UPC · Release
Ludwig van Beethoven
Last verified:
The UPC for “Complete Masterpieces” by Ludwig van Beethoven is 886970750820. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Sony Classical. This release contains 647 tracks, each with its own ISRC. Tracks include DEP629800138, DEP629800139, DEP629800140.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto | Tonhalle-Orchester Zürich, David Zinman | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | T-905.312.587-4 | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-6 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto moto. Szene am Bach | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-7 | Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro. Lustiges Zusammensein der Landleute | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-8 | Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro. Gewitter. Sturm | Tonhalle-Orchester Zürich, David Zinman | T-318.676.528-2 | |
| 3-9 | Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto. Frohe und dankbare Gefühle nach dem Sturm | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Tonhalle-Orchester Zürich, David Zinman | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | T-915.710.750-1 | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-6 | Symphony no. 9 in D minor, op. 125: VI. Allegro assai vivace alla marcia. End, with Beethoven’s original general pause in bar 747 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-1 | Die Geschöpfe des Prometheus in C minor, op. 43 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-2 | Egmont, Overture in F minor, op. 84 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-3 | Coriolan Overture in C minor, op. 62 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-4 | Leonore Overture no. 1 in C major, op. 138 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-5 | Die Ruinen von Athen Overture, op. 113 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-6 | Leonore Overture no. 2 in C major, op. 72a | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7-1 | Zur Namensfeier Overture in C major, op. 115 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7-2 | Leonore Overture in C major, op. 72b | — | ||
| 7-3 | Fidelio Overture in E major, op. 72c | — | ||
| 7-4 | König Stephan Overture in E-flat major, op. 117 | — | ||
| 7-5 | Die Weihe des Hauses Overture in E-flat major, op. 124 | — | ||
| 8-1 | Die Geschöpfe des Prometheus: I. Overtura: Adagio - Allegro molto con brio | — | ||
| 8-2 | Die Geschöpfe des Prometheus: II. Allegro non troppo | — | ||
| 8-3 | Die Geschöpfe des Prometheus: III. Poco adagio - Allegro con brio | — | ||
| 8-4 | Die Geschöpfe des Prometheus: IV. Adagio - Allegro con brio | — | ||
| 8-5 | Die Geschöpfe des Prometheus: V. Allegro vivace | — | ||
| 8-6 | Die Geschöpfe des Prometheus: VI. Maestoso - Andante | — | ||
| 8-7 | Die Geschöpfe des Prometheus: VII. Adagio - Andante quasi allegretto | — | ||
| 8-8 | Die Geschöpfe des Prometheus: VIII. Un poco adagio - Allegro | — | ||
| 8-9 | Die Geschöpfe des Prometheus: IX. Grave | — | ||
| 8-10 | Die Geschöpfe des Prometheus: X. Allegro con brio - Presto | — | ||
| 8-11 | Die Geschöpfe des Prometheus: XI. Adagio - Allegro molto | — | ||
| 8-12 | Die Geschöpfe des Prometheus: XII. Pastorale: Allegro | — | ||
| 8-13 | Die Geschöpfe des Prometheus: XIII. Andante | — | ||
| 8-14 | Die Geschöpfe des Prometheus: XIV. Maestoso - Allegro | — | ||
| 8-15 | Die Geschöpfe des Prometheus: XV. Allegro | — | ||
| 8-16 | Die Geschöpfe des Prometheus: XVI. Andante - Adagio - Allegro | — | ||
| 8-17 | Die Geschöpfe des Prometheus: XVII. Andantino - Adagio - Allegro | — | ||
| 8-18 | Die Geschöpfe des Prometheus: XVIII. Finale: Allegretto - Allegro molto - Presto | — | ||
| 9-1 | Bagatelle in A minor, WoO 59 “Für Elise” | — | ||
| 9-2 | Adagio für eine Spieluhr in F major, WoO 33 Nr. 1 | — | ||
| 9-3 | Twelve Contre-dances, WoO 14 | — | ||
| 9-4 | Sonatina in C minor, WoO 43a | — | ||
| 9-5 | Sonatina in C major, WoO 44 | — | ||
| 9-6 | Menuet in G major, WoO 10,6 | — | ||
| 9-7 | Violin Concerto (fragment) in C major, WoO 5 | — | ||
| 9-8 | Willingtons Sieg, op. 91 | — | ||
| 10-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 10-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 10-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: allegro scherzando | — | ||
| 10-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 10-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 10-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: molto allegro | — | ||
| 11-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 11-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 11-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: allegro | — | ||
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: vivace | — | ||
| 12-1 | Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 12-2 | Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 12-3 | Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo. Allegro | — | ||
| 12-4 | Choral Fantasy in C minor, op. 80 | — | ||
| 12-5 | Meeresstille und glückliche Fahrt in D major, op. 112 | — | ||
| 13-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 13-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 13-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo | — | ||
| 13-4 | Romance for Violin no. 1 in G major, op. 40: Adagio - Allegro con brio | — | ||
| 13-5 | Romance for Violin no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 14-1 | Triple Concerto, op. 56: I. Allegro | — | ||
| 14-2 | Triple Concerto, op. 56: II. Largo - attacca | — | ||
| 14-3 | Triple Concerto, op. 56: III. Rondo. Alla polacca | — | ||
| 14-4 | Septet, op. 20: I. Adagio - Allegro con brio | — | ||
| 14-5 | Septet, op. 20: II. Adagio cantabile | — | ||
| 14-6 | Septet, op. 20: III. Tempo di minuetto | — | ||
| 14-7 | Septet, op. 20: IV. Andante con variazioni | — | ||
| 14-8 | Septet, op. 20: V. Scherzo: Allegro molto e vivace | — | ||
| 14-9 | Septet, op. 20: VI. Andante con moto alla marcia - Presto | — | ||
| 15-1 | Violin Sonata in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 15-2 | Violin Sonata in D major, op. 12 no. 1: II. Andante con moto | — | ||
| 15-3 | Violin Sonata in D major, op. 12 no. 1: III. Rondo. Allegro | — | ||
| 15-4 | Violin Sonata in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 15-5 | Violin Sonata in A major, op. 12 no. 2: II. Andante più tosto allegretto | — | ||
| 15-6 | Violin Sonata in A major, op. 12 no. 2: III. Allegro piacevole | — | ||
| 15-7 | Violin Sonata in E-flat major, op. 12 no. 3: I. Allegro con spirito | — | ||
| 15-8 | Violin Sonata in E-flat major, op. 12 no. 3: II. Adagio con molta espressione | — | ||
| 15-9 | Violin Sonata in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | — | ||
| 16-1 | Violin Sonata no. 4 in A minor, op. 23: I. Presto | — | ||
| 16-2 | Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | — | ||
| 16-3 | Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 16-4 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: I. Allegro | — | ||
| 16-5 | “Spring” Violin Sonata: II—Adagio molto espressivo | Marc Neikrug, Pinchas Zukerman | — | |
| 16-6 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: III. Scherzo. Allegro molto | — | ||
| 16-7 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: IV. Rondo. Allegro ma non troppo | — | ||
| 17-1 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | — | ||
| 17-2 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | — | ||
| 17-3 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | — | ||
| 17-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | — | ||
| 17-5 | Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | — | ||
| 17-6 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | — | ||
| 17-7 | Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro - Presto | — | ||
| 17-8 | Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | — | ||
| 17-9 | Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 17-10 | Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 18-1 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 18-2 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 18-3 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Presto | — | ||
| 18-4 | Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato | — | ||
| 18-5 | Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo | — | ||
| 18-6 | Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | — | ||
| 18-7 | Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto | — | ||
| 19-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 19-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 19-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 19-4 | Cello Sonata no. 3 in A major, op. 69: IV. Allegro vivace | — | ||
| 19-5 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 19-6 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | — | ||
| 19-7 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | — | ||
| 19-8 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo | — | ||
| 19-9 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto | — | ||
| 19-10 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 20-1 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante | — | ||
| 20-2 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Allegro vivace | — | ||
| 20-3 | Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio – Tempo d’Andante | — | ||
| 20-4 | Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 20-5 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 20-6 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | — | ||
| 20-7 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 20-8 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte for Piano and Cello in F major, op. 66 | — | ||
| 21-1 | Piano Trio, op. 70 no. 1: I. Allegro vivache e con brio | — | ||
| 21-2 | Piano Trio, op. 70 no. 1: II. Largo assai ed espressione | — | ||
| 21-3 | Piano Trio, op. 70 no. 1: III. Presto | — | ||
| 21-4 | Piano Trio, op. 70 no. 2: I. Poco sostenuto -- Allegro ma non troppo | — | ||
| 21-5 | Piano Trio, op. 70 no. 2: II. Allegretto | — | ||
| 21-6 | Piano Trio, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 21-7 | Piano Trio, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 21-8 | Piano Trio, op. 11: I. Allegro con brio | — | ||
| 21-9 | Piano Trio, op. 11: II. Adagio | — | ||
| 21-10 | Piano Trio, op. 11: III. Thema. Allegretto “Pria ch’ l’impegno” | — | ||
| 21-11 | Piano Trio, op. 11: IV. Variation I | — | ||
| 21-12 | Piano Trio, op. 11: V. Variation II | — | ||
| 21-13 | Piano Trio, op. 11: VI. Variation III | — | ||
| 21-14 | Piano Trio, op. 11: VII. Variation IV: minore | — | ||
| 21-15 | Piano Trio, op. 11: VIII. Variation V: maggiore | — | ||
| 21-16 | Piano Trio, op. 11: IX. Variation VI | — | ||
| 21-17 | Piano Trio, op. 11: X. Variation VII: minore | — | ||
| 21-18 | Piano Trio, op. 11: XI. Variation VIII: maggiore | — | ||
| 21-19 | Piano Trio, op. 11: XII. Variation IX | — | ||
| 21-20 | Piano Trio, op. 11: XIII. Allegro | — | ||
| 22-1 | Piano Trio in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 22-2 | Piano Trio in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 22-3 | Piano Trio in G major, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 22-4 | Piano Trio in G major, op. 1 no. 2: IV. Finale. Presto | — | ||
| 22-5 | Piano Trio in B-flat major op. 97 “Archduke”: I. Allegro | — | ||
| 22-6 | Piano Trio in B-flat major op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 22-7 | Piano Trio in B-flat major op. 97 “Archduke”: III. Andante cantabile | — | ||
| 22-8 | Piano Trio in B-flat major op. 97 “Archduke”: IV. Allegro moderato - Presto | — | ||
| 22-9 | Piano Trio in B-flat major, WoO 39: I. Allegretto | — | ||
| 23-1 | Piano Trio in E-flat major, op. 1. no. 1: I. Allegro | — | ||
| 23-2 | Piano Trio in E-flat major, op. 1. no. 1: II. Adagio cantabile | — | ||
| 23-3 | Piano Trio in E-flat major, op. 1. no. 1: III. Scherzo. Allegro assai | — | ||
| 23-4 | Piano Trio in E-flat major, op. 1. no. 1: IV. Finale. Presto | — | ||
| 24-1 | Piano Trio in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 24-2 | Piano Trio in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 24-3 | Piano Trio in C minor, op. 1 no. 3: III. Menuetto. Quasi allegretto | — | ||
| 24-4 | Piano Trio in C minor, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 24-5 | Piano Trio in E-flat major, op. 44: I. Thema. Andante | — | ||
| 24-6 | Piano Trio in E-flat major, op. 44: II. Variation I | — | ||
| 24-7 | Piano Trio in E-flat major, op. 44: III. Variation II | — | ||
| 24-8 | Piano Trio in E-flat major, op. 44: IV. Variation III | — | ||
| 24-9 | Piano Trio in E-flat major, op. 44: V. Variation IV | — | ||
| 24-10 | Piano Trio in E-flat major, op. 44: VI. Variation V | — | ||
| 24-11 | Piano Trio in E-flat major, op. 44: VII. Variation VI | — | ||
| 24-12 | Piano Trio in E-flat major, op. 44: VIII. Variation VII. Largo | — | ||
| 24-13 | Piano Trio in E-flat major, op. 44: IX. Variation VIII. Un poco adagio | — | ||
| 24-14 | Piano Trio in E-flat major, op. 44: X. Variation IX. Tempo primo | — | ||
| 24-15 | Piano Trio in E-flat major, op. 44: XI. Variation X | — | ||
| 24-16 | Piano Trio in E-flat major, op. 44: XII. Variation XI | — | ||
| 24-17 | Piano Trio in E-flat major, op. 44: XIII. Variation XII | — | ||
| 24-18 | Piano Trio in E-flat major, op. 44: XIV. Variation XIII. Adagio | — | ||
| 24-19 | Piano Trio in E-flat major, op. 44: XV. Variation XIV. Allegro | — | ||
| 24-20 | Piano Trio in E-flat major, op. 44: XVI. Andante - Presto | — | ||
| 25-1 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: I. Introduction. Adagio assai | — | ||
| 25-2 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: II. Thema. Allegretto | — | ||
| 25-3 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: III. Variation 1 | — | ||
| 25-4 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IV. Variation 2 | — | ||
| 25-5 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: V. Variation 3 | — | ||
| 25-6 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VI. Variation 4 | — | ||
| 25-7 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VII. Variation 5 | — | ||
| 25-8 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VIII. Variation 6 | — | ||
| 25-9 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IX. Variation 7 | — | ||
| 25-10 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: X. Variation 8 | — | ||
| 25-11 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XI. Variation 9. Adagio espressivo | — | ||
| 25-12 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XII. Variation 10. Presto | — | ||
| 25-13 | Piano Trio in E-flat major, op. 38: I. Adagio - Allegro con brio | — | ||
| 25-14 | Piano Trio in E-flat major, op. 38: II. Adagio cantabile | — | ||
| 25-15 | Piano Trio in E-flat major, op. 38: III. Tempo di menuetto | — | ||
| 25-16 | Piano Trio in E-flat major, op. 38: IV. Andante con variazioni | — | ||
| 25-17 | Piano Trio in E-flat major, op. 38: V. Scherzo: Allegro molto e vivace | — | ||
| 25-18 | Piano Trio in E-flat major, op. 38: VI. Andante con moto alla macia | — | ||
| 25-19 | Piano Trio in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 25-20 | Piano Trio in E-flat major, WoO 38: II. Scherzo | — | ||
| 25-21 | Piano Trio in E-flat major, WoO 38: III. Rondo. Allegretto | — | ||
| 26-1 | String Trio in E-flat major, op. 3: I. Allegro con brio | — | ||
| 26-2 | String Trio in E-flat major, op. 3: II. Andante | — | ||
| 26-3 | String Trio in E-flat major, op. 3: III. Menuetto (Allegretto) | — | ||
| 26-4 | String Trio in E-flat major, op. 3: IV. Adagio | — | ||
| 26-5 | String Trio in E-flat major, op. 3: V. Menuetto (Moderato) | — | ||
| 26-6 | String Trio in E-flat major, op. 3: VI. Finale (Allegro) | — | ||
| 26-7 | String Serenade in D major, op. 8: I. Marcia (Allegro) | — | ||
| 26-8 | String Serenade in D major, op. 8: II. Adagio | — | ||
| 26-9 | String Serenade in D major, op. 8: III. Menuetto (Allegretto) | — | ||
| 26-10 | String Serenade in D major, op. 8: IV. Adagio-Scherzo (Allegro molto) | — | ||
| 26-11 | String Serenade in D major, op. 8: V. Allegretto alla Polacca | — | ||
| 26-12 | String Serenade in D major, op. 8: VI. Andante quasi allegretto-Finale (Marcia) | — | ||
| 27-1 | Trio in G major, op. 9 no. 1: I. Adagio - Allegro con brio | — | ||
| 27-2 | Trio in G major, op. 9 no. 1: II: Adagio, ma non tanto e cantabile | — | ||
| 27-3 | Trio in G major, op. 9 no. 1: III. Scherzo. Allegro | — | ||
| 27-4 | Trio in G major, op. 9 no. 1: IV. Presto | — | ||
| 27-5 | Trio in D major, op. 9 no. 2: I. Allegretto | — | ||
| 27-6 | Trio in D major, op. 9 no. 2: II. Andante quasi Allegretto | — | ||
| 27-7 | Trio in D major, op. 9 no. 2: III. Menuetto. Allegro | — | ||
| 27-8 | Trio in D major, op. 9 no. 2: IV. Rondo. Allegro | — | ||
| 27-9 | Trio in C minor, op. 9 no. 3: I. Allegro con spirito | — | ||
| 27-10 | Trio in C minor, op. 9 no. 3: II. Adagio con espressione | — | ||
| 27-11 | Trio in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 27-12 | Trio in C minor, op. 9 no. 3: IV. Finale. Presto | — | ||
| 28-1 | Piano Concerto in E-flat major, WoO 4: I. Allegro moderato | — | ||
| 28-2 | Piano Concerto in E-flat major, WoO 4: II. Larghetto | — | ||
| 28-3 | Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto | — | ||
| 28-4 | Piano Quintet in E-flat major, op. 16: I. Allegro ma non troppo | — | ||
| 28-5 | Piano Quintet in E-flat major, op. 16: II. Andante cantabile | — | ||
| 28-6 | Piano Quintet in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 29-1 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: I. Allegro con brio | — | ||
| 29-2 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: II. Adagio | — | ||
| 29-3 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: III. Rondo. Allegro | — | ||
| 29-4 | Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: I. Allegro | — | ||
| 29-5 | Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto | — | ||
| 29-6 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 29-7 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 29-8 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: III. Finale. Presto | — | ||
| 30-1 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: I. Allegro | — | ||
| 30-2 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: II. Andante | — | ||
| 30-3 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: III. Menuetto | — | ||
| 30-4 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: IV. Finale. Presto | — | ||
| 30-5 | Rondo for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat major, WoO 25: Andante | — | ||
| 30-6 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 30-7 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: I. Allegro commodo | — | ||
| 30-8 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: II. Larghetto sostenuto | — | ||
| 30-9 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: III. Rondo. Allegretto | — | ||
| 30-10 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 30-11 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: I. Adagio - allegro | — | ||
| 30-12 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio | — | ||
| 30-13 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio | — | ||
| 30-14 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: IV. Rondò. Allegro | — | ||
| 31-1 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: I. Allegro con brio | — | ||
| 31-2 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | — | ||
| 31-3 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: III. Scherzo. Allegro molto | — | ||
| 31-4 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: IV. Allegro | — | ||
| 31-5 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: I. Allegro | — | ||
| 31-6 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: II. Menuetto | — | ||
| 31-7 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: III. Andante cantabile | — | ||
| 31-8 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: IV. Allegro | — | ||
| 32-1 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: I. Allegro | — | ||
| 32-2 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I | — | ||
| 32-3 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro | — | ||
| 32-4 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto | — | ||
| 32-5 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio | — | ||
| 32-6 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo | — | ||
| 32-7 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: III. Scherzo. Allegro | — | ||
| 32-8 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: IV. Adagio “La malinconia” - Allegretto quasi allegro | — | ||
| 33-1 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: I. Allegro | — | ||
| 33-2 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: II. Andante con moto | — | ||
| 33-3 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: III. Allegro | — | ||
| 33-4 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: IV. Presto | — | ||
| 33-5 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto | — | ||
| 33-6 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto | — | ||
| 33-7 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: III. Menuetto. Allegretto | — | ||
| 33-8 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo | — | ||
| 34-1 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: I. Allegro | — | ||
| 34-2 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: II. Allegretto scherzando e sempre vivace | — | ||
| 34-3 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: III. Adagio molto | — | ||
| 34-4 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: IV. Allegro | — | ||
| 34-5 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: I. Poco adagio - Allegro | — | ||
| 34-6 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: II. Adagio ma non troppo | — | ||
| 34-7 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: III. Presto | — | ||
| 34-8 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: IV. Allegretto con variazioni | — | ||
| 35-1 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: I. Allegro | — | ||
| 35-2 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento | — | ||
| 35-3 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: III. Allegretto - Maggiore | — | ||
| 35-4 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: IV. Presto | — | ||
| 35-5 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: I. Andante con moto - Allegro vivace | — | ||
| 35-6 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: II. Andante con moto quasi allegretto | — | ||
| 35-7 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: III. Minuetto. Grazioso | — | ||
| 35-8 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: IV. Allegro molto | — | ||
| 36-1 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: I. Allegro con brio | — | ||
| 36-2 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: II. Allegretto ma non troppo | — | ||
| 36-3 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: III. Allegro assai vivace ma serioso | — | ||
| 36-4 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro | — | ||
| 36-5 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: I. Maestoso - Allegro | — | ||
| 36-6 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I | — | ||
| 36-7 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: III. Scherzando. Vivace | — | ||
| 36-8 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo | — | ||
| 37-1 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 37-2 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: II. Presto | — | ||
| 37-3 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: III. Andante con moto, ma non troppo | — | ||
| 37-4 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 37-5 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 37-6 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: VI. Finale. Allegro (alternate) | — | ||
| 37-7 | Große Fugue for 2 Violins, Viola, and Cello in B-flat major, op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro | — | ||
| 38-1 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo | — | ||
| 38-2 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace | — | ||
| 38-3 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: III. Allegro moderato | — | ||
| 38-4 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | — | ||
| 38-5 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio | — | ||
| 38-6 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | — | ||
| 38-7 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 38-8 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: I. Allegretto | — | ||
| 38-9 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: II. Vivace | — | ||
| 38-10 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: III. Lento assai, e cantante tranquillo | — | ||
| 38-11 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | — | ||
| 39-1 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | — | ||
| 39-2 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 39-3 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: III. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung | — | ||
| 39-4 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: IV. Alla Marcia, vivace assai - Più allegro | — | ||
| 39-5 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | — | ||
| 40-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 40-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 40-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 40-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 40-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 40-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 40-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 40-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 40-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 40-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 40-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 40-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 41-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 41-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione | — | ||
| 41-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 41-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 41-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 41-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 41-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 41-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 41-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 41-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 42-1 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 42-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 42-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 42-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 42-5 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 42-6 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Andante cantabile | — | ||
| 42-7 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 42-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 42-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 42-10 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 43-1 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 43-2 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 43-3 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 43-4 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 43-5 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 43-6 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 43-7 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 43-8 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: I. Andante con Variazioni | — | ||
| 43-9 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | — | ||
| 43-10 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un Eroe | — | ||
| 43-11 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: IV. Allegro | — | ||
| 44-1 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | — | ||
| 44-2 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 44-3 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione - Allegro vivace | — | ||
| 44-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 44-5 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 44-6 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 44-7 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | — | ||
| 44-8 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | — | ||
| 44-9 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | — | ||
| 44-10 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | — | ||
| 45-1 | Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 45-2 | Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 45-3 | Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 45-4 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: I. Largo - Allegro | — | ||
| 45-5 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: II. Adagio | — | ||
| 45-6 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: III. Allegretto | — | ||
| 46-1 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 46-2 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 46-3 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | — | ||
| 46-4 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 46-5 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 46-6 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | — | ||
| 46-7 | Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 46-8 | Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 46-9 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 46-10 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto | — | ||
| 46-11 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 47-1 | Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | — | ||
| 47-2 | Sonata for Piano no. 22 in F major, op. 54: II. Allegretto | — | ||
| 47-3 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 47-4 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 47-5 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 47-6 | Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 47-7 | Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: II. Allegro assai | — | ||
| 47-8 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca | — | ||
| 47-9 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo | — | ||
| 47-10 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace | — | ||
| 48-1 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio - Allegro “Les Adieux” | — | ||
| 48-2 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence” | — | ||
| 48-3 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” | — | ||
| 48-4 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 48-5 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 48-6 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 48-7 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 48-8 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 48-9 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 49-1 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: I. Allegro | — | ||
| 49-2 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: II. Scherzo. Assai vivace | — | ||
| 49-3 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 49-4 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: IV. Largo - Allegro risoluto | — | ||
| 50-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo | — | ||
| 50-2 | Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 50-3 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 50-4 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 50-5 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 50-6 | Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 50-7 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 50-8 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 51-1 | Bagatelle for Piano, op. 33 no. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 51-2 | Bagatelle for Piano, op. 33 no. 2 in C major: Scherzo. Allegro | — | ||
| 51-3 | Bagatelle for Piano, op. 33 no. 3 in F major: Allegretto | — | ||
| 51-4 | Bagatelle for Piano, op. 33 no. 4 in A major: Andante | — | ||
| 51-5 | Bagatelle for Piano, op. 33 no. 5 in C major: Allegro ma non troppo | — | ||
| 51-6 | Bagatelle for Piano, op. 33 no. 6 in D major: Allegretto quasi andante | — | ||
| 51-7 | Bagatelle for Piano, op. 33 no. 7 in A-flat major: Presto | — | ||
| 51-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | — | ||
| 51-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | — | ||
| 51-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l’Allemande | — | ||
| 51-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | — | ||
| 51-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | — | ||
| 51-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | — | ||
| 51-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | — | ||
| 51-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato | — | ||
| 51-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | — | ||
| 51-17 | Bagatelle for Piano, op. 119 no. 10 in A major: Allegramente | — | ||
| 51-18 | Bagatelle for Piano, op. 119 no. 11 in B-flat major: Andante, ma non troppo | — | ||
| 51-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | — | ||
| 51-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | — | ||
| 51-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | — | ||
| 51-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | — | ||
| 51-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | — | ||
| 51-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | — | ||
| 51-25 | Fantasia for Piano in G minor / B-flat major, op. 77: Allegro - Poco adagio | — | ||
| 51-26 | Polonaise for Piano in C major, op. 89: Alla polacca, vivace | — | ||
| 52-1 | 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio. Cantabile | — | ||
| 52-2 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. I | — | ||
| 52-3 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro ma non troppo | — | ||
| 52-4 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var III. Allegretto | — | ||
| 52-5 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di menuetto | — | ||
| 52-6 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. V. Marcia. Allegretto | — | ||
| 52-7 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. VI. Coda. Allegretto | — | ||
| 52-8 | 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio molto | — | ||
| 52-9 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace | — | ||
| 52-10 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema | — | ||
| 52-11 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I | — | ||
| 52-12 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II | — | ||
| 52-13 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III | — | ||
| 52-14 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV | — | ||
| 52-15 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V | — | ||
| 52-16 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI | — | ||
| 52-17 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava | — | ||
| 52-18 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII | — | ||
| 52-19 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX | — | ||
| 52-20 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X | — | ||
| 52-21 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI | — | ||
| 52-22 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII | — | ||
| 52-23 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII | — | ||
| 52-24 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV. minore | — | ||
| 52-25 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Maggiore. Largo | — | ||
| 52-26 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla fuga. Allegro con brio - Andante con moto | — | ||
| 52-27 | 6 Variations for Piano in D major on an Original Theme, op. 76: Tema. Allegro risoluto | — | ||
| 52-28 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. I | — | ||
| 52-29 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. II | — | ||
| 52-30 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. III | — | ||
| 52-31 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. IV | — | ||
| 52-32 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. V | — | ||
| 52-33 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. VI. Presto | — | ||
| 52-34 | Rondo for Piano in C major, op. 51 no. 1: Moderato e grazioso | — | ||
| 52-35 | Rondo for Piano in G major, op. 51 no. 2: Andante cantabile e grazioso | — | ||
| 52-36 | Rondo a Capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace | — | ||
| 53-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 53-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso | — | ||
| 53-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro | — | ||
| 53-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L’istesso tempo | — | ||
| 53-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace | — | ||
| 53-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace | — | ||
| 53-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 53-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro | — | ||
| 53-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace | — | ||
| 53-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 53-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto | — | ||
| 53-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto | — | ||
| 53-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto | — | ||
| 53-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace | — | ||
| 53-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso | — | ||
| 53-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando | — | ||
| 53-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro | — | ||
| 53-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII | — | ||
| 53-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato | — | ||
| 53-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto | — | ||
| 53-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante | — | ||
| 53-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio | — | ||
| 53-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto | — | ||
| 53-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai | — | ||
| 53-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 53-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro | — | ||
| 53-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI | — | ||
| 53-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace | — | ||
| 53-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro | — | ||
| 53-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 53-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 53-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 53-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 53-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 53-35 | Quintet for Strings in C major, Hess 41 ( fragment ) | — | ||
| 53-36 | Allegretto for Piano in C minor, WoO 53 | — | ||
| 53-37 | Bagatelle for Piano in C minor, WoO 52: Presto | — | ||
| 53-38 | Allegretto for Piano in C minor, Hess 69 | — | ||
| 53-39 | ”Lustig-Traurig” for Piano in C major, WoO 54 | — | ||
| 54-1 | Music, love and wine | — | ||
| 54-2 | Bonny Laddie, Highland Laddie | — | ||
| 54-3 | I’ll praise the saints | — | ||
| 54-4 | Sally in our Alley | — | ||
| 54-5 | Sunset | — | ||
| 54-6 | Faithfu’ Johnie | — | ||
| 54-7 | Behold, my love | — | ||
| 54-8 | His boat comes on the sunny tide | — | ||
| 54-9 | Enchantress, farewell | — | ||
| 54-10 | The pulse of an Irishman | — | ||
| 54-11 | To the Aeolian Harp | — | ||
| 54-12 | O Charlie is my darling | — | ||
| 54-13 | Duncan Gray | — | ||
| 54-14 | To the blackbird | — | ||
| 54-15 | ‘Tis sunshine at last | — | ||
| 54-16 | Cease your funning | — | ||
| 54-17 | Oh sweet were the hours | — | ||
| 54-18 | Save me from the grave and wise | — | ||
| 54-19 | Farewell bliss and farewell Nancy | — | ||
| 54-20 | Love without hope | — | ||
| 54-21 | Farewell thou noisy town | — | ||
| 54-22 | He promis’d me at parting | — | ||
| 54-23 | The monks of Bangor’s March | — | ||
| 54-24 | Robin Adair | — | ||
| 54-25 | O swiftly glides the bonny boat | — | ||
| 54-26 | Sad and luckless was the season | — | ||
| 54-27 | Come draw we round a cheerful ring | — | ||
| 54-28 | The sweetest lad was Jamie | — | ||
| 54-29 | Come, fill my good fellow | — | ||
| 55-1 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I. Introduction - Recitative - Aria | — | ||
| 55-2 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II. Recitative - Aria - Choir of Angels | — | ||
| 55-3 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III. Recitative - Duet | — | ||
| 55-4 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV. Recitative - Choir of Warriors | — | ||
| 55-5 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V. Recitative - Choir of Warriors - Choir of Disciples | — | ||
| 55-6 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI. Recitative - Trio - Choir of Warriors - Choir of Disciples | — | ||
| 55-7 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir of Angels | — | ||
| 56-1 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo | — | ||
| 56-2 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio | — | ||
| 56-3 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio | — | ||
| 56-4 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | — | ||
| 56-5 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Benedictus | — | ||
| 56-6 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: VI. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | — | ||
| 57-1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ia. Kyrie. Kyrie eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ib. Kyrie. Christe eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ic. Kyrie. Kyrie eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIa. Gloria. Gloria in excelsis Deo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIb. Gloria. Gratias agimus | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIc. Gloria. Qui tollis peccata mundi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IId. Gloria. Quoniam tu solus Sanctus | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIe. Gloria. Amen, in gloria dei Patris | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIa. Credo. Credo in unum Deum | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIb. Credo. Et incarnatus est | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIId. Credo. Et vitam venturi sauculi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIe. Credo. Allegro con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIf. Credo. Grave | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-17 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVc. Sanctus. Osanna in excelsis | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-18 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVd. Sanctus. Praeludium | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-19 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: V. Benedictus. Benedictus qui venit in nomine Domini (violin: Primoz Novsak) | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-20 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIa. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-21 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIb. Agnus Dei. Dona nobis pacem | Tonhalle-Orchester Zürich, David Zinman | — | |
| 58-1 | Scene and Aria in G major “Ah! Perfido”, op. 65 (New York Philharmonic Orchestra feat. conductor: Thomas Schippers, soprano: Regine Crespin) | — | ||
| 58-2 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers) | — | ||
| 58-3 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative “Ein Ungeheuer, sein Name Fanatismus” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz) | — | ||
| 58-4 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria “Da kam Joseph” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz) | — | ||
| 58-5 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria with Choir “Da stiegen die Menschen an’s Licht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, soprano: Martina Arroyo) | — | ||
| 58-6 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative “Er Schläft, von den Sorgen seiner Welten entladen” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers) | — | ||
| 58-7 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria “Hier schlummert seinen stillen Frieden der grosse Dulder” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers) | — | ||
| 58-8 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers) | — | ||
| 58-9 | Song “Bundelied”, op. 122 (London Symphony Orchestra, feat. conductor: Michael Tilson Thomas, Ambrosian Opera Chorus) | — | ||
| 59-1 | Fidelio, op. 72: Overture | — | ||
| 59-2 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” | — | ||
| 59-3 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” | — | ||
| 59-4 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” | — | ||
| 59-5 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” | — | ||
| 59-6 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” | — | ||
| 59-7 | Fidelio, op. 72: Act I, Scene II, no. 6. March | — | ||
| 59-8 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” | — | ||
| 59-9 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” | — | ||
| 59-10 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” | — | ||
| 59-11 | Fidelio, op. 72: Act I, Scene II, no. 10. Prisoner’s Chorus “O welche Lust” - Recitative “Nun sprecht, wie ging’s?” - Quintet “Ach, Vater, eilt!” - Recitative “Habt ihr wohl in Acht genommen” - “Leb wohl, du warmes Sonnenlicht” | — | ||
| 60-1 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction and Recitative “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | — | ||
| 60-2 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama - Duet “Nur hurtig fort” | — | ||
| 60-3 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessern Welten” | — | ||
| 60-4 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe!” | — | ||
| 60-5 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | — | ||
| 60-6 | Fidelio, op. 72: Act II, Scene I, no. 16. “Heil sei dem Tag” - “Bestrafet sei der Bösewicht” - “O Gott! O welch ein Augenblick!” - Recitative “Hinweg mit diesem Bösewicht” - “Wer ein holdes Weib errungen” | — | ||
| 60-7 | Overture “Leonore”, op. 138 | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886970750820 is a Universal Product Code (UPC) assigned to Complete Masterpieces by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 647 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Complete Masterpieces” by Ludwig van Beethoven is 886970750820. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Sony Classical. This release contains 647 tracks, each with its own ISRC. Tracks include DEP629800138, DEP629800139, DEP629800140.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto | Tonhalle-Orchester Zürich, David Zinman | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | T-905.312.587-4 | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-6 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto moto. Szene am Bach | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-7 | Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro. Lustiges Zusammensein der Landleute | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-8 | Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro. Gewitter. Sturm | Tonhalle-Orchester Zürich, David Zinman | T-318.676.528-2 | |
| 3-9 | Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto. Frohe und dankbare Gefühle nach dem Sturm | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Tonhalle-Orchester Zürich, David Zinman | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | T-915.710.750-1 | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-6 | Symphony no. 9 in D minor, op. 125: VI. Allegro assai vivace alla marcia. End, with Beethoven’s original general pause in bar 747 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-1 | Die Geschöpfe des Prometheus in C minor, op. 43 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-2 | Egmont, Overture in F minor, op. 84 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-3 | Coriolan Overture in C minor, op. 62 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-4 | Leonore Overture no. 1 in C major, op. 138 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-5 | Die Ruinen von Athen Overture, op. 113 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-6 | Leonore Overture no. 2 in C major, op. 72a | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7-1 | Zur Namensfeier Overture in C major, op. 115 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7-2 | Leonore Overture in C major, op. 72b | — | ||
| 7-3 | Fidelio Overture in E major, op. 72c | — | ||
| 7-4 | König Stephan Overture in E-flat major, op. 117 | — | ||
| 7-5 | Die Weihe des Hauses Overture in E-flat major, op. 124 | — | ||
| 8-1 | Die Geschöpfe des Prometheus: I. Overtura: Adagio - Allegro molto con brio | — | ||
| 8-2 | Die Geschöpfe des Prometheus: II. Allegro non troppo | — | ||
| 8-3 | Die Geschöpfe des Prometheus: III. Poco adagio - Allegro con brio | — | ||
| 8-4 | Die Geschöpfe des Prometheus: IV. Adagio - Allegro con brio | — | ||
| 8-5 | Die Geschöpfe des Prometheus: V. Allegro vivace | — | ||
| 8-6 | Die Geschöpfe des Prometheus: VI. Maestoso - Andante | — | ||
| 8-7 | Die Geschöpfe des Prometheus: VII. Adagio - Andante quasi allegretto | — | ||
| 8-8 | Die Geschöpfe des Prometheus: VIII. Un poco adagio - Allegro | — | ||
| 8-9 | Die Geschöpfe des Prometheus: IX. Grave | — | ||
| 8-10 | Die Geschöpfe des Prometheus: X. Allegro con brio - Presto | — | ||
| 8-11 | Die Geschöpfe des Prometheus: XI. Adagio - Allegro molto | — | ||
| 8-12 | Die Geschöpfe des Prometheus: XII. Pastorale: Allegro | — | ||
| 8-13 | Die Geschöpfe des Prometheus: XIII. Andante | — | ||
| 8-14 | Die Geschöpfe des Prometheus: XIV. Maestoso - Allegro | — | ||
| 8-15 | Die Geschöpfe des Prometheus: XV. Allegro | — | ||
| 8-16 | Die Geschöpfe des Prometheus: XVI. Andante - Adagio - Allegro | — | ||
| 8-17 | Die Geschöpfe des Prometheus: XVII. Andantino - Adagio - Allegro | — | ||
| 8-18 | Die Geschöpfe des Prometheus: XVIII. Finale: Allegretto - Allegro molto - Presto | — | ||
| 9-1 | Bagatelle in A minor, WoO 59 “Für Elise” | — | ||
| 9-2 | Adagio für eine Spieluhr in F major, WoO 33 Nr. 1 | — | ||
| 9-3 | Twelve Contre-dances, WoO 14 | — | ||
| 9-4 | Sonatina in C minor, WoO 43a | — | ||
| 9-5 | Sonatina in C major, WoO 44 | — | ||
| 9-6 | Menuet in G major, WoO 10,6 | — | ||
| 9-7 | Violin Concerto (fragment) in C major, WoO 5 | — | ||
| 9-8 | Willingtons Sieg, op. 91 | — | ||
| 10-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 10-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 10-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: allegro scherzando | — | ||
| 10-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 10-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 10-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: molto allegro | — | ||
| 11-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 11-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 11-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: allegro | — | ||
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: vivace | — | ||
| 12-1 | Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 12-2 | Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 12-3 | Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo. Allegro | — | ||
| 12-4 | Choral Fantasy in C minor, op. 80 | — | ||
| 12-5 | Meeresstille und glückliche Fahrt in D major, op. 112 | — | ||
| 13-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 13-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 13-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo | — | ||
| 13-4 | Romance for Violin no. 1 in G major, op. 40: Adagio - Allegro con brio | — | ||
| 13-5 | Romance for Violin no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 14-1 | Triple Concerto, op. 56: I. Allegro | — | ||
| 14-2 | Triple Concerto, op. 56: II. Largo - attacca | — | ||
| 14-3 | Triple Concerto, op. 56: III. Rondo. Alla polacca | — | ||
| 14-4 | Septet, op. 20: I. Adagio - Allegro con brio | — | ||
| 14-5 | Septet, op. 20: II. Adagio cantabile | — | ||
| 14-6 | Septet, op. 20: III. Tempo di minuetto | — | ||
| 14-7 | Septet, op. 20: IV. Andante con variazioni | — | ||
| 14-8 | Septet, op. 20: V. Scherzo: Allegro molto e vivace | — | ||
| 14-9 | Septet, op. 20: VI. Andante con moto alla marcia - Presto | — | ||
| 15-1 | Violin Sonata in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 15-2 | Violin Sonata in D major, op. 12 no. 1: II. Andante con moto | — | ||
| 15-3 | Violin Sonata in D major, op. 12 no. 1: III. Rondo. Allegro | — | ||
| 15-4 | Violin Sonata in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 15-5 | Violin Sonata in A major, op. 12 no. 2: II. Andante più tosto allegretto | — | ||
| 15-6 | Violin Sonata in A major, op. 12 no. 2: III. Allegro piacevole | — | ||
| 15-7 | Violin Sonata in E-flat major, op. 12 no. 3: I. Allegro con spirito | — | ||
| 15-8 | Violin Sonata in E-flat major, op. 12 no. 3: II. Adagio con molta espressione | — | ||
| 15-9 | Violin Sonata in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | — | ||
| 16-1 | Violin Sonata no. 4 in A minor, op. 23: I. Presto | — | ||
| 16-2 | Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | — | ||
| 16-3 | Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 16-4 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: I. Allegro | — | ||
| 16-5 | “Spring” Violin Sonata: II—Adagio molto espressivo | Marc Neikrug, Pinchas Zukerman | — | |
| 16-6 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: III. Scherzo. Allegro molto | — | ||
| 16-7 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: IV. Rondo. Allegro ma non troppo | — | ||
| 17-1 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | — | ||
| 17-2 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | — | ||
| 17-3 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | — | ||
| 17-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | — | ||
| 17-5 | Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | — | ||
| 17-6 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | — | ||
| 17-7 | Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro - Presto | — | ||
| 17-8 | Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | — | ||
| 17-9 | Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 17-10 | Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 18-1 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 18-2 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 18-3 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Presto | — | ||
| 18-4 | Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato | — | ||
| 18-5 | Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo | — | ||
| 18-6 | Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | — | ||
| 18-7 | Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto | — | ||
| 19-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 19-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 19-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 19-4 | Cello Sonata no. 3 in A major, op. 69: IV. Allegro vivace | — | ||
| 19-5 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 19-6 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | — | ||
| 19-7 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | — | ||
| 19-8 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo | — | ||
| 19-9 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto | — | ||
| 19-10 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 20-1 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante | — | ||
| 20-2 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Allegro vivace | — | ||
| 20-3 | Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio – Tempo d’Andante | — | ||
| 20-4 | Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 20-5 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 20-6 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | — | ||
| 20-7 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 20-8 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte for Piano and Cello in F major, op. 66 | — | ||
| 21-1 | Piano Trio, op. 70 no. 1: I. Allegro vivache e con brio | — | ||
| 21-2 | Piano Trio, op. 70 no. 1: II. Largo assai ed espressione | — | ||
| 21-3 | Piano Trio, op. 70 no. 1: III. Presto | — | ||
| 21-4 | Piano Trio, op. 70 no. 2: I. Poco sostenuto -- Allegro ma non troppo | — | ||
| 21-5 | Piano Trio, op. 70 no. 2: II. Allegretto | — | ||
| 21-6 | Piano Trio, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 21-7 | Piano Trio, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 21-8 | Piano Trio, op. 11: I. Allegro con brio | — | ||
| 21-9 | Piano Trio, op. 11: II. Adagio | — | ||
| 21-10 | Piano Trio, op. 11: III. Thema. Allegretto “Pria ch’ l’impegno” | — | ||
| 21-11 | Piano Trio, op. 11: IV. Variation I | — | ||
| 21-12 | Piano Trio, op. 11: V. Variation II | — | ||
| 21-13 | Piano Trio, op. 11: VI. Variation III | — | ||
| 21-14 | Piano Trio, op. 11: VII. Variation IV: minore | — | ||
| 21-15 | Piano Trio, op. 11: VIII. Variation V: maggiore | — | ||
| 21-16 | Piano Trio, op. 11: IX. Variation VI | — | ||
| 21-17 | Piano Trio, op. 11: X. Variation VII: minore | — | ||
| 21-18 | Piano Trio, op. 11: XI. Variation VIII: maggiore | — | ||
| 21-19 | Piano Trio, op. 11: XII. Variation IX | — | ||
| 21-20 | Piano Trio, op. 11: XIII. Allegro | — | ||
| 22-1 | Piano Trio in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 22-2 | Piano Trio in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 22-3 | Piano Trio in G major, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 22-4 | Piano Trio in G major, op. 1 no. 2: IV. Finale. Presto | — | ||
| 22-5 | Piano Trio in B-flat major op. 97 “Archduke”: I. Allegro | — | ||
| 22-6 | Piano Trio in B-flat major op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 22-7 | Piano Trio in B-flat major op. 97 “Archduke”: III. Andante cantabile | — | ||
| 22-8 | Piano Trio in B-flat major op. 97 “Archduke”: IV. Allegro moderato - Presto | — | ||
| 22-9 | Piano Trio in B-flat major, WoO 39: I. Allegretto | — | ||
| 23-1 | Piano Trio in E-flat major, op. 1. no. 1: I. Allegro | — | ||
| 23-2 | Piano Trio in E-flat major, op. 1. no. 1: II. Adagio cantabile | — | ||
| 23-3 | Piano Trio in E-flat major, op. 1. no. 1: III. Scherzo. Allegro assai | — | ||
| 23-4 | Piano Trio in E-flat major, op. 1. no. 1: IV. Finale. Presto | — | ||
| 24-1 | Piano Trio in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 24-2 | Piano Trio in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 24-3 | Piano Trio in C minor, op. 1 no. 3: III. Menuetto. Quasi allegretto | — | ||
| 24-4 | Piano Trio in C minor, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 24-5 | Piano Trio in E-flat major, op. 44: I. Thema. Andante | — | ||
| 24-6 | Piano Trio in E-flat major, op. 44: II. Variation I | — | ||
| 24-7 | Piano Trio in E-flat major, op. 44: III. Variation II | — | ||
| 24-8 | Piano Trio in E-flat major, op. 44: IV. Variation III | — | ||
| 24-9 | Piano Trio in E-flat major, op. 44: V. Variation IV | — | ||
| 24-10 | Piano Trio in E-flat major, op. 44: VI. Variation V | — | ||
| 24-11 | Piano Trio in E-flat major, op. 44: VII. Variation VI | — | ||
| 24-12 | Piano Trio in E-flat major, op. 44: VIII. Variation VII. Largo | — | ||
| 24-13 | Piano Trio in E-flat major, op. 44: IX. Variation VIII. Un poco adagio | — | ||
| 24-14 | Piano Trio in E-flat major, op. 44: X. Variation IX. Tempo primo | — | ||
| 24-15 | Piano Trio in E-flat major, op. 44: XI. Variation X | — | ||
| 24-16 | Piano Trio in E-flat major, op. 44: XII. Variation XI | — | ||
| 24-17 | Piano Trio in E-flat major, op. 44: XIII. Variation XII | — | ||
| 24-18 | Piano Trio in E-flat major, op. 44: XIV. Variation XIII. Adagio | — | ||
| 24-19 | Piano Trio in E-flat major, op. 44: XV. Variation XIV. Allegro | — | ||
| 24-20 | Piano Trio in E-flat major, op. 44: XVI. Andante - Presto | — | ||
| 25-1 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: I. Introduction. Adagio assai | — | ||
| 25-2 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: II. Thema. Allegretto | — | ||
| 25-3 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: III. Variation 1 | — | ||
| 25-4 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IV. Variation 2 | — | ||
| 25-5 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: V. Variation 3 | — | ||
| 25-6 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VI. Variation 4 | — | ||
| 25-7 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VII. Variation 5 | — | ||
| 25-8 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VIII. Variation 6 | — | ||
| 25-9 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IX. Variation 7 | — | ||
| 25-10 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: X. Variation 8 | — | ||
| 25-11 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XI. Variation 9. Adagio espressivo | — | ||
| 25-12 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XII. Variation 10. Presto | — | ||
| 25-13 | Piano Trio in E-flat major, op. 38: I. Adagio - Allegro con brio | — | ||
| 25-14 | Piano Trio in E-flat major, op. 38: II. Adagio cantabile | — | ||
| 25-15 | Piano Trio in E-flat major, op. 38: III. Tempo di menuetto | — | ||
| 25-16 | Piano Trio in E-flat major, op. 38: IV. Andante con variazioni | — | ||
| 25-17 | Piano Trio in E-flat major, op. 38: V. Scherzo: Allegro molto e vivace | — | ||
| 25-18 | Piano Trio in E-flat major, op. 38: VI. Andante con moto alla macia | — | ||
| 25-19 | Piano Trio in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 25-20 | Piano Trio in E-flat major, WoO 38: II. Scherzo | — | ||
| 25-21 | Piano Trio in E-flat major, WoO 38: III. Rondo. Allegretto | — | ||
| 26-1 | String Trio in E-flat major, op. 3: I. Allegro con brio | — | ||
| 26-2 | String Trio in E-flat major, op. 3: II. Andante | — | ||
| 26-3 | String Trio in E-flat major, op. 3: III. Menuetto (Allegretto) | — | ||
| 26-4 | String Trio in E-flat major, op. 3: IV. Adagio | — | ||
| 26-5 | String Trio in E-flat major, op. 3: V. Menuetto (Moderato) | — | ||
| 26-6 | String Trio in E-flat major, op. 3: VI. Finale (Allegro) | — | ||
| 26-7 | String Serenade in D major, op. 8: I. Marcia (Allegro) | — | ||
| 26-8 | String Serenade in D major, op. 8: II. Adagio | — | ||
| 26-9 | String Serenade in D major, op. 8: III. Menuetto (Allegretto) | — | ||
| 26-10 | String Serenade in D major, op. 8: IV. Adagio-Scherzo (Allegro molto) | — | ||
| 26-11 | String Serenade in D major, op. 8: V. Allegretto alla Polacca | — | ||
| 26-12 | String Serenade in D major, op. 8: VI. Andante quasi allegretto-Finale (Marcia) | — | ||
| 27-1 | Trio in G major, op. 9 no. 1: I. Adagio - Allegro con brio | — | ||
| 27-2 | Trio in G major, op. 9 no. 1: II: Adagio, ma non tanto e cantabile | — | ||
| 27-3 | Trio in G major, op. 9 no. 1: III. Scherzo. Allegro | — | ||
| 27-4 | Trio in G major, op. 9 no. 1: IV. Presto | — | ||
| 27-5 | Trio in D major, op. 9 no. 2: I. Allegretto | — | ||
| 27-6 | Trio in D major, op. 9 no. 2: II. Andante quasi Allegretto | — | ||
| 27-7 | Trio in D major, op. 9 no. 2: III. Menuetto. Allegro | — | ||
| 27-8 | Trio in D major, op. 9 no. 2: IV. Rondo. Allegro | — | ||
| 27-9 | Trio in C minor, op. 9 no. 3: I. Allegro con spirito | — | ||
| 27-10 | Trio in C minor, op. 9 no. 3: II. Adagio con espressione | — | ||
| 27-11 | Trio in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 27-12 | Trio in C minor, op. 9 no. 3: IV. Finale. Presto | — | ||
| 28-1 | Piano Concerto in E-flat major, WoO 4: I. Allegro moderato | — | ||
| 28-2 | Piano Concerto in E-flat major, WoO 4: II. Larghetto | — | ||
| 28-3 | Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto | — | ||
| 28-4 | Piano Quintet in E-flat major, op. 16: I. Allegro ma non troppo | — | ||
| 28-5 | Piano Quintet in E-flat major, op. 16: II. Andante cantabile | — | ||
| 28-6 | Piano Quintet in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 29-1 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: I. Allegro con brio | — | ||
| 29-2 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: II. Adagio | — | ||
| 29-3 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: III. Rondo. Allegro | — | ||
| 29-4 | Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: I. Allegro | — | ||
| 29-5 | Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto | — | ||
| 29-6 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 29-7 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 29-8 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: III. Finale. Presto | — | ||
| 30-1 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: I. Allegro | — | ||
| 30-2 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: II. Andante | — | ||
| 30-3 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: III. Menuetto | — | ||
| 30-4 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: IV. Finale. Presto | — | ||
| 30-5 | Rondo for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat major, WoO 25: Andante | — | ||
| 30-6 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 30-7 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: I. Allegro commodo | — | ||
| 30-8 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: II. Larghetto sostenuto | — | ||
| 30-9 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: III. Rondo. Allegretto | — | ||
| 30-10 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 30-11 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: I. Adagio - allegro | — | ||
| 30-12 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio | — | ||
| 30-13 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio | — | ||
| 30-14 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: IV. Rondò. Allegro | — | ||
| 31-1 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: I. Allegro con brio | — | ||
| 31-2 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | — | ||
| 31-3 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: III. Scherzo. Allegro molto | — | ||
| 31-4 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: IV. Allegro | — | ||
| 31-5 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: I. Allegro | — | ||
| 31-6 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: II. Menuetto | — | ||
| 31-7 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: III. Andante cantabile | — | ||
| 31-8 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: IV. Allegro | — | ||
| 32-1 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: I. Allegro | — | ||
| 32-2 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I | — | ||
| 32-3 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro | — | ||
| 32-4 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto | — | ||
| 32-5 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio | — | ||
| 32-6 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo | — | ||
| 32-7 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: III. Scherzo. Allegro | — | ||
| 32-8 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: IV. Adagio “La malinconia” - Allegretto quasi allegro | — | ||
| 33-1 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: I. Allegro | — | ||
| 33-2 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: II. Andante con moto | — | ||
| 33-3 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: III. Allegro | — | ||
| 33-4 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: IV. Presto | — | ||
| 33-5 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto | — | ||
| 33-6 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto | — | ||
| 33-7 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: III. Menuetto. Allegretto | — | ||
| 33-8 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo | — | ||
| 34-1 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: I. Allegro | — | ||
| 34-2 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: II. Allegretto scherzando e sempre vivace | — | ||
| 34-3 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: III. Adagio molto | — | ||
| 34-4 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: IV. Allegro | — | ||
| 34-5 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: I. Poco adagio - Allegro | — | ||
| 34-6 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: II. Adagio ma non troppo | — | ||
| 34-7 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: III. Presto | — | ||
| 34-8 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: IV. Allegretto con variazioni | — | ||
| 35-1 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: I. Allegro | — | ||
| 35-2 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento | — | ||
| 35-3 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: III. Allegretto - Maggiore | — | ||
| 35-4 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: IV. Presto | — | ||
| 35-5 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: I. Andante con moto - Allegro vivace | — | ||
| 35-6 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: II. Andante con moto quasi allegretto | — | ||
| 35-7 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: III. Minuetto. Grazioso | — | ||
| 35-8 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: IV. Allegro molto | — | ||
| 36-1 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: I. Allegro con brio | — | ||
| 36-2 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: II. Allegretto ma non troppo | — | ||
| 36-3 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: III. Allegro assai vivace ma serioso | — | ||
| 36-4 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro | — | ||
| 36-5 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: I. Maestoso - Allegro | — | ||
| 36-6 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I | — | ||
| 36-7 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: III. Scherzando. Vivace | — | ||
| 36-8 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo | — | ||
| 37-1 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 37-2 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: II. Presto | — | ||
| 37-3 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: III. Andante con moto, ma non troppo | — | ||
| 37-4 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 37-5 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 37-6 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: VI. Finale. Allegro (alternate) | — | ||
| 37-7 | Große Fugue for 2 Violins, Viola, and Cello in B-flat major, op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro | — | ||
| 38-1 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo | — | ||
| 38-2 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace | — | ||
| 38-3 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: III. Allegro moderato | — | ||
| 38-4 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | — | ||
| 38-5 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio | — | ||
| 38-6 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | — | ||
| 38-7 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 38-8 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: I. Allegretto | — | ||
| 38-9 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: II. Vivace | — | ||
| 38-10 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: III. Lento assai, e cantante tranquillo | — | ||
| 38-11 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | — | ||
| 39-1 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | — | ||
| 39-2 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 39-3 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: III. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung | — | ||
| 39-4 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: IV. Alla Marcia, vivace assai - Più allegro | — | ||
| 39-5 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | — | ||
| 40-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 40-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 40-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 40-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 40-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 40-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 40-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 40-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 40-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 40-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 40-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 40-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 41-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 41-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione | — | ||
| 41-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 41-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 41-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 41-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 41-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 41-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 41-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 41-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 42-1 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 42-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 42-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 42-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 42-5 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 42-6 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Andante cantabile | — | ||
| 42-7 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 42-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 42-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 42-10 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 43-1 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 43-2 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 43-3 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 43-4 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 43-5 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 43-6 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 43-7 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 43-8 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: I. Andante con Variazioni | — | ||
| 43-9 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | — | ||
| 43-10 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un Eroe | — | ||
| 43-11 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: IV. Allegro | — | ||
| 44-1 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | — | ||
| 44-2 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 44-3 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione - Allegro vivace | — | ||
| 44-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 44-5 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 44-6 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 44-7 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | — | ||
| 44-8 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | — | ||
| 44-9 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | — | ||
| 44-10 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | — | ||
| 45-1 | Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 45-2 | Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 45-3 | Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 45-4 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: I. Largo - Allegro | — | ||
| 45-5 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: II. Adagio | — | ||
| 45-6 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: III. Allegretto | — | ||
| 46-1 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 46-2 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 46-3 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | — | ||
| 46-4 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 46-5 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 46-6 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | — | ||
| 46-7 | Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 46-8 | Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 46-9 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 46-10 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto | — | ||
| 46-11 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 47-1 | Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | — | ||
| 47-2 | Sonata for Piano no. 22 in F major, op. 54: II. Allegretto | — | ||
| 47-3 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 47-4 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 47-5 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 47-6 | Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 47-7 | Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: II. Allegro assai | — | ||
| 47-8 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca | — | ||
| 47-9 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo | — | ||
| 47-10 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace | — | ||
| 48-1 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio - Allegro “Les Adieux” | — | ||
| 48-2 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence” | — | ||
| 48-3 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” | — | ||
| 48-4 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 48-5 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 48-6 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 48-7 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 48-8 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 48-9 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 49-1 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: I. Allegro | — | ||
| 49-2 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: II. Scherzo. Assai vivace | — | ||
| 49-3 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 49-4 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: IV. Largo - Allegro risoluto | — | ||
| 50-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo | — | ||
| 50-2 | Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 50-3 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 50-4 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 50-5 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 50-6 | Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 50-7 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 50-8 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 51-1 | Bagatelle for Piano, op. 33 no. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 51-2 | Bagatelle for Piano, op. 33 no. 2 in C major: Scherzo. Allegro | — | ||
| 51-3 | Bagatelle for Piano, op. 33 no. 3 in F major: Allegretto | — | ||
| 51-4 | Bagatelle for Piano, op. 33 no. 4 in A major: Andante | — | ||
| 51-5 | Bagatelle for Piano, op. 33 no. 5 in C major: Allegro ma non troppo | — | ||
| 51-6 | Bagatelle for Piano, op. 33 no. 6 in D major: Allegretto quasi andante | — | ||
| 51-7 | Bagatelle for Piano, op. 33 no. 7 in A-flat major: Presto | — | ||
| 51-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | — | ||
| 51-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | — | ||
| 51-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l’Allemande | — | ||
| 51-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | — | ||
| 51-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | — | ||
| 51-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | — | ||
| 51-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | — | ||
| 51-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato | — | ||
| 51-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | — | ||
| 51-17 | Bagatelle for Piano, op. 119 no. 10 in A major: Allegramente | — | ||
| 51-18 | Bagatelle for Piano, op. 119 no. 11 in B-flat major: Andante, ma non troppo | — | ||
| 51-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | — | ||
| 51-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | — | ||
| 51-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | — | ||
| 51-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | — | ||
| 51-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | — | ||
| 51-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | — | ||
| 51-25 | Fantasia for Piano in G minor / B-flat major, op. 77: Allegro - Poco adagio | — | ||
| 51-26 | Polonaise for Piano in C major, op. 89: Alla polacca, vivace | — | ||
| 52-1 | 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio. Cantabile | — | ||
| 52-2 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. I | — | ||
| 52-3 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro ma non troppo | — | ||
| 52-4 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var III. Allegretto | — | ||
| 52-5 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di menuetto | — | ||
| 52-6 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. V. Marcia. Allegretto | — | ||
| 52-7 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. VI. Coda. Allegretto | — | ||
| 52-8 | 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio molto | — | ||
| 52-9 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace | — | ||
| 52-10 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema | — | ||
| 52-11 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I | — | ||
| 52-12 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II | — | ||
| 52-13 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III | — | ||
| 52-14 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV | — | ||
| 52-15 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V | — | ||
| 52-16 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI | — | ||
| 52-17 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava | — | ||
| 52-18 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII | — | ||
| 52-19 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX | — | ||
| 52-20 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X | — | ||
| 52-21 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI | — | ||
| 52-22 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII | — | ||
| 52-23 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII | — | ||
| 52-24 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV. minore | — | ||
| 52-25 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Maggiore. Largo | — | ||
| 52-26 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla fuga. Allegro con brio - Andante con moto | — | ||
| 52-27 | 6 Variations for Piano in D major on an Original Theme, op. 76: Tema. Allegro risoluto | — | ||
| 52-28 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. I | — | ||
| 52-29 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. II | — | ||
| 52-30 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. III | — | ||
| 52-31 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. IV | — | ||
| 52-32 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. V | — | ||
| 52-33 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. VI. Presto | — | ||
| 52-34 | Rondo for Piano in C major, op. 51 no. 1: Moderato e grazioso | — | ||
| 52-35 | Rondo for Piano in G major, op. 51 no. 2: Andante cantabile e grazioso | — | ||
| 52-36 | Rondo a Capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace | — | ||
| 53-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 53-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso | — | ||
| 53-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro | — | ||
| 53-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L’istesso tempo | — | ||
| 53-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace | — | ||
| 53-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace | — | ||
| 53-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 53-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro | — | ||
| 53-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace | — | ||
| 53-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 53-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto | — | ||
| 53-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto | — | ||
| 53-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto | — | ||
| 53-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace | — | ||
| 53-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso | — | ||
| 53-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando | — | ||
| 53-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro | — | ||
| 53-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII | — | ||
| 53-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato | — | ||
| 53-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto | — | ||
| 53-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante | — | ||
| 53-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio | — | ||
| 53-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto | — | ||
| 53-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai | — | ||
| 53-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 53-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro | — | ||
| 53-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI | — | ||
| 53-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace | — | ||
| 53-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro | — | ||
| 53-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 53-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 53-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 53-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 53-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 53-35 | Quintet for Strings in C major, Hess 41 ( fragment ) | — | ||
| 53-36 | Allegretto for Piano in C minor, WoO 53 | — | ||
| 53-37 | Bagatelle for Piano in C minor, WoO 52: Presto | — | ||
| 53-38 | Allegretto for Piano in C minor, Hess 69 | — | ||
| 53-39 | ”Lustig-Traurig” for Piano in C major, WoO 54 | — | ||
| 54-1 | Music, love and wine | — | ||
| 54-2 | Bonny Laddie, Highland Laddie | — | ||
| 54-3 | I’ll praise the saints | — | ||
| 54-4 | Sally in our Alley | — | ||
| 54-5 | Sunset | — | ||
| 54-6 | Faithfu’ Johnie | — | ||
| 54-7 | Behold, my love | — | ||
| 54-8 | His boat comes on the sunny tide | — | ||
| 54-9 | Enchantress, farewell | — | ||
| 54-10 | The pulse of an Irishman | — | ||
| 54-11 | To the Aeolian Harp | — | ||
| 54-12 | O Charlie is my darling | — | ||
| 54-13 | Duncan Gray | — | ||
| 54-14 | To the blackbird | — | ||
| 54-15 | ‘Tis sunshine at last | — | ||
| 54-16 | Cease your funning | — | ||
| 54-17 | Oh sweet were the hours | — | ||
| 54-18 | Save me from the grave and wise | — | ||
| 54-19 | Farewell bliss and farewell Nancy | — | ||
| 54-20 | Love without hope | — | ||
| 54-21 | Farewell thou noisy town | — | ||
| 54-22 | He promis’d me at parting | — | ||
| 54-23 | The monks of Bangor’s March | — | ||
| 54-24 | Robin Adair | — | ||
| 54-25 | O swiftly glides the bonny boat | — | ||
| 54-26 | Sad and luckless was the season | — | ||
| 54-27 | Come draw we round a cheerful ring | — | ||
| 54-28 | The sweetest lad was Jamie | — | ||
| 54-29 | Come, fill my good fellow | — | ||
| 55-1 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I. Introduction - Recitative - Aria | — | ||
| 55-2 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II. Recitative - Aria - Choir of Angels | — | ||
| 55-3 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III. Recitative - Duet | — | ||
| 55-4 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV. Recitative - Choir of Warriors | — | ||
| 55-5 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V. Recitative - Choir of Warriors - Choir of Disciples | — | ||
| 55-6 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI. Recitative - Trio - Choir of Warriors - Choir of Disciples | — | ||
| 55-7 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir of Angels | — | ||
| 56-1 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo | — | ||
| 56-2 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio | — | ||
| 56-3 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio | — | ||
| 56-4 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | — | ||
| 56-5 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Benedictus | — | ||
| 56-6 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: VI. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | — | ||
| 57-1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ia. Kyrie. Kyrie eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ib. Kyrie. Christe eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ic. Kyrie. Kyrie eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIa. Gloria. Gloria in excelsis Deo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIb. Gloria. Gratias agimus | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIc. Gloria. Qui tollis peccata mundi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IId. Gloria. Quoniam tu solus Sanctus | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIe. Gloria. Amen, in gloria dei Patris | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIa. Credo. Credo in unum Deum | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIb. Credo. Et incarnatus est | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIId. Credo. Et vitam venturi sauculi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIe. Credo. Allegro con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIf. Credo. Grave | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-17 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVc. Sanctus. Osanna in excelsis | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-18 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVd. Sanctus. Praeludium | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-19 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: V. Benedictus. Benedictus qui venit in nomine Domini (violin: Primoz Novsak) | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-20 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIa. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-21 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIb. Agnus Dei. Dona nobis pacem | Tonhalle-Orchester Zürich, David Zinman | — | |
| 58-1 | Scene and Aria in G major “Ah! Perfido”, op. 65 (New York Philharmonic Orchestra feat. conductor: Thomas Schippers, soprano: Regine Crespin) | — | ||
| 58-2 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers) | — | ||
| 58-3 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative “Ein Ungeheuer, sein Name Fanatismus” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz) | — | ||
| 58-4 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria “Da kam Joseph” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz) | — | ||
| 58-5 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria with Choir “Da stiegen die Menschen an’s Licht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, soprano: Martina Arroyo) | — | ||
| 58-6 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative “Er Schläft, von den Sorgen seiner Welten entladen” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers) | — | ||
| 58-7 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria “Hier schlummert seinen stillen Frieden der grosse Dulder” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers) | — | ||
| 58-8 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers) | — | ||
| 58-9 | Song “Bundelied”, op. 122 (London Symphony Orchestra, feat. conductor: Michael Tilson Thomas, Ambrosian Opera Chorus) | — | ||
| 59-1 | Fidelio, op. 72: Overture | — | ||
| 59-2 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” | — | ||
| 59-3 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” | — | ||
| 59-4 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” | — | ||
| 59-5 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” | — | ||
| 59-6 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” | — | ||
| 59-7 | Fidelio, op. 72: Act I, Scene II, no. 6. March | — | ||
| 59-8 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” | — | ||
| 59-9 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” | — | ||
| 59-10 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” | — | ||
| 59-11 | Fidelio, op. 72: Act I, Scene II, no. 10. Prisoner’s Chorus “O welche Lust” - Recitative “Nun sprecht, wie ging’s?” - Quintet “Ach, Vater, eilt!” - Recitative “Habt ihr wohl in Acht genommen” - “Leb wohl, du warmes Sonnenlicht” | — | ||
| 60-1 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction and Recitative “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | — | ||
| 60-2 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama - Duet “Nur hurtig fort” | — | ||
| 60-3 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessern Welten” | — | ||
| 60-4 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe!” | — | ||
| 60-5 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | — | ||
| 60-6 | Fidelio, op. 72: Act II, Scene I, no. 16. “Heil sei dem Tag” - “Bestrafet sei der Bösewicht” - “O Gott! O welch ein Augenblick!” - Recitative “Hinweg mit diesem Bösewicht” - “Wer ein holdes Weib errungen” | — | ||
| 60-7 | Overture “Leonore”, op. 138 | — |
