UPC · Release
Emanuel Ax
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886447206447 is the Universal Product Code (UPC barcode) for the release “The Complete RCA Album Collection” by Emanuel Ax, released 2018-08-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 198 tracks, each with its own ISRC. Tracks include USBC10400141, USBC10400142, USBC10400143.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | — | ||
| 2 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | — | ||
| 3 | Piano Sonata No. 3, Op. 58: III. Largo | — | ||
| 4 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto, non tanto | — | ||
| 5 | Das Wandern | — | ||
| 6 | Der Müller und der Bach | — | ||
| 7 | Liebesbotschaft | — | ||
| 8 | Hark, Hark, the Lark | — | ||
| 9 | Gnomenreigen | — | ||
| 10 | Etude in A Minor after Paganini | — | ||
| 2-1 | Grande Polonaise brillante précédée d'un Andante spianato for Piano and Orchestra, Op. 22 | — | ||
| 2-2 | Nocturne in B Major, Op. 62, No. 1 | — | ||
| 2-3 | Scherzo No. 4 in E Major, Op. 54 | — | ||
| 2-4 | Polonaise-Fantaisie in A-Flat Major, Op. 61 | — | ||
| 3-1 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 3-2 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": II. Introduzione: Adagio molto | — | ||
| 3-3 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": III. Rondo: Allegretto Moderato; Prestissimo | — | ||
| 3-4 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace - Tema | — | ||
| 3-5 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 1 | — | ||
| 3-6 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 2 | — | ||
| 3-7 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 3 | — | ||
| 3-8 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 4 | — | ||
| 3-9 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 5 | — | ||
| 3-10 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 6 | — | ||
| 3-11 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 7 | — | ||
| 3-12 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 8 | — | ||
| 3-13 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 9 | — | ||
| 3-14 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 10 | — | ||
| 3-15 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 11 | — | ||
| 3-16 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 12 | — | ||
| 3-17 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 13 | — | ||
| 3-18 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 14 | — | ||
| 3-19 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 15 | — | ||
| 3-20 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Finale. Alla Fuga: Allegro Con Brio | — | ||
| 4-1 | Piano Quintet in A Major, Op. 81: I. Allegro ma non tanto | — | ||
| 4-2 | Piano Quintet in A Major, Op. 81: II. Dumka: Andante con moto | — | ||
| 4-3 | Piano Quintet in A Major, Op. 81: III. Scherzo - Furiant: Molto vivace | — | ||
| 4-4 | Piano Quintet in A Major, Op. 81: IV. Finale: Allegro | — | ||
| 5-1 | Gaspard de la Nuit, M. 55: 1. Ondine | — | ||
| 5-2 | Gaspard de la Nuit, M. 55: 2. Le Gibet | — | ||
| 5-3 | Gaspard de la Nuit, M. 55: 3. Scarbo | — | ||
| 5-4 | Valses nobles et sentimentales, M. 61: Modéré, très franc | — | ||
| 5-5 | Valses nobles et sentimentales, M. 61: Assez lent, avec une expression intense | — | ||
| 5-6 | Valses nobles et sentimentales, M. 61: Modéré | — | ||
| 5-7 | Valses nobles et sentimentales, M. 61: Assez animé | — | ||
| 5-8 | Valses nobles et sentimentales, M. 61: Presque lent, dans un semtiment intime | — | ||
| 5-9 | Valses nobles et sentimentales, M. 61: Vif | — | ||
| 5-10 | Valses nobles et sentimentales, M. 61: Moins vif | — | ||
| 5-11 | Valses nobles et sentimentales, M. 61: Épilogue. Lent | — | ||
| 5-12 | Ma mère l'oye: I. Pavane de la Belle au bois dormant. Lent | — | ||
| 5-13 | Ma mère l'oye: II. Petit Poucet. Très modéré | — | ||
| 5-14 | Ma mère l'oye: III. Laideronnette, Impératrice des pagodes. Mouvement de marche | — | ||
| 5-15 | Ma mère l'oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modéré | — | ||
| 5-16 | Ma mère l'oye: V. Le Jardin féerique. Lent et grave | — | ||
| 6-1 | Piano Concerto No. 2 in F Minor: I. Maestoso | — | ||
| 6-2 | Piano Concerto No. 2 in F Minor: II. Larghetto | — | ||
| 6-3 | Piano Concerto No. 2 in F Minor: III. Allegro vivace | — | ||
| 6-4 | Étude in F Minor | — | ||
| 6-5 | Étude in D-Flat | — | ||
| 6-6 | Étude in A-Flat | — | ||
| 6-7 | Scherzo No. 2 in B-Flat Minor, Op. 31 | — | ||
| 7-1 | Piano Concerto No. 20, KV 466: I. Allegro | — | ||
| 7-2 | Piano Concerto No. 20, KV 466: II. Romance | — | ||
| 7-3 | Piano Concerto No. 20, KV 466: III. Rondo: Allegro Assai | — | ||
| 7-4 | Piano Concerto No. 22 in E-Flat, K.482: I. Allegro | — | ||
| 7-5 | Piano Concerto No. 22 in E-Flat, K.482: II. Andante | — | ||
| 7-6 | Piano Concerto No. 22 in E-Flat, K.482: III. Allegro | — | ||
| 8-1 | Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 8-2 | Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto (attaca) | — | ||
| 8-3 | Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-4 | Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": I. Adagio; Allegro (Les adieux) | — | ||
| 8-5 | Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Andante expressivo (L'absence) | — | ||
| 8-6 | Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": III. Vivacissimamente (Le retour) | — | ||
| 8-7 | Polonaise in C, Op. 89 | — | ||
| 9-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 9-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | — | ||
| 9-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | — | ||
| 10-1 | Humoreske, Op. 20: I. Einfach; Sehr rasch und leicht | — | ||
| 10-2 | Humoreske, Op. 20: II. Hastig | — | ||
| 10-3 | Humoreske, Op. 20: III. Einfach und zart; Intermezzo | — | ||
| 10-4 | Humoreske, Op. 20: IV. Innig | — | ||
| 10-5 | Humoreske, Op. 20: V. Sehr lebhaft; Mit einigem Pomp | — | ||
| 10-6 | Humoreske, Op. 20: VI. Zum Beschluss | — | ||
| 10-7 | Fantasiestücke, Op. 12: I. Des Abends | — | ||
| 10-8 | Fantasiestücke, Op. 12: II. Aufschwung | — | ||
| 10-9 | Fantasiestücke, Op. 12: III. Warum? | — | ||
| 10-10 | Fantasiestücke, Op. 12: IV. Grillen | — | ||
| 10-11 | Fantasiestücke, Op. 12: V. In der Nacht | — | ||
| 10-12 | Fantasiestücke, Op. 12: VI. Fabel | — | ||
| 10-13 | Fantasiestücke, Op. 12: VII. Traumes-Wirren | — | ||
| 10-14 | Fantasiestücke, Op. 12: VIII. Ende vom Lied | — | ||
| 11-1 | Piano Concerto No. 17 in G, K.543: I. Allegro | — | ||
| 11-2 | Piano Concerto No. 17 in G, K.543: II. Andante | — | ||
| 11-3 | Piano Concerto No. 17 in G, K.543: III. Allegretto - Presto | — | ||
| 11-4 | Piano concerto No. 18 in B-Flat, K.456: I. Allegro vivace | — | ||
| 11-5 | Piano concerto No. 18 in B-Flat, K.456: II. Andante un poco sostenuto | — | ||
| 11-6 | Piano concerto No. 18 in B-Flat, K.456: III. Allegro vivace | — | ||
| 12-1 | Grand Duo Concertant for Piano and Clarinet in E-Flat Major, J.204, Op. 48: I. Allegro con fuoco | — | ||
| 12-2 | Grand Duo Concertant for Piano and Clarinet in E-Flat Major, J.204, Op. 48: II. Andante con moto | — | ||
| 12-3 | Grand Duo Concertant for Piano and Clarinet in E-Flat Major, J.204, Op. 48: III. Rondo - Allegretto | — | ||
| 12-4 | Sonata for Arpeggione and Piano in A Minor, D. 821: I. Allegro moderato | — | ||
| 12-5 | Sonata for Arpeggione and Piano in A Minor, D. 821: II. Adagio | — | ||
| 12-6 | Sonata for Arpeggione and Piano in A Minor, D. 821: III. Allegretto | — | ||
| 13-1 | Piano Quintet in F Minor, Op. 34: I. Allegro non troppo | — | ||
| 13-2 | Piano Quintet in F Minor, Op. 34: II. Andante, un poco adagio | — | ||
| 13-3 | Piano Quintet in F Minor, Op. 34: III. Scherzo: Allegro | — | ||
| 13-4 | Piano Quintet in F Minor, Op. 34: IV. Finale: Poco sostenuto; Allegro non troppo; Presto non troppo | — | ||
| 14-1 | Piano Concerto No. 1 in D minor, Op. 15: I. Maestoso | — | ||
| 14-2 | Piano Concerto No. 1 in D minor, Op. 15: II. Adagio | — | ||
| 14-3 | Piano Concerto No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo | — | ||
| 15-1 | Quintet in A, D.667 "Trout": I. Allegro vivace | — | ||
| 15-2 | Quintet in A, D.667 "Trout": II. Andante | — | ||
| 15-3 | Quintet in A, D.667 "Trout": III. Scherzo | — | ||
| 15-4 | Quintet in A, D.667 "Trout": IV. Tema con variazioni | — | ||
| 15-5 | Quintet in A, D.667 "Trout": V. Finale. Allegro giusto | — | ||
| 15-6 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 15-7 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 15-8 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto | — | ||
| 15-9 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 16-1 | Schwanengesang, D. 957: I. Liebesbotschaft. Ziemlich langsam | — | ||
| 16-2 | Schwanengesang, D. 957: II. Kriegers Ahnung. Nicht zu langsam | — | ||
| 16-3 | Schwanengesang, D. 957: III. Frühlingssehnsucht. Geschwind | — | ||
| 16-4 | Schwanengesang, D. 957: IV. Ständchen. Mässig | — | ||
| 16-5 | Schwanengesang, D. 957: V. Aufenthalt. Nicht zu geschwind, doch kräftig | — | ||
| 16-6 | Schwanengesang, D. 957: VI. In der Ferne. Ziemlich langsam | — | ||
| 16-7 | Schwanengesang, D. 957: VII. Abschied. Mässig geschwind | — | ||
| 16-8 | Schwanengesang, D. 957: VIII. Der Atlas. Etwas geschwind | — | ||
| 16-9 | Schwanengesang, D. 957: IX. Ihr Bild. Langsam | — | ||
| 16-10 | Schwanengesang, D. 957: X. Das Fischermädchen. Etwas geschwind | — | ||
| 16-11 | Schwanengesang, D. 957: XI. Die Stadt. Mässig geschwind | — | ||
| 16-12 | Schwanengesang, D. 957: XII. Am Meer. Sehr langsam | — | ||
| 16-13 | Schwanengesang, D. 957: XIII. Der Doppelgänger. Sehr langsam | — | ||
| 16-14 | Schwanengesang, D. 957: XIV. Die Taubenpost. Ziemlich langsam | — | ||
| 17-1 | Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 17-2 | Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto - Trio | Yo-Yo Ma, Emanuel Ax | — | |
| 17-3 | Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 17-4 | Sonata for Piano and Cello no. 2 in F major, op. 99: I. Allegro vivace | Yo-Yo Ma, Emanuel Ax | T-031.524.212-6 | |
| 17-5 | Sonata for Piano and Cello no. 2 in F major, op. 99: II. Adagio affettuoso | Yo-Yo Ma, Emanuel Ax | — | |
| 17-6 | Sonata for Piano and Cello no. 2 in F major, op. 99: III. Allegro passionato [-Trio] | Yo-Yo Ma, Emanuel Ax | — | |
| 17-7 | Sonata for Piano and Cello no. 2 in F major, op. 99: IV. Allegro molto | Yo-Yo Ma, Emanuel Ax | — | |
| 18-1 | The Ballades: no. 1 in G minor, op. 23 | — | ||
| 18-2 | The Ballades: no. 2 in F, op. 38 | — | ||
| 18-3 | The Ballades: no. 3 in A-flat, op. 47 | — | ||
| 18-4 | The Ballades: no. 4 in F minor, op. 52 | — | ||
| 18-5 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Grave; Doppio movimento | — | ||
| 18-6 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Scherzo | — | ||
| 18-7 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Marche funèbre | — | ||
| 18-8 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Presto | — | ||
| 19-1 | Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 19-2 | Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 19-3 | Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro | — | ||
| 19-4 | Choral Fantasia in C minor, op. 80: I. Adagio | — | ||
| 19-5 | Choral Fantasia in C minor, op. 80: II. Allegro | — | ||
| 19-6 | Choral Fantasia in C minor, op. 80: III. Meno allegro | — | ||
| 19-7 | Choral Fantasia in C minor, op. 80: IV. Adagio ma non troppo | — | ||
| 19-8 | Choral Fantasia in C minor, op. 80: V. Marcia, assai vivace | — | ||
| 19-9 | Choral Fantasia in C minor, op. 80: VI. Allegretto ma non troppo | — | ||
| 19-10 | Choral Fantasia in C minor, op. 80: VII. Presto | — | ||
| 20-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 20-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 20-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 20-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 20-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 20-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 21-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 21-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 21-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 21-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 21-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 21-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 22-1 | Piano Quartet in E-Flat, Op. 47: I. Sostenuto assai; Allegro ma non troppo | — | ||
| 22-2 | Piano Quartet in E-Flat, Op. 47: II. Scherzo; Molto vivace | — | ||
| 22-3 | Piano Quartet in E-Flat, Op. 47: III. Andante cantabile | — | ||
| 22-4 | Piano Quartet in E-Flat, Op. 47: IV. Final; Vivace | — | ||
| 22-5 | Piano Quintet in E-Flat, Op. 44: I. Allegro brillante | — | ||
| 22-6 | Piano Quintet in E-Flat, Op. 44: II. In modo d'una marcia. Un poco largamento | — | ||
| 22-7 | Piano Quintet in E-Flat, Op. 44: III. Scherzo. Molto vivace | — | ||
| 22-8 | Piano Quintet in E-Flat, Op. 44: IV. Allegro ma non troppo | — | ||
| 23-1 | Die Schöne Müllerin, Op. 25, D. 795: 1. Das Wandern | — | ||
| 23-2 | Die Schöne Müllerin, Op. 25, D. 795: 2. Wohin? | — | ||
| 23-3 | Die Schöne Müllerin, Op. 25, D. 795: 3. Halt! | — | ||
| 23-4 | Die Schöne Müllerin, Op. 25, D. 795: 4. Danksagung an den Bach | — | ||
| 23-5 | Die Schöne Müllerin, Op. 25, D. 795: 5. Am Feierabend | — | ||
| 23-6 | Die Schöne Müllerin, Op. 25, D. 795: 6. Der Neugierige | — | ||
| 23-7 | Die Schöne Müllerin, Op. 25, D. 795: 7. Ungeduld | — | ||
| 23-8 | Die Schöne Müllerin, Op. 25, D. 795: 8. Morgengruß | — | ||
| 23-9 | Die Schöne Müllerin, Op. 25, D. 795: 9. Des Müllers Blumen | — | ||
| 23-10 | Die Schöne Müllerin, Op. 25, D. 795: 10. Tränenregen | — | ||
| 23-11 | Die Schöne Müllerin, Op. 25, D. 795: 11. Mein! | — | ||
| 23-12 | Die Schöne Müllerin, Op. 25, D. 795: 12. Pause | — | ||
| 23-13 | Die Schöne Müllerin, Op. 25, D. 795: 13. Mit dem grünen Lautenbande | — | ||
| 23-14 | Die Schöne Müllerin, Op. 25, D. 795: 14. Der Jäger | — | ||
| 23-15 | Die Schöne Müllerin, Op. 25, D. 795: 15. Eifersucht und Stolz | — | ||
| 23-16 | Die Schöne Müllerin, Op. 25, D. 795: 16. Die liebe Farbe | — | ||
| 23-17 | Die Schöne Müllerin, Op. 25, D. 795: 17. Die böse Farbe | — | ||
| 23-18 | Die Schöne Müllerin, Op. 25, D. 795: 18. Trockne Blumen | — | ||
| 23-19 | Die Schöne Müllerin, Op. 25, D. 795: 19. Der Müller und der Bach | — | ||
| 23-20 | Die Schöne Müllerin, Op. 25, D. 795: 20. Des Baches Wiegenlied | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886447206447 is a Universal Product Code (UPC) assigned to The Complete RCA Album Collection by Emanuel Ax. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 198 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886447206447 is the Universal Product Code (UPC barcode) for the release “The Complete RCA Album Collection” by Emanuel Ax, released 2018-08-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 198 tracks, each with its own ISRC. Tracks include USBC10400141, USBC10400142, USBC10400143.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | — | ||
| 2 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | — | ||
| 3 | Piano Sonata No. 3, Op. 58: III. Largo | — | ||
| 4 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto, non tanto | — | ||
| 5 | Das Wandern | — | ||
| 6 | Der Müller und der Bach | — | ||
| 7 | Liebesbotschaft | — | ||
| 8 | Hark, Hark, the Lark | — | ||
| 9 | Gnomenreigen | — | ||
| 10 | Etude in A Minor after Paganini | — | ||
| 2-1 | Grande Polonaise brillante précédée d'un Andante spianato for Piano and Orchestra, Op. 22 | — | ||
| 2-2 | Nocturne in B Major, Op. 62, No. 1 | — | ||
| 2-3 | Scherzo No. 4 in E Major, Op. 54 | — | ||
| 2-4 | Polonaise-Fantaisie in A-Flat Major, Op. 61 | — | ||
| 3-1 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 3-2 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": II. Introduzione: Adagio molto | — | ||
| 3-3 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": III. Rondo: Allegretto Moderato; Prestissimo | — | ||
| 3-4 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace - Tema | — | ||
| 3-5 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 1 | — | ||
| 3-6 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 2 | — | ||
| 3-7 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 3 | — | ||
| 3-8 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 4 | — | ||
| 3-9 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 5 | — | ||
| 3-10 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 6 | — | ||
| 3-11 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 7 | — | ||
| 3-12 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 8 | — | ||
| 3-13 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 9 | — | ||
| 3-14 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 10 | — | ||
| 3-15 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 11 | — | ||
| 3-16 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 12 | — | ||
| 3-17 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 13 | — | ||
| 3-18 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 14 | — | ||
| 3-19 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Variation 15 | — | ||
| 3-20 | Variations and Fugue for Piano in E-flat Major, Op. 35 "Eroica Variations": Finale. Alla Fuga: Allegro Con Brio | — | ||
| 4-1 | Piano Quintet in A Major, Op. 81: I. Allegro ma non tanto | — | ||
| 4-2 | Piano Quintet in A Major, Op. 81: II. Dumka: Andante con moto | — | ||
| 4-3 | Piano Quintet in A Major, Op. 81: III. Scherzo - Furiant: Molto vivace | — | ||
| 4-4 | Piano Quintet in A Major, Op. 81: IV. Finale: Allegro | — | ||
| 5-1 | Gaspard de la Nuit, M. 55: 1. Ondine | — | ||
| 5-2 | Gaspard de la Nuit, M. 55: 2. Le Gibet | — | ||
| 5-3 | Gaspard de la Nuit, M. 55: 3. Scarbo | — | ||
| 5-4 | Valses nobles et sentimentales, M. 61: Modéré, très franc | — | ||
| 5-5 | Valses nobles et sentimentales, M. 61: Assez lent, avec une expression intense | — | ||
| 5-6 | Valses nobles et sentimentales, M. 61: Modéré | — | ||
| 5-7 | Valses nobles et sentimentales, M. 61: Assez animé | — | ||
| 5-8 | Valses nobles et sentimentales, M. 61: Presque lent, dans un semtiment intime | — | ||
| 5-9 | Valses nobles et sentimentales, M. 61: Vif | — | ||
| 5-10 | Valses nobles et sentimentales, M. 61: Moins vif | — | ||
| 5-11 | Valses nobles et sentimentales, M. 61: Épilogue. Lent | — | ||
| 5-12 | Ma mère l'oye: I. Pavane de la Belle au bois dormant. Lent | — | ||
| 5-13 | Ma mère l'oye: II. Petit Poucet. Très modéré | — | ||
| 5-14 | Ma mère l'oye: III. Laideronnette, Impératrice des pagodes. Mouvement de marche | — | ||
| 5-15 | Ma mère l'oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modéré | — | ||
| 5-16 | Ma mère l'oye: V. Le Jardin féerique. Lent et grave | — | ||
| 6-1 | Piano Concerto No. 2 in F Minor: I. Maestoso | — | ||
| 6-2 | Piano Concerto No. 2 in F Minor: II. Larghetto | — | ||
| 6-3 | Piano Concerto No. 2 in F Minor: III. Allegro vivace | — | ||
| 6-4 | Étude in F Minor | — | ||
| 6-5 | Étude in D-Flat | — | ||
| 6-6 | Étude in A-Flat | — | ||
| 6-7 | Scherzo No. 2 in B-Flat Minor, Op. 31 | — | ||
| 7-1 | Piano Concerto No. 20, KV 466: I. Allegro | — | ||
| 7-2 | Piano Concerto No. 20, KV 466: II. Romance | — | ||
| 7-3 | Piano Concerto No. 20, KV 466: III. Rondo: Allegro Assai | — | ||
| 7-4 | Piano Concerto No. 22 in E-Flat, K.482: I. Allegro | — | ||
| 7-5 | Piano Concerto No. 22 in E-Flat, K.482: II. Andante | — | ||
| 7-6 | Piano Concerto No. 22 in E-Flat, K.482: III. Allegro | — | ||
| 8-1 | Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 8-2 | Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto (attaca) | — | ||
| 8-3 | Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 8-4 | Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": I. Adagio; Allegro (Les adieux) | — | ||
| 8-5 | Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Andante expressivo (L'absence) | — | ||
| 8-6 | Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": III. Vivacissimamente (Le retour) | — | ||
| 8-7 | Polonaise in C, Op. 89 | — | ||
| 9-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 9-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | — | ||
| 9-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | — | ||
| 10-1 | Humoreske, Op. 20: I. Einfach; Sehr rasch und leicht | — | ||
| 10-2 | Humoreske, Op. 20: II. Hastig | — | ||
| 10-3 | Humoreske, Op. 20: III. Einfach und zart; Intermezzo | — | ||
| 10-4 | Humoreske, Op. 20: IV. Innig | — | ||
| 10-5 | Humoreske, Op. 20: V. Sehr lebhaft; Mit einigem Pomp | — | ||
| 10-6 | Humoreske, Op. 20: VI. Zum Beschluss | — | ||
| 10-7 | Fantasiestücke, Op. 12: I. Des Abends | — | ||
| 10-8 | Fantasiestücke, Op. 12: II. Aufschwung | — | ||
| 10-9 | Fantasiestücke, Op. 12: III. Warum? | — | ||
| 10-10 | Fantasiestücke, Op. 12: IV. Grillen | — | ||
| 10-11 | Fantasiestücke, Op. 12: V. In der Nacht | — | ||
| 10-12 | Fantasiestücke, Op. 12: VI. Fabel | — | ||
| 10-13 | Fantasiestücke, Op. 12: VII. Traumes-Wirren | — | ||
| 10-14 | Fantasiestücke, Op. 12: VIII. Ende vom Lied | — | ||
| 11-1 | Piano Concerto No. 17 in G, K.543: I. Allegro | — | ||
| 11-2 | Piano Concerto No. 17 in G, K.543: II. Andante | — | ||
| 11-3 | Piano Concerto No. 17 in G, K.543: III. Allegretto - Presto | — | ||
| 11-4 | Piano concerto No. 18 in B-Flat, K.456: I. Allegro vivace | — | ||
| 11-5 | Piano concerto No. 18 in B-Flat, K.456: II. Andante un poco sostenuto | — | ||
| 11-6 | Piano concerto No. 18 in B-Flat, K.456: III. Allegro vivace | — | ||
| 12-1 | Grand Duo Concertant for Piano and Clarinet in E-Flat Major, J.204, Op. 48: I. Allegro con fuoco | — | ||
| 12-2 | Grand Duo Concertant for Piano and Clarinet in E-Flat Major, J.204, Op. 48: II. Andante con moto | — | ||
| 12-3 | Grand Duo Concertant for Piano and Clarinet in E-Flat Major, J.204, Op. 48: III. Rondo - Allegretto | — | ||
| 12-4 | Sonata for Arpeggione and Piano in A Minor, D. 821: I. Allegro moderato | — | ||
| 12-5 | Sonata for Arpeggione and Piano in A Minor, D. 821: II. Adagio | — | ||
| 12-6 | Sonata for Arpeggione and Piano in A Minor, D. 821: III. Allegretto | — | ||
| 13-1 | Piano Quintet in F Minor, Op. 34: I. Allegro non troppo | — | ||
| 13-2 | Piano Quintet in F Minor, Op. 34: II. Andante, un poco adagio | — | ||
| 13-3 | Piano Quintet in F Minor, Op. 34: III. Scherzo: Allegro | — | ||
| 13-4 | Piano Quintet in F Minor, Op. 34: IV. Finale: Poco sostenuto; Allegro non troppo; Presto non troppo | — | ||
| 14-1 | Piano Concerto No. 1 in D minor, Op. 15: I. Maestoso | — | ||
| 14-2 | Piano Concerto No. 1 in D minor, Op. 15: II. Adagio | — | ||
| 14-3 | Piano Concerto No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo | — | ||
| 15-1 | Quintet in A, D.667 "Trout": I. Allegro vivace | — | ||
| 15-2 | Quintet in A, D.667 "Trout": II. Andante | — | ||
| 15-3 | Quintet in A, D.667 "Trout": III. Scherzo | — | ||
| 15-4 | Quintet in A, D.667 "Trout": IV. Tema con variazioni | — | ||
| 15-5 | Quintet in A, D.667 "Trout": V. Finale. Allegro giusto | — | ||
| 15-6 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 15-7 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 15-8 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto | — | ||
| 15-9 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 16-1 | Schwanengesang, D. 957: I. Liebesbotschaft. Ziemlich langsam | — | ||
| 16-2 | Schwanengesang, D. 957: II. Kriegers Ahnung. Nicht zu langsam | — | ||
| 16-3 | Schwanengesang, D. 957: III. Frühlingssehnsucht. Geschwind | — | ||
| 16-4 | Schwanengesang, D. 957: IV. Ständchen. Mässig | — | ||
| 16-5 | Schwanengesang, D. 957: V. Aufenthalt. Nicht zu geschwind, doch kräftig | — | ||
| 16-6 | Schwanengesang, D. 957: VI. In der Ferne. Ziemlich langsam | — | ||
| 16-7 | Schwanengesang, D. 957: VII. Abschied. Mässig geschwind | — | ||
| 16-8 | Schwanengesang, D. 957: VIII. Der Atlas. Etwas geschwind | — | ||
| 16-9 | Schwanengesang, D. 957: IX. Ihr Bild. Langsam | — | ||
| 16-10 | Schwanengesang, D. 957: X. Das Fischermädchen. Etwas geschwind | — | ||
| 16-11 | Schwanengesang, D. 957: XI. Die Stadt. Mässig geschwind | — | ||
| 16-12 | Schwanengesang, D. 957: XII. Am Meer. Sehr langsam | — | ||
| 16-13 | Schwanengesang, D. 957: XIII. Der Doppelgänger. Sehr langsam | — | ||
| 16-14 | Schwanengesang, D. 957: XIV. Die Taubenpost. Ziemlich langsam | — | ||
| 17-1 | Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo | Yo-Yo Ma, Emanuel Ax | — | |
| 17-2 | Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto - Trio | Yo-Yo Ma, Emanuel Ax | — | |
| 17-3 | Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro | Yo-Yo Ma, Emanuel Ax | — | |
| 17-4 | Sonata for Piano and Cello no. 2 in F major, op. 99: I. Allegro vivace | Yo-Yo Ma, Emanuel Ax | T-031.524.212-6 | |
| 17-5 | Sonata for Piano and Cello no. 2 in F major, op. 99: II. Adagio affettuoso | Yo-Yo Ma, Emanuel Ax | — | |
| 17-6 | Sonata for Piano and Cello no. 2 in F major, op. 99: III. Allegro passionato [-Trio] | Yo-Yo Ma, Emanuel Ax | — | |
| 17-7 | Sonata for Piano and Cello no. 2 in F major, op. 99: IV. Allegro molto | Yo-Yo Ma, Emanuel Ax | — | |
| 18-1 | The Ballades: no. 1 in G minor, op. 23 | — | ||
| 18-2 | The Ballades: no. 2 in F, op. 38 | — | ||
| 18-3 | The Ballades: no. 3 in A-flat, op. 47 | — | ||
| 18-4 | The Ballades: no. 4 in F minor, op. 52 | — | ||
| 18-5 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Grave; Doppio movimento | — | ||
| 18-6 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Scherzo | — | ||
| 18-7 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Marche funèbre | — | ||
| 18-8 | Sonata no. 2 in B-flat minor, op. 35 ("Funeral March"): Presto | — | ||
| 19-1 | Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 19-2 | Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 19-3 | Concerto no. 5 in E-flat major, op. 73: III. Rondo: Allegro | — | ||
| 19-4 | Choral Fantasia in C minor, op. 80: I. Adagio | — | ||
| 19-5 | Choral Fantasia in C minor, op. 80: II. Allegro | — | ||
| 19-6 | Choral Fantasia in C minor, op. 80: III. Meno allegro | — | ||
| 19-7 | Choral Fantasia in C minor, op. 80: IV. Adagio ma non troppo | — | ||
| 19-8 | Choral Fantasia in C minor, op. 80: V. Marcia, assai vivace | — | ||
| 19-9 | Choral Fantasia in C minor, op. 80: VI. Allegretto ma non troppo | — | ||
| 19-10 | Choral Fantasia in C minor, op. 80: VII. Presto | — | ||
| 20-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 20-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 20-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 20-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 20-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 20-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 21-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 21-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 21-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 21-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 21-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 21-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 22-1 | Piano Quartet in E-Flat, Op. 47: I. Sostenuto assai; Allegro ma non troppo | — | ||
| 22-2 | Piano Quartet in E-Flat, Op. 47: II. Scherzo; Molto vivace | — | ||
| 22-3 | Piano Quartet in E-Flat, Op. 47: III. Andante cantabile | — | ||
| 22-4 | Piano Quartet in E-Flat, Op. 47: IV. Final; Vivace | — | ||
| 22-5 | Piano Quintet in E-Flat, Op. 44: I. Allegro brillante | — | ||
| 22-6 | Piano Quintet in E-Flat, Op. 44: II. In modo d'una marcia. Un poco largamento | — | ||
| 22-7 | Piano Quintet in E-Flat, Op. 44: III. Scherzo. Molto vivace | — | ||
| 22-8 | Piano Quintet in E-Flat, Op. 44: IV. Allegro ma non troppo | — | ||
| 23-1 | Die Schöne Müllerin, Op. 25, D. 795: 1. Das Wandern | — | ||
| 23-2 | Die Schöne Müllerin, Op. 25, D. 795: 2. Wohin? | — | ||
| 23-3 | Die Schöne Müllerin, Op. 25, D. 795: 3. Halt! | — | ||
| 23-4 | Die Schöne Müllerin, Op. 25, D. 795: 4. Danksagung an den Bach | — | ||
| 23-5 | Die Schöne Müllerin, Op. 25, D. 795: 5. Am Feierabend | — | ||
| 23-6 | Die Schöne Müllerin, Op. 25, D. 795: 6. Der Neugierige | — | ||
| 23-7 | Die Schöne Müllerin, Op. 25, D. 795: 7. Ungeduld | — | ||
| 23-8 | Die Schöne Müllerin, Op. 25, D. 795: 8. Morgengruß | — | ||
| 23-9 | Die Schöne Müllerin, Op. 25, D. 795: 9. Des Müllers Blumen | — | ||
| 23-10 | Die Schöne Müllerin, Op. 25, D. 795: 10. Tränenregen | — | ||
| 23-11 | Die Schöne Müllerin, Op. 25, D. 795: 11. Mein! | — | ||
| 23-12 | Die Schöne Müllerin, Op. 25, D. 795: 12. Pause | — | ||
| 23-13 | Die Schöne Müllerin, Op. 25, D. 795: 13. Mit dem grünen Lautenbande | — | ||
| 23-14 | Die Schöne Müllerin, Op. 25, D. 795: 14. Der Jäger | — | ||
| 23-15 | Die Schöne Müllerin, Op. 25, D. 795: 15. Eifersucht und Stolz | — | ||
| 23-16 | Die Schöne Müllerin, Op. 25, D. 795: 16. Die liebe Farbe | — | ||
| 23-17 | Die Schöne Müllerin, Op. 25, D. 795: 17. Die böse Farbe | — | ||
| 23-18 | Die Schöne Müllerin, Op. 25, D. 795: 18. Trockne Blumen | — | ||
| 23-19 | Die Schöne Müllerin, Op. 25, D. 795: 19. Der Müller und der Bach | — | ||
| 23-20 | Die Schöne Müllerin, Op. 25, D. 795: 20. Des Baches Wiegenlied | — |
