UPC · Release
Murray Perahia
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886919125627 is the Universal Product Code (UPC barcode) for the release “The First 40 Years” by Murray Perahia, released 2012-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 761 tracks, each with its own ISRC. Tracks include USSM10016528, USSM10016529, USSM10016530.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 3 | Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 6 | Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 7 | Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 10 | Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | — | ||
| 11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 13 | Davidsbündlertänze, op. 6: XIII. Wild und Lustig | — | ||
| 14 | Davidsbündlertänze, op. 6: XIV. Zart und Singend | — | ||
| 15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 18 | Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | — | ||
| 19 | Fantasiestücke, op. 12: I. Des Abends | — | ||
| 20 | Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 21 | Fantasiestücke, op. 12: III. Warum? | — | ||
| 22 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 23 | Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 24 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 25 | Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 26 | Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 2-1 | Sonata No. 2 in B-flat minor, Op. 35: I. Grave | — | ||
| 2-2 | Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 2-3 | Sonata No. 2 in B-flat minor, Op. 35: III. Marche funebre | — | ||
| 2-4 | Sonata No. 2 in B-flat minor, Op. 35: IV. Finale: Presto | — | ||
| 2-5 | Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 2-6 | Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace | — | ||
| 2-7 | Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 2-8 | Sonata No. 3 in B minor, Op. 58: IV. Finale: Presto ma non tanto | — | ||
| 3-1 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 3-2 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 3-3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto | — | ||
| 3-4 | Piano Concerto no. 2 in D minor, op. 40: I. Allegro appassionato | — | ||
| 3-5 | Piano Concerto no. 2 in D minor, op. 40: II. Adagio. Molto sostenuto | — | ||
| 3-6 | Piano Concerto no. 2 in D minor, op. 40: III. Finale. Presto scherzando | — | ||
| 4-1 | Prelude No. 1 in C major (Agitato) | — | ||
| 4-2 | Prelude No. 2 in A minor (Lenito) | — | ||
| 4-3 | Prelude No. 3 in G major (Vivace) | — | ||
| 4-4 | Prelude No. 4 in E minor (Largo) | — | ||
| 4-5 | Prelude No. 5 in D major (Allegro molto) | — | ||
| 4-6 | Prelude No. 6 in B minor (Lento assai) | — | ||
| 4-7 | Prelude No. 7 in A major (Andantino) | — | ||
| 4-8 | Prelude No. 8 in F-sharp minor (Molto agitato) | — | ||
| 4-9 | Prelude No. 9 in E major (Largo) | — | ||
| 4-10 | Prelude No. 10 in C-sharp minor (Allegro molto) | — | ||
| 4-11 | Prelude No. 11 in B major (Vivace) | — | ||
| 4-12 | Prelude No. 12 in G-sharp minor (Presto) | — | ||
| 4-13 | Prelude No. 13 in F-sharp Major (Lento) | — | ||
| 4-14 | Prelude No. 14 in E-flat minor (Allegro) | — | ||
| 4-15 | Prelude No. 15 in D-flat major (Sostenuto) | — | ||
| 4-16 | Prelude No. 16 in B-flat minor (Presto con fuoco) | — | ||
| 4-17 | Prelude No. 17 in A-flat major (Allegretto) | — | ||
| 4-18 | Prelude No. 18 in F minor (Allegro molto) | — | ||
| 4-19 | Prelude No. 19 in E-flat major (Vivace) | — | ||
| 4-20 | Prelude No. 20 in C minor (Largo) | — | ||
| 4-21 | Prelude No. 21 in B-flat major (Cantabile) | — | ||
| 4-22 | Prelude No. 22 in G minor (Molto agitato) | — | ||
| 4-23 | Prelude No. 23 in F major (Moderato) | — | ||
| 4-24 | Prelude No. 24 in D minor (Allegro appassionato) | — | ||
| 4-25 | Prelude in C-sharp Minor, Op. 45 (Sostenuto) | — | ||
| 4-26 | Prelude in A-flat Major Op. Posth (Presto con leggeressa) | — | ||
| 5-1 | Concerto for Piano and Orchestra No. 24 in C minor, K. 491: I. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 5-2 | Concerto for Piano and Orchestra No. 24 in C minor, K. 491: II. Larghetto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 5-3 | Concerto for Piano and Orchestra No. 24 in C minor, K. 491: III. Allegretto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 5-4 | Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 5-5 | Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: II. Andantino | Murray Perahia, English Chamber Orchestra | — | |
| 5-6 | Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: III. Allegro ma non troppo | Murray Perahia, English Chamber Orchestra | — | |
| 6-1 | Symphonic Etudes, Op. 13: Theme | — | ||
| 6-2 | Symphonic Etudes, Op. 13: Etude No. 1 | — | ||
| 6-3 | Symphonic Etudes, Op. 13: Etude No. 2 | — | ||
| 6-4 | Symphonic Etudes, Op. 13: Etude No. 3 | — | ||
| 6-5 | Symphonic Etudes, Op. 13: Etude No. 4 | — | ||
| 6-6 | Symphonic Etudes, Op. 13: Etude No. 5 | — | ||
| 6-7 | Symphonic Etudes, Op. 13: Etude No. 6 | — | ||
| 6-8 | Symphonic Etudes, Op. 13: Etude No. 7 | — | ||
| 6-9 | Symphonic Etudes, Op. 13: Etude No. 8 | — | ||
| 6-10 | Symphonic Etudes, Op. 13: Etude No. 9 | — | ||
| 6-11 | Symphonic Etudes, Op. 13: Etude No. 10 | — | ||
| 6-12 | Symphonic Etudes, Op. 13: Etude No. 11 | — | ||
| 6-13 | Symphonic Etudes, Op. 13: Etude No. 12 | — | ||
| 6-14 | Phosthumous Etudes: Variation No. 1 | — | ||
| 6-15 | Phosthumous Etudes: Variation No. 2 | — | ||
| 6-16 | Phosthumous Etudes: Variation No. 3 | — | ||
| 6-17 | Phosthumous Etudes: Variation No. 4 | — | ||
| 6-18 | Phosthumous Etudes: Variation No. 5 | — | ||
| 6-19 | Papillons, Op. 2: Introduzione | — | ||
| 6-20 | Papillons, Op. 2: No. 1 | — | ||
| 6-21 | Papillons, Op. 2: No. 2 | — | ||
| 6-22 | Papillons, Op. 2: No. 3 | — | ||
| 6-23 | Papillons, Op. 2: No. 4 | — | ||
| 6-24 | Papillons, Op. 2: No. 5 | — | ||
| 6-25 | Papillons, Op. 2: No. 6 | — | ||
| 6-26 | Papillons, Op. 2: No. 7 | — | ||
| 6-27 | Papillons, Op. 2: No. 8 | — | ||
| 6-28 | Papillons, Op. 2: No. 9 | — | ||
| 6-29 | Papillons, Op. 2: No. 10 | — | ||
| 6-30 | Papillons, Op. 2: No. 11 | — | ||
| 6-31 | Papillons, Op. 2: No. 12 (Finale) | — | ||
| 7-1 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 7-2 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: II. Andantino | Murray Perahia, English Chamber Orchestra | — | |
| 7-3 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: III. Rondeau. Presto | Murray Perahia, English Chamber Orchestra | — | |
| 7-4 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: I. [Allegro maestoso] (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-801.411.105-9 | |
| 7-5 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 7-6 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: III. Allegro vivace assai (cadenza: Rudolf Serkin) | Murray Perahia, English Chamber Orchestra | — | |
| 8-1 | Piano Concerto No. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | Murray Perahia, English Chamber Orchestra | — | |
| 8-2 | Piano Concerto No. 20 in D minor, K. 466: II. Romance | Murray Perahia, English Chamber Orchestra | — | |
| 8-3 | Piano Concerto No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 8-4 | Concerto no. 11 for Piano & Orchestra in F major, K. 413: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 8-5 | Concerto no. 11 for Piano & Orchestra in F major, K. 413: II. Larghetto | Murray Perahia, English Chamber Orchestra | — | |
| 8-6 | Concerto no. 11 for Piano & Orchestra in F major, K. 413: III. Tempo di Menuetto | Murray Perahia, English Chamber Orchestra | — | |
| 9-1 | Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — | |
| 9-2 | Concerto for Piano and Orchestra No. 27 in B-flat major, K. 595: II. Larghetto | Murray Perahia, English Chamber Orchestra | — | |
| 9-3 | Piano Concerto no. 27 in B-flat major, K. 595: III. Rondo. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — | |
| 9-4 | Concerto no. 12 for Piano & Orchestra in A major, K. 414: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 9-5 | Concerto no. 12 for Piano & Orchestra in A major, K. 414: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 9-6 | Concerto no. 12 for Piano & Orchestra in A major, K. 414: III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 10-1 | Concerto for Piano and Orchestra No. 22 in E-flat major, K. 482: I. Allegro (cadenza: after Johann Nepomuk Hummel) | Murray Perahia, English Chamber Orchestra | — | |
| 10-2 | Concerto for Piano and Orchestra No. 22 in E-flat major, K. 482: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 10-3 | Concerto for Piano and Orchestra No. 22 in E-flat major, K. 482: III. Rondo. Allegro (cadenza: Johann Nepomuk Hummel) | Murray Perahia, English Chamber Orchestra | — | |
| 10-4 | Concerto for Piano and Orchestra No. 8 in C major, K. 246: I. Allegro aperto | Murray Perahia, English Chamber Orchestra | — | |
| 10-5 | Concerto for Piano and Orchestra No. 8 in C major, K. 246: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 10-6 | Concerto for Piano and Orchestra No. 8 in C major, K. 246: III. Rondeau. Tempo di minuetto | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 11-1 | Lieder, Op. 40: No. 1 Märzveilchen | — | ||
| 11-2 | Lieder, Op. 40: No. 2 Muttertraum | — | ||
| 11-3 | Lieder, Op. 40: No. 3 Der Soldat | — | ||
| 11-4 | Lieder, Op. 40: No. 4 Der Spielmann | — | ||
| 11-5 | Lieder, Op. 40: No. 5 Verratene Liebe | — | ||
| 11-6 | Six Poems and Requiem, Op. 90: No. 1 Lied eines Schmiedes | — | ||
| 11-7 | Six Poems and Requiem, Op. 90: No. 2 Meine Rose | — | ||
| 11-8 | Six Poems and Requiem, Op. 90: No. 3 Kommen und Scheiden | — | ||
| 11-9 | Six Poems and Requiem, Op. 90: No. 4 Die Sennin | — | ||
| 11-10 | Six Poems and Requiem, Op. 90: No. 5 Einsamkeit | — | ||
| 11-11 | Six Poems and Requiem, Op. 90: No. 6 Der schwere Abend | — | ||
| 11-12 | Six Poems and Requiem, Op. 90: No. 7 Requiem | — | ||
| 11-13 | Liederkreis, Op. 39: No. 1 In der Fremde | — | ||
| 11-14 | Liederkreis, Op. 39: No. 2 Intermezzo | — | ||
| 11-15 | Liederkreis, Op. 39: No. 3 Waldesgespräch | — | ||
| 11-16 | Liederkreis, Op. 39: No. 4 Die Stille | — | ||
| 11-17 | Liederkreis, Op. 39: No. 5 Mondnacht | — | ||
| 11-18 | Liederkreis, Op. 39: No. 6 Schöne Fremde | — | ||
| 11-19 | Liederkreis, Op. 39: No. 7 Auf eine Burg | — | ||
| 11-20 | Liederkreis, Op. 39: No. 8 In der Fremde | — | ||
| 11-21 | Liederkreis, Op. 39: No. 9 Wehmut | — | ||
| 11-22 | Liederkreis, Op. 39: No. 10 Zwielicht | — | ||
| 11-23 | Liederkreis, Op. 39: No. 11 Im Waldeg | — | ||
| 11-24 | Liederkreis, Op. 39: No. 12 Frühlingsnacht | — | ||
| 12-1 | Concerto no. 1 for Piano & Orchestra in E minor, op. 11: I. Allegro maestoso | — | ||
| 12-2 | Concerto no. 1 for Piano & Orchestra in E minor, op. 11: II. Romanze: Larghetto | — | ||
| 12-3 | Concerto no. 1 for Piano & Orchestra in E minor, op. 11: III. Rondo: Vivace | — | ||
| 13-1 | Sonata (1926): I. Allegro moderato | — | ||
| 13-2 | Sonata (1926): II. Sostenuto e pesante | — | ||
| 13-3 | Sonata (1926): III. Allegro molto | — | ||
| 13-4 | Improvisations on Hungarian Peasant Songs, op. 20: I. Molto moderato | — | ||
| 13-5 | Improvisations on Hungarian Peasant Songs, op. 20: II. Molto capriccioso | — | ||
| 13-6 | Improvisations on Hungarian Peasant Songs, op. 20: III. Lento, rubato | — | ||
| 13-7 | Improvisations on Hungarian Peasant Songs, op. 20: IV. Allegretto scherzando | — | ||
| 13-8 | Improvisations on Hungarian Peasant Songs, op. 20: V. Allegro molto | — | ||
| 13-9 | Improvisations on Hungarian Peasant Songs, op. 20: VI. Allegro moderato, molto capriccioso | — | ||
| 13-10 | Improvisations on Hungarian Peasant Songs, op. 20: VII. Sostenuto, rubato | — | ||
| 13-11 | Improvisations on Hungarian Peasant Songs, op. 20: VIII. Allegro | — | ||
| 13-12 | Suite, op. 14: I. Allegro | — | ||
| 13-13 | Suite, op. 14: II. Scherzo | — | ||
| 13-14 | Suite, op. 14: III. Allegro molto | — | ||
| 13-15 | Suite, op. 14: IV. Sostenuto | — | ||
| 13-16 | Out of Doors, Sz 81: I. With Drums and Pipes. Pesante | — | ||
| 13-17 | Out of Doors, Sz 81: II. Barcarolla. Andante | — | ||
| 13-18 | Out of Doors, Sz 81: III. Musettes. Moderato | — | ||
| 13-19 | Out of Doors, Sz 81: IV. Musiques Nocturnes. Lento | — | ||
| 13-20 | Out of Doors, Sz 81: V. The Chase. Presto | — | ||
| 14-1 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 14-2 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 14-3 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 14-4 | Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 14-5 | Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Murray Perahia, English Chamber Orchestra | — | |
| 14-6 | Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: III. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 15-1 | Concerto for Piano and Orchestra No. 25 in C major, K. 503: I. Allegro maestoso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 15-2 | Concerto for Piano and Orchestra No. 25 in C major, K. 503: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 15-3 | Concerto for Piano and Orchestra No. 25 in C major, K. 503: III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 15-4 | Concerto for Piano and Orchestra No. 5 in D major, K. 175: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 15-5 | Concerto for Piano and Orchestra No. 5 in D major, K. 175: II. Andante ma un poco adagio | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 15-6 | Concerto for Piano and Orchestra No. 5 in D major, K. 175: III. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 16-1 | Piano Sonata No. 4 in E Flat major op.7: I.Allegro molto e con brio | — | ||
| 16-2 | Piano Sonata No. 4 in E Flat major op.7: II.Largo | — | ||
| 16-3 | Piano Sonata No. 4 in E Flat major op.7: III.Allegro minore | — | ||
| 16-4 | Piano Sonata No. 4 in E Flat major op.7: IV. Rondo | — | ||
| 16-5 | Piano Sonata No. 11 in B Flat major op.22: I. Allegrio con brio | — | ||
| 16-6 | Piano Sonata No. 11 in B Flat major op.22: II. Adagio | — | ||
| 16-7 | Piano Sonata No. 11 in B Flat major op.22: III. Menuetto | — | ||
| 16-8 | Piano Sonata No. 11 in B Flat major op.22: IV. Rondo | — | ||
| 17-1 | Impromptu D. 899 no. 1 in C minor: Allegro molto moderato | — | ||
| 17-2 | Impromptu D. 899 no. 2 in E-flat major: Allegro | — | ||
| 17-3 | Impromptu D. 899 no. 3 in G-flat major: Andante | — | ||
| 17-4 | Impromptu D. 899 no. 4 in A-flat major: Allegretto | — | ||
| 17-5 | Impromptu D. 935 no. 1 in F minor: Allegro moderato | — | ||
| 17-6 | Impromptu D. 935 no. 2 in A-flat major: Allegretto | — | ||
| 17-7 | Impromptu D. 935 no. 3 in B-flat major: Andante | — | ||
| 17-8 | Impromptu D. 935 no. 4 in F minor: Allegro scherzando | — | ||
| 18-1 | Concerto for Piano and Orchestra No. 15 in B-flat major, K. 450: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 18-2 | Concerto for Piano and Orchestra No. 15 in B-flat major, K. 450: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 18-3 | Concerto for Piano and Orchestra No. 15 in B-flat major, K. 450: III. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 18-4 | Concerto for Piano and Orchestra No. 16 in D major, K. 451: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 18-5 | Concerto for Piano and Orchestra No. 16 in D major, K. 451: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 18-6 | Concerto for Piano and Orchestra No. 16 in D major, K. 451: III. Allegro di molto | Murray Perahia, English Chamber Orchestra | — | |
| 19-1 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: I. Allegro | — | ||
| 19-2 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: II. Andante | — | ||
| 19-3 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: III. Tempo di menuetto | — | ||
| 19-4 | Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: I. Allegro | — | ||
| 19-5 | Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: II. Allegretto (with 4 variations) | — | ||
| 19-6 | Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: I. Allegro | — | ||
| 19-7 | Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: II. Allegretto (Rondeaux) | — | ||
| 19-8 | Concerto for Piano and Orchestra in C major, Op. 3 No. 3: I. Allegro | — | ||
| 19-9 | Concerto for Piano and Orchestra in C major, Op. 3 No. 3: II. Grazioso. Larghetto | — | ||
| 19-10 | Concerto for Piano and Orchestra in C major, Op. 3 No. 3: III. Rondeaux. Allegro | — | ||
| 20-1 | Concerto for Piano and Orchestra No. 26 in D major, K. 537 "Coronation": I. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 20-2 | Concerto for Piano and Orchestra No. 26 in D major, K. 537 "Coronation": II. Larghetto | Murray Perahia, English Chamber Orchestra | — | |
| 20-3 | Concerto for Piano and Orchestra No. 26 in D major, K. 537 "Coronation": III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 20-4 | Rondo for Piano and Orchestra in D major, K. 382: Allegretto grazioso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 20-5 | Rondo for Piano and Orchestra in A major, K. 386: Allegretto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 21-1 | Concerto for Piano and Orchestra No. 19 in F major, K. 459: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 21-2 | Concerto for Piano and Orchestra No. 19 in F major, K. 459: II. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 21-3 | Concerto for Piano and Orchestra No. 19 in F major, K. 459: III. Allegro assai | Murray Perahia, English Chamber Orchestra | — | |
| 21-4 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: I. Allegro (cadenza: Wolfgang Amadeus Mozart) | Murray Perahia, English Chamber Orchestra | T-915.711.586-1 | |
| 21-5 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: II. Adagio | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 21-6 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: III. Allegro assai | Murray Perahia, English Chamber Orchestra | T-915.711.586-1 | |
| 22-1 | Concerto for Piano and Orchestra No. 6 in B-flat major, K. 238: I. Allegro aperto | Murray Perahia, English Chamber Orchestra | — | |
| 22-2 | Concerto for Piano and Orchestra No. 6 in B-flat major, K. 238: II. Andante un poco adagio | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 22-3 | Concerto for Piano and Orchestra No. 6 in B-flat major, K. 238: III. Rondeau. Allegro (cadenza: Artur Balsam) | Murray Perahia, English Chamber Orchestra | — | |
| 22-4 | Concerto for Piano and Orchestra No. 13 in C major, K. 415: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 22-5 | Concerto for Piano and Orchestra No. 13 in C major, K. 415: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 22-6 | Concerto for Piano and Orchestra No. 13 in C major, K. 415: III. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 23-1 | Concerto for Piano and Orchestra No. 1 in F major, K. 37: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 23-2 | Concerto for Piano and Orchestra No. 1 in F major, K. 37: II. Andante (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 23-3 | Concerto for Piano and Orchestra No. 1 in F major, K. 37: III. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 23-4 | Concerto for Piano and Orchestra No. 2 in B-flat major, K. 39: I. Allegro spiritoso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 23-5 | Concerto for Piano and Orchestra No. 2 in B-flat major, K. 39: II. Andante (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-6 | Concerto for Piano and Orchestra No. 2 in B-flat major, K. 39: III. Molto allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-7 | Concerto for Piano and Orchestra No. 3 in D major, K. 40: I. Allegro maestoso (cadenza: Wolfgang Amadeus Mozart) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-8 | Concerto for Piano and Orchestra No. 3 in D major, K. 40: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-9 | Concerto for Piano and Orchestra No. 3 in D major, K. 40: III. Presto | Murray Perahia, English Chamber Orchestra | — | |
| 23-10 | Concerto for Piano and Orchestra No. 4 in G major, K. 41: I. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 23-11 | Concerto for Piano and Orchestra No. 4 in G major, K. 41: II. Andante (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-12 | Concerto for Piano and Orchestra No. 4 in G major, K. 41: III. Molto allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-925.645.333-5 | |
| 24-1 | Sonata for piano Op.6 : Allegretto con espressione | — | ||
| 24-2 | Tempo di menuetto - piu vivace - l'istesso tempo I | — | ||
| 24-3 | Recitativo - Andante - Allegretto con espressione | — | ||
| 24-4 | Prelude et fugue Op.35, N.1 | — | ||
| 24-5 | Variations serieuses, Op.54 | — | ||
| 24-6 | Rondo capriccioso, Op.14 | — | ||
| 25-1 | Piano Sonata No. 7 in D major, Op. 10 No. 3: I. Presto | — | ||
| 25-2 | Piano Sonata No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 25-3 | Piano Sonata No. 7 in D major, Op. 10 No. 3: III. Menuetto: Allegro | — | ||
| 25-4 | Piano Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 25-5 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 25-6 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 25-7 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro, ma non troppo | — | ||
| 26-1 | Impromptu in A-flat major, Op. 29 | — | ||
| 26-2 | Impromptu in F-sharp major, Op. 36 | — | ||
| 26-3 | Impromptu in G-flat major, Op. 51 | — | ||
| 26-4 | Fantaisie-Impromptu in C-sharp minor, Op. 66 | — | ||
| 26-5 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 26-6 | Berceuse in D-flat major, Op. 57 | — | ||
| 26-7 | Fantaisie in F minor, Op. 49 | — | ||
| 27-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | — | ||
| 27-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Murray Perahia, Radu Lupu | T-902.919.739-5 | |
| 27-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | — | ||
| 27-4 | Fantasia for Piano, Four Hands in F minor D 940: Allegro molto moderato - Largo - Allegro vivace - Con delicatezza | — | ||
| 28-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 28-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 28-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | — | ||
| 28-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 28-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 28-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | — | ||
| 29-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 29-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 29-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | — | ||
| 29-4 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 29-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 29-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 30-1 | Fantasie in C major, Op. 15 "Wanderer-Fantasie": Allegro con fuoco ma non troppo - Adagio - Presto - Allegro | — | ||
| 30-2 | Fantasie in C major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 30-3 | Fantasie in C major, Op. 17: II. Massig | — | ||
| 30-4 | Fantasie in C major, Op. 17: III. Langsam getragen | — | ||
| 31-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | — | ||
| 31-2 | Piano Concerto No. 1 in C major, Op. 15: Cadenza | — | ||
| 31-3 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | — | ||
| 31-4 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo: Allegro scherzando | — | ||
| 31-5 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | — | ||
| 31-6 | Piano Concerto No. 2 in B-flat major, Op. 19: Cadenza | — | ||
| 31-7 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | — | ||
| 31-8 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Molto allegro | — | ||
| 32-1 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 ("Tempest"/"Der Sturm"/"La Tempête"): I. Largo; Allegro | — | ||
| 32-2 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 ("Tempest"/"Der Sturm"/"La Tempête"): II. Adagio | — | ||
| 32-3 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 ("Tempest"/"Der Sturm"/"La Tempête"): III. Allegretto | — | ||
| 32-4 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 32-5 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo: Allegretto vivace | — | ||
| 32-6 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: III. Menuetto: Moderato e grazioso | — | ||
| 32-7 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 32-8 | Piano Sonata No. 26 in E-flat major, Op. 81a ("Das Lebewohl"/"Les Adieux"): I. Das Lebewohl/Les Adieux/The Farewell: Adagio; Allegro | — | ||
| 32-9 | Piano Sonata No. 26 in E-flat major, Op. 81a ("Das Lebewohl"/"Les Adieux"): II. Abwesenheit/L'Absence/Absence: Andante espressivo | — | ||
| 32-10 | Piano Sonata No. 26 in E-flat major, Op. 81a ("Das Lebewohl"/"Les Adieux"): III. Das Wiedersehn/Le Retour/The Return: Vivacissimamente | — | ||
| 33-1 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | — | ||
| 33-2 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto | — | ||
| 33-3 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro | — | ||
| 34-1 | Quartet no. 1 in G minor for Piano and Strings, op. 25: I. Allegro | — | ||
| 34-2 | Quartet no. 1 in G minor for Piano and Strings, op. 25: II. Intermezzo. Allegro ma non troppo | — | ||
| 34-3 | Quartet no. 1 in G minor for Piano and Strings, op. 25: III. Andante con moto; Animato | — | ||
| 34-4 | Quartet no. 1 in G minor for Piano and Strings, op. 25: IV. Rondo alla Zingarese - Presto | — | ||
| 35-1 | Sonata for 2 Pianos & Percussion, Assai lento | — | ||
| 35-2 | Sonata for 2 Pianos & Percussion, Lento, na non troppo | — | ||
| 35-3 | Sonata for 2 Pianos & Percussion, Allegra non troppo | — | ||
| 35-4 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Thema: Chorale St. Antoni, Andante | — | ||
| 35-5 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 1, Andante con moto | — | ||
| 35-6 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 2, Vivace | — | ||
| 35-7 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 3, Con moto | — | ||
| 35-8 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 4, Andante | — | ||
| 35-9 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 5, Poco presto | — | ||
| 35-10 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 6, Vivace | — | ||
| 35-11 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 7, Grazioso | — | ||
| 35-12 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 8, Poco presto | — | ||
| 35-13 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Finale, Andante | — | ||
| 36-1 | Piano Sonata in G minor, op. 22: I. So raschweimöglich | — | ||
| 36-2 | Piano Sonata in G minor, op. 22: II. Andantino. Getragen | — | ||
| 36-3 | Piano Sonata in G minor, op. 22: III. Scherzo. Sehr rasch und markiert | — | ||
| 36-4 | Piano Sonata in G minor, op. 22: IV. Rondo. Presto | — | ||
| 36-5 | Piano Sonata in A major, op. posth., D. 959: I. Allegro | — | ||
| 36-6 | Piano Sonata in A major, op. posth., D. 959: II. Andantino | — | ||
| 36-7 | Piano Sonata in A major, op. posth., D. 959: III. Scherzo | — | ||
| 36-8 | Piano Sonata in A major, op. posth., D. 959: IV. Rondo | — | ||
| 37-1 | Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | — | ||
| 37-2 | Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 37-3 | Piano Concerto in A Minor, Op. 54: III. Allegro vivace | — | ||
| 37-4 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | — | ||
| 37-5 | Piano Concerto in A Minor, Op. 16: II. Adagio | — | ||
| 37-6 | Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato | — | ||
| 38-1 | Concerto No. 1 for Piano & Orchestra, Op. 11: I. Allegro maestoso | — | ||
| 38-2 | Concerto No. 1 for Piano & Orchestra, Op. 11: II. Romanze: Larghetto | — | ||
| 38-3 | Concerto No. 1 for Piano & Orchestra, Op. 11: III. Rondo: Vivace | — | ||
| 38-4 | Concerto No. 2 for Piano & Orchestra, Op. 21: I. Maestoso | — | ||
| 38-5 | Concerto No. 2 for Piano & Orchestra, Op. 21: II. Larghetto | — | ||
| 38-6 | Concerto No. 2 for Piano & Orchestra, Op. 21: III. Allegro vivace | — | ||
| 39-1 | Variations for Piano in C minor, WoO 80 | — | ||
| 39-2 | Carnival Jest From Vienna, Op. 26: I. Allegro: Sehr lebhaft | — | ||
| 39-3 | Carnival Jest From Vienna, Op. 26: II Romanze: Ziemlich langsam | — | ||
| 39-4 | Carnival Jest From Vienna, Op. 26: III. Scherzino | — | ||
| 39-5 | Carnival Jest From Vienna, Op. 26: IV. Intermezzo: Mit größter Energie | — | ||
| 39-6 | Carnival Jest From Vienna, Op. 26: V. Finale: Höchst lebhaft | — | ||
| 39-7 | Hungarian Rhapsodie No. 12: Introduction: Mesto - Adagio - Allegro zingarese - Allegretto gioioso - Stretta: Vivace | — | ||
| 39-8 | Consolation No. 3 in D-flat major | — | ||
| 39-9 | Etudes-tableaux Op. 33, No. 2 in C major: Allegro | — | ||
| 39-10 | Etudes-Tableaux Op. 39, No. 5 in E-flat minor: Appassionato | — | ||
| 39-11 | Etudes-tableaux, Op. 39 No. 6, in A minor: Allegro | — | ||
| 39-12 | Etudes-tableaux. Op. 39, No. 9, in D major: Allegro moderato | — | ||
| 40-1 | Concerto for 2 Pianos and Orchestra No. 10 in E-flat major, K. 365: I. Allegro | Radu Lupu, Murray Perahia, English Chamber Orchestra | — | |
| 40-2 | Concerto for 2 Pianos and Orchestra No. 10 in E-flat major, K. 365: II. Andante | Radu Lupu, Murray Perahia, English Chamber Orchestra | T-902.919.739-5 | |
| 40-3 | Concerto for 2 Pianos and Orchestra No. 10 in E-flat major, K. 365: III. Rondeaux. Allegro | Radu Lupu, Murray Perahia, English Chamber Orchestra | — | |
| 40-4 | Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro | Radu Lupu, Murray Perahia, English Chamber Orchestra | — | |
| 40-5 | Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio | Radu Lupu, Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 40-6 | Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondeau. Tempo di menuetto | Radu Lupu, Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 40-7 | Fantasia for Mechanical Organ in F minor, K. 608: I. Allegro ritenuto | Radu Lupu, Murray Perahia | T-070.160.313-5 | |
| 40-8 | Fantasia for Mechanical Organ in F minor, K. 608: II. Andante | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 40-9 | Fantasia for Mechanical Organ in F minor, K. 608: III. Allegro ritenuto | Radu Lupu, Murray Perahia | — | |
| 40-10 | Andante and Variations for Four Hands in G major, K. 501: I. Andante | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 40-11 | Andante and Variations for Four Hands in G major, K. 501: II. Variation 1 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 40-12 | Andante and Variations for Four Hands in G major, K. 501: III. Variation 2 | Radu Lupu, Murray Perahia | — | |
| 40-13 | Andante and Variations for Four Hands in G major, K. 501: IV. Variation 3 | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 40-14 | Andante and Variations for Four Hands in G major, K. 501: V. Variation 4 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 40-15 | Andante and Variations for Four Hands in G major, K. 501: VI. Variation 5 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 41-1 | Piano Concerto No. 21 in C major, K. 467: I. [Allegro maestoso] | — | ||
| 41-2 | Piano Concerto No. 21 in C major, K. 467: II. Andante | Chamber Orchestra of Europe, Murray Perahia | — | |
| 41-3 | Piano Concerto No. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 41-4 | Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 41-5 | Piano Concerto No. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 41-6 | Piano Concerto No. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 42-1 | Piano Sonata No. 3 in F minor, Op. 5: I. Allegro maestoso | — | ||
| 42-2 | Piano Sonata No. 3 in F minor, Op. 5: II. Andante espressivo | — | ||
| 42-3 | Piano Sonata No. 3 in F minor, Op. 5: III. Scherzo: Allegro energico - Trio | — | ||
| 42-4 | Piano Sonata No. 3 in F minor, Op. 5: IV. Intermezzo (Rückblick): Andante molto | — | ||
| 42-5 | Piano Sonata No. 3 in F minor, Op. 5: V. Finale: Allegro moderato | — | ||
| 42-6 | Rhapsody in E-flat major, Op. 119 No. 4: Allegro risoluto | — | ||
| 42-7 | Capriccio in B minor, Op. 76 No. 2: Allegretto non troppo | — | ||
| 42-8 | Intermezzo in E-flat minor, Op. 118 No. 6: Andante, largo e mesto | — | ||
| 42-9 | Rhapsody in B minor, Op. 79 No. 1: Agitato | — | ||
| 43-1 | Prélude, Choral et Fugue, M. 21: Prélude: Moderato | — | ||
| 43-2 | Prélude, Choral et Fugue, M. 21: Choral: Poco più lento | — | ||
| 43-3 | Prélude, Choral et Fugue, M. 21: Fugue: Tempo I (largamente) | — | ||
| 43-4 | Mephisto Waltz No. 1, S. 514 | — | ||
| 43-5 | Sonetto 104 del Petrarca, S. 161, No. 5 | — | ||
| 43-6 | Two Concert Studies Etudes, S. 145, No. 1 "Waldesrauschen" | — | ||
| 43-7 | Two Concert Studies Etudes, S. 145, No. 2 "Gnomenreigen" | — | ||
| 43-8 | Au bord d'une source, S. 160, No. 4 | — | ||
| 43-9 | Rhapsodie espagnole, S. 254 | — | ||
| 44-1 | Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso | — | ||
| 44-2 | Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | — | ||
| 44-3 | Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | — | ||
| 44-4 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I: Tema. Andante grazioso e variazioni | Murray Perahia | T-313.706.452-5 | |
| 44-5 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Menuetto - Trio | — | ||
| 44-6 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. (Rondo) Alla Turca. Allegretto | — | ||
| 44-7 | Sonata for Piano no. 15 in F major, K. 533: I. Allegro | — | ||
| 44-8 | Sonata for Piano no. 15 in F major, K. 533: II. Andante | — | ||
| 44-9 | Sonata for Piano no. 15 in F major, K. 533: III. Rondo. Allegretto | — | ||
| 45-1 | Winterreise, D. 911: Gute Nacht | — | ||
| 45-2 | Winterreise, D. 911: Die Wetterfahne | — | ||
| 45-3 | Winterreise, D. 911: Gefrorne Tränen | — | ||
| 45-4 | Winterreise, D. 911: Erstarrung | — | ||
| 45-5 | Winterreise, D. 911: Der Lindenbaum | — | ||
| 45-6 | Winterreise, D. 911: Wasserflut | — | ||
| 45-7 | Winterreise, D. 911: Auf dem Flusse | — | ||
| 45-8 | Winterreise, D. 911: Rückblick | — | ||
| 45-9 | Winterreise, D. 911: Irrlicht | — | ||
| 45-10 | Winterreise, D. 911: Rast | — | ||
| 45-11 | Winterreise, D. 911: Frühlingstraum | — | ||
| 45-12 | Winterreise, D. 911: Einsamkeit | — | ||
| 45-13 | Winterreise, D. 911: Die Post | — | ||
| 45-14 | Winterreise, D. 911: Der greise Kopf | — | ||
| 45-15 | Winterreise, D. 911: Die Krähe | — | ||
| 45-16 | Winterreise, D. 911: Letzte Hoffnung | — | ||
| 45-17 | Winterreise, D. 911: Im Dorfe | — | ||
| 45-18 | Winterreise, D. 911: Der stürmische Morgen | — | ||
| 45-19 | Winterreise, D. 911: Täuschung | — | ||
| 45-20 | Winterreise, D. 911: Der Wegweiser | — | ||
| 45-21 | Winterreise, D. 911: Das Wirtshaus | — | ||
| 45-22 | Winterreise, D. 911: Mut! | — | ||
| 45-23 | Winterreise, D. 911: Die Nebensonnen | — | ||
| 45-24 | Winterreise, D. 911: Der Leiermann | — | ||
| 46-1 | Napoleon Shells Vienna | — | ||
| 46-2 | Childhood Dreams | — | ||
| 46-3 | Ludwig and Julia at Schönbrunn Palace Gardens | — | ||
| 46-4 | Julia and Her Father Secretly Watch | — | ||
| 46-5 | Ludwig and Caspar Fight | — | ||
| 46-6 | Ludwig Consoles Anna Marie | — | ||
| 46-7 | The Beethoven Brothers in Baden | — | ||
| 46-8 | A Concert for Lichnowsky | — | ||
| 46-9 | The Letter | — | ||
| 46-10 | The Funeral | — | ||
| 46-11 | Karl at the Ruins | — | ||
| 46-12 | The Carriage Stuck in the Mud | — | ||
| 46-13 | The Night of the Premiére | — | ||
| 47-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 47-2 | Ballade no. 2 in A minor, op. 38 | — | ||
| 47-3 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 47-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 47-5 | Waltz no. 1 in E-flat major "Grande Valse Brillante", op. 18 | — | ||
| 47-6 | Waltz no. 5 in A-flat major "Grande Valse", op. 42 | — | ||
| 47-7 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 47-8 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 47-9 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 47-10 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 47-11 | Etude no. 3 in E major "Tristesse", op. 10 no. 3 | — | ||
| 47-12 | Etude no. 4 in C-sharp minor "Torrent", op. 10 no. 4 | — | ||
| 48-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 48-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 48-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 48-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 48-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 48-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 48-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 48-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 48-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 48-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 48-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 48-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 49-1 | Suite no. 5 in E major, HWV 430: I. Prelude | — | ||
| 49-2 | Suite no. 5 in E major, HWV 430: II. Allemande | — | ||
| 49-3 | Suite no. 5 in E major, HWV 430: III. Courante | — | ||
| 49-4 | Suite no. 5 in E major, HWV 430: IV. Air with 5 variations | — | ||
| 49-5 | Chaconne in G major, HWV 435 | — | ||
| 49-6 | Suite no. 3 in D minor, HWV 428: I. Prelude | — | ||
| 49-7 | Suite no. 3 in D minor, HWV 428: II. Allegro (Fugue) | — | ||
| 49-8 | Suite no. 3 in D minor, HWV 428: III. Allemande | — | ||
| 49-9 | Suite no. 3 in D minor, HWV 428: IV. Courante | — | ||
| 49-10 | Suite no. 3 in D minor, HWV 428: V. Air with 5 variations | — | ||
| 49-11 | Suite no. 3 in D minor, HWV 428: VI. Presto | — | ||
| 49-12 | Suite no. 2 in F major, HWV 427: I. Adagio | — | ||
| 49-13 | Suite no. 2 in F major, HWV 427: II. Allegro | — | ||
| 49-14 | Suite no. 2 in F major, HWV 427: III. Adagio | — | ||
| 49-15 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fugue) | — | ||
| 49-16 | Sonata in D major, K 491 | — | ||
| 49-17 | Sonata in B minor, K 27 | — | ||
| 49-18 | Sonata in C-sharp minor, K 247 | — | ||
| 49-19 | Sonata in D major, K 29 | — | ||
| 49-20 | Sonata in A major, K 537 | — | ||
| 49-21 | Sonata in E major, K 206 | — | ||
| 49-22 | Sonata in A major, K 212 | Murray Perahia | — | |
| 50-1 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - I. Introduzione. Un poco Adagio - Allegro vivace | — | ||
| 50-2 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - II. Aria | — | ||
| 50-3 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - III. Scherzo e Intermezzo. Allegrissimo - Intermezzo - Tempo I | — | ||
| 50-4 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - IV. Finale. Allegro un poco maestoso - Allegro più | — | ||
| 50-5 | Kreisleriana: Fantasien für Klavier, Op. 16 - I. Äußerst bewegt | — | ||
| 50-6 | Kreisleriana: Fantasien für Klavier, Op. 16 - II. Sehr innig und nicht zu rasch | — | ||
| 50-7 | Kreisleriana: Fantasien für Klavier, Op. 16 - III. Sehr aufgeregt | — | ||
| 50-8 | Kreisleriana: Fantasien für Klavier, Op. 16 - IV. Sehr langsam | — | ||
| 50-9 | Kreisleriana: Fantasien für Klavier, Op. 16 - V. Sehr lebhaft | — | ||
| 50-10 | Kreisleriana: Fantasien für Klavier, Op. 16 - VI. Sehr langsam | — | ||
| 50-11 | Kreisleriana: Fantasien für Klavier, Op. 16 - VII. Sehr rasch | — | ||
| 50-12 | Kreisleriana: Fantasien für Klavier, Op. 16 - VIII. Schnell und spielend | — | ||
| 51-1 | German dances (6) for orchestra, K. 509 | — | ||
| 51-2 | Adagio for piano in B minor, K. 540 | — | ||
| 51-3 | Piano Sonata, Op. 1 | — | ||
| 51-4 | Piano Sonata No. 1: 1. Allegro | — | ||
| 51-5 | Piano Sonata No. 1: 2. Andante tranquillo | — | ||
| 51-6 | Piano Sonata No. 1: 3. Presto | — | ||
| 51-7 | Piano Sonata No. 1: 4. Rondo giocoso con moto | — | ||
| 52-1 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 52-2 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 52-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | — | ||
| 52-4 | Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major | — | ||
| 52-5 | Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor | — | ||
| 53-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | Murray Perahia | — | |
| 53-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | Murray Perahia | — | |
| 53-3 | English Suite No. 1 in A major, BWV 806: IIIa. Courante I | Murray Perahia | — | |
| 53-4 | English Suite No. 1 in A major, BWV 806: IIIb. Courante II avec deux Doubles | Murray Perahia | — | |
| 53-5 | English Suite No. 1 in A major, BWV 806: IV. Sarabande | Murray Perahia | — | |
| 53-6 | English Suite no. 1 in A major, BWV 806: Va. Bourrée I | Murray Perahia | — | |
| 53-7 | English Suite No. 1 in A major, BWV 806: Vb. Bourree II | Murray Perahia | — | |
| 53-8 | English Suite No. 1 in A major, BWV 806: VI. Gigue | Murray Perahia | — | |
| 53-9 | English Suite No. 3 in G minor, BWV 808: I. Prelude | Murray Perahia | — | |
| 53-10 | English Suite No. 3 in G minor, BWV 808: II. Allemande | Murray Perahia | — | |
| 53-11 | English Suite No. 3 in G minor, BWV 808: IIIa. Courante | Murray Perahia | — | |
| 53-12 | English Suite No. 3 in G minor, BWV 808: III. Sarabande | Murray Perahia | — | |
| 53-13 | English Suite No. 3 in G minor, BWV 808: IVa. Gavotte I | Murray Perahia | — | |
| 53-14 | English Suite No. 3 in G minor, BWV 808: IVb. Gavotte II (ou la Musette) | Murray Perahia | — | |
| 53-15 | English Suite No. 3 in G minor, BWV 808: V. Gigue | Murray Perahia | — | |
| 53-16 | English Suite No. 6 in D minor, BWV 811: I. Prelude - Allegro | Murray Perahia | — | |
| 53-17 | English Suite No. 6 in D minor, BWV 811: II. Allemande | Murray Perahia | — | |
| 53-18 | English Suite No. 6 in D minor, BWV 811: III. Courante | Murray Perahia | — | |
| 53-19 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande - IVa. Double | Murray Perahia | — | |
| 53-20 | English Suite No. 6 in D minor, BWV 811: Va. Gavotte I | Murray Perahia | — | |
| 53-21 | English Suite No. 6 in D minor, BWV 811: Vb. Gavotte II | Murray Perahia | — | |
| 53-22 | English Suite No. 6 in D minor, BWV 811: VI. Gigue | Murray Perahia | — | |
| 54-1 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Murray Perahia | T-909.229.948-4 | |
| 54-2 | English Suite no. 2 in A minor, BWV 807: II. Allemande | Murray Perahia | T-909.229.948-4 | |
| 54-3 | English Suite no. 2 in A minor, BWV 807: III. Courante | Murray Perahia | T-909.229.948-4 | |
| 54-4 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Murray Perahia | T-909.229.948-4 | |
| 54-5 | English Suite no. 2 in A minor, BWV 807: V. Bourée I | Murray Perahia | T-909.229.948-4 | |
| 54-6 | English Suite no. 2 in A minor, BWV 807: VI. Bourée II | Murray Perahia | T-909.229.948-4 | |
| 54-7 | English Suite no. 2 in A minor, BWV 807: VII. Gigue | Murray Perahia | T-909.229.948-4 | |
| 54-8 | English Suite no. 4 in F major, BWV 809: I. Prélude | Murray Perahia | — | |
| 54-9 | English Suite no. 4 in F major, BWV 809: II. Allemande | Murray Perahia | — | |
| 54-10 | English Suite no. 4 in F major, BWV 809: III. Courante | Murray Perahia | — | |
| 54-11 | English Suite no. 4 in F major, BWV 809: IV. Sarabande | Murray Perahia | — | |
| 54-12 | English Suite no. 4 in F major, BWV 809: V. Menuett I | Murray Perahia | — | |
| 54-13 | English Suite no. 4 in F major, BWV 809: VI. Menuett II | Murray Perahia | — | |
| 54-14 | English Suite no. 4 in F major, BWV 809: VII. Gigue | Murray Perahia | — | |
| 54-15 | English Suite no. 5 in E minor, BWV 810: I. Prélude | Murray Perahia | — | |
| 54-16 | English Suite no. 5 in E minor, BWV 810: II. Allemande | Murray Perahia | — | |
| 54-17 | English Suite no. 5 in E minor, BWV 810: III. Courante | Murray Perahia | — | |
| 54-18 | English Suite no. 5 in E minor, BWV 810: IV. Sarabande | Murray Perahia | — | |
| 54-19 | English Suite no. 5 in E minor, BWV 810: V. Passepied I (en Rondeau) | Murray Perahia | — | |
| 54-20 | English Suite no. 5 in E minor, BWV 810: VI. Passepied II | Murray Perahia | — | |
| 54-21 | English Suite no. 5 in E minor, BWV 810: VII. Gigue | Murray Perahia | — | |
| 55-1 | Wachet auf, ruft uns die Stimme, BWV 645 | Murray Perahia | — | |
| 55-2 | Chorale Prelude for Organ, Nun komm der Heiden Heiland | Murray Perahia | — | |
| 55-3 | Nun freut euch, lieben Christen, BWV 734 | Murray Perahia | — | |
| 55-4 | Ich ruf' zu dir, Herr Jesu Christ, BWV 639 | Murray Perahia | — | |
| 55-5 | Lieder ohne Worte, op. 19 no. 3 | — | ||
| 55-6 | Lieder ohne Worte, op. 67 no. 2 | — | ||
| 55-7 | Lieder ohne Worte, op. 30 no. 4 | — | ||
| 55-8 | Lieder ohne Worte, op. 19 no. 1 | — | ||
| 55-9 | Lieder ohne Worte, op. 19 no. 5 | — | ||
| 55-10 | Lieder ohne Worte, op. 30 no. 6 | — | ||
| 55-11 | Lieder ohne Worte, op. 38 no. 3 | — | ||
| 55-12 | Lieder ohne Worte, op. 102 no. 5 | — | ||
| 55-13 | Lieder ohne Worte, op. 38 no. 2 | — | ||
| 55-14 | Lieder ohne Worte, op. 30 no. 2 | — | ||
| 55-15 | Lieder ohne Worte, op. 67 no. 1 | — | ||
| 55-16 | Lieder ohne Worte, op. 38 no. 6 | — | ||
| 55-17 | Lieder ohne Worte, op. 67 no. 4 | — | ||
| 55-18 | Lieder ohne Worte, op. 53 no. 4 | — | ||
| 55-19 | Lieder ohne Worte, op. 62 no. 2 | — | ||
| 55-20 | Auf dem Wasser zu singen | — | ||
| 55-21 | In der Ferne | — | ||
| 55-22 | Ständchen | — | ||
| 55-23 | Erlkönig | — | ||
| 56-1 | Goldberg Variations, BWV 988: Aria | Murray Perahia | T-902.128.688-4 | |
| 56-2 | Goldberg Variations, BWV 988: Variation 1 | Murray Perahia | T-902.128.688-4 | |
| 56-3 | Goldberg Variations, BWV 988: Variation 2 | Murray Perahia | T-902.128.688-4 | |
| 56-4 | Goldberg Variations, BWV 988: Variation 3. Canon on the unison | Murray Perahia | T-902.128.688-4 | |
| 56-5 | Goldberg Variations, BWV 988: Variation 4 | Murray Perahia | T-902.128.688-4 | |
| 56-6 | Goldberg Variations, BWV 988: Variation 5 | Murray Perahia | T-902.128.688-4 | |
| 56-7 | Goldberg Variations, BWV 988: Variation 6. Canon on the second | Murray Perahia | T-902.128.688-4 | |
| 56-8 | Goldberg Variations, BWV 988: Variation 7 | Murray Perahia | T-010.504.520-2 | |
| 56-9 | Goldberg Variations, BWV 988: Variation 8 | Murray Perahia | T-902.128.688-4 | |
| 56-10 | Goldberg Variations, BWV 988: Variation 9. Canon on the third | Murray Perahia | T-902.128.688-4 | |
| 56-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | Murray Perahia | T-902.128.688-4 | |
| 56-12 | Goldberg Variations, BWV 988: Variation 11 | Murray Perahia | T-902.128.688-4 | |
| 56-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the fourth | Murray Perahia | T-311.760.304-6 | |
| 56-14 | Goldberg Variations, BWV 988: Variation 13 | Murray Perahia | T-902.128.688-4 | |
| 56-15 | Goldberg Variations, BWV 988: Variation 14 | Murray Perahia | T-902.128.688-4 | |
| 56-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the fifth | Murray Perahia | T-312.642.162-9 | |
| 56-17 | Goldberg Variations, BWV 988: Variation 16. Overture | Murray Perahia | T-902.128.688-4 | |
| 56-18 | Goldberg Variations, BWV 988: Variation 17 | Murray Perahia | T-010.909.095-0 | |
| 56-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the sixth | Murray Perahia | T-902.128.688-4 | |
| 56-20 | Goldberg Variations, BWV 988: Variation 19 | Murray Perahia | T-902.128.688-4 | |
| 56-21 | Goldberg Variations, BWV 988: Variation 20 | Murray Perahia | T-902.128.688-4 | |
| 56-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the seventh | Murray Perahia | T-312.642.162-9 | |
| 56-23 | Goldberg Variations, BWV 988: Variation 22 | Murray Perahia | T-902.128.688-4 | |
| 56-24 | Goldberg Variations, BWV 988: Variation 23 | Murray Perahia | T-902.128.688-4 | |
| 56-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the octave | Murray Perahia | T-902.128.688-4 | |
| 56-26 | Goldberg Variations, BWV 988: Variation 25 | Murray Perahia | T-902.128.688-4 | |
| 56-27 | Goldberg Variations, BWV 988: Variation 26 | Murray Perahia | T-902.128.688-4 | |
| 56-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the ninth | Murray Perahia | T-311.760.304-6 | |
| 56-29 | Goldberg Variations, BWV 988: Variation 28 | Murray Perahia | T-902.128.688-4 | |
| 56-30 | Goldberg Variations, BWV 988: Variation 29 | Murray Perahia | T-902.128.688-4 | |
| 56-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | Murray Perahia | T-902.128.688-4 | |
| 56-32 | Goldberg Variations, BWV 988: Aria da capo | Murray Perahia | T-801.806.984-7 | |
| 57-1 | Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-914.323.771-2 | |
| 57-2 | Keyboard Concerto no. 1 in D minor, BWV 1052: II. Adagio | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-3 | Keyboard Concerto no. 1 in D minor, BWV 1052: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-4 | Keyboard Concerto no. 2 in E major, BWV 1053: I. [ ] | Murray Perahia, Academy of St Martin in the Fields | T-312.207.924-3 | |
| 57-5 | Keyboard Concerto no. 2 in E major, BWV 1053: II. Siciliano | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-6 | Keyboard Concerto no. 2 in E major, BWV 1053: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-7 | Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-8 | Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-9 | Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-1 | Keyboard Concerto no. 3 in D major, BWV 1054: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-2 | Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-3 | Keyboard Concerto in D, BWV 1054: 3rd movement | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-5 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-6 | Keyboard Concerto no. 5 in F minor, BWV 1056: III. Presto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-7 | Pianoconcert No.6 in F Major, BWV 1057 | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-8 | Keyboard Concerto no. 6 in F major, BWV 1057: II. Andante | Murray Perahia, Academy of St Martin in the Fields | T-802.445.410-3 | |
| 58-9 | Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-10 | Keyboard Concerto no. 7 in G minor, BWV 1058: I. (Allegro) | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-11 | Keyboard Concerto no. 7 in G minor, BWV 1058: II. Andante | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-12 | Keyboard Concerto no. 7 in G minor, BWV 1058: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 59-1 | Etude, Op. 10 No. 1 in C major | — | ||
| 59-2 | Etude, Op. 10 No. 2 in A minor | — | ||
| 59-3 | Etude, Op. 10 No. 3 in E major | — | ||
| 59-4 | Etude, Op. 10 No. 4 in C-sharp minor | — | ||
| 59-5 | Etude, Op. 10 No. 5 in G-flat major "Black Keys" | — | ||
| 59-6 | Etude, Op. 10 No. 6 in E-flat minor | — | ||
| 59-7 | Etude, Op. 10 No. 7 in C major | — | ||
| 59-8 | Etude, Op. 10 No. 8 in F major | — | ||
| 59-9 | Etude, Op. 10 No. 9 in F minor | — | ||
| 59-10 | Etude, Op. 10 No. 10 in A-flat major | — | ||
| 59-11 | Etude, Op. 10 No. 11 in E-flat major | — | ||
| 59-12 | Etude, Op. 10 No. 12 in C minor "Revolutionary" | — | ||
| 59-13 | Etude, Op. 25 No. 1 in A-flat major | — | ||
| 59-14 | Etude, Op. 25 No. 2 in F minor | — | ||
| 59-15 | Etude, Op. 25 No. 3 in F major | — | ||
| 59-16 | Etude, Op. 25 No. 4 in A minor | — | ||
| 59-17 | Etude, Op. 25 No. 5 in E minor | — | ||
| 59-18 | Etude, Op. 25 No. 6 in G-sharp minor "Thirds" | — | ||
| 59-19 | Etude, Op. 25 No. 7 in C-sharp minor | — | ||
| 59-20 | Etude, Op. 25 No. 8 in D-flat major "Sixths" | — | ||
| 59-21 | Etude, Op. 25 No. 9 in G-flat major | — | ||
| 59-22 | Etude, Op. 25 No. 10 in B minor "Octaves" | — | ||
| 59-23 | Etude, Op. 25 No. 11 in A minor | — | ||
| 59-24 | Etude, Op. 25 No. 12 in C minor | — | ||
| 60-1 | Concerto for Flute, Violin and Clavier in A minor, BWV 1044: I. Allegro | Academy of St Martin in the Fields, Murray Perahia | T-914.323.771-2 | |
| 60-2 | Concerto for Flute, Violin and Clavier in A minor, BWV 1044: II. Adagio ma non tanto e dolce | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-3 | Concerto for Flute, Violin and Clavier in A minor, BWV 1044: III. Tempo di Alla breve | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-4 | Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro | Academy of St Martin in the Fields, Murray Perahia | T-914.323.771-2 | |
| 60-5 | Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-6 | Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-7 | Italian Concerto in F major, BWV 971: I. Allegro | Murray Perahia | T-061.296.484-7 | |
| 60-8 | Italian Concerto in F major, BWV 971: II. Andante | Murray Perahia | T-061.296.484-7 | |
| 60-9 | Italian Concerto in F major, BWV 971: III. Presto | Murray Perahia | T-061.296.484-7 | |
| 61-1 | Piano Sonata no. 19 in C minor, D. 958: I. Allegro | — | ||
| 61-2 | Piano Sonata no. 19 in C minor, D. 958: II. Adagio | — | ||
| 61-3 | Piano Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro - Trio | — | ||
| 61-4 | Piano Sonata no. 19 in C minor, D. 958: IV. Allegro | — | ||
| 61-5 | Piano Sonata no. 20 in A major, D. 959: I. Allegro | — | ||
| 61-6 | Piano Sonata no. 20 in A major, D. 959: II. Andantino | — | ||
| 61-7 | Piano Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace - Trio: Un poco più lento | — | ||
| 61-8 | Piano Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto | — | ||
| 62-1 | Piano Sonata no. 21 in B-flat major, D. 960: I. Molto moderato | — | ||
| 62-2 | Piano Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 62-3 | Piano Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 62-4 | Piano Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 63-1 | String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-2 | String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-3 | String Quartet no. 12 in E-flat major, op. 127: III. Scherzando. Vivace (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-4 | String Quartet no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-5 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Murray Perahia | — | |
| 63-6 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Murray Perahia | — | |
| 63-7 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto | Murray Perahia | — | |
| 63-8 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Murray Perahia | — | |
| 64-1 | Piano Sonata no.12 in A-flat major, op. 26: I. Andante con variazioni | — | ||
| 64-2 | Piano Sonata no.12 in A-flat major, op. 26: II. Scherzo: allegro molto | — | ||
| 64-3 | Piano Sonata no.12 in A-flat major, op. 26: III. Maestoso andante, marcia funebre sulla morte d'un eroe | — | ||
| 64-4 | Piano Sonata no.12 in A-flat major, op. 26: IV. Allegro | — | ||
| 64-5 | Piano Sonata no.9 in E major, op. 14, no. 1: I. Allegro | — | ||
| 64-6 | Piano Sonata no.9 in E major, op. 14, no. 1: II. Allegretto - Trio | — | ||
| 64-7 | Piano Sonata no.9 in E major, op. 14, no. 1: III. Rondo: Allegro comodo | — | ||
| 64-8 | Piano Sonata no.10 in G major, op. 14, no. 2: I. Allegro | — | ||
| 64-9 | Piano Sonata no.10 in G major, op. 14, no. 2: II. Andante | — | ||
| 64-10 | Piano Sonata no.10 in G major, op. 14, no. 2: III. Scherzo: Allegro assai | — | ||
| 64-11 | Piano Sonata no.15 in D major, op. 28 (Pastorale): I. Allegro | — | ||
| 64-12 | Piano Sonata no.15 in D major, op. 28 (Pastorale): II. Andante | — | ||
| 64-13 | Piano Sonata no.15 in D major, op. 28 (Pastorale): III. Scherzo et Trio: Allegro vivace | — | ||
| 64-14 | Piano Sonata no.15 in D major, op. 28 (Pastorale): IV. Rondo: Allegro non troppo | — | ||
| 65-1 | Partita no. 2, BWV 826 C-moll: I. Sinfonia | Murray Perahia | T-919.327.166-8 | |
| 65-2 | Partita no. 2, BWV 826 C-moll: II. Allemande | Murray Perahia | — | |
| 65-3 | Partita no. 2, BWV 826 C-moll: III. Courante | Murray Perahia | — | |
| 65-4 | Partita no. 2, BWV 826 C-moll: IV. Sarabande | Murray Perahia | — | |
| 65-5 | Partita no. 2, BWV 826 C-moll: V. Rondeau | Murray Perahia | — | |
| 65-6 | Partita no. 2, BWV 826 C-moll: VI. Capriccio | Murray Perahia | — | |
| 65-7 | Partita no. 3, BWV 827 A-moll: I. Fantasia | Murray Perahia | — | |
| 65-8 | Partita no. 3, BWV 827 A-moll: II. Allemande | Murray Perahia | — | |
| 65-9 | Partita no. 3, BWV 827 A-moll: III. Courante | Murray Perahia | — | |
| 65-10 | Partita no. 3, BWV 827 A-moll: IV. Sarabande | Murray Perahia | — | |
| 65-11 | Partita no. 3, BWV 827 A-moll: V. Burlesca | Murray Perahia | — | |
| 65-12 | Partita no. 3, BWV 827 A-moll: VI. Scherzo | Murray Perahia | — | |
| 65-13 | Partita no. 3, BWV 827 A-moll: VII. Gigue | Murray Perahia | — | |
| 65-14 | Partita no. 4, BWV 828 D-dur: I. Ouverture | Murray Perahia | — | |
| 65-15 | Partita no. 4, BWV 828 D-dur: II. Allemande | Murray Perahia | — | |
| 65-16 | Partita no. 4, BWV 828 D-dur: III. Courante | Murray Perahia | — | |
| 65-17 | Partita no. 4, BWV 828 D-dur: IV. Aria | Murray Perahia | T-905.380.384-2 | |
| 65-18 | Partita no. 4, BWV 828 D-dur: V. Sarabande | Murray Perahia | — | |
| 65-19 | Partita no. 4, BWV 828 D-dur: VI. Menuett | Murray Perahia | — | |
| 65-20 | Partita no. 4, BWV 828 D-dur: VII. Gigue | Murray Perahia | — | |
| 66-1 | Partita No. 1 in B flat major, BWV 825: I Praeludium | Murray Perahia | T-928.012.883-8 | |
| 66-2 | Partita No. 1 in B flat major, BWV 825: II Allemande | Murray Perahia | — | |
| 66-3 | Partita No. 1 in B flat major, BWV 825: III Corrente | Murray Perahia | — | |
| 66-4 | Partita No. 1 in B flat major, BWV 825: IV Sarabande | Murray Perahia | — | |
| 66-5 | Partita No. 1 in B flat major, BWV 825: V Menuet I & II | Murray Perahia | — | |
| 66-6 | Partita No. 1 in B flat major, BWV 825: VI Gigue | Murray Perahia | — | |
| 66-7 | Partita No. 5 in G major, BWV 829: I Praeambulum | Murray Perahia | — | |
| 66-8 | Partita No. 5 in G major, BWV 829: II Allemande | Murray Perahia | — | |
| 66-9 | Partita No. 5 in G major, BWV 829: III Corrente | Murray Perahia | — | |
| 66-10 | Partita No. 5 in G major, BWV 829: IV Sarabande | Murray Perahia | — | |
| 66-11 | Partita No. 5 in G major, BWV 829: V Tempo di Minuetto | Murray Perahia | — | |
| 66-12 | Partita No. 5 in G major, BWV 829: VI Passepied | Murray Perahia | — | |
| 66-13 | Partita No. 5 in G major, BWV 829: VII Gigue | Murray Perahia | — | |
| 66-14 | Partita No. 6 in E minor, BWV 830: I Toccata | Murray Perahia | — | |
| 66-15 | Partita No. 6 in E minor, BWV 830: II Allemande | Murray Perahia | — | |
| 66-16 | Partita No. 6 in E minor, BWV 830: III Corrente | Murray Perahia | — | |
| 66-17 | Partita No. 6 in E minor, BWV 830: IV Air | Murray Perahia | — | |
| 66-18 | Partita No. 6 in E minor, BWV 830: V Sarabande | Murray Perahia | — | |
| 66-19 | Partita No. 6 in E minor, BWV 830: VI Tempo di Gavotta | Murray Perahia | — | |
| 66-20 | Partita No. 6 in E minor, BWV 830: VII Gigue | Murray Perahia | — | |
| 67-1 | Handel Variations, op. 24 | — | ||
| 67-2 | Two Rhapsodies, op. 79: No. 1 Rhapsody in B minor - Agitato | — | ||
| 67-3 | Two Rhapsodies, op. 79: No. 2 Rhapsody in G minor - Molto passionato, ma non troppo allegro | — | ||
| 67-4 | Six piano pieces, op. 118: No. 1 Intermezzo in A minor - Allegro non assai, ma molto appassionato | — | ||
| 67-5 | Six piano pieces, op. 118: No. 2 Intermezzo in A major - Andante teneramente | — | ||
| 67-6 | Six piano pieces, op. 118: No. 3 Ballade in G minor - Allegro energico | — | ||
| 67-7 | Six piano pieces, op. 118: No. 4 Intermezzo in F minor - Allegretto un poco agitato | — | ||
| 67-8 | Six piano pieces, op. 118: No. 5 Romance in F major - Andante | — | ||
| 67-9 | Six piano pieces, op. 118: No. 6 Intermezzo in E-flat minor - Andante, largo e mesto | — | ||
| 67-10 | Four piano pieces, op. 119: No. 1 Intermezzo in B minor - Adagio | — | ||
| 67-11 | Four piano pieces, op. 119: No. 2 Intermezzo in E minor - Andantino un poco agitato | — | ||
| 67-12 | Four piano pieces, op. 119: No. 3 Intermezzo in C major - Grazioso e giocoso | — | ||
| 67-13 | Four piano pieces, op. 119: No. 4 Rhapsody in E-flat major - Allegro risoluto | — | ||
| 68-1 | Trio for clarinet (or violin), viola & piano in E flat major ('Kegelstatt'), K. 498: 1. Andante | — | ||
| 68-2 | Trio for clarinet (or violin), viola & piano in E flat major ('Kegelstatt'), K. 498: 2. Menuetto - Trio | — | ||
| 68-3 | Trio for clarinet (or violin), viola & piano in E flat major ('Kegelstatt'), K. 498: 3. Rondeaux. Allegretto | — | ||
| 68-4 | Trio Pieces (8), for clarinet (or violin), viola (or cello) & piano, Op. 83: No. 2: Allegro con moto | — | ||
| 68-5 | Trio Pieces (8), for clarinet (or violin), viola (or cello) & piano, Op. 83: No. 6: Andante con moto 'Nocturne' | — | ||
| 68-6 | Trio Pieces (8), for clarinet (or violin), viola (or cello) & piano, Op. 83: No. 7: Allegro vivace, ma non troppo | — | ||
| 68-7 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 1: Lebhaft, nicht zu schnell | — | ||
| 68-8 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 2: Lebhaft und sehr markiert | — | ||
| 68-9 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 3: Ruhiges Tempo, mit zartem Ausdruck | — | ||
| 68-10 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 4: Lebhaft, sehr markiert | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Murray Perahia, Academy of St Martin in the Fields | — |
| Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: II. Andantino | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: III. Allegro ma non troppo | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto No. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto No. 20 in D minor, K. 466: II. Romance | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Perahia) | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 11 for Piano & Orchestra in F major, K. 413: I. Allegro | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 11 for Piano & Orchestra in F major, K. 413: II. Larghetto | Murray Perahia, English Chamber Orchestra | T-926.819.124-8 |
| Concerto no. 11 for Piano & Orchestra in F major, K. 413: III. Tempo di Menuetto | Murray Perahia, English Chamber Orchestra | — |
| I. ALLEGRO APERTO | — | |
| II. ANDANTE UN POCO ADAGIO | — | |
| CONCERTO NO. 6 IN B-FLAT MAJOR FOR PIANO AND ORCHESTRA, K. 238: III. RONDEAU. ALLEGRO | — | |
| CONCERTO NO. 13 IN C MAJOR FOR PIANO AND ORCHESTRA, K. 415: I. ALLEGRO | — | |
| """CONCERTO NO. 13 IN C MAJOR FOR PIANO AND ORCHESTRA, K. 415: II. ANDANTE""" | — | |
| CONCERTO NO. 13 IN C MAJOR FOR PIANO AND ORCHESTRA, K. 415: III. ALLEGRO | — | |
| Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 27 in B-flat major, K. 595: II. Larghetto | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto no. 27 in B-flat major, K. 595: III. Rondo. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 12 for Piano & Orchestra in A major, K. 414: I. Allegro | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 12 for Piano & Orchestra in A major, K. 414: II. Andante | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 12 for Piano & Orchestra in A major, K. 414: III. Allegretto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: III. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 19 in F major, K. 459: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 19 in F major, K. 459: II. Allegretto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 19 in F major, K. 459: III. Allegro assai | Murray Perahia, English Chamber Orchestra | — |
| Rondo for Piano and Orchestra in D major, K. 382: Allegretto grazioso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — |
| Rondo for Piano and Orchestra in A major, K. 386: Allegretto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-900.077.695-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
886919125627 is a Universal Product Code (UPC) assigned to The First 40 Years by Murray Perahia. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 761 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886919125627 is the Universal Product Code (UPC barcode) for the release “The First 40 Years” by Murray Perahia, released 2012-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 761 tracks, each with its own ISRC. Tracks include USSM10016528, USSM10016529, USSM10016530.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 3 | Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 6 | Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 7 | Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 10 | Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | — | ||
| 11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 13 | Davidsbündlertänze, op. 6: XIII. Wild und Lustig | — | ||
| 14 | Davidsbündlertänze, op. 6: XIV. Zart und Singend | — | ||
| 15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 18 | Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | — | ||
| 19 | Fantasiestücke, op. 12: I. Des Abends | — | ||
| 20 | Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 21 | Fantasiestücke, op. 12: III. Warum? | — | ||
| 22 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 23 | Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 24 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 25 | Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 26 | Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 2-1 | Sonata No. 2 in B-flat minor, Op. 35: I. Grave | — | ||
| 2-2 | Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo | — | ||
| 2-3 | Sonata No. 2 in B-flat minor, Op. 35: III. Marche funebre | — | ||
| 2-4 | Sonata No. 2 in B-flat minor, Op. 35: IV. Finale: Presto | — | ||
| 2-5 | Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | — | ||
| 2-6 | Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace | — | ||
| 2-7 | Sonata No. 3 in B minor, Op. 58: III. Largo | — | ||
| 2-8 | Sonata No. 3 in B minor, Op. 58: IV. Finale: Presto ma non tanto | — | ||
| 3-1 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 3-2 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 3-3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto | — | ||
| 3-4 | Piano Concerto no. 2 in D minor, op. 40: I. Allegro appassionato | — | ||
| 3-5 | Piano Concerto no. 2 in D minor, op. 40: II. Adagio. Molto sostenuto | — | ||
| 3-6 | Piano Concerto no. 2 in D minor, op. 40: III. Finale. Presto scherzando | — | ||
| 4-1 | Prelude No. 1 in C major (Agitato) | — | ||
| 4-2 | Prelude No. 2 in A minor (Lenito) | — | ||
| 4-3 | Prelude No. 3 in G major (Vivace) | — | ||
| 4-4 | Prelude No. 4 in E minor (Largo) | — | ||
| 4-5 | Prelude No. 5 in D major (Allegro molto) | — | ||
| 4-6 | Prelude No. 6 in B minor (Lento assai) | — | ||
| 4-7 | Prelude No. 7 in A major (Andantino) | — | ||
| 4-8 | Prelude No. 8 in F-sharp minor (Molto agitato) | — | ||
| 4-9 | Prelude No. 9 in E major (Largo) | — | ||
| 4-10 | Prelude No. 10 in C-sharp minor (Allegro molto) | — | ||
| 4-11 | Prelude No. 11 in B major (Vivace) | — | ||
| 4-12 | Prelude No. 12 in G-sharp minor (Presto) | — | ||
| 4-13 | Prelude No. 13 in F-sharp Major (Lento) | — | ||
| 4-14 | Prelude No. 14 in E-flat minor (Allegro) | — | ||
| 4-15 | Prelude No. 15 in D-flat major (Sostenuto) | — | ||
| 4-16 | Prelude No. 16 in B-flat minor (Presto con fuoco) | — | ||
| 4-17 | Prelude No. 17 in A-flat major (Allegretto) | — | ||
| 4-18 | Prelude No. 18 in F minor (Allegro molto) | — | ||
| 4-19 | Prelude No. 19 in E-flat major (Vivace) | — | ||
| 4-20 | Prelude No. 20 in C minor (Largo) | — | ||
| 4-21 | Prelude No. 21 in B-flat major (Cantabile) | — | ||
| 4-22 | Prelude No. 22 in G minor (Molto agitato) | — | ||
| 4-23 | Prelude No. 23 in F major (Moderato) | — | ||
| 4-24 | Prelude No. 24 in D minor (Allegro appassionato) | — | ||
| 4-25 | Prelude in C-sharp Minor, Op. 45 (Sostenuto) | — | ||
| 4-26 | Prelude in A-flat Major Op. Posth (Presto con leggeressa) | — | ||
| 5-1 | Concerto for Piano and Orchestra No. 24 in C minor, K. 491: I. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 5-2 | Concerto for Piano and Orchestra No. 24 in C minor, K. 491: II. Larghetto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 5-3 | Concerto for Piano and Orchestra No. 24 in C minor, K. 491: III. Allegretto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 5-4 | Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 5-5 | Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: II. Andantino | Murray Perahia, English Chamber Orchestra | — | |
| 5-6 | Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: III. Allegro ma non troppo | Murray Perahia, English Chamber Orchestra | — | |
| 6-1 | Symphonic Etudes, Op. 13: Theme | — | ||
| 6-2 | Symphonic Etudes, Op. 13: Etude No. 1 | — | ||
| 6-3 | Symphonic Etudes, Op. 13: Etude No. 2 | — | ||
| 6-4 | Symphonic Etudes, Op. 13: Etude No. 3 | — | ||
| 6-5 | Symphonic Etudes, Op. 13: Etude No. 4 | — | ||
| 6-6 | Symphonic Etudes, Op. 13: Etude No. 5 | — | ||
| 6-7 | Symphonic Etudes, Op. 13: Etude No. 6 | — | ||
| 6-8 | Symphonic Etudes, Op. 13: Etude No. 7 | — | ||
| 6-9 | Symphonic Etudes, Op. 13: Etude No. 8 | — | ||
| 6-10 | Symphonic Etudes, Op. 13: Etude No. 9 | — | ||
| 6-11 | Symphonic Etudes, Op. 13: Etude No. 10 | — | ||
| 6-12 | Symphonic Etudes, Op. 13: Etude No. 11 | — | ||
| 6-13 | Symphonic Etudes, Op. 13: Etude No. 12 | — | ||
| 6-14 | Phosthumous Etudes: Variation No. 1 | — | ||
| 6-15 | Phosthumous Etudes: Variation No. 2 | — | ||
| 6-16 | Phosthumous Etudes: Variation No. 3 | — | ||
| 6-17 | Phosthumous Etudes: Variation No. 4 | — | ||
| 6-18 | Phosthumous Etudes: Variation No. 5 | — | ||
| 6-19 | Papillons, Op. 2: Introduzione | — | ||
| 6-20 | Papillons, Op. 2: No. 1 | — | ||
| 6-21 | Papillons, Op. 2: No. 2 | — | ||
| 6-22 | Papillons, Op. 2: No. 3 | — | ||
| 6-23 | Papillons, Op. 2: No. 4 | — | ||
| 6-24 | Papillons, Op. 2: No. 5 | — | ||
| 6-25 | Papillons, Op. 2: No. 6 | — | ||
| 6-26 | Papillons, Op. 2: No. 7 | — | ||
| 6-27 | Papillons, Op. 2: No. 8 | — | ||
| 6-28 | Papillons, Op. 2: No. 9 | — | ||
| 6-29 | Papillons, Op. 2: No. 10 | — | ||
| 6-30 | Papillons, Op. 2: No. 11 | — | ||
| 6-31 | Papillons, Op. 2: No. 12 (Finale) | — | ||
| 7-1 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 7-2 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: II. Andantino | Murray Perahia, English Chamber Orchestra | — | |
| 7-3 | Concerto for Piano and Orchestra No. 9 in E-flat major, K. 271: III. Rondeau. Presto | Murray Perahia, English Chamber Orchestra | — | |
| 7-4 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: I. [Allegro maestoso] (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-801.411.105-9 | |
| 7-5 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 7-6 | Concerto for Piano and Orchestra No. 21 in C major, K. 467: III. Allegro vivace assai (cadenza: Rudolf Serkin) | Murray Perahia, English Chamber Orchestra | — | |
| 8-1 | Piano Concerto No. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | Murray Perahia, English Chamber Orchestra | — | |
| 8-2 | Piano Concerto No. 20 in D minor, K. 466: II. Romance | Murray Perahia, English Chamber Orchestra | — | |
| 8-3 | Piano Concerto No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 8-4 | Concerto no. 11 for Piano & Orchestra in F major, K. 413: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 8-5 | Concerto no. 11 for Piano & Orchestra in F major, K. 413: II. Larghetto | Murray Perahia, English Chamber Orchestra | — | |
| 8-6 | Concerto no. 11 for Piano & Orchestra in F major, K. 413: III. Tempo di Menuetto | Murray Perahia, English Chamber Orchestra | — | |
| 9-1 | Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — | |
| 9-2 | Concerto for Piano and Orchestra No. 27 in B-flat major, K. 595: II. Larghetto | Murray Perahia, English Chamber Orchestra | — | |
| 9-3 | Piano Concerto no. 27 in B-flat major, K. 595: III. Rondo. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — | |
| 9-4 | Concerto no. 12 for Piano & Orchestra in A major, K. 414: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 9-5 | Concerto no. 12 for Piano & Orchestra in A major, K. 414: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 9-6 | Concerto no. 12 for Piano & Orchestra in A major, K. 414: III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 10-1 | Concerto for Piano and Orchestra No. 22 in E-flat major, K. 482: I. Allegro (cadenza: after Johann Nepomuk Hummel) | Murray Perahia, English Chamber Orchestra | — | |
| 10-2 | Concerto for Piano and Orchestra No. 22 in E-flat major, K. 482: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 10-3 | Concerto for Piano and Orchestra No. 22 in E-flat major, K. 482: III. Rondo. Allegro (cadenza: Johann Nepomuk Hummel) | Murray Perahia, English Chamber Orchestra | — | |
| 10-4 | Concerto for Piano and Orchestra No. 8 in C major, K. 246: I. Allegro aperto | Murray Perahia, English Chamber Orchestra | — | |
| 10-5 | Concerto for Piano and Orchestra No. 8 in C major, K. 246: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 10-6 | Concerto for Piano and Orchestra No. 8 in C major, K. 246: III. Rondeau. Tempo di minuetto | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 11-1 | Lieder, Op. 40: No. 1 Märzveilchen | — | ||
| 11-2 | Lieder, Op. 40: No. 2 Muttertraum | — | ||
| 11-3 | Lieder, Op. 40: No. 3 Der Soldat | — | ||
| 11-4 | Lieder, Op. 40: No. 4 Der Spielmann | — | ||
| 11-5 | Lieder, Op. 40: No. 5 Verratene Liebe | — | ||
| 11-6 | Six Poems and Requiem, Op. 90: No. 1 Lied eines Schmiedes | — | ||
| 11-7 | Six Poems and Requiem, Op. 90: No. 2 Meine Rose | — | ||
| 11-8 | Six Poems and Requiem, Op. 90: No. 3 Kommen und Scheiden | — | ||
| 11-9 | Six Poems and Requiem, Op. 90: No. 4 Die Sennin | — | ||
| 11-10 | Six Poems and Requiem, Op. 90: No. 5 Einsamkeit | — | ||
| 11-11 | Six Poems and Requiem, Op. 90: No. 6 Der schwere Abend | — | ||
| 11-12 | Six Poems and Requiem, Op. 90: No. 7 Requiem | — | ||
| 11-13 | Liederkreis, Op. 39: No. 1 In der Fremde | — | ||
| 11-14 | Liederkreis, Op. 39: No. 2 Intermezzo | — | ||
| 11-15 | Liederkreis, Op. 39: No. 3 Waldesgespräch | — | ||
| 11-16 | Liederkreis, Op. 39: No. 4 Die Stille | — | ||
| 11-17 | Liederkreis, Op. 39: No. 5 Mondnacht | — | ||
| 11-18 | Liederkreis, Op. 39: No. 6 Schöne Fremde | — | ||
| 11-19 | Liederkreis, Op. 39: No. 7 Auf eine Burg | — | ||
| 11-20 | Liederkreis, Op. 39: No. 8 In der Fremde | — | ||
| 11-21 | Liederkreis, Op. 39: No. 9 Wehmut | — | ||
| 11-22 | Liederkreis, Op. 39: No. 10 Zwielicht | — | ||
| 11-23 | Liederkreis, Op. 39: No. 11 Im Waldeg | — | ||
| 11-24 | Liederkreis, Op. 39: No. 12 Frühlingsnacht | — | ||
| 12-1 | Concerto no. 1 for Piano & Orchestra in E minor, op. 11: I. Allegro maestoso | — | ||
| 12-2 | Concerto no. 1 for Piano & Orchestra in E minor, op. 11: II. Romanze: Larghetto | — | ||
| 12-3 | Concerto no. 1 for Piano & Orchestra in E minor, op. 11: III. Rondo: Vivace | — | ||
| 13-1 | Sonata (1926): I. Allegro moderato | — | ||
| 13-2 | Sonata (1926): II. Sostenuto e pesante | — | ||
| 13-3 | Sonata (1926): III. Allegro molto | — | ||
| 13-4 | Improvisations on Hungarian Peasant Songs, op. 20: I. Molto moderato | — | ||
| 13-5 | Improvisations on Hungarian Peasant Songs, op. 20: II. Molto capriccioso | — | ||
| 13-6 | Improvisations on Hungarian Peasant Songs, op. 20: III. Lento, rubato | — | ||
| 13-7 | Improvisations on Hungarian Peasant Songs, op. 20: IV. Allegretto scherzando | — | ||
| 13-8 | Improvisations on Hungarian Peasant Songs, op. 20: V. Allegro molto | — | ||
| 13-9 | Improvisations on Hungarian Peasant Songs, op. 20: VI. Allegro moderato, molto capriccioso | — | ||
| 13-10 | Improvisations on Hungarian Peasant Songs, op. 20: VII. Sostenuto, rubato | — | ||
| 13-11 | Improvisations on Hungarian Peasant Songs, op. 20: VIII. Allegro | — | ||
| 13-12 | Suite, op. 14: I. Allegro | — | ||
| 13-13 | Suite, op. 14: II. Scherzo | — | ||
| 13-14 | Suite, op. 14: III. Allegro molto | — | ||
| 13-15 | Suite, op. 14: IV. Sostenuto | — | ||
| 13-16 | Out of Doors, Sz 81: I. With Drums and Pipes. Pesante | — | ||
| 13-17 | Out of Doors, Sz 81: II. Barcarolla. Andante | — | ||
| 13-18 | Out of Doors, Sz 81: III. Musettes. Moderato | — | ||
| 13-19 | Out of Doors, Sz 81: IV. Musiques Nocturnes. Lento | — | ||
| 13-20 | Out of Doors, Sz 81: V. The Chase. Presto | — | ||
| 14-1 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 14-2 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 14-3 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 14-4 | Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 14-5 | Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Murray Perahia, English Chamber Orchestra | — | |
| 14-6 | Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: III. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 15-1 | Concerto for Piano and Orchestra No. 25 in C major, K. 503: I. Allegro maestoso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 15-2 | Concerto for Piano and Orchestra No. 25 in C major, K. 503: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 15-3 | Concerto for Piano and Orchestra No. 25 in C major, K. 503: III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 15-4 | Concerto for Piano and Orchestra No. 5 in D major, K. 175: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 15-5 | Concerto for Piano and Orchestra No. 5 in D major, K. 175: II. Andante ma un poco adagio | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 15-6 | Concerto for Piano and Orchestra No. 5 in D major, K. 175: III. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 16-1 | Piano Sonata No. 4 in E Flat major op.7: I.Allegro molto e con brio | — | ||
| 16-2 | Piano Sonata No. 4 in E Flat major op.7: II.Largo | — | ||
| 16-3 | Piano Sonata No. 4 in E Flat major op.7: III.Allegro minore | — | ||
| 16-4 | Piano Sonata No. 4 in E Flat major op.7: IV. Rondo | — | ||
| 16-5 | Piano Sonata No. 11 in B Flat major op.22: I. Allegrio con brio | — | ||
| 16-6 | Piano Sonata No. 11 in B Flat major op.22: II. Adagio | — | ||
| 16-7 | Piano Sonata No. 11 in B Flat major op.22: III. Menuetto | — | ||
| 16-8 | Piano Sonata No. 11 in B Flat major op.22: IV. Rondo | — | ||
| 17-1 | Impromptu D. 899 no. 1 in C minor: Allegro molto moderato | — | ||
| 17-2 | Impromptu D. 899 no. 2 in E-flat major: Allegro | — | ||
| 17-3 | Impromptu D. 899 no. 3 in G-flat major: Andante | — | ||
| 17-4 | Impromptu D. 899 no. 4 in A-flat major: Allegretto | — | ||
| 17-5 | Impromptu D. 935 no. 1 in F minor: Allegro moderato | — | ||
| 17-6 | Impromptu D. 935 no. 2 in A-flat major: Allegretto | — | ||
| 17-7 | Impromptu D. 935 no. 3 in B-flat major: Andante | — | ||
| 17-8 | Impromptu D. 935 no. 4 in F minor: Allegro scherzando | — | ||
| 18-1 | Concerto for Piano and Orchestra No. 15 in B-flat major, K. 450: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 18-2 | Concerto for Piano and Orchestra No. 15 in B-flat major, K. 450: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 18-3 | Concerto for Piano and Orchestra No. 15 in B-flat major, K. 450: III. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 18-4 | Concerto for Piano and Orchestra No. 16 in D major, K. 451: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 18-5 | Concerto for Piano and Orchestra No. 16 in D major, K. 451: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 18-6 | Concerto for Piano and Orchestra No. 16 in D major, K. 451: III. Allegro di molto | Murray Perahia, English Chamber Orchestra | — | |
| 19-1 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: I. Allegro | — | ||
| 19-2 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: II. Andante | — | ||
| 19-3 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: III. Tempo di menuetto | — | ||
| 19-4 | Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: I. Allegro | — | ||
| 19-5 | Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: II. Allegretto (with 4 variations) | — | ||
| 19-6 | Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: I. Allegro | — | ||
| 19-7 | Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: II. Allegretto (Rondeaux) | — | ||
| 19-8 | Concerto for Piano and Orchestra in C major, Op. 3 No. 3: I. Allegro | — | ||
| 19-9 | Concerto for Piano and Orchestra in C major, Op. 3 No. 3: II. Grazioso. Larghetto | — | ||
| 19-10 | Concerto for Piano and Orchestra in C major, Op. 3 No. 3: III. Rondeaux. Allegro | — | ||
| 20-1 | Concerto for Piano and Orchestra No. 26 in D major, K. 537 "Coronation": I. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 20-2 | Concerto for Piano and Orchestra No. 26 in D major, K. 537 "Coronation": II. Larghetto | Murray Perahia, English Chamber Orchestra | — | |
| 20-3 | Concerto for Piano and Orchestra No. 26 in D major, K. 537 "Coronation": III. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 20-4 | Rondo for Piano and Orchestra in D major, K. 382: Allegretto grazioso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 20-5 | Rondo for Piano and Orchestra in A major, K. 386: Allegretto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 21-1 | Concerto for Piano and Orchestra No. 19 in F major, K. 459: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — | |
| 21-2 | Concerto for Piano and Orchestra No. 19 in F major, K. 459: II. Allegretto | Murray Perahia, English Chamber Orchestra | — | |
| 21-3 | Concerto for Piano and Orchestra No. 19 in F major, K. 459: III. Allegro assai | Murray Perahia, English Chamber Orchestra | — | |
| 21-4 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: I. Allegro (cadenza: Wolfgang Amadeus Mozart) | Murray Perahia, English Chamber Orchestra | T-915.711.586-1 | |
| 21-5 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: II. Adagio | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 21-6 | Concerto for Piano and Orchestra No. 23 in A major, K. 488: III. Allegro assai | Murray Perahia, English Chamber Orchestra | T-915.711.586-1 | |
| 22-1 | Concerto for Piano and Orchestra No. 6 in B-flat major, K. 238: I. Allegro aperto | Murray Perahia, English Chamber Orchestra | — | |
| 22-2 | Concerto for Piano and Orchestra No. 6 in B-flat major, K. 238: II. Andante un poco adagio | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 22-3 | Concerto for Piano and Orchestra No. 6 in B-flat major, K. 238: III. Rondeau. Allegro (cadenza: Artur Balsam) | Murray Perahia, English Chamber Orchestra | — | |
| 22-4 | Concerto for Piano and Orchestra No. 13 in C major, K. 415: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 22-5 | Concerto for Piano and Orchestra No. 13 in C major, K. 415: II. Andante | Murray Perahia, English Chamber Orchestra | — | |
| 22-6 | Concerto for Piano and Orchestra No. 13 in C major, K. 415: III. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 23-1 | Concerto for Piano and Orchestra No. 1 in F major, K. 37: I. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 23-2 | Concerto for Piano and Orchestra No. 1 in F major, K. 37: II. Andante (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 23-3 | Concerto for Piano and Orchestra No. 1 in F major, K. 37: III. Allegro | Murray Perahia, English Chamber Orchestra | — | |
| 23-4 | Concerto for Piano and Orchestra No. 2 in B-flat major, K. 39: I. Allegro spiritoso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 23-5 | Concerto for Piano and Orchestra No. 2 in B-flat major, K. 39: II. Andante (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-6 | Concerto for Piano and Orchestra No. 2 in B-flat major, K. 39: III. Molto allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-7 | Concerto for Piano and Orchestra No. 3 in D major, K. 40: I. Allegro maestoso (cadenza: Wolfgang Amadeus Mozart) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-8 | Concerto for Piano and Orchestra No. 3 in D major, K. 40: II. Andante | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-9 | Concerto for Piano and Orchestra No. 3 in D major, K. 40: III. Presto | Murray Perahia, English Chamber Orchestra | — | |
| 23-10 | Concerto for Piano and Orchestra No. 4 in G major, K. 41: I. Allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 23-11 | Concerto for Piano and Orchestra No. 4 in G major, K. 41: II. Andante (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 23-12 | Concerto for Piano and Orchestra No. 4 in G major, K. 41: III. Molto allegro (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-925.645.333-5 | |
| 24-1 | Sonata for piano Op.6 : Allegretto con espressione | — | ||
| 24-2 | Tempo di menuetto - piu vivace - l'istesso tempo I | — | ||
| 24-3 | Recitativo - Andante - Allegretto con espressione | — | ||
| 24-4 | Prelude et fugue Op.35, N.1 | — | ||
| 24-5 | Variations serieuses, Op.54 | — | ||
| 24-6 | Rondo capriccioso, Op.14 | — | ||
| 25-1 | Piano Sonata No. 7 in D major, Op. 10 No. 3: I. Presto | — | ||
| 25-2 | Piano Sonata No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 25-3 | Piano Sonata No. 7 in D major, Op. 10 No. 3: III. Menuetto: Allegro | — | ||
| 25-4 | Piano Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 25-5 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 25-6 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 25-7 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro, ma non troppo | — | ||
| 26-1 | Impromptu in A-flat major, Op. 29 | — | ||
| 26-2 | Impromptu in F-sharp major, Op. 36 | — | ||
| 26-3 | Impromptu in G-flat major, Op. 51 | — | ||
| 26-4 | Fantaisie-Impromptu in C-sharp minor, Op. 66 | — | ||
| 26-5 | Barcarolle in F-sharp major, Op. 60 | — | ||
| 26-6 | Berceuse in D-flat major, Op. 57 | — | ||
| 26-7 | Fantaisie in F minor, Op. 49 | — | ||
| 27-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | — | ||
| 27-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Murray Perahia, Radu Lupu | T-902.919.739-5 | |
| 27-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | — | ||
| 27-4 | Fantasia for Piano, Four Hands in F minor D 940: Allegro molto moderato - Largo - Allegro vivace - Con delicatezza | — | ||
| 28-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 28-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 28-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | — | ||
| 28-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 28-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 28-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | — | ||
| 29-1 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 29-2 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 29-3 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | — | ||
| 29-4 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 29-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 29-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 30-1 | Fantasie in C major, Op. 15 "Wanderer-Fantasie": Allegro con fuoco ma non troppo - Adagio - Presto - Allegro | — | ||
| 30-2 | Fantasie in C major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 30-3 | Fantasie in C major, Op. 17: II. Massig | — | ||
| 30-4 | Fantasie in C major, Op. 17: III. Langsam getragen | — | ||
| 31-1 | Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio | — | ||
| 31-2 | Piano Concerto No. 1 in C major, Op. 15: Cadenza | — | ||
| 31-3 | Piano Concerto No. 1 in C major, Op. 15: II. Largo | — | ||
| 31-4 | Piano Concerto No. 1 in C major, Op. 15: III. Rondo: Allegro scherzando | — | ||
| 31-5 | Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio | — | ||
| 31-6 | Piano Concerto No. 2 in B-flat major, Op. 19: Cadenza | — | ||
| 31-7 | Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio | — | ||
| 31-8 | Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Molto allegro | — | ||
| 32-1 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 ("Tempest"/"Der Sturm"/"La Tempête"): I. Largo; Allegro | — | ||
| 32-2 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 ("Tempest"/"Der Sturm"/"La Tempête"): II. Adagio | — | ||
| 32-3 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 ("Tempest"/"Der Sturm"/"La Tempête"): III. Allegretto | — | ||
| 32-4 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 32-5 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo: Allegretto vivace | — | ||
| 32-6 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: III. Menuetto: Moderato e grazioso | — | ||
| 32-7 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 32-8 | Piano Sonata No. 26 in E-flat major, Op. 81a ("Das Lebewohl"/"Les Adieux"): I. Das Lebewohl/Les Adieux/The Farewell: Adagio; Allegro | — | ||
| 32-9 | Piano Sonata No. 26 in E-flat major, Op. 81a ("Das Lebewohl"/"Les Adieux"): II. Abwesenheit/L'Absence/Absence: Andante espressivo | — | ||
| 32-10 | Piano Sonata No. 26 in E-flat major, Op. 81a ("Das Lebewohl"/"Les Adieux"): III. Das Wiedersehn/Le Retour/The Return: Vivacissimamente | — | ||
| 33-1 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | — | ||
| 33-2 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto | — | ||
| 33-3 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro | — | ||
| 34-1 | Quartet no. 1 in G minor for Piano and Strings, op. 25: I. Allegro | — | ||
| 34-2 | Quartet no. 1 in G minor for Piano and Strings, op. 25: II. Intermezzo. Allegro ma non troppo | — | ||
| 34-3 | Quartet no. 1 in G minor for Piano and Strings, op. 25: III. Andante con moto; Animato | — | ||
| 34-4 | Quartet no. 1 in G minor for Piano and Strings, op. 25: IV. Rondo alla Zingarese - Presto | — | ||
| 35-1 | Sonata for 2 Pianos & Percussion, Assai lento | — | ||
| 35-2 | Sonata for 2 Pianos & Percussion, Lento, na non troppo | — | ||
| 35-3 | Sonata for 2 Pianos & Percussion, Allegra non troppo | — | ||
| 35-4 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Thema: Chorale St. Antoni, Andante | — | ||
| 35-5 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 1, Andante con moto | — | ||
| 35-6 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 2, Vivace | — | ||
| 35-7 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 3, Con moto | — | ||
| 35-8 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 4, Andante | — | ||
| 35-9 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 5, Poco presto | — | ||
| 35-10 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 6, Vivace | — | ||
| 35-11 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 7, Grazioso | — | ||
| 35-12 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Variation 8, Poco presto | — | ||
| 35-13 | Variations on a Theme by Joseph Haydn for 2 Pianos, Op 56b - Finale, Andante | — | ||
| 36-1 | Piano Sonata in G minor, op. 22: I. So raschweimöglich | — | ||
| 36-2 | Piano Sonata in G minor, op. 22: II. Andantino. Getragen | — | ||
| 36-3 | Piano Sonata in G minor, op. 22: III. Scherzo. Sehr rasch und markiert | — | ||
| 36-4 | Piano Sonata in G minor, op. 22: IV. Rondo. Presto | — | ||
| 36-5 | Piano Sonata in A major, op. posth., D. 959: I. Allegro | — | ||
| 36-6 | Piano Sonata in A major, op. posth., D. 959: II. Andantino | — | ||
| 36-7 | Piano Sonata in A major, op. posth., D. 959: III. Scherzo | — | ||
| 36-8 | Piano Sonata in A major, op. posth., D. 959: IV. Rondo | — | ||
| 37-1 | Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | — | ||
| 37-2 | Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 37-3 | Piano Concerto in A Minor, Op. 54: III. Allegro vivace | — | ||
| 37-4 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | — | ||
| 37-5 | Piano Concerto in A Minor, Op. 16: II. Adagio | — | ||
| 37-6 | Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato | — | ||
| 38-1 | Concerto No. 1 for Piano & Orchestra, Op. 11: I. Allegro maestoso | — | ||
| 38-2 | Concerto No. 1 for Piano & Orchestra, Op. 11: II. Romanze: Larghetto | — | ||
| 38-3 | Concerto No. 1 for Piano & Orchestra, Op. 11: III. Rondo: Vivace | — | ||
| 38-4 | Concerto No. 2 for Piano & Orchestra, Op. 21: I. Maestoso | — | ||
| 38-5 | Concerto No. 2 for Piano & Orchestra, Op. 21: II. Larghetto | — | ||
| 38-6 | Concerto No. 2 for Piano & Orchestra, Op. 21: III. Allegro vivace | — | ||
| 39-1 | Variations for Piano in C minor, WoO 80 | — | ||
| 39-2 | Carnival Jest From Vienna, Op. 26: I. Allegro: Sehr lebhaft | — | ||
| 39-3 | Carnival Jest From Vienna, Op. 26: II Romanze: Ziemlich langsam | — | ||
| 39-4 | Carnival Jest From Vienna, Op. 26: III. Scherzino | — | ||
| 39-5 | Carnival Jest From Vienna, Op. 26: IV. Intermezzo: Mit größter Energie | — | ||
| 39-6 | Carnival Jest From Vienna, Op. 26: V. Finale: Höchst lebhaft | — | ||
| 39-7 | Hungarian Rhapsodie No. 12: Introduction: Mesto - Adagio - Allegro zingarese - Allegretto gioioso - Stretta: Vivace | — | ||
| 39-8 | Consolation No. 3 in D-flat major | — | ||
| 39-9 | Etudes-tableaux Op. 33, No. 2 in C major: Allegro | — | ||
| 39-10 | Etudes-Tableaux Op. 39, No. 5 in E-flat minor: Appassionato | — | ||
| 39-11 | Etudes-tableaux, Op. 39 No. 6, in A minor: Allegro | — | ||
| 39-12 | Etudes-tableaux. Op. 39, No. 9, in D major: Allegro moderato | — | ||
| 40-1 | Concerto for 2 Pianos and Orchestra No. 10 in E-flat major, K. 365: I. Allegro | Radu Lupu, Murray Perahia, English Chamber Orchestra | — | |
| 40-2 | Concerto for 2 Pianos and Orchestra No. 10 in E-flat major, K. 365: II. Andante | Radu Lupu, Murray Perahia, English Chamber Orchestra | T-902.919.739-5 | |
| 40-3 | Concerto for 2 Pianos and Orchestra No. 10 in E-flat major, K. 365: III. Rondeaux. Allegro | Radu Lupu, Murray Perahia, English Chamber Orchestra | — | |
| 40-4 | Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro | Radu Lupu, Murray Perahia, English Chamber Orchestra | — | |
| 40-5 | Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio | Radu Lupu, Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 40-6 | Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondeau. Tempo di menuetto | Radu Lupu, Murray Perahia, English Chamber Orchestra | T-312.542.566-9 | |
| 40-7 | Fantasia for Mechanical Organ in F minor, K. 608: I. Allegro ritenuto | Radu Lupu, Murray Perahia | T-070.160.313-5 | |
| 40-8 | Fantasia for Mechanical Organ in F minor, K. 608: II. Andante | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 40-9 | Fantasia for Mechanical Organ in F minor, K. 608: III. Allegro ritenuto | Radu Lupu, Murray Perahia | — | |
| 40-10 | Andante and Variations for Four Hands in G major, K. 501: I. Andante | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 40-11 | Andante and Variations for Four Hands in G major, K. 501: II. Variation 1 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 40-12 | Andante and Variations for Four Hands in G major, K. 501: III. Variation 2 | Radu Lupu, Murray Perahia | — | |
| 40-13 | Andante and Variations for Four Hands in G major, K. 501: IV. Variation 3 | Radu Lupu, Murray Perahia | T-003.979.618-3 | |
| 40-14 | Andante and Variations for Four Hands in G major, K. 501: V. Variation 4 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 40-15 | Andante and Variations for Four Hands in G major, K. 501: VI. Variation 5 | Radu Lupu, Murray Perahia | T-902.919.739-5 | |
| 41-1 | Piano Concerto No. 21 in C major, K. 467: I. [Allegro maestoso] | — | ||
| 41-2 | Piano Concerto No. 21 in C major, K. 467: II. Andante | Chamber Orchestra of Europe, Murray Perahia | — | |
| 41-3 | Piano Concerto No. 21 in C major, K. 467: III. Allegro vivace assai | — | ||
| 41-4 | Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 41-5 | Piano Concerto No. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 41-6 | Piano Concerto No. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 42-1 | Piano Sonata No. 3 in F minor, Op. 5: I. Allegro maestoso | — | ||
| 42-2 | Piano Sonata No. 3 in F minor, Op. 5: II. Andante espressivo | — | ||
| 42-3 | Piano Sonata No. 3 in F minor, Op. 5: III. Scherzo: Allegro energico - Trio | — | ||
| 42-4 | Piano Sonata No. 3 in F minor, Op. 5: IV. Intermezzo (Rückblick): Andante molto | — | ||
| 42-5 | Piano Sonata No. 3 in F minor, Op. 5: V. Finale: Allegro moderato | — | ||
| 42-6 | Rhapsody in E-flat major, Op. 119 No. 4: Allegro risoluto | — | ||
| 42-7 | Capriccio in B minor, Op. 76 No. 2: Allegretto non troppo | — | ||
| 42-8 | Intermezzo in E-flat minor, Op. 118 No. 6: Andante, largo e mesto | — | ||
| 42-9 | Rhapsody in B minor, Op. 79 No. 1: Agitato | — | ||
| 43-1 | Prélude, Choral et Fugue, M. 21: Prélude: Moderato | — | ||
| 43-2 | Prélude, Choral et Fugue, M. 21: Choral: Poco più lento | — | ||
| 43-3 | Prélude, Choral et Fugue, M. 21: Fugue: Tempo I (largamente) | — | ||
| 43-4 | Mephisto Waltz No. 1, S. 514 | — | ||
| 43-5 | Sonetto 104 del Petrarca, S. 161, No. 5 | — | ||
| 43-6 | Two Concert Studies Etudes, S. 145, No. 1 "Waldesrauschen" | — | ||
| 43-7 | Two Concert Studies Etudes, S. 145, No. 2 "Gnomenreigen" | — | ||
| 43-8 | Au bord d'une source, S. 160, No. 4 | — | ||
| 43-9 | Rhapsodie espagnole, S. 254 | — | ||
| 44-1 | Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso | — | ||
| 44-2 | Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione | — | ||
| 44-3 | Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | — | ||
| 44-4 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I: Tema. Andante grazioso e variazioni | Murray Perahia | T-313.706.452-5 | |
| 44-5 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Menuetto - Trio | — | ||
| 44-6 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. (Rondo) Alla Turca. Allegretto | — | ||
| 44-7 | Sonata for Piano no. 15 in F major, K. 533: I. Allegro | — | ||
| 44-8 | Sonata for Piano no. 15 in F major, K. 533: II. Andante | — | ||
| 44-9 | Sonata for Piano no. 15 in F major, K. 533: III. Rondo. Allegretto | — | ||
| 45-1 | Winterreise, D. 911: Gute Nacht | — | ||
| 45-2 | Winterreise, D. 911: Die Wetterfahne | — | ||
| 45-3 | Winterreise, D. 911: Gefrorne Tränen | — | ||
| 45-4 | Winterreise, D. 911: Erstarrung | — | ||
| 45-5 | Winterreise, D. 911: Der Lindenbaum | — | ||
| 45-6 | Winterreise, D. 911: Wasserflut | — | ||
| 45-7 | Winterreise, D. 911: Auf dem Flusse | — | ||
| 45-8 | Winterreise, D. 911: Rückblick | — | ||
| 45-9 | Winterreise, D. 911: Irrlicht | — | ||
| 45-10 | Winterreise, D. 911: Rast | — | ||
| 45-11 | Winterreise, D. 911: Frühlingstraum | — | ||
| 45-12 | Winterreise, D. 911: Einsamkeit | — | ||
| 45-13 | Winterreise, D. 911: Die Post | — | ||
| 45-14 | Winterreise, D. 911: Der greise Kopf | — | ||
| 45-15 | Winterreise, D. 911: Die Krähe | — | ||
| 45-16 | Winterreise, D. 911: Letzte Hoffnung | — | ||
| 45-17 | Winterreise, D. 911: Im Dorfe | — | ||
| 45-18 | Winterreise, D. 911: Der stürmische Morgen | — | ||
| 45-19 | Winterreise, D. 911: Täuschung | — | ||
| 45-20 | Winterreise, D. 911: Der Wegweiser | — | ||
| 45-21 | Winterreise, D. 911: Das Wirtshaus | — | ||
| 45-22 | Winterreise, D. 911: Mut! | — | ||
| 45-23 | Winterreise, D. 911: Die Nebensonnen | — | ||
| 45-24 | Winterreise, D. 911: Der Leiermann | — | ||
| 46-1 | Napoleon Shells Vienna | — | ||
| 46-2 | Childhood Dreams | — | ||
| 46-3 | Ludwig and Julia at Schönbrunn Palace Gardens | — | ||
| 46-4 | Julia and Her Father Secretly Watch | — | ||
| 46-5 | Ludwig and Caspar Fight | — | ||
| 46-6 | Ludwig Consoles Anna Marie | — | ||
| 46-7 | The Beethoven Brothers in Baden | — | ||
| 46-8 | A Concert for Lichnowsky | — | ||
| 46-9 | The Letter | — | ||
| 46-10 | The Funeral | — | ||
| 46-11 | Karl at the Ruins | — | ||
| 46-12 | The Carriage Stuck in the Mud | — | ||
| 46-13 | The Night of the Premiére | — | ||
| 47-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 47-2 | Ballade no. 2 in A minor, op. 38 | — | ||
| 47-3 | Ballade no. 3 in A-flat major, op. 47 | — | ||
| 47-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 47-5 | Waltz no. 1 in E-flat major "Grande Valse Brillante", op. 18 | — | ||
| 47-6 | Waltz no. 5 in A-flat major "Grande Valse", op. 42 | — | ||
| 47-7 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 47-8 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 47-9 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 47-10 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 47-11 | Etude no. 3 in E major "Tristesse", op. 10 no. 3 | — | ||
| 47-12 | Etude no. 4 in C-sharp minor "Torrent", op. 10 no. 4 | — | ||
| 48-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 48-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 48-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 48-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 48-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 48-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 48-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 48-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 48-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 48-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 48-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 48-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 49-1 | Suite no. 5 in E major, HWV 430: I. Prelude | — | ||
| 49-2 | Suite no. 5 in E major, HWV 430: II. Allemande | — | ||
| 49-3 | Suite no. 5 in E major, HWV 430: III. Courante | — | ||
| 49-4 | Suite no. 5 in E major, HWV 430: IV. Air with 5 variations | — | ||
| 49-5 | Chaconne in G major, HWV 435 | — | ||
| 49-6 | Suite no. 3 in D minor, HWV 428: I. Prelude | — | ||
| 49-7 | Suite no. 3 in D minor, HWV 428: II. Allegro (Fugue) | — | ||
| 49-8 | Suite no. 3 in D minor, HWV 428: III. Allemande | — | ||
| 49-9 | Suite no. 3 in D minor, HWV 428: IV. Courante | — | ||
| 49-10 | Suite no. 3 in D minor, HWV 428: V. Air with 5 variations | — | ||
| 49-11 | Suite no. 3 in D minor, HWV 428: VI. Presto | — | ||
| 49-12 | Suite no. 2 in F major, HWV 427: I. Adagio | — | ||
| 49-13 | Suite no. 2 in F major, HWV 427: II. Allegro | — | ||
| 49-14 | Suite no. 2 in F major, HWV 427: III. Adagio | — | ||
| 49-15 | Suite no. 2 in F major, HWV 427: IV. Allegro (Fugue) | — | ||
| 49-16 | Sonata in D major, K 491 | — | ||
| 49-17 | Sonata in B minor, K 27 | — | ||
| 49-18 | Sonata in C-sharp minor, K 247 | — | ||
| 49-19 | Sonata in D major, K 29 | — | ||
| 49-20 | Sonata in A major, K 537 | — | ||
| 49-21 | Sonata in E major, K 206 | — | ||
| 49-22 | Sonata in A major, K 212 | Murray Perahia | — | |
| 50-1 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - I. Introduzione. Un poco Adagio - Allegro vivace | — | ||
| 50-2 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - II. Aria | — | ||
| 50-3 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - III. Scherzo e Intermezzo. Allegrissimo - Intermezzo - Tempo I | — | ||
| 50-4 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - IV. Finale. Allegro un poco maestoso - Allegro più | — | ||
| 50-5 | Kreisleriana: Fantasien für Klavier, Op. 16 - I. Äußerst bewegt | — | ||
| 50-6 | Kreisleriana: Fantasien für Klavier, Op. 16 - II. Sehr innig und nicht zu rasch | — | ||
| 50-7 | Kreisleriana: Fantasien für Klavier, Op. 16 - III. Sehr aufgeregt | — | ||
| 50-8 | Kreisleriana: Fantasien für Klavier, Op. 16 - IV. Sehr langsam | — | ||
| 50-9 | Kreisleriana: Fantasien für Klavier, Op. 16 - V. Sehr lebhaft | — | ||
| 50-10 | Kreisleriana: Fantasien für Klavier, Op. 16 - VI. Sehr langsam | — | ||
| 50-11 | Kreisleriana: Fantasien für Klavier, Op. 16 - VII. Sehr rasch | — | ||
| 50-12 | Kreisleriana: Fantasien für Klavier, Op. 16 - VIII. Schnell und spielend | — | ||
| 51-1 | German dances (6) for orchestra, K. 509 | — | ||
| 51-2 | Adagio for piano in B minor, K. 540 | — | ||
| 51-3 | Piano Sonata, Op. 1 | — | ||
| 51-4 | Piano Sonata No. 1: 1. Allegro | — | ||
| 51-5 | Piano Sonata No. 1: 2. Andante tranquillo | — | ||
| 51-6 | Piano Sonata No. 1: 3. Presto | — | ||
| 51-7 | Piano Sonata No. 1: 4. Rondo giocoso con moto | — | ||
| 52-1 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 52-2 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 52-3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | — | ||
| 52-4 | Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major | — | ||
| 52-5 | Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor | — | ||
| 53-1 | English Suite No. 1 in A major, BWV 806: I. Prelude | Murray Perahia | — | |
| 53-2 | English Suite No. 1 in A major, BWV 806: II. Allemande | Murray Perahia | — | |
| 53-3 | English Suite No. 1 in A major, BWV 806: IIIa. Courante I | Murray Perahia | — | |
| 53-4 | English Suite No. 1 in A major, BWV 806: IIIb. Courante II avec deux Doubles | Murray Perahia | — | |
| 53-5 | English Suite No. 1 in A major, BWV 806: IV. Sarabande | Murray Perahia | — | |
| 53-6 | English Suite no. 1 in A major, BWV 806: Va. Bourrée I | Murray Perahia | — | |
| 53-7 | English Suite No. 1 in A major, BWV 806: Vb. Bourree II | Murray Perahia | — | |
| 53-8 | English Suite No. 1 in A major, BWV 806: VI. Gigue | Murray Perahia | — | |
| 53-9 | English Suite No. 3 in G minor, BWV 808: I. Prelude | Murray Perahia | — | |
| 53-10 | English Suite No. 3 in G minor, BWV 808: II. Allemande | Murray Perahia | — | |
| 53-11 | English Suite No. 3 in G minor, BWV 808: IIIa. Courante | Murray Perahia | — | |
| 53-12 | English Suite No. 3 in G minor, BWV 808: III. Sarabande | Murray Perahia | — | |
| 53-13 | English Suite No. 3 in G minor, BWV 808: IVa. Gavotte I | Murray Perahia | — | |
| 53-14 | English Suite No. 3 in G minor, BWV 808: IVb. Gavotte II (ou la Musette) | Murray Perahia | — | |
| 53-15 | English Suite No. 3 in G minor, BWV 808: V. Gigue | Murray Perahia | — | |
| 53-16 | English Suite No. 6 in D minor, BWV 811: I. Prelude - Allegro | Murray Perahia | — | |
| 53-17 | English Suite No. 6 in D minor, BWV 811: II. Allemande | Murray Perahia | — | |
| 53-18 | English Suite No. 6 in D minor, BWV 811: III. Courante | Murray Perahia | — | |
| 53-19 | English Suite No. 6 in D minor, BWV 811: IV. Sarabande - IVa. Double | Murray Perahia | — | |
| 53-20 | English Suite No. 6 in D minor, BWV 811: Va. Gavotte I | Murray Perahia | — | |
| 53-21 | English Suite No. 6 in D minor, BWV 811: Vb. Gavotte II | Murray Perahia | — | |
| 53-22 | English Suite No. 6 in D minor, BWV 811: VI. Gigue | Murray Perahia | — | |
| 54-1 | English Suite no. 2 in A minor, BWV 807: I. Prélude | Murray Perahia | T-909.229.948-4 | |
| 54-2 | English Suite no. 2 in A minor, BWV 807: II. Allemande | Murray Perahia | T-909.229.948-4 | |
| 54-3 | English Suite no. 2 in A minor, BWV 807: III. Courante | Murray Perahia | T-909.229.948-4 | |
| 54-4 | English Suite no. 2 in A minor, BWV 807: IV. Sarabande | Murray Perahia | T-909.229.948-4 | |
| 54-5 | English Suite no. 2 in A minor, BWV 807: V. Bourée I | Murray Perahia | T-909.229.948-4 | |
| 54-6 | English Suite no. 2 in A minor, BWV 807: VI. Bourée II | Murray Perahia | T-909.229.948-4 | |
| 54-7 | English Suite no. 2 in A minor, BWV 807: VII. Gigue | Murray Perahia | T-909.229.948-4 | |
| 54-8 | English Suite no. 4 in F major, BWV 809: I. Prélude | Murray Perahia | — | |
| 54-9 | English Suite no. 4 in F major, BWV 809: II. Allemande | Murray Perahia | — | |
| 54-10 | English Suite no. 4 in F major, BWV 809: III. Courante | Murray Perahia | — | |
| 54-11 | English Suite no. 4 in F major, BWV 809: IV. Sarabande | Murray Perahia | — | |
| 54-12 | English Suite no. 4 in F major, BWV 809: V. Menuett I | Murray Perahia | — | |
| 54-13 | English Suite no. 4 in F major, BWV 809: VI. Menuett II | Murray Perahia | — | |
| 54-14 | English Suite no. 4 in F major, BWV 809: VII. Gigue | Murray Perahia | — | |
| 54-15 | English Suite no. 5 in E minor, BWV 810: I. Prélude | Murray Perahia | — | |
| 54-16 | English Suite no. 5 in E minor, BWV 810: II. Allemande | Murray Perahia | — | |
| 54-17 | English Suite no. 5 in E minor, BWV 810: III. Courante | Murray Perahia | — | |
| 54-18 | English Suite no. 5 in E minor, BWV 810: IV. Sarabande | Murray Perahia | — | |
| 54-19 | English Suite no. 5 in E minor, BWV 810: V. Passepied I (en Rondeau) | Murray Perahia | — | |
| 54-20 | English Suite no. 5 in E minor, BWV 810: VI. Passepied II | Murray Perahia | — | |
| 54-21 | English Suite no. 5 in E minor, BWV 810: VII. Gigue | Murray Perahia | — | |
| 55-1 | Wachet auf, ruft uns die Stimme, BWV 645 | Murray Perahia | — | |
| 55-2 | Chorale Prelude for Organ, Nun komm der Heiden Heiland | Murray Perahia | — | |
| 55-3 | Nun freut euch, lieben Christen, BWV 734 | Murray Perahia | — | |
| 55-4 | Ich ruf' zu dir, Herr Jesu Christ, BWV 639 | Murray Perahia | — | |
| 55-5 | Lieder ohne Worte, op. 19 no. 3 | — | ||
| 55-6 | Lieder ohne Worte, op. 67 no. 2 | — | ||
| 55-7 | Lieder ohne Worte, op. 30 no. 4 | — | ||
| 55-8 | Lieder ohne Worte, op. 19 no. 1 | — | ||
| 55-9 | Lieder ohne Worte, op. 19 no. 5 | — | ||
| 55-10 | Lieder ohne Worte, op. 30 no. 6 | — | ||
| 55-11 | Lieder ohne Worte, op. 38 no. 3 | — | ||
| 55-12 | Lieder ohne Worte, op. 102 no. 5 | — | ||
| 55-13 | Lieder ohne Worte, op. 38 no. 2 | — | ||
| 55-14 | Lieder ohne Worte, op. 30 no. 2 | — | ||
| 55-15 | Lieder ohne Worte, op. 67 no. 1 | — | ||
| 55-16 | Lieder ohne Worte, op. 38 no. 6 | — | ||
| 55-17 | Lieder ohne Worte, op. 67 no. 4 | — | ||
| 55-18 | Lieder ohne Worte, op. 53 no. 4 | — | ||
| 55-19 | Lieder ohne Worte, op. 62 no. 2 | — | ||
| 55-20 | Auf dem Wasser zu singen | — | ||
| 55-21 | In der Ferne | — | ||
| 55-22 | Ständchen | — | ||
| 55-23 | Erlkönig | — | ||
| 56-1 | Goldberg Variations, BWV 988: Aria | Murray Perahia | T-902.128.688-4 | |
| 56-2 | Goldberg Variations, BWV 988: Variation 1 | Murray Perahia | T-902.128.688-4 | |
| 56-3 | Goldberg Variations, BWV 988: Variation 2 | Murray Perahia | T-902.128.688-4 | |
| 56-4 | Goldberg Variations, BWV 988: Variation 3. Canon on the unison | Murray Perahia | T-902.128.688-4 | |
| 56-5 | Goldberg Variations, BWV 988: Variation 4 | Murray Perahia | T-902.128.688-4 | |
| 56-6 | Goldberg Variations, BWV 988: Variation 5 | Murray Perahia | T-902.128.688-4 | |
| 56-7 | Goldberg Variations, BWV 988: Variation 6. Canon on the second | Murray Perahia | T-902.128.688-4 | |
| 56-8 | Goldberg Variations, BWV 988: Variation 7 | Murray Perahia | T-010.504.520-2 | |
| 56-9 | Goldberg Variations, BWV 988: Variation 8 | Murray Perahia | T-902.128.688-4 | |
| 56-10 | Goldberg Variations, BWV 988: Variation 9. Canon on the third | Murray Perahia | T-902.128.688-4 | |
| 56-11 | Goldberg Variations, BWV 988: Variation 10. Fughetta | Murray Perahia | T-902.128.688-4 | |
| 56-12 | Goldberg Variations, BWV 988: Variation 11 | Murray Perahia | T-902.128.688-4 | |
| 56-13 | Goldberg Variations, BWV 988: Variation 12. Canon on the fourth | Murray Perahia | T-311.760.304-6 | |
| 56-14 | Goldberg Variations, BWV 988: Variation 13 | Murray Perahia | T-902.128.688-4 | |
| 56-15 | Goldberg Variations, BWV 988: Variation 14 | Murray Perahia | T-902.128.688-4 | |
| 56-16 | Goldberg Variations, BWV 988: Variation 15. Canon on the fifth | Murray Perahia | T-312.642.162-9 | |
| 56-17 | Goldberg Variations, BWV 988: Variation 16. Overture | Murray Perahia | T-902.128.688-4 | |
| 56-18 | Goldberg Variations, BWV 988: Variation 17 | Murray Perahia | T-010.909.095-0 | |
| 56-19 | Goldberg Variations, BWV 988: Variation 18. Canon on the sixth | Murray Perahia | T-902.128.688-4 | |
| 56-20 | Goldberg Variations, BWV 988: Variation 19 | Murray Perahia | T-902.128.688-4 | |
| 56-21 | Goldberg Variations, BWV 988: Variation 20 | Murray Perahia | T-902.128.688-4 | |
| 56-22 | Goldberg Variations, BWV 988: Variation 21. Canon on the seventh | Murray Perahia | T-312.642.162-9 | |
| 56-23 | Goldberg Variations, BWV 988: Variation 22 | Murray Perahia | T-902.128.688-4 | |
| 56-24 | Goldberg Variations, BWV 988: Variation 23 | Murray Perahia | T-902.128.688-4 | |
| 56-25 | Goldberg Variations, BWV 988: Variation 24. Canon on the octave | Murray Perahia | T-902.128.688-4 | |
| 56-26 | Goldberg Variations, BWV 988: Variation 25 | Murray Perahia | T-902.128.688-4 | |
| 56-27 | Goldberg Variations, BWV 988: Variation 26 | Murray Perahia | T-902.128.688-4 | |
| 56-28 | Goldberg Variations, BWV 988: Variation 27. Canon on the ninth | Murray Perahia | T-311.760.304-6 | |
| 56-29 | Goldberg Variations, BWV 988: Variation 28 | Murray Perahia | T-902.128.688-4 | |
| 56-30 | Goldberg Variations, BWV 988: Variation 29 | Murray Perahia | T-902.128.688-4 | |
| 56-31 | Goldberg Variations, BWV 988: Variation 30. Quodlibet | Murray Perahia | T-902.128.688-4 | |
| 56-32 | Goldberg Variations, BWV 988: Aria da capo | Murray Perahia | T-801.806.984-7 | |
| 57-1 | Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-914.323.771-2 | |
| 57-2 | Keyboard Concerto no. 1 in D minor, BWV 1052: II. Adagio | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-3 | Keyboard Concerto no. 1 in D minor, BWV 1052: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-4 | Keyboard Concerto no. 2 in E major, BWV 1053: I. [ ] | Murray Perahia, Academy of St Martin in the Fields | T-312.207.924-3 | |
| 57-5 | Keyboard Concerto no. 2 in E major, BWV 1053: II. Siciliano | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-6 | Keyboard Concerto no. 2 in E major, BWV 1053: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-7 | Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-8 | Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 57-9 | Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-1 | Keyboard Concerto no. 3 in D major, BWV 1054: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-2 | Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-3 | Keyboard Concerto in D, BWV 1054: 3rd movement | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-5 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-6 | Keyboard Concerto no. 5 in F minor, BWV 1056: III. Presto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-7 | Pianoconcert No.6 in F Major, BWV 1057 | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-8 | Keyboard Concerto no. 6 in F major, BWV 1057: II. Andante | Murray Perahia, Academy of St Martin in the Fields | T-802.445.410-3 | |
| 58-9 | Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-10 | Keyboard Concerto no. 7 in G minor, BWV 1058: I. (Allegro) | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 58-11 | Keyboard Concerto no. 7 in G minor, BWV 1058: II. Andante | Murray Perahia, Academy of St Martin in the Fields | — | |
| 58-12 | Keyboard Concerto no. 7 in G minor, BWV 1058: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 59-1 | Etude, Op. 10 No. 1 in C major | — | ||
| 59-2 | Etude, Op. 10 No. 2 in A minor | — | ||
| 59-3 | Etude, Op. 10 No. 3 in E major | — | ||
| 59-4 | Etude, Op. 10 No. 4 in C-sharp minor | — | ||
| 59-5 | Etude, Op. 10 No. 5 in G-flat major "Black Keys" | — | ||
| 59-6 | Etude, Op. 10 No. 6 in E-flat minor | — | ||
| 59-7 | Etude, Op. 10 No. 7 in C major | — | ||
| 59-8 | Etude, Op. 10 No. 8 in F major | — | ||
| 59-9 | Etude, Op. 10 No. 9 in F minor | — | ||
| 59-10 | Etude, Op. 10 No. 10 in A-flat major | — | ||
| 59-11 | Etude, Op. 10 No. 11 in E-flat major | — | ||
| 59-12 | Etude, Op. 10 No. 12 in C minor "Revolutionary" | — | ||
| 59-13 | Etude, Op. 25 No. 1 in A-flat major | — | ||
| 59-14 | Etude, Op. 25 No. 2 in F minor | — | ||
| 59-15 | Etude, Op. 25 No. 3 in F major | — | ||
| 59-16 | Etude, Op. 25 No. 4 in A minor | — | ||
| 59-17 | Etude, Op. 25 No. 5 in E minor | — | ||
| 59-18 | Etude, Op. 25 No. 6 in G-sharp minor "Thirds" | — | ||
| 59-19 | Etude, Op. 25 No. 7 in C-sharp minor | — | ||
| 59-20 | Etude, Op. 25 No. 8 in D-flat major "Sixths" | — | ||
| 59-21 | Etude, Op. 25 No. 9 in G-flat major | — | ||
| 59-22 | Etude, Op. 25 No. 10 in B minor "Octaves" | — | ||
| 59-23 | Etude, Op. 25 No. 11 in A minor | — | ||
| 59-24 | Etude, Op. 25 No. 12 in C minor | — | ||
| 60-1 | Concerto for Flute, Violin and Clavier in A minor, BWV 1044: I. Allegro | Academy of St Martin in the Fields, Murray Perahia | T-914.323.771-2 | |
| 60-2 | Concerto for Flute, Violin and Clavier in A minor, BWV 1044: II. Adagio ma non tanto e dolce | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-3 | Concerto for Flute, Violin and Clavier in A minor, BWV 1044: III. Tempo di Alla breve | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-4 | Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro | Academy of St Martin in the Fields, Murray Perahia | T-914.323.771-2 | |
| 60-5 | Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-6 | Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro | Academy of St Martin in the Fields, Murray Perahia | — | |
| 60-7 | Italian Concerto in F major, BWV 971: I. Allegro | Murray Perahia | T-061.296.484-7 | |
| 60-8 | Italian Concerto in F major, BWV 971: II. Andante | Murray Perahia | T-061.296.484-7 | |
| 60-9 | Italian Concerto in F major, BWV 971: III. Presto | Murray Perahia | T-061.296.484-7 | |
| 61-1 | Piano Sonata no. 19 in C minor, D. 958: I. Allegro | — | ||
| 61-2 | Piano Sonata no. 19 in C minor, D. 958: II. Adagio | — | ||
| 61-3 | Piano Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro - Trio | — | ||
| 61-4 | Piano Sonata no. 19 in C minor, D. 958: IV. Allegro | — | ||
| 61-5 | Piano Sonata no. 20 in A major, D. 959: I. Allegro | — | ||
| 61-6 | Piano Sonata no. 20 in A major, D. 959: II. Andantino | — | ||
| 61-7 | Piano Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace - Trio: Un poco più lento | — | ||
| 61-8 | Piano Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto | — | ||
| 62-1 | Piano Sonata no. 21 in B-flat major, D. 960: I. Molto moderato | — | ||
| 62-2 | Piano Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto | — | ||
| 62-3 | Piano Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 62-4 | Piano Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 63-1 | String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-2 | String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-3 | String Quartet no. 12 in E-flat major, op. 127: III. Scherzando. Vivace (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-4 | String Quartet no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo (transcribed for string orchestra) | Academy of St Martin in the Fields, Murray Perahia | — | |
| 63-5 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Murray Perahia | — | |
| 63-6 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Murray Perahia | — | |
| 63-7 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto | Murray Perahia | — | |
| 63-8 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Murray Perahia | — | |
| 64-1 | Piano Sonata no.12 in A-flat major, op. 26: I. Andante con variazioni | — | ||
| 64-2 | Piano Sonata no.12 in A-flat major, op. 26: II. Scherzo: allegro molto | — | ||
| 64-3 | Piano Sonata no.12 in A-flat major, op. 26: III. Maestoso andante, marcia funebre sulla morte d'un eroe | — | ||
| 64-4 | Piano Sonata no.12 in A-flat major, op. 26: IV. Allegro | — | ||
| 64-5 | Piano Sonata no.9 in E major, op. 14, no. 1: I. Allegro | — | ||
| 64-6 | Piano Sonata no.9 in E major, op. 14, no. 1: II. Allegretto - Trio | — | ||
| 64-7 | Piano Sonata no.9 in E major, op. 14, no. 1: III. Rondo: Allegro comodo | — | ||
| 64-8 | Piano Sonata no.10 in G major, op. 14, no. 2: I. Allegro | — | ||
| 64-9 | Piano Sonata no.10 in G major, op. 14, no. 2: II. Andante | — | ||
| 64-10 | Piano Sonata no.10 in G major, op. 14, no. 2: III. Scherzo: Allegro assai | — | ||
| 64-11 | Piano Sonata no.15 in D major, op. 28 (Pastorale): I. Allegro | — | ||
| 64-12 | Piano Sonata no.15 in D major, op. 28 (Pastorale): II. Andante | — | ||
| 64-13 | Piano Sonata no.15 in D major, op. 28 (Pastorale): III. Scherzo et Trio: Allegro vivace | — | ||
| 64-14 | Piano Sonata no.15 in D major, op. 28 (Pastorale): IV. Rondo: Allegro non troppo | — | ||
| 65-1 | Partita no. 2, BWV 826 C-moll: I. Sinfonia | Murray Perahia | T-919.327.166-8 | |
| 65-2 | Partita no. 2, BWV 826 C-moll: II. Allemande | Murray Perahia | — | |
| 65-3 | Partita no. 2, BWV 826 C-moll: III. Courante | Murray Perahia | — | |
| 65-4 | Partita no. 2, BWV 826 C-moll: IV. Sarabande | Murray Perahia | — | |
| 65-5 | Partita no. 2, BWV 826 C-moll: V. Rondeau | Murray Perahia | — | |
| 65-6 | Partita no. 2, BWV 826 C-moll: VI. Capriccio | Murray Perahia | — | |
| 65-7 | Partita no. 3, BWV 827 A-moll: I. Fantasia | Murray Perahia | — | |
| 65-8 | Partita no. 3, BWV 827 A-moll: II. Allemande | Murray Perahia | — | |
| 65-9 | Partita no. 3, BWV 827 A-moll: III. Courante | Murray Perahia | — | |
| 65-10 | Partita no. 3, BWV 827 A-moll: IV. Sarabande | Murray Perahia | — | |
| 65-11 | Partita no. 3, BWV 827 A-moll: V. Burlesca | Murray Perahia | — | |
| 65-12 | Partita no. 3, BWV 827 A-moll: VI. Scherzo | Murray Perahia | — | |
| 65-13 | Partita no. 3, BWV 827 A-moll: VII. Gigue | Murray Perahia | — | |
| 65-14 | Partita no. 4, BWV 828 D-dur: I. Ouverture | Murray Perahia | — | |
| 65-15 | Partita no. 4, BWV 828 D-dur: II. Allemande | Murray Perahia | — | |
| 65-16 | Partita no. 4, BWV 828 D-dur: III. Courante | Murray Perahia | — | |
| 65-17 | Partita no. 4, BWV 828 D-dur: IV. Aria | Murray Perahia | T-905.380.384-2 | |
| 65-18 | Partita no. 4, BWV 828 D-dur: V. Sarabande | Murray Perahia | — | |
| 65-19 | Partita no. 4, BWV 828 D-dur: VI. Menuett | Murray Perahia | — | |
| 65-20 | Partita no. 4, BWV 828 D-dur: VII. Gigue | Murray Perahia | — | |
| 66-1 | Partita No. 1 in B flat major, BWV 825: I Praeludium | Murray Perahia | T-928.012.883-8 | |
| 66-2 | Partita No. 1 in B flat major, BWV 825: II Allemande | Murray Perahia | — | |
| 66-3 | Partita No. 1 in B flat major, BWV 825: III Corrente | Murray Perahia | — | |
| 66-4 | Partita No. 1 in B flat major, BWV 825: IV Sarabande | Murray Perahia | — | |
| 66-5 | Partita No. 1 in B flat major, BWV 825: V Menuet I & II | Murray Perahia | — | |
| 66-6 | Partita No. 1 in B flat major, BWV 825: VI Gigue | Murray Perahia | — | |
| 66-7 | Partita No. 5 in G major, BWV 829: I Praeambulum | Murray Perahia | — | |
| 66-8 | Partita No. 5 in G major, BWV 829: II Allemande | Murray Perahia | — | |
| 66-9 | Partita No. 5 in G major, BWV 829: III Corrente | Murray Perahia | — | |
| 66-10 | Partita No. 5 in G major, BWV 829: IV Sarabande | Murray Perahia | — | |
| 66-11 | Partita No. 5 in G major, BWV 829: V Tempo di Minuetto | Murray Perahia | — | |
| 66-12 | Partita No. 5 in G major, BWV 829: VI Passepied | Murray Perahia | — | |
| 66-13 | Partita No. 5 in G major, BWV 829: VII Gigue | Murray Perahia | — | |
| 66-14 | Partita No. 6 in E minor, BWV 830: I Toccata | Murray Perahia | — | |
| 66-15 | Partita No. 6 in E minor, BWV 830: II Allemande | Murray Perahia | — | |
| 66-16 | Partita No. 6 in E minor, BWV 830: III Corrente | Murray Perahia | — | |
| 66-17 | Partita No. 6 in E minor, BWV 830: IV Air | Murray Perahia | — | |
| 66-18 | Partita No. 6 in E minor, BWV 830: V Sarabande | Murray Perahia | — | |
| 66-19 | Partita No. 6 in E minor, BWV 830: VI Tempo di Gavotta | Murray Perahia | — | |
| 66-20 | Partita No. 6 in E minor, BWV 830: VII Gigue | Murray Perahia | — | |
| 67-1 | Handel Variations, op. 24 | — | ||
| 67-2 | Two Rhapsodies, op. 79: No. 1 Rhapsody in B minor - Agitato | — | ||
| 67-3 | Two Rhapsodies, op. 79: No. 2 Rhapsody in G minor - Molto passionato, ma non troppo allegro | — | ||
| 67-4 | Six piano pieces, op. 118: No. 1 Intermezzo in A minor - Allegro non assai, ma molto appassionato | — | ||
| 67-5 | Six piano pieces, op. 118: No. 2 Intermezzo in A major - Andante teneramente | — | ||
| 67-6 | Six piano pieces, op. 118: No. 3 Ballade in G minor - Allegro energico | — | ||
| 67-7 | Six piano pieces, op. 118: No. 4 Intermezzo in F minor - Allegretto un poco agitato | — | ||
| 67-8 | Six piano pieces, op. 118: No. 5 Romance in F major - Andante | — | ||
| 67-9 | Six piano pieces, op. 118: No. 6 Intermezzo in E-flat minor - Andante, largo e mesto | — | ||
| 67-10 | Four piano pieces, op. 119: No. 1 Intermezzo in B minor - Adagio | — | ||
| 67-11 | Four piano pieces, op. 119: No. 2 Intermezzo in E minor - Andantino un poco agitato | — | ||
| 67-12 | Four piano pieces, op. 119: No. 3 Intermezzo in C major - Grazioso e giocoso | — | ||
| 67-13 | Four piano pieces, op. 119: No. 4 Rhapsody in E-flat major - Allegro risoluto | — | ||
| 68-1 | Trio for clarinet (or violin), viola & piano in E flat major ('Kegelstatt'), K. 498: 1. Andante | — | ||
| 68-2 | Trio for clarinet (or violin), viola & piano in E flat major ('Kegelstatt'), K. 498: 2. Menuetto - Trio | — | ||
| 68-3 | Trio for clarinet (or violin), viola & piano in E flat major ('Kegelstatt'), K. 498: 3. Rondeaux. Allegretto | — | ||
| 68-4 | Trio Pieces (8), for clarinet (or violin), viola (or cello) & piano, Op. 83: No. 2: Allegro con moto | — | ||
| 68-5 | Trio Pieces (8), for clarinet (or violin), viola (or cello) & piano, Op. 83: No. 6: Andante con moto 'Nocturne' | — | ||
| 68-6 | Trio Pieces (8), for clarinet (or violin), viola (or cello) & piano, Op. 83: No. 7: Allegro vivace, ma non troppo | — | ||
| 68-7 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 1: Lebhaft, nicht zu schnell | — | ||
| 68-8 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 2: Lebhaft und sehr markiert | — | ||
| 68-9 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 3: Ruhiges Tempo, mit zartem Ausdruck | — | ||
| 68-10 | Märchenerzählungen for clarinet (or violin), viola & piano, Op. 132: No. 4: Lebhaft, sehr markiert | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Murray Perahia, Academy of St Martin in the Fields | — |
| Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: II. Andantino | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 14 for Piano & Orchestra in E-flat major, K. 449: III. Allegro ma non troppo | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto No. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto No. 20 in D minor, K. 466: II. Romance | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Perahia) | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 11 for Piano & Orchestra in F major, K. 413: I. Allegro | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 11 for Piano & Orchestra in F major, K. 413: II. Larghetto | Murray Perahia, English Chamber Orchestra | T-926.819.124-8 |
| Concerto no. 11 for Piano & Orchestra in F major, K. 413: III. Tempo di Menuetto | Murray Perahia, English Chamber Orchestra | — |
| I. ALLEGRO APERTO | — | |
| II. ANDANTE UN POCO ADAGIO | — | |
| CONCERTO NO. 6 IN B-FLAT MAJOR FOR PIANO AND ORCHESTRA, K. 238: III. RONDEAU. ALLEGRO | — | |
| CONCERTO NO. 13 IN C MAJOR FOR PIANO AND ORCHESTRA, K. 415: I. ALLEGRO | — | |
| """CONCERTO NO. 13 IN C MAJOR FOR PIANO AND ORCHESTRA, K. 415: II. ANDANTE""" | — | |
| CONCERTO NO. 13 IN C MAJOR FOR PIANO AND ORCHESTRA, K. 415: III. ALLEGRO | — | |
| Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 27 in B-flat major, K. 595: II. Larghetto | Murray Perahia, English Chamber Orchestra | — |
| Piano Concerto no. 27 in B-flat major, K. 595: III. Rondo. Allegro (cadenza: Mozart) | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 12 for Piano & Orchestra in A major, K. 414: I. Allegro | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 12 for Piano & Orchestra in A major, K. 414: II. Andante | Murray Perahia, English Chamber Orchestra | — |
| Concerto no. 12 for Piano & Orchestra in A major, K. 414: III. Allegretto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: III. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 18 in B-flat major, K. 456: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 19 in F major, K. 459: I. Allegro vivace | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 19 in F major, K. 459: II. Allegretto | Murray Perahia, English Chamber Orchestra | — |
| Concerto for Piano and Orchestra No. 19 in F major, K. 459: III. Allegro assai | Murray Perahia, English Chamber Orchestra | — |
| Rondo for Piano and Orchestra in D major, K. 382: Allegretto grazioso (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | — |
| Rondo for Piano and Orchestra in A major, K. 386: Allegretto (cadenza: Murray Perahia) | Murray Perahia, English Chamber Orchestra | T-900.077.695-4 |
