram" | — | ||
| 34-14 | Carmina Burana: II. In taberna: "Ego sum abbas" | — | ||
| 34-15 | Carmina Burana: II. In taberna: "In taberna quando sumus" | — | ||
| 34-16 | Carmina Burana: III. Cour d'Amours: "Amor volat undique" | — | ||
| 34-17 | Carmina Burana: III. Cour d'Amours: "Dies, nox et omnia" | — | ||
| 34-18 | Carmina Burana: III. Cour d'Amours: "Stetit puella" | — | ||
| 34-19 | Carmina Burana: III. Cour d'Amours: "Circa mea pectora" | — | ||
| 34-20 | Carmina Burana: III. Cour d'Amours: "Si puer cum puellula" | — | ||
| 34-21 | Carmina Burana: III. Cour d'Amours: "Veni, veni, venias" | — | ||
| 34-22 | Carmina Burana: III. Cour d'Amours: "In trutina" | — | ||
| 34-23 | Carmina Burana: III. Cour d'Amours: "Tempus est iocundum" | — | ||
| 34-24 | Carmina Burana: III. Cour d'Amours: "Dulcissime" | — | ||
| 34-25 | Carmina Burana: Blanziflor et Helena: "Ave formosissima" | — | ||
| 34-26 | Carmina Burana: Fortuna imperatrix mundi: "O Fortuna" | — | ||
| 35-1 | Boléro, M. 81 | — | ||
| 35-2 | Le Tombeau de Couperin, M. 68a : I. Prélude. Vif | — | ||
| 35-3 | Le Tombeau de Couperin, M. 68a : II. Forlane. Allegretto | — | ||
| 35-4 | Le Tombeau de Couperin, M. 68a : III. Menuet. Allegro moderato | — | ||
| 35-5 | Le Tombeau de Couperin, M. 68a : IV. Rigaudon. Assez vif | — | ||
| 35-6 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 35-7 | España - Rhapsody for Orchestra | — | ||
| 35-8 | Pavane pour une infante défunte, M. 19 | — | ||
| 35-9 | Clair de lune | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 35-10 | La Valse, M. 72 | — | ||
| 36-1 | Symphonic Poem After Descartes: I. Introduction. Cogito - Ergo Sum - Intuitions - Vortex - Meditations | — | ||
| 36-2 | Symphonic Poem After Descartes: II. Folium Passacaglia - Exaltation - Contemplation - Finale | — | ||
| 36-3 | Symphony in D - A Festival Piece In One Movement | — | ||
| 37-1 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 37-2 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: Allegro spiritoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-3 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-4 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-5 | Toccata, Adagio and Fugue in C major, BWV 564 | The Philadelphia Orchestra, Eugene Ormandy | T-902.757.483-0 | |
| 37-6 | Passacaglia in C minor, BWV 582 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-1 | Concerto in E major for Violin, Strings & Basso Continuo, RV 269 "Spring": I. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-2 | Concerto in E major for Violin, Strings & Basso Continuo, RV 269 "Spring": II. Largo | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-3 | Concerto in E major for Violin, Strings & Basso Continuo, RV 269 "Spring": III. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.836.120-8 | |
| 38-4 | Concerto in G minor for Violin, Strings & Basso Continuo, RV 315 "Summer": I. Allegro non molto - Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.802.010-2 | |
| 38-5 | Concerto in G minor for Violin, Strings & Basso Continuo, RV 315 "Summer": II. Adagio | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-802.445.410-3 | |
| 38-6 | Concerto in G minor for Violin, Strings & Basso Continuo, RV 315 "Summer": III. Presto | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-7 | Concerto in F major for Violin, Strings & Basso Continuo, RV 293 "Autumn": I. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-8 | Concerto in F major for Violin, Strings & Basso Continuo, RV 293 "Autumn": II. Adagio molto | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-9 | Concerto in F major for Violin, Strings & Basso Continuo, RV 293 "Autumn": III. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.836.120-8 | |
| 38-10 | Concerto in F minor for Violin, Strings & Basso Continuo, RV 297 "Winter": I. Allegro non molto | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-11 | Concerto in F minor for Violin, Strings & Basso Continuo, RV 297 "Winter": II. Largo | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 38-12 | Concerto in F minor for Violin, Strings & Basso Continuo, RV 297 "Winter": III. Allegro | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-902.836.120-8 | |
| 39-1 | Peer Gynt Suite no. 1: I. Morning Mood | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-2 | Peer Gynt Suite no. 1: II. Ase's Death | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-3 | Peer Gynt Suite no. 1: III. Anitra's Dance | The Philadelphia Orchestra, Eugene Ormandy | T-011.745.412-2 | |
| 39-4 | Peer Gynt Suite no. 1: IV. In the Hall of the Mountain King | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-5 | Valse triste, op. 44 no. 1 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-6 | Swedish Rhapsody no. 1, op. 19 "Midsommarvaka" | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 39-7 | Finlandia, op. 26 | The Philadelphia Orchestra, Eugene Ormandy | T-910.256.702-2 | |
| 39-8 | En Saga, op. 9 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 40-1 | Concerto for Violin and Orchestra in B minor: I. Andante tranquillo | — | ||
| 40-2 | Concerto for Violin and Orchestra in B minor: II. Presto capriccioso alla napolitana | — | ||
| 40-3 | Concerto for Violin and Orchestra in B minor: III. Vivace | — | ||
| 40-4 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 40-5 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | — | ||
| 40-6 | Symphonie espagnole in D minor, op. 21: III. Andante | — | ||
| 40-7 | Symphonie espagnole in D minor, op. 21: IV. Rondo. Allegro | — | ||
| 41-1 | Concerto for 2 Violins in D minor, RV 514: I. Allegro non molto | — | ||
| 41-2 | Concerto for 2 Violins in D minor, RV 514: II. Adagio | — | ||
| 41-3 | Concerto for 2 Violins in D minor, RV 514: III. Allegro molto | — | ||
| 41-4 | Concerto for 2 Violins in C minor, RV 509: I. Allegro ma poco e cantabile | — | ||
| 41-5 | Concerto for 2 Violins in C minor, RV 509: II. Andante molto | — | ||
| 41-6 | Concerto for 2 Violins in C minor, RV 509: III. Allegro | — | ||
| 41-7 | Concerto for 2 Violins in G minor, RV 517: I. Allegro | — | ||
| 41-8 | Concerto for 2 Violins in G minor, RV 517: II. Andante | — | ||
| 41-9 | Concerto for 2 Violins in G minor, RV 517: III. Allegro | — | ||
| 41-10 | Concerto for 2 Violins in D major, RV 512: I. Allegro molto | — | ||
| 41-11 | Concerto for 2 Violins in D major, RV 512: II. Largo | — | ||
| 41-12 | Concerto for 2 Violins in D major, RV 512: III. Allegro | — | ||
| 42-1 | Symphonic Dances, op. 45: I. Non allegro - Lento - Tempo I | — | ||
| 42-2 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 42-3 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | — | ||
| 42-4 | Paganiniana op. 65: I. Allegro agitato | — | ||
| 42-5 | Paganiniana op. 65: II. Polacchetta. Allegretto moderato | — | ||
| 42-6 | Paganiniana op. 65: III. Romanza. Larghetto cantabile, amoroso | — | ||
| 42-7 | Paganiniana op. 65: IV. Tarantella. Presto molto | — | ||
| 43-1 | Serenade for String Orchestra in C major, op. 48: I. Pezzo in forma di sonatina | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-2 | Serenade for String Orchestra in C major, op. 48: II. Valse - Moderato - Tempo di valse | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-3 | Serenade for String Orchestra in C major, op. 48: III. Elegie - Larghetto elegiaco | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-4 | Serenade for String Orchestra in C major, op. 48: IV. Finale - (Tema Russo) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-5 | Nocturne for String Orchestra | The Philadelphia Orchestra, Eugene Ormandy | T-927.211.282-0 | |
| 43-6 | Adagio for Strings, op. 11 | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 43-7 | Fantasia on Greensleeves from Sir John in Love | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-8 | 2 Elegiac Melodies, op. 34, no. 1: The Wounded Heart. Allegretto espressivo | — | ||
| 43-9 | 2 Elegiac Melodies, op. 34, no. 2: Last Spring. Andante | — | ||
| 43-10 | Schwanengesang, D.957, no. 4: Serenade | — | ||
| 43-11 | To a Wild Rose, op. 51 no. 1 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-12 | Méditation from "Thaïs" for Violin and Orchestra | — | ||
| 44-1 | Frühlingsstimmen, op. 410 | — | ||
| 44-2 | Kaiser-Walzer, op. 437 | — | ||
| 44-3 | Wiener Blut, op. 354 | — | ||
| 44-4 | An der schönen blauen Donau, op. 314 | — | ||
| 44-5 | Geschichten aus dem Wienerwald, op. 325 | — | ||
| 45-1 | Passacaglia, Recitative and Fugue for Piano and Orchestra: I. Passacaglia | — | ||
| 45-2 | Passacaglia, Recitative and Fugue for Piano and Orchestra: II. Recitative | — | ||
| 45-3 | Passacaglia, Recitative and Fugue for Piano and Orchestra: III. Fugue | — | ||
| 45-4 | Chorale Prelude: "Veni, Sancte Spiritus" | — | ||
| 45-5 | "Cantus Animae et Cordis" for String Orchestra | — | ||
| 45-6 | Symphony no. 2 "Psalms": I. Psalm 130 | — | ||
| 45-7 | Symphony no. 2 "Psalms": II. Prologue – Psalm 95 – Psalm 27 – Fugue – Psalm 24 – Psalm 121 – Psalm 24 | — | ||
| 46-1 | Concerto for Piano and Orchestra in F minor, op. 114: I. Allegro moderato | — | ||
| 46-2 | Concerto for Piano and Orchestra in F minor, op. 114: II. Largo con gran espressione | — | ||
| 46-3 | Concerto for Piano and Orchestra in F minor, op. 114: III. Allegretto con spirito | — | ||
| 47-1 | Aufforderung zum Tanz, op. 65 | — | ||
| 47-2 | Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S. 110/2 | — | ||
| 47-3 | Danse Macabre, Op. 40 | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | T-003.008.160-7 | |
| 47-4 | Hungarian Dances, WoO 1 no. 17 in F-sharp minor: Andantino - Vivace | — | ||
| 47-5 | Hungarian Dances, WoO 1, no. 18 in D major: Molto vivace | — | ||
| 47-6 | Hungarian Dances, WoO 1, no. 19 in B minor: Allegretto | — | ||
| 47-7 | Hungarian Dances, WoO 1, no. 20 in E minor: Poco Allegretto - Vivace | — | ||
| 47-8 | Hungarian Dances, WoO 1, no. 21 in E minor: Vivace | — | ||
| 47-9 | Russian Sailors' Dance from "The Red Poppy Suite", op. 70 | — | ||
| 47-10 | Euryanthe, op. 81: Overture | — | ||
| 47-11 | Polka and Fugue from "Schwanda the Bagpiper": I. Polka | — | ||
| 47-12 | Polka and Fugue from "Schwanda the Bagpiper": II. Fugue | — | ||
| 48-1 | Symphonie fantastique, op. 14 : I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai | — | ||
| 48-2 | Symphonie fantastique, op. 14 : II. Un bal. Valse. Allegro non troppo | — | ||
| 48-3 | Symphonie fantastique, op. 14 : III. Scène aux champs. Adagio | — | ||
| 48-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice. Allegretto non troppo | — | ||
| 48-5 | Symphonie fantastique, op. 14 : V. Songe d'une nuit du sabbat. Larghetto - Allegro - | — | ||
| 48-6 | Symphonie fantastique, op. 14 : V. Dies irae - | — | ||
| 48-7 | Symphonie fantastique, op. 14 : V. Ronde du sabbat. Poco meno mosso - | — | ||
| 48-8 | Symphonie fantastique, op. 14 : V. Dies irae et ronde du sabbat ensemble | — | ||
| 48-9 | Samson et Dalila, Act III: Bacchanale | The Philadelphia Orchestra, Eugene Ormandy | T-926.158.921-3 | |
| 48-10 | The Sorcerer's Apprentice | The Philadelphia Orchestra, Eugene Ormandy | T-003.005.584-5 | |
| 49-1 | Ein Heldenleben, op. 40: I. Der Held. Lebhaft bewegt | — | ||
| 49-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher. Etwas langsamer | — | ||
| 49-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin. Lebhaft bewegt | — | ||
| 49-4 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt. Lebhaft | — | ||
| 49-5 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke. Mit groẞem Schwung und Begeisterung | — | ||
| 49-6 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung. Mäẞig langsam | — | ||
| 50-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 50-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romanze. Larghetto | — | ||
| 50-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 50-4 | Totentanz, S. 126 "Danse macabre" | — | ||
| 51-1 | Belshazzar's Feast: Thus Spake Isaiah | — | ||
| 51-2 | Belshazzar's Feast: By the Waters of Babylon | — | ||
| 51-3 | Belshazzar's Feast: If I forget thee, O Jerusalem | — | ||
| 51-4 | Belshazzar's Feast: O daughter of Babylon | — | ||
| 51-5 | Belshazzar's Feast: Babylon was a great city | — | ||
| 51-6 | Belshazzar's Feast: In Babylon, the mighty city | — | ||
| 51-7 | Belshazzar's Feast: Praise Ye | — | ||
| 51-8 | Belshazzar's Feast: And in the same hour, as they feasted... | — | ||
| 51-9 | Belshazzar's Feast: Then sing aloud to God our strength | — | ||
| 51-10 | Belshazzar's Feast: The trumpets and pipers are silent | — | ||
| 51-11 | Belshazzar's Feast: Alleluia! | — | ||
| 51-12 | Bacchus et Ariane, op. 43: Suite no. 2 | — | ||
| 52-1 | Piano Concerto for the Left Hand in D Major, M. 82 | Robert Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 52-2 | Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 52-3 | Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 52-4 | Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — | |
| 53-1 | Concerto for Violin and Orchestra no. 1, Sz. 36: I. Andante sostenuto | — | ||
| 53-2 | Concerto for Violin and Orchestra no. 1, Sz. 36: II. Allegro giocoso | — | ||
| 53-3 | Concerto for Violin and Orchestra no. 22 in A minor: I. Moderato | — | ||
| 53-4 | Concerto for Violin and Orchestra no. 22 in A minor: II. Adagio | — | ||
| 53-5 | Concerto for Violin and Orchestra no. 22 in A minor: III. Agitato assai | — | ||
| 54-1 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 54-2 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 54-3 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Tempo I | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 54-4 | Piano Sonata no. 4 in E-flat major, K. 282: I. Adagio | Philippe Entremont | — | |
| 54-5 | Piano Sonata no. 4 in E-flat major, K. 282: II. Menuetto I - Menuetto II | Philippe Entremont | — | |
| 54-6 | Piano Sonata no. 4 in E-flat major, K. 282: III. Allegro | Philippe Entremont | — | |
| 55-1 | The Sleeping Beauty, op. 66: Introduction | The Philadelphia Orchestra, Eugene Ormandy | T-703.788.538-6 | |
| 55-2 | The Sleeping Beauty, op. 66: Pas de six (from prologue) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-3 | The Sleeping Beauty, op. 66: Waltz (Act I) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-4 | The Sleeping Beauty, op. 66: Pas d’action (Act I) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-5 | The Sleeping Beauty, op. 66: Panorama (Act II) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-6 | The Sleeping Beauty, op. 66: March (Act III) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-7 | The Sleeping Beauty, op. 66: Pas de quatre (Act III) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-8 | The Sleeping Beauty, op. 66: Pas de caractère (Act III) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 55-9 | The Sleeping Beauty, op. 66: Pas de quatre (Act III) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-10 | The Sleeping Beauty, op. 66: Pas de deux (Act III) | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 55-11 | The Sleeping Beauty, op. 66: Apotheosis (Act III) | The Philadelphia Orchestra, Eugene Ormandy | T-905.014.886-2 | |
| 56-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 56-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 56-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 57-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 57-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 57-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | David Oistrakh, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 58-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso - Poco piú moderato - Temp I | — | ||
| 58-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | — | ||
| 58-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | — | ||
| 59-1 | Swan Lake, op. 20: Act I, no. 1. Scène: Allegro giusto | — | ||
| 59-2 | Swan Lake, op. 20: Act I, no. 2. Valse: Tempo di valse | — | ||
| 59-3 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: Intrada. Allegro - Andante - Allegro semplice - Moderato - Allegro | — | ||
| 59-4 | Swan Lake, op. 20: Act II, no. 10. Scène: Moderato | — | ||
| 59-5 | Swan Lake, op. 20: Act II, no. 13. Danses des cygnes: V. Pas d'Action. Andante - Andante non troppo - Allegro | — | ||
| 59-6 | Swan Lake, op. 20: Act II, no. 13. Danses des cygnes: IV. Allegro moderato | — | ||
| 59-7 | Swan Lake, op. 20: Act III, no. 21. Danse espagnole: Allegro non troppo | — | ||
| 59-8 | Swan Lake, op. 20: Act III, no. 20. Danse hongroise: Czárdás. Moderato assai - Allegro moderato - | — | ||
| 59-9 | Swan Lake, op. 20: Act III, no. 20. Danse hongroise: Czárdás. Vivace | — | ||
| 59-10 | Swan Lake, op. 20: Act III, no. 23. Mazurka: Tempo di Mazurka | — | ||
| 59-11 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse ma non troppo vivo - IV. Coda. Allegro molto vivace | — | ||
| 59-12 | Swan Lake, op. 20: Act IV, no. 27. Danse des petits cygnes: Moderato | — | ||
| 59-13 | Swan Lake, op. 20: Act IV, no. 29. Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 60-1 | Don Juan, op. 20 | — | ||
| 60-2 | Tod und Verklärung, op. 24 | — | ||
| 61-1 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-2 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-3 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: III. Allegro assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-4 | Sinfonia for Two Flutes and Strings in D minor, F. 65 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-5 | Concerto for Orchestra in D major: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-6 | Concerto for Orchestra in D major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 61-7 | Concerto for Orchestra in D major: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-1 | Symphony in E-flat major: I. Allegro brillante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-2 | Symphony in E-flat major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-3 | Symphony in E-flat major: III. Scherzo. Vivace assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 62-4 | Symphony in E-flat major: IV. Finale. Allegro maestoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 63-1 | Feuerfest!, op. 269 | — | ||
| 63-2 | Tritsch-Tratsch-Polka, op. 214 | — | ||
| 63-3 | Rosen aus dem Süden, op. 388 | — | ||
| 63-4 | Auf der Jagd, op. 373 | — | ||
| 63-5 | Neue Pizzicato Polka, op. 449 | — | ||
| 63-6 | Unter Donner und Blitz, op. 324 | — | ||
| 63-7 | Explosions-Polka, op. 43 | — | ||
| 63-8 | Wein, Weib und Gesang Walzer, op. 333 | — | ||
| 63-9 | Annen-Polka, op. 117 | — | ||
| 63-10 | Tausend und eine Nacht, op. 346 | — | ||
| 63-11 | Leichtes Blut, op. 319 | — | ||
| 64-1 | Scheherazade, op. 35: I. The Sea and Sindbad's Ship | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 64-2 | Scheherazade, op. 35: II. The Story of the Kalander Prince | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 64-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | T-921.977.698-4 | |
| 64-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - The Shipwreck on a Rock | Anshel Brusilow, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 65-1 | Hark! The Herald Angels Sing | — | ||
| 65-2 | O Little Town of Bethlehem | — | ||
| 65-3 | Joy to the World | — | ||
| 65-4 | O Holy Night | — | ||
| 65-5 | O Come, O Come, Emmanuel | — | ||
| 65-6 | God Rest Ye Merry, Gentlemen | — | ||
| 65-7 | Ave Maria | — | ||
| 65-8 | O Come, All Ye Faithful | — | ||
| 65-9 | The First Nowell | — | ||
| 65-10 | Deck the Halls With Boughs of Holly | — | ||
| 65-11 | O Sanctissima | — | ||
| 65-12 | The Worship of God | — | ||
| 65-13 | O Come, Little Children | — | ||
| 65-14 | Silent Night, Holy Night | — | ||
| 65-15 | The Heavens are Telling | — | ||
| 66-1 | Brigg Fair | — | ||
| 66-2 | A Dance Rhapsody no. 2 | — | ||
| 66-3 | On Hearing the First Cuckoo in Spring | — | ||
| 66-4 | In a Summer Garden | — | ||
| 67-1 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: I. Energico, non troppo allegro | — | ||
| 67-2 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: II. Andante tranquillo | — | ||
| 67-3 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: III. Allegretto e grottesco | — | ||
| 67-4 | Chamber Concerto for Oboe, Clarinet, Bassoon and String Orchestra: IV. Allegro pressando | — | ||
| 67-5 | Symphony no. 2: I. Declamando | — | ||
| 67-6 | Symphony no. 2: II. Allegro scherzando | — | ||
| 67-7 | Symphony no. 2: III. Molto tranquilo | — | ||
| 67-8 | Symphony no. 2: IV. Finale. Tempo primo ma incalzando | — | ||
| 67-9 | Symphony no. 2: V. Coda | — | ||
| 68-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 68-3 | Symphony no. 1. op. 39: III. Scherzo. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-4 | Symphony no. 1 in E minor, op. 39: IV. Finale | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-5 | Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-6 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 68-7 | Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto | Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 69-1 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: I. Andante | — | ||
| 69-2 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: II. Allegro giocoso | — | ||
| 69-3 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: III. Subito andante moderato | — | ||
| 69-4 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: IV. Tempo allegro. Molto agitato | — | ||
| 69-5 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: V. Très calme. Lent | — | ||
| 69-6 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: VI. Tempo de l'allegro initial | — | ||
| 69-7 | Concerto for Organ, Strings and Tympani in G minor, FP. 93: VII. Tempo introduction. Largo | — | ||
| 69-8 | Festliches Präludium, op. 61 | — | ||
| 69-9 | Toccata Festiva, op. 36 | — | ||
| 70-1 | Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro | — | ||
| 70-2 | Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro | — | ||
| 70-3 | Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto | — | ||
| 70-4 | Piano Concerto no. 4, op. 53 (for the Left Hand): 1st Movement. Vivace | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 70-5 | Piano Concerto no. 4, op. 53 (for the Left Hand): 2nd Movement. Andante | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 70-6 | Piano Concerto no. 4, op. 53 (for the Left Hand): 3rd Movement. Moderato | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 70-7 | Piano Concerto no. 4, op. 53 (for the Left Hand): 4th Movement. Vivace | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 71-1 | The Star-Spangled Banner | — | ||
| 71-2 | Pomp and Circumstance, Op. 39: Land of Hope and Glory | — | ||
| 71-3 | Give Me Your Tired, Your Poor | — | ||
| 71-4 | La Marseillaise | — | ||
| 71-5 | "On Great Lone Hills" from Finlandia, op. 26 | — | ||
| 71-6 | Hatikva | — | ||
| 71-7 | The Maple Leaf Forever | — | ||
| 71-8 | America, the Beautiful | — | ||
| 71-9 | This Is My Country | — | ||
| 71-10 | Columbia, the Gem of the Ocean | — | ||
| 71-11 | God Bless America | — | ||
| 71-12 | Washington Post March | — | ||
| 71-13 | Grand Walkaround from Cakewalk | — | ||
| 71-14 | Variations on "America" | — | ||
| 71-15 | 4 Dance Episodes from Rodeo: V. Hoe-Down | — | ||
| 71-16 | The Star-Spangled Banner | — | ||
| 72-1 | Bluebeard's Castle, Sz. 48: Prologue | — | ||
| 72-2 | Bluebeard's Castle, Sz. 48: The First Door: Bluebeards's Torture Chamber | — | ||
| 72-3 | Bluebeard's Castle, Sz. 48: The Second Door: The Armoury | — | ||
| 72-4 | Bluebeard's Castle, Sz. 48: The Third Door: The Treasury | — | ||
| 72-5 | Bluebeard's Castle, Sz. 48: The Fourth Door: The Secret Garden | — | ||
| 72-6 | Bluebeard's Castle, Sz. 48: The Fifth Door: Bluebeard's Kingdom | — | ||
| 72-7 | Bluebeard's Castle, Sz. 48: The Sixth Door: The Lake of Tears | — | ||
| 72-8 | Bluebeard's Castle, Sz. 48: The Seventh Door: Bluebeard's Former Wives | — | ||
| 73-1 | Mass in B minor, BWV 232: Kyrie, no. 1 Chorus: "Kyrie eleison" | — | ||
| 73-2 | Mass in B minor, BWV 232: Kyrie no. 2 Duet: "Christie eleison" | — | ||
| 73-3 | Mass in B minor, BWV 232: Kyrie no. 3 Chorus: "Kyrie eleison" | — | ||
| 73-4 | Mass in B minor, BWV 232: Gloria no. 4 Chorus: "Gloria in excelsis" | — | ||
| 73-5 | Mass in B minor, BWV 232: Gloria no. 5 Chorus: "Et in terra pax" | — | ||
| 73-6 | Mass in B minor, BWV 232: Gloria no. 6 Aria: "Laudamus te" | — | ||
| 73-7 | Mass in B minor, BWV 232: Gloria no. 7 Chorus: "Gratias agimus tibi" | — | ||
| 73-8 | Mass in B minor, BWV 232 : Gloria no. 8 Duet: "Domine Deus" | — | ||
| 73-9 | Mass in B minor, BWV 232: Gloria: no. 9 Chorus: "Qui tollis peccata mundi" | — | ||
| 73-10 | Mass in B minor, BWV 232: Gloria: no. 10 Aria: "Qui sedes ad dextram Patris" | — | ||
| 73-11 | Mass in B minor, BWV 232: Gloria: no. 11 Aria: "Quoniam tu solus Sanctus" | — | ||
| 73-12 | Mass in B minor, BWV 232: Gloria: no. 12 Chorus: "Cum Sancto Spiritu" | — | ||
| 74-1 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 13 Chorus: "Credo in unum Deum" | — | ||
| 74-2 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 14 Chorus: "Credo in unum Deum, Patrem omnium" | — | ||
| 74-3 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 15 Duet: "Et in unum Dominum" | — | ||
| 74-4 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 16 Chorus: "Et incarnatus est" | — | ||
| 74-5 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 17 Chorus: "Crucifixus" | — | ||
| 74-6 | Mass in B minor, BWV 232 : Symbolum Nicenum: no. 18 Chorus: "Et resurrexit" | — | ||
| 74-7 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 19 Aria: "Et in Spiritum Sanctum" | — | ||
| 74-8 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 20 Chorus: "Confiteor unum baptisma" | — | ||
| 74-9 | Mass in B minor, BWV 232: Symbolum Nicenum: no. 21 Chorus: "Et expecto resurrectionem" | — | ||
| 74-10 | Mass in B minor, BWV 232: Sanctus: no. 22 Chorus: "Sanctus" | — | ||
| 74-11 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 23 Chorus: "Osanna in excelsis" | — | ||
| 74-12 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 24 Aria: "Benedictus qui venit" | — | ||
| 74-13 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 25 Chorus: "Osanna in excelsis" | — | ||
| 74-14 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 26 Aria: "Agnus Dei" | — | ||
| 74-15 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei: no. 27 Chorus: "Dona nobis pacem" | — | ||
| 75-1 | Lohengrin, WWV 75: Prelude to Act III | — | ||
| 75-2 | Siegfried, WWV 86C: Waldweben | — | ||
| 75-3 | Die Meistersinger von Nürnberg, WWV 96: Prelude to Act III & Dance of the Apprentices & Entrance of the Meistersingers | — | ||
| 75-4 | Tannhäuser, WWV 70: Overture & Venusberg Music | — | ||
| 75-5 | Siegfried-Idyll, WWV 103 | — | ||
| 76-1 | Symphony no. 4 in C minor, op. 43: I. Allegretto, poco moderato - Presto | — | ||
| 76-2 | Symphony no. 4 in C minor, op. 43: II. Moderato con moto | — | ||
| 76-3 | Symphony no. 4 in C minor, op. 43: III. Largo - Allegro | — | ||
| 77-1 | Façade: Fanfare | — | ||
| 77-2 | Façade: 1. Hornpipe | — | ||
| 77-3 | Façade: 2. En Famille | — | ||
| 77-4 | Façade: 3. Mariner Man | — | ||
| 77-5 | Façade: 4. Long Steel Grass | — | ||
| 77-6 | Façade: 5. Through Gilded Trellises | — | ||
| 77-7 | Façade: 6. Tango-Pasodoble | — | ||
| 77-8 | Façade: 9. Tarantella - 10. A Man from a far Country | — | ||
| 77-9 | Façade: 11. By the Lake | — | ||
| 77-10 | Façade: 12. Country Dance | — | ||
| 77-11 | Façade: 13. Polka | — | ||
| 77-12 | Façade: 16. Valse | — | ||
| 77-13 | Façade: 17. Jodellling Song | — | ||
| 77-14 | Façade: 18. Scotch Rhapsody | — | ||
| 77-15 | Façade: 19. Popular Song - 20. Fox-Trot "Old Sir Faulk" | — | ||
| 77-16 | Façade: 21. Sir Beelzebub | — | ||
| 77-17 | Divertissment : I. Introduction. Allegro vivo | — | ||
| 77-18 | Divertissment : II. Cortège. Moderato molto - Animato subito - Allegro moderato - Animato subito | — | ||
| 77-19 | Divertissment : III. Nocturne. Lento | — | ||
| 77-20 | Divertissment : IV. Valse. Animato assai - Tempo di Valze - Poco più animato - Vivo molto | — | ||
| 77-21 | Divertissment : V. Parade. Tempo di marcia | — | ||
| 77-22 | Divertissment : VI. Finale. Quasi cadenza - Vivo (Tempo di galop) | — | ||
| 77-23 | Escales : I. Rome - Palerme. Calme - Assez animé - Calme | — | ||
| 77-24 | Escales : II. Tunis - Nefta. Modéré, très rythmé | — | ||
| 77-25 | Escales : III. Valencia. Animé - Légèrement moins animé - Modéré - Anime - Un peu plus animé | — | ||
| 78-1 | Bassoon Concerto in B-flat major, K. 191 (186e): I. Allegro | Bernard Garfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-2 | Bassoon Concerto in B-flat major, K. 191 (186e): II. Andante ma adagio | Bernard Garfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-3 | Bassoon Concerto in B-flat major, K. 191 (186e): III. Rondeau. Tempo di menuetto | Bernard Garfield, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-4 | Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso | William Kincaid, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-5 | Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo | William Kincaid, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 78-6 | Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto | William Kincaid, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-1 | Oboe Concerto in C major, K. 314 (285d): I. Allegro aperto | John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-2 | Oboe Concerto in C major, K. 314 (285d): II. Adagio ma non troppo | John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-3 | Oboe Concerto in C major, K. 314 (285d): III. Rondo. Allegretto | John de Lancie, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-4 | Concerto for Clarinet in A major, K. 622: I. Allegro | Anthony Gigliotti, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-5 | Concerto for Clarinet in A major, K. 622: II. Adagio | Anthony Gigliotti, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 79-6 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | Anthony Gigliotti, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 80-1 | Symphony no. 1: I. Legend | — | ||
| 80-2 | Symphony no. 1: II. Aria | — | ||
| 80-3 | Symphony no. 1: III. March | — | ||
| 80-4 | Concerto for Violin and Orchestra: I. Allegro maestoso | — | ||
| 80-5 | Concerto for Violin and Orchestra: II. Andante | — | ||
| 80-6 | Concerto for Violin and Orchestra: III. Allegro | — | ||
| 81-1 | Symphony No. 3 in C minor, Op. 78 "Organ": Ia. Adagio | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-001.439.586-8 | |
| 81-2 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | T-926.158.921-3 | |
| 81-3 | Symphony No. 3 in C minor, Op. 78 "Organ": Ic. Poco adagio | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-923.676.859-5 | |
| 81-4 | Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | — | |
| 81-5 | Symphony No. 3 in C minor, Op. 78 "Organ": IIb. Presto | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-802.189.622-1 | |
| 81-6 | Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | — | |
| 81-7 | Symphony No. 3 in C minor, Op. 78 "Organ": IId. Allegro | The Philadelphia Orchestra, Eugene Ormandy, E. Power Biggs | T-913.521.687-4 | |
| 81-8 | The Carnival of the Animals, R.125: 1. Introduction and the Lion's Royal March | — | ||
| 81-9 | The Carnival of the Animals, R.125: 2. Hens and Roosters | — | ||
| 81-10 | The Carnival of the Animals, R.125: 3. Jackasses (Wild Animals) | — | ||
| 81-11 | The Carnival of the Animals, R.125: 4. Tortoises | — | ||
| 81-12 | The Carnival of the Animals, R.125: 5. The Elephant | — | ||
| 81-13 | The Carnival of the Animals, R.125: 6. Kangaroos | — | ||
| 81-14 | The Carnival of the Animals, R.125: 7. Aquarium | — | ||
| 81-15 | The Carnival of the Animals, R.125: 8. Characters with Long Ears | — | ||
| 81-16 | The Carnival of the Animals, R.125: 9. The Cuckoo in the Deep Woods | — | ||
| 81-17 | The Carnival of the Animals, R.125: 10. Aviary | — | ||
| 81-18 | The Carnival of the Animals, R.125: 11. Pianists | — | ||
| 81-19 | The Carnival of the Animals, R.125: 12. Fossils | — | ||
| 81-20 | The Carnival of the Animals, R.125: 13. The Swan | — | ||
| 81-21 | The Carnival of the Animals, R.125: 14. Finale | — | ||
| 82-1 | The Stars and Stripes Forever | — | ||
| 82-2 | Coronation March from “Le Prophète” | — | ||
| 82-3 | Turkish March from “The Ruins of Athens” | — | ||
| 82-4 | Funeral March of a Marionette | — | ||
| 82-5 | American Salute (“When Johnny Comes Marching Home”) | — | ||
| 82-6 | Grand March from “Aida” | — | ||
| 82-7 | March of the Toreadors from “Carmen” | — | ||
| 82-8 | March of the Toys from “Babes in Toyland” | — | ||
| 82-9 | Marche militaire no. 1 in D major, D. 733/1 | — | ||
| 82-10 | March from “The Love for Three Oranges”, op. 33 | — | ||
| 82-11 | Radetzky March, op. 228 | — | ||
| 82-12 | Meadowlands from Symphony no. 4, op. 41 | — | ||
| 82-13 | Pomp and Circumstance, op. 39: March no. 1 in D major | — | ||
| 83-1 | A German Requiem, op. 45: I. Blessed are they that mourn | — | ||
| 83-2 | A German Requiem, op. 45: II. Behold, all flesh is as the grass | — | ||
| 83-3 | A German Requiem, op. 45: III. Lord, make me to know | — | ||
| 83-4 | A German Requiem, op. 45: IV. How lovely are thy dwellings | — | ||
| 83-5 | A German Requiem, op. 45: V. Ye now are sorrowful | — | ||
| 83-6 | A German Requiem, op. 45: VI. Here on earth have we no lasting place | — | ||
| 83-7 | A German Requiem, op. 45: VII. Blessed are the dead | — | ||
| 84-1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | — | ||
| 84-2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 84-3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | — | ||
| 85-1 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : I. Allegro | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 85-2 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : II. Adagio | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 85-3 | Concerto for 3 Pianos and Orchestra in F Major, K. 242: III. Rondo - Tempo di Menuetto | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 85-4 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: I. [without tempo indication] | — | ||
| 85-5 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 85-6 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: III. Allegro | — | ||
| 85-7 | Concerto in F Major, BWV 971 “Italian”: I. Allegro | — | ||
| 85-8 | Concerto in F Major, BWV 971 “Italian”: II. Andante | — | ||
| 85-9 | Concerto in F Major, BWV 971 “Italian”: III. Presto | — | ||
| 86-1 | Les Sylphides : I. Prelude in A major, op. 28/7 | — | ||
| 86-2 | Les Sylphides : II. Nocturne in A‐flat major, op. 32/2 | — | ||
| 86-3 | Les Sylphides : III. Waltz in G‐flat major, op. 70/1 | — | ||
| 86-4 | Les Sylphides : IV. Prélude in A major, op. 28/7 | — | ||
| 86-5 | Les Sylphides : V. Mazurka in D major, op. 33/2 | — | ||
| 86-6 | Les Sylphides : VI. Mazurka in C major, op. 67/3 | — | ||
| 86-7 | Les Sylphides : VII. Waltz in C‐sharp minor, Op. 64/2 | — | ||
| 86-8 | Les Sylphides : VIII. Grande Valse Brillante in E‐flat major, op. 18/1 | — | ||
| 86-9 | Sylvia Ballet Suite : 1. Prélude et Les Chasseresses | — | ||
| 86-10 | Sylvia Ballet Suite : 2. Intermezzo et Valse lente | — | ||
| 86-11 | Sylvia Ballet Suite : 3. Pizzicati | — | ||
| 86-12 | Sylvia Ballet Suite : 4. Cortège de Bacchus | — | ||
| 86-13 | Coppélia Ballet Suite : Prélude et Mazurka | — | ||
| 86-14 | Coppélia Ballet Suite : Scène et Valse de la poupée | — | ||
| 86-15 | Coppélia Ballet Suite : Thème slave varié: Var. I‐IV | — | ||
| 86-16 | Coppélia Ballet Suite : Csárdás | — | ||
| 86-17 | Nocturne in E‐flat major, op. 9/2 | — | ||
| 87-1 | Don Quixote, op. 35: Introduction | — | ||
| 87-2 | Don Quixote, op. 35: Theme. The Knight of the Rueful Countenance | — | ||
| 87-3 | Don Quixote, op. 35: Variation I. The Adventure of the Windmills | — | ||
| 87-4 | Don Quixote, op. 35: Variation II. The Battle With the Sheep | — | ||
| 87-5 | Don Quixote, op. 35: Variation III. Dialogue of Knights and Squire | — | ||
| 87-6 | Don Quixote, op. 35: Variation IV. The Adventure With the Procession of Penitents | — | ||
| 87-7 | Don Quixote, op. 35: Variation V. Don Quixote’s Vigil | — | ||
| 87-8 | Don Quixote, op. 35: Variation VI. Dulcinea’s Enchantment | — | ||
| 87-9 | Don Quixote, op. 35: Variation VII. The Ride Through the Air | — | ||
| 87-10 | Don Quixote, op. 35: Variation VIII. The Adventure of the Enchanted Boat | — | ||
| 87-11 | Don Quixote, op. 35: Variation IX. The Contest with the Enchanters | — | ||
| 87-12 | Don Quixote, op. 35: Variation X. Joust with the Knight of the White Moon – The Defeated Don Quixote’s Journey Home | — | ||
| 87-13 | Don Quixote, op. 35: Epilogue. Don Quixote’s Death | — | ||
| 87-14 | Schelomo – Hebraic Rhapsody for Cello & Orchestra | — | ||
| 88-1 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1 : I. Vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-2 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: II. Andante | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | T-802.445.410-3 | |
| 88-3 | Concerto for Piano and Orchestra no. 1 in F sharp minor, op. 1: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-4 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: I. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-5 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: II. Largo - attacca subito | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 88-6 | Concerto for Piano and Orchestra no. 4 in G minor, op. 40: III. Allegro vivace | Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy | — |
