UPC · Release
The Complete Works for Solo Piano
Claude Debussy, Paul Crossley
886919307320
79 tracksReleased 2012-01-01Sony Classical
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886919307320 is the Universal Product Code (UPC barcode) for the release “The Complete Works for Solo Piano” by Claude Debussy, Paul Crossley, released 2012-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC.
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8Number system
86919Manufacturer
30732Product
0Check digit
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Credit Chain
UPCThe Complete Works for Solo Piano
ISWC1 work
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Preludes, Book 1: I. Danseuses de Delphes | — | ||
| 2 | Preludes, Book 1: II. Voiles | — | ||
| 3 | Preludes, Book 1: III. Le Vent dans la plaine | — | ||
| 4 | Preludes, Book 1: IV. Les sons et les parfums tournent dans l’air du soir | — | ||
| 5 | Preludes, Book 1: V. Les Collines d’Anacapri | — | ||
| 6 | Preludes, Book 1: VI. Des pas sur la neige | — | ||
| 7 | Preludes, Book 1: VII. Ce qu’a vu le vent d’Ouest | — | ||
| 8 | Preludes, Book 1: VIII. La Fille aux cheveux de lin | — | ||
| 9 | Preludes, Book 1: IX. La Serenade interrompue | — | ||
| 10 | Preludes, Book 1: X. La cathedrale engloutie | — | ||
| 11 | Preludes, Book 1: XI. La Danse de Puck | — | ||
| 12 | Preludes, Book 1: XII. Minstrels | — | ||
| 13 | Images, Set I: I. Reflets dans l’eau. | — | ||
| 14 | Images, Set I: II. Hommage a Rameau. | — | ||
| 15 | Images, Set I: III. Mouvement | — | ||
| 16 | Images, Set II: I. Cloches a travers les feuilles | — | ||
| 17 | Images, Set II: II. Et la lune descend sur le temple qui fut | — | ||
| 18 | Images, Set II: III Poissons dor | — | ||
| 2-1 | Preludes, Book II: I. Brouillards | — | ||
| 2-2 | Preludes, Book II: II. Feuilles Mortes | — | ||
| 2-3 | Preludes, Book II: III. La Puerta del Vino | — | ||
| 2-4 | Preludes, Book II: IV. Les Fees Sont d’exiquises danseuses | — | ||
| 2-5 | Preludes, Book II: V. Bruyeres | — | ||
| 2-6 | Preludes, Book II: VI. "General Lavine" eccentric | — | ||
| 2-7 | Preludes, Book II: VII. La Terrasse des audiences du clair de lune | — | ||
| 2-8 | Preludes, Book II: VIII. Ondine | — | ||
| 2-9 | Preludes, Book II: IX. Hommage a S. Pickwick, Esq., PPMPC | — | ||
| 2-10 | Preludes, Book II: X. Canope | — | ||
| 2-11 | Preludes, Book II: XI. Les Tierces alternees | — | ||
| 2-12 | Preludes, Book II: XII. Feux D’artifice | — | ||
| 2-13 | Estampes: I. Pagodes | — | ||
| 2-14 | Estampes: II. La soiree dans Grenade | — | ||
| 2-15 | Estampes: III. Jardins sous la pluie | — | ||
| 2-16 | Children’s Corner: I. Doctor Gradus ad Parnassum | — | ||
| 2-17 | Children’s Corner: II. Jimbos Lullaby | — | ||
| 2-18 | Children’s Corner: III. Serenade for the Doll | — | ||
| 2-19 | Children’s Corner: IV. The snow is dancing | — | ||
| 2-20 | Children’s Corner: V. The little Shepherd | — | ||
| 2-21 | Children’s Corner: VI. Golliwogg’s cakewalk | — | ||
| 2-22 | La plus que lente | — | ||
| 3-1 | 12 Etudes: I. Pour les cinq doigts d’apres M. Czerny | — | ||
| 3-2 | 12 Etudes: II. Pour les tierces | — | ||
| 3-3 | 12 Etudes: III. Pour les quartes | — | ||
| 3-4 | 12 Etudes: IV. Pour les sixtes | — | ||
| 3-5 | 12 Etudes: V. Pour les octaves | — | ||
| 3-6 | 12 Etudes: VI. Pour les huit doigts | — | ||
| 3-7 | 12 Etudes: VII. Pour les degres chromatiques | — | ||
| 3-8 | 12 Etudes: VIII. Pour les agrements | — | ||
| 3-9 | 12 Etudes: IX. Pour les notes repetees | — | ||
| 3-10 | 12 Etudes: X. Pour les sonorites opposees | — | ||
| 3-11 | 12 Etudes: XI. Pour les arpeges composes | — | ||
| 3-12 | 12 Etudes: XII. Pour les Accords | — | ||
| 3-13 | Masques | — | ||
| 3-14 | D’un cahier d’esquisses | — | ||
| 3-15 | L’Isle joyeuse | — | ||
| 3-16 | Berceuse heroique | — | ||
| 3-17 | Page d’album | — | ||
| 3-18 | Elegie | — | ||
| 3-19 | Hommage a Haydn | — | ||
| 3-20 | The little Nigar | — | ||
| 4-1 | Suite bergamesque: I. Prelude | — | ||
| 4-2 | Suite bergamesque: II. Menuet | — | ||
| 4-3 | Suite bergamesque: III. Clair de lune | — | ||
| 4-4 | Suite bergamesque: IV. Passepied | — | ||
| 4-5 | Images (oubliees): I. Lent | — | ||
| 4-6 | Images (oubliees): III. Quelques aspects de nous n’irons plus au bois | — | ||
| 4-7 | Pour le piano: I. Prelude | — | ||
| 4-8 | Pour le piano: II. Sarabande | — | ||
| 4-9 | Pour le piano: III. Toccata | — | ||
| 4-10 | 2 Arabesques: I. Andantino con moto | — | ||
| 4-11 | 2 Arabesques: II. Allegretto scherzando | — | ||
| 4-12 | Ballade (slave) | — | ||
| 4-13 | Reverie | — | ||
| 4-14 | Valse romantique | — | ||
| 4-15 | Nocturne | — | ||
| 4-16 | Mazurka | — | ||
| 4-17 | Danse bohemienne | — | ||
| 4-18 | Tarantelle styrienne | — | ||
| 4-19 | Piece pour piano (Morceau de concours) | — |
Preludes, Book 1: I. Danseuses de Delphes
—
Preludes, Book 1: II. Voiles
—
Preludes, Book 1: III. Le Vent dans la plaine
—
Preludes, Book 1: IV. Les sons et les parfums tournent dans l’air du soir
—
Preludes, Book 1: V. Les Collines d’Anacapri
—
Preludes, Book 1: VI. Des pas sur la neige
—
Preludes, Book 1: VII. Ce qu’a vu le vent d’Ouest
—
Preludes, Book 1: VIII. La Fille aux cheveux de lin
—
Preludes, Book 1: IX. La Serenade interrompue
—
Preludes, Book 1: X. La cathedrale engloutie
—
Preludes, Book 1: XI. La Danse de Puck
—
Preludes, Book 1: XII. Minstrels
—
Images, Set I: I. Reflets dans l’eau.
—
Images, Set I: II. Hommage a Rameau.
—
Images, Set I: III. Mouvement
—
Images, Set II: I. Cloches a travers les feuilles
—
Images, Set II: II. Et la lune descend sur le temple qui fut
—
Images, Set II: III Poissons dor
—
Preludes, Book II: I. Brouillards
—
Preludes, Book II: II. Feuilles Mortes
—
Preludes, Book II: III. La Puerta del Vino
—
Preludes, Book II: IV. Les Fees Sont d’exiquises danseuses
—
Preludes, Book II: V. Bruyeres
—
Preludes, Book II: VI. "General Lavine" eccentric
—
Preludes, Book II: VII. La Terrasse des audiences du clair de lune
—
Preludes, Book II: VIII. Ondine
—
Preludes, Book II: IX. Hommage a S. Pickwick, Esq., PPMPC
—
Preludes, Book II: X. Canope
—
Preludes, Book II: XI. Les Tierces alternees
—
Preludes, Book II: XII. Feux D’artifice
—
Estampes: I. Pagodes
—
Estampes: II. La soiree dans Grenade
—
Estampes: III. Jardins sous la pluie
—
Children’s Corner: I. Doctor Gradus ad Parnassum
—
Children’s Corner: II. Jimbos Lullaby
—
Children’s Corner: III. Serenade for the Doll
—
Children’s Corner: IV. The snow is dancing
—
Children’s Corner: V. The little Shepherd
—
Children’s Corner: VI. Golliwogg’s cakewalk
—
La plus que lente
—
12 Etudes: I. Pour les cinq doigts d’apres M. Czerny
—
12 Etudes: II. Pour les tierces
—
12 Etudes: III. Pour les quartes
—
12 Etudes: IV. Pour les sixtes
—
12 Etudes: V. Pour les octaves
—
12 Etudes: VI. Pour les huit doigts
—
12 Etudes: VII. Pour les degres chromatiques
—
12 Etudes: VIII. Pour les agrements
—
12 Etudes: IX. Pour les notes repetees
—
12 Etudes: X. Pour les sonorites opposees
—
12 Etudes: XI. Pour les arpeges composes
—
12 Etudes: XII. Pour les Accords
—
Masques
—
D’un cahier d’esquisses
—
L’Isle joyeuse
—
Berceuse heroique
—
Page d’album
—
Elegie
—
Hommage a Haydn
—
The little Nigar
—
Suite bergamesque: I. Prelude
—
Suite bergamesque: II. Menuet
—
Suite bergamesque: III. Clair de lune
—
Suite bergamesque: IV. Passepied
—
Images (oubliees): I. Lent
—
Images (oubliees): III. Quelques aspects de nous n’irons plus au bois
—
Pour le piano: I. Prelude
—
Pour le piano: II. Sarabande
—
Pour le piano: III. Toccata
—
2 Arabesques: I. Andantino con moto
—
2 Arabesques: II. Allegretto scherzando
—
Ballade (slave)
—
Reverie
—
Valse romantique
—
Nocturne
—
Mazurka
—
Danse bohemienne
—
Tarantelle styrienne
—
Piece pour piano (Morceau de concours)
—
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What is UPC 886919307320?
886919307320 is a Universal Product Code (UPC) assigned to The Complete Works for Solo Piano by Claude Debussy, Paul Crossley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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