UPC · Release
Sabina 70
Joaquín Sabina
Last verified:
886447838389 is the Universal Product Code (UPC barcode) for the release “Sabina 70” by Joaquín Sabina. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 70 tracks, each with its own ISRC. Tracks include ES5021603311, ES5028500105, ES5020200518.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (70)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lo niego todo | Joaquín Sabina | T-210.232.264-2 | |
| 2 | Princesa | Joaquín Sabina, Viceversa | T-041.059.876-3 | |
| 3 | Peces de ciudad | Joaquín Sabina | T-041.662.144-7 | |
| 4 | 19 días y 500 noches | Joaquín Sabina | T-041.526.863-1 | |
| 5 | Tiramisú de limón | Joaquín Sabina | T-042.698.395-0 | |
| 6 | Y sin embargo | Joaquín Sabina | T-041.425.084-2 | |
| 7 | Y nos dieron las diez | Joaquín Sabina | T-041.304.022-8 | |
| 8 | Pájaros de Portugal | Joaquín Sabina | — | |
| 9 | Así estoy yo sin ti | Joaquín Sabina | T-041.003.848-0 | |
| 10 | ESE NO SOY YO (IT AIN'T ME, BABE) | Joaquín Sabina | T-070.250.039-7 | |
| 11 | Donde habita el olvido | Joaquín Sabina | T-041.530.336-4 | |
| 12 | CALLE MELANCOLÍA | Joaquín Sabina | T-041.065.309-6 | |
| 13 | ¿Quién me ha robado el mes de abril? | Joaquín Sabina | T-041.907.613-3 | |
| 14 | Por el bulevar de los sueños rotos | Joaquín Sabina | T-041.365.078-8 | |
| 15 | Caballo de cartón | Joaquín Sabina | T-041.216.999-3 | |
| 16 | Pastillas para no soñar | Joaquín Sabina | T-041.311.801-0 | |
| 17 | Pobre Cristina | Joaquín Sabina | — | |
| 18 | Nos sobran los motivos | Sabina y Cía. | T-041.530.240-7 | |
| 2-1 | Contigo | Joaquín Sabina | T-041.425.196-9 | |
| 2-2 | Lágrimas de mármol | Joaquín Sabina | T-210.234.955-0 | |
| 2-3 | Viudita de Clicquot | Joaquín Sabina | — | |
| 2-4 | Con la frente marchita | Joaquín Sabina | T-041.280.724-9 | |
| 2-5 | Yo me bajo en Atocha | Sabina, Páez | — | |
| 2-6 | Conductores suicidas | Joaquín Sabina | T-041.312.454-5 | |
| 2-7 | Pacto entre caballeros | Joaquín Sabina | T-041.003.838-8 | |
| 2-8 | El caso de la rubia platino | Joaquín Sabina | — | |
| 2-9 | Medias negras | Joaquín Sabina | T-041.278.010-9 | |
| 2-10 | Una de romanos | Joaquín Sabina | — | |
| 2-11 | A la orilla de la chimenea | Joaquín Sabina | T-041.317.888-7 | |
| 2-12 | Siete crisantemos | Joaquín Sabina | — | |
| 2-13 | PONGAMOS QUE HABLO DE MADRID | Joaquín Sabina | — | |
| 2-14 | Que se llama Soledad | Joaquín Sabina | T-041.003.839-9 | |
| 2-15 | La canción más hermosa del mundo | Joaquín Sabina | T-041.869.665-7 | |
| 2-16 | Dieguitos y Mafaldas | Joaquín Sabina | T-041.526.865-3 | |
| 2-17 | La del pirata cojo | Sabina y Cía. | T-041.311.804-3 | |
| 3-1 | Oiga, doctor | Joaquín Sabina | — | |
| 3-2 | Besos en la frente | Joaquín Sabina | T-041.215.081-2 | |
| 3-3 | QUE DEMASIAO (UNA CANCIÓN PARA EL JARO) | Joaquín Sabina | T-041.056.364-2 | |
| 3-4 | Quien más, quien menos | Joaquín Sabina | T-210.232.263-1 | |
| 3-5 | De purísima y oro | Joaquín Sabina | — | |
| 3-6 | Yo también sé jugarme la boca | Joaquín Sabina | — | |
| 3-7 | Ponme un trago más | Joaquín Sabina | — | |
| 3-8 | Yo quiero ser una chica Almodóvar | Joaquín Sabina | T-041.311.929-5 | |
| 3-9 | El blues de lo que pasa en mi escalera | Joaquín Sabina | — | |
| 3-10 | Eva tomando el sol | Joaquín Sabina | — | |
| 3-11 | Mentiras piadosas | Joaquín Sabina | — | |
| 3-12 | Una canción para la Magdalena | Joaquín Sabina | T-041.530.235-0 | |
| 3-13 | El joven aprendiz de pintor | Joaquín Sabina, Viceversa | T-041.226.829-1 | |
| 3-14 | Esta boca es mía | Joaquín Sabina | T-041.365.065-3 | |
| 3-15 | Corre, dijo la tortuga | Joaquín Sabina | T-041.280.725-0 | |
| 3-16 | Besos de Judas | Joaquín Sabina | — | |
| 3-17 | Pisa el acelerador | Joaquín Sabina | — | |
| 3-18 | CIRCULOS VICIOSOS | Joaquín Sabina, Alberto Pérez | T-041.068.242-6 | |
| 3-19 | MAS DE CIEN MENTIRAS | Joaquín Sabina | — | |
| 4-1 | Rosa de Lima | Sabina y Cía. | — | |
| 4-2 | Eclipse de mar | Joaquín Sabina | T-041.278.355-1 | |
| 4-3 | Cuando era más joven | Joaquín Sabina, Viceversa | T-041.223.198-1 | |
| 4-4 | Peor para el sol | Joaquín Sabina | — | |
| 4-5 | Tan joven y tan viejo | Joaquín Sabina | — | |
| 4-6 | Barbi Superestar | Joaquín Sabina | — | |
| 4-7 | 69 punto G | Joaquín Sabina | — | |
| 4-8 | Juana la Loca | Joaquín Sabina | T-041.217.531-5 | |
| 4-9 | Y si amanece por fin | Joaquín Sabina | T-041.280.729-4 | |
| 4-10 | Llueve sobre mojado | Sabina, Páez | T-041.530.779-7 | |
| 4-11 | A mis cuarenta y diez | Joaquín Sabina | T-041.526.864-2 | |
| 4-12 | Esta noche contigo | Joaquín Sabina | — | |
| 4-13 | La canción de las noches perdidas | Joaquín Sabina | — | |
| 4-14 | Pero qué hermosas eran | Joaquín Sabina | T-041.530.239-4 | |
| 4-15 | RUIDO | Joaquín Sabina | T-041.365.070-0 | |
| 4-16 | EH SABINA | Joaquín Sabina | T-041.216.920-0 |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Más de cien mentiras | Joaquín Sabina | — |
| Pongamos que hablo de Madrid | Joaquín Sabina | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 886447838389?
886447838389 is a Universal Product Code (UPC) assigned to Sabina 70 by Joaquín Sabina. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 70 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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