UPC · Album

Cantatas BWV 26, 36 & 140

Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt

886448159360
21 tracksReleased 2016-01-01

Last verified:

886448159360 is the Universal Product Code (UPC barcode) for the release Cantatas BWV 26, 36 & 140 by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include USBC10900741, USBC10900742, USBC10900743.

Format

8Number system
86448Manufacturer
15936Product
0Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCCantatas BWV 26, 36 & 140
ISRC21 recordings

Track List (21)

Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
Kurt Streit, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
Julia Kleitner, Anton Scharinger, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
Erwin Ortner, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
Anton Scharinger, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus)
Julia Kleitner, Anton Scharinger, Concentus Musicus Wien, Nikolaus Harnoncourt
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)
Julia Kleiter, Elisabeth von Magnus, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)
Kurt Streit, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)
Anton Scharinger, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)
Kurt Streit, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)
Julia Kleiter, Concentus Musicus Wien, Nikolaus Harnoncourt
“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)
Kurt Streit, Concentus Musicus Wien, Nikolaus Harnoncourt
“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)
Elisabeth von Magnus, Concentus Musicus Wien, Nikolaus Harnoncourt
“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)
Anton Scharinger, Concentus Musicus Wien, Nikolaus Harnoncourt
“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)
Julia Kleiter, Concentus Musicus Wien, Nikolaus Harnoncourt
“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”
Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt

People also ask

What is UPC 886448159360?
UPC 886448159360 is the Universal Product Code (barcode) for "Cantatas BWV 26, 36 & 140" by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 886448159360?
UPC 886448159360 contains 21 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 886448159360?

886448159360 is a Universal Product Code (UPC) assigned to Cantatas BWV 26, 36 & 140 by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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