UPC · Release
Complete Masterpieces
Ludwig van Beethoven
886970750820
647 tracksReleased 2007-01-01Sony Classical
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886970750820 is the Universal Product Code (UPC barcode) for the release “Complete Masterpieces” by Ludwig van Beethoven, released 2007-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 647 tracks, each with its own ISRC. Tracks include DEP629800138, DEP629800139, DEP629800140.
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UPCComplete Masterpieces
ISRC68 recordings
ISWC8 works
IPI1 songwriter
Track List (647)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto | Tonhalle-Orchester Zürich, David Zinman | T-300.456.250-5 | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | T-905.312.587-4 | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-6 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto moto. Szene am Bach | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-7 | Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro. Lustiges Zusammensein der Landleute | Tonhalle-Orchester Zürich, David Zinman | — | |
| 3-8 | Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro. Gewitter. Sturm | Tonhalle-Orchester Zürich, David Zinman | T-318.676.528-2 | |
| 3-9 | Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto. Frohe und dankbare Gefühle nach dem Sturm | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Tonhalle-Orchester Zürich, David Zinman | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Tonhalle-Orchester Zürich, David Zinman | T-915.710.750-1 | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Tonhalle-Orchester Zürich, David Zinman | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End | Tonhalle-Orchester Zürich, David Zinman | — | |
| 5-6 | Symphony no. 9 in D minor, op. 125: VI. Allegro assai vivace alla marcia. End, with Beethoven’s original general pause in bar 747 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-1 | Die Geschöpfe des Prometheus in C minor, op. 43 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-2 | Egmont, Overture in F minor, op. 84 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-3 | Coriolan Overture in C minor, op. 62 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-4 | Leonore Overture no. 1 in C major, op. 138 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 6-5 | Die Ruinen von Athen Overture, op. 113 | Tonhalle-Orchester Zürich, David Zinman | T-909.574.378-5 | |
| 6-6 | Leonore Overture no. 2 in C major, op. 72a | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7-1 | Zur Namensfeier Overture in C major, op. 115 | Tonhalle-Orchester Zürich, David Zinman | — | |
| 7-2 | Leonore Overture in C major, op. 72b | — | ||
| 7-3 | Fidelio Overture in E major, op. 72c | — | ||
| 7-4 | König Stephan Overture in E-flat major, op. 117 | — | ||
| 7-5 | Die Weihe des Hauses Overture in E-flat major, op. 124 | — | ||
| 8-1 | Die Geschöpfe des Prometheus: I. Overtura: Adagio - Allegro molto con brio | — | ||
| 8-2 | Die Geschöpfe des Prometheus: II. Allegro non troppo | — | ||
| 8-3 | Die Geschöpfe des Prometheus: III. Poco adagio - Allegro con brio | — | ||
| 8-4 | Die Geschöpfe des Prometheus: IV. Adagio - Allegro con brio | — | ||
| 8-5 | Die Geschöpfe des Prometheus: V. Allegro vivace | — | ||
| 8-6 | Die Geschöpfe des Prometheus: VI. Maestoso - Andante | — | ||
| 8-7 | Die Geschöpfe des Prometheus: VII. Adagio - Andante quasi allegretto | — | ||
| 8-8 | Die Geschöpfe des Prometheus: VIII. Un poco adagio - Allegro | — | ||
| 8-9 | Die Geschöpfe des Prometheus: IX. Grave | — | ||
| 8-10 | Die Geschöpfe des Prometheus: X. Allegro con brio - Presto | — | ||
| 8-11 | Die Geschöpfe des Prometheus: XI. Adagio - Allegro molto | — | ||
| 8-12 | Die Geschöpfe des Prometheus: XII. Pastorale: Allegro | — | ||
| 8-13 | Die Geschöpfe des Prometheus: XIII. Andante | — | ||
| 8-14 | Die Geschöpfe des Prometheus: XIV. Maestoso - Allegro | — | ||
| 8-15 | Die Geschöpfe des Prometheus: XV. Allegro | — | ||
| 8-16 | Die Geschöpfe des Prometheus: XVI. Andante - Adagio - Allegro | — | ||
| 8-17 | Die Geschöpfe des Prometheus: XVII. Andantino - Adagio - Allegro | — | ||
| 8-18 | Die Geschöpfe des Prometheus: XVIII. Finale: Allegretto - Allegro molto - Presto | — | ||
| 9-1 | Bagatelle in A minor, WoO 59 “Für Elise” | — | ||
| 9-2 | Adagio für eine Spieluhr in F major, WoO 33 Nr. 1 | — | ||
| 9-3 | Twelve Contre-dances, WoO 14 | — | ||
| 9-4 | Sonatina in C minor, WoO 43a | — | ||
| 9-5 | Sonatina in C major, WoO 44 | — | ||
| 9-6 | Menuet in G major, WoO 10,6 | — | ||
| 9-7 | Violin Concerto (fragment) in C major, WoO 5 | — | ||
| 9-8 | Willingtons Sieg, op. 91 | — | ||
| 10-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 10-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 10-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: allegro scherzando | — | ||
| 10-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 10-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 10-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: molto allegro | — | ||
| 11-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 11-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 11-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: allegro | — | ||
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: vivace | — | ||
| 12-1 | Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro | — | ||
| 12-2 | Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | — | ||
| 12-3 | Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo. Allegro | — | ||
| 12-4 | Choral Fantasy in C minor, op. 80 | — | ||
| 12-5 | Meeresstille und glückliche Fahrt in D major, op. 112 | — | ||
| 13-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 13-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 13-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo | — | ||
| 13-4 | Romance for Violin no. 1 in G major, op. 40: Adagio - Allegro con brio | — | ||
| 13-5 | Romance for Violin no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 14-1 | Triple Concerto, op. 56: I. Allegro | — | ||
| 14-2 | Triple Concerto, op. 56: II. Largo - attacca | — | ||
| 14-3 | Triple Concerto, op. 56: III. Rondo. Alla polacca | — | ||
| 14-4 | Septet, op. 20: I. Adagio - Allegro con brio | — | ||
| 14-5 | Septet, op. 20: II. Adagio cantabile | — | ||
| 14-6 | Septet, op. 20: III. Tempo di minuetto | — | ||
| 14-7 | Septet, op. 20: IV. Andante con variazioni | — | ||
| 14-8 | Septet, op. 20: V. Scherzo: Allegro molto e vivace | — | ||
| 14-9 | Septet, op. 20: VI. Andante con moto alla marcia - Presto | — | ||
| 15-1 | Violin Sonata in D major, op. 12 no. 1: I. Allegro con brio | — | ||
| 15-2 | Violin Sonata in D major, op. 12 no. 1: II. Andante con moto | — | ||
| 15-3 | Violin Sonata in D major, op. 12 no. 1: III. Rondo. Allegro | — | ||
| 15-4 | Violin Sonata in A major, op. 12 no. 2: I. Allegro vivace | — | ||
| 15-5 | Violin Sonata in A major, op. 12 no. 2: II. Andante più tosto allegretto | — | ||
| 15-6 | Violin Sonata in A major, op. 12 no. 2: III. Allegro piacevole | — | ||
| 15-7 | Violin Sonata in E-flat major, op. 12 no. 3: I. Allegro con spirito | — | ||
| 15-8 | Violin Sonata in E-flat major, op. 12 no. 3: II. Adagio con molta espressione | — | ||
| 15-9 | Violin Sonata in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto | — | ||
| 16-1 | Violin Sonata no. 4 in A minor, op. 23: I. Presto | — | ||
| 16-2 | Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto | — | ||
| 16-3 | Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto | — | ||
| 16-4 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: I. Allegro | — | ||
| 16-5 | “Spring” Violin Sonata: II—Adagio molto espressivo | Marc Neikrug, Pinchas Zukerman | — | |
| 16-6 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: III. Scherzo. Allegro molto | — | ||
| 16-7 | Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: IV. Rondo. Allegro ma non troppo | — | ||
| 17-1 | Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro | — | ||
| 17-2 | Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo | — | ||
| 17-3 | Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni | — | ||
| 17-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio | — | ||
| 17-5 | Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile | — | ||
| 17-6 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro | — | ||
| 17-7 | Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro - Presto | — | ||
| 17-8 | Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai | — | ||
| 17-9 | Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 17-10 | Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace | — | ||
| 18-1 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 18-2 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 18-3 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Presto | — | ||
| 18-4 | Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato | — | ||
| 18-5 | Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo | — | ||
| 18-6 | Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro | — | ||
| 18-7 | Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto | — | ||
| 19-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 19-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 19-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 19-4 | Cello Sonata no. 3 in A major, op. 69: IV. Allegro vivace | — | ||
| 19-5 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 19-6 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | — | ||
| 19-7 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | — | ||
| 19-8 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo | — | ||
| 19-9 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto | — | ||
| 19-10 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 20-1 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante | — | ||
| 20-2 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Allegro vivace | — | ||
| 20-3 | Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio – Tempo d’Andante | — | ||
| 20-4 | Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 20-5 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 20-6 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | — | ||
| 20-7 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 20-8 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte for Piano and Cello in F major, op. 66 | — | ||
| 21-1 | Piano Trio, op. 70 no. 1: I. Allegro vivache e con brio | — | ||
| 21-2 | Piano Trio, op. 70 no. 1: II. Largo assai ed espressione | — | ||
| 21-3 | Piano Trio, op. 70 no. 1: III. Presto | — | ||
| 21-4 | Piano Trio, op. 70 no. 2: I. Poco sostenuto -- Allegro ma non troppo | — | ||
| 21-5 | Piano Trio, op. 70 no. 2: II. Allegretto | — | ||
| 21-6 | Piano Trio, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 21-7 | Piano Trio, op. 70 no. 2: IV. Finale. Allegro | — | ||
| 21-8 | Piano Trio, op. 11: I. Allegro con brio | — | ||
| 21-9 | Piano Trio, op. 11: II. Adagio | — | ||
| 21-10 | Piano Trio, op. 11: III. Thema. Allegretto “Pria ch’ l’impegno” | — | ||
| 21-11 | Piano Trio, op. 11: IV. Variation I | — | ||
| 21-12 | Piano Trio, op. 11: V. Variation II | — | ||
| 21-13 | Piano Trio, op. 11: VI. Variation III | — | ||
| 21-14 | Piano Trio, op. 11: VII. Variation IV: minore | — | ||
| 21-15 | Piano Trio, op. 11: VIII. Variation V: maggiore | — | ||
| 21-16 | Piano Trio, op. 11: IX. Variation VI | — | ||
| 21-17 | Piano Trio, op. 11: X. Variation VII: minore | — | ||
| 21-18 | Piano Trio, op. 11: XI. Variation VIII: maggiore | — | ||
| 21-19 | Piano Trio, op. 11: XII. Variation IX | — | ||
| 21-20 | Piano Trio, op. 11: XIII. Allegro | — | ||
| 22-1 | Piano Trio in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 22-2 | Piano Trio in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 22-3 | Piano Trio in G major, op. 1 no. 2: III. Scherzo. Allegro | — | ||
| 22-4 | Piano Trio in G major, op. 1 no. 2: IV. Finale. Presto | — | ||
| 22-5 | Piano Trio in B-flat major op. 97 “Archduke”: I. Allegro | — | ||
| 22-6 | Piano Trio in B-flat major op. 97 “Archduke”: II. Scherzo. Allegro | — | ||
| 22-7 | Piano Trio in B-flat major op. 97 “Archduke”: III. Andante cantabile | — | ||
| 22-8 | Piano Trio in B-flat major op. 97 “Archduke”: IV. Allegro moderato - Presto | — | ||
| 22-9 | Piano Trio in B-flat major, WoO 39: I. Allegretto | — | ||
| 23-1 | Piano Trio in E-flat major, op. 1. no. 1: I. Allegro | — | ||
| 23-2 | Piano Trio in E-flat major, op. 1. no. 1: II. Adagio cantabile | — | ||
| 23-3 | Piano Trio in E-flat major, op. 1. no. 1: III. Scherzo. Allegro assai | — | ||
| 23-4 | Piano Trio in E-flat major, op. 1. no. 1: IV. Finale. Presto | — | ||
| 24-1 | Piano Trio in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 24-2 | Piano Trio in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 24-3 | Piano Trio in C minor, op. 1 no. 3: III. Menuetto. Quasi allegretto | — | ||
| 24-4 | Piano Trio in C minor, op. 1 no. 3: IV. Finale. Prestissimo | — | ||
| 24-5 | Piano Trio in E-flat major, op. 44: I. Thema. Andante | — | ||
| 24-6 | Piano Trio in E-flat major, op. 44: II. Variation I | — | ||
| 24-7 | Piano Trio in E-flat major, op. 44: III. Variation II | — | ||
| 24-8 | Piano Trio in E-flat major, op. 44: IV. Variation III | — | ||
| 24-9 | Piano Trio in E-flat major, op. 44: V. Variation IV | — | ||
| 24-10 | Piano Trio in E-flat major, op. 44: VI. Variation V | — | ||
| 24-11 | Piano Trio in E-flat major, op. 44: VII. Variation VI | — | ||
| 24-12 | Piano Trio in E-flat major, op. 44: VIII. Variation VII. Largo | — | ||
| 24-13 | Piano Trio in E-flat major, op. 44: IX. Variation VIII. Un poco adagio | — | ||
| 24-14 | Piano Trio in E-flat major, op. 44: X. Variation IX. Tempo primo | — | ||
| 24-15 | Piano Trio in E-flat major, op. 44: XI. Variation X | — | ||
| 24-16 | Piano Trio in E-flat major, op. 44: XII. Variation XI | — | ||
| 24-17 | Piano Trio in E-flat major, op. 44: XIII. Variation XII | — | ||
| 24-18 | Piano Trio in E-flat major, op. 44: XIV. Variation XIII. Adagio | — | ||
| 24-19 | Piano Trio in E-flat major, op. 44: XV. Variation XIV. Allegro | — | ||
| 24-20 | Piano Trio in E-flat major, op. 44: XVI. Andante - Presto | — | ||
| 25-1 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: I. Introduction. Adagio assai | — | ||
| 25-2 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: II. Thema. Allegretto | — | ||
| 25-3 | Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: III. Variation 1 | — | ||
| 25-4 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IV. Variation 2 | — | ||
| 25-5 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: V. Variation 3 | — | ||
| 25-6 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VI. Variation 4 | — | ||
| 25-7 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VII. Variation 5 | — | ||
| 25-8 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VIII. Variation 6 | — | ||
| 25-9 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IX. Variation 7 | — | ||
| 25-10 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: X. Variation 8 | — | ||
| 25-11 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XI. Variation 9. Adagio espressivo | — | ||
| 25-12 | Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XII. Variation 10. Presto | — | ||
| 25-13 | Piano Trio in E-flat major, op. 38: I. Adagio - Allegro con brio | — | ||
| 25-14 | Piano Trio in E-flat major, op. 38: II. Adagio cantabile | — | ||
| 25-15 | Piano Trio in E-flat major, op. 38: III. Tempo di menuetto | — | ||
| 25-16 | Piano Trio in E-flat major, op. 38: IV. Andante con variazioni | — | ||
| 25-17 | Piano Trio in E-flat major, op. 38: V. Scherzo: Allegro molto e vivace | — | ||
| 25-18 | Piano Trio in E-flat major, op. 38: VI. Andante con moto alla macia | — | ||
| 25-19 | Piano Trio in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 25-20 | Piano Trio in E-flat major, WoO 38: II. Scherzo | — | ||
| 25-21 | Piano Trio in E-flat major, WoO 38: III. Rondo. Allegretto | — | ||
| 26-1 | String Trio in E-flat major, op. 3: I. Allegro con brio | — | ||
| 26-2 | String Trio in E-flat major, op. 3: II. Andante | — | ||
| 26-3 | String Trio in E-flat major, op. 3: III. Menuetto (Allegretto) | — | ||
| 26-4 | String Trio in E-flat major, op. 3: IV. Adagio | — | ||
| 26-5 | String Trio in E-flat major, op. 3: V. Menuetto (Moderato) | — | ||
| 26-6 | String Trio in E-flat major, op. 3: VI. Finale (Allegro) | — | ||
| 26-7 | String Serenade in D major, op. 8: I. Marcia (Allegro) | — | ||
| 26-8 | String Serenade in D major, op. 8: II. Adagio | — | ||
| 26-9 | String Serenade in D major, op. 8: III. Menuetto (Allegretto) | — | ||
| 26-10 | String Serenade in D major, op. 8: IV. Adagio-Scherzo (Allegro molto) | — | ||
| 26-11 | String Serenade in D major, op. 8: V. Allegretto alla Polacca | — | ||
| 26-12 | String Serenade in D major, op. 8: VI. Andante quasi allegretto-Finale (Marcia) | — | ||
| 27-1 | Trio in G major, op. 9 no. 1: I. Adagio - Allegro con brio | — | ||
| 27-2 | Trio in G major, op. 9 no. 1: II: Adagio, ma non tanto e cantabile | — | ||
| 27-3 | Trio in G major, op. 9 no. 1: III. Scherzo. Allegro | — | ||
| 27-4 | Trio in G major, op. 9 no. 1: IV. Presto | — | ||
| 27-5 | Trio in D major, op. 9 no. 2: I. Allegretto | — | ||
| 27-6 | Trio in D major, op. 9 no. 2: II. Andante quasi Allegretto | — | ||
| 27-7 | Trio in D major, op. 9 no. 2: III. Menuetto. Allegro | — | ||
| 27-8 | Trio in D major, op. 9 no. 2: IV. Rondo. Allegro | — | ||
| 27-9 | Trio in C minor, op. 9 no. 3: I. Allegro con spirito | — | ||
| 27-10 | Trio in C minor, op. 9 no. 3: II. Adagio con espressione | — | ||
| 27-11 | Trio in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 27-12 | Trio in C minor, op. 9 no. 3: IV. Finale. Presto | — | ||
| 28-1 | Piano Concerto in E-flat major, WoO 4: I. Allegro moderato | — | ||
| 28-2 | Piano Concerto in E-flat major, WoO 4: II. Larghetto | — | ||
| 28-3 | Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto | — | ||
| 28-4 | Piano Quintet in E-flat major, op. 16: I. Allegro ma non troppo | — | ||
| 28-5 | Piano Quintet in E-flat major, op. 16: II. Andante cantabile | — | ||
| 28-6 | Piano Quintet in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 29-1 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: I. Allegro con brio | — | ||
| 29-2 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: II. Adagio | — | ||
| 29-3 | Sextet String Quartet & 2 Horns in E-flat major, op. 81b: III. Rondo. Allegro | — | ||
| 29-4 | Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: I. Allegro | — | ||
| 29-5 | Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto | — | ||
| 29-6 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | — | ||
| 29-7 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: II. Andante con variazioni | — | ||
| 29-8 | Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: III. Finale. Presto | — | ||
| 30-1 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: I. Allegro | — | ||
| 30-2 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: II. Andante | — | ||
| 30-3 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: III. Menuetto | — | ||
| 30-4 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: IV. Finale. Presto | — | ||
| 30-5 | Rondo for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat major, WoO 25: Andante | — | ||
| 30-6 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 30-7 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: I. Allegro commodo | — | ||
| 30-8 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: II. Larghetto sostenuto | — | ||
| 30-9 | Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: III. Rondo. Allegretto | — | ||
| 30-10 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 30-11 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: I. Adagio - allegro | — | ||
| 30-12 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio | — | ||
| 30-13 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio | — | ||
| 30-14 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: IV. Rondò. Allegro | — | ||
| 31-1 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: I. Allegro con brio | — | ||
| 31-2 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | — | ||
| 31-3 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: III. Scherzo. Allegro molto | — | ||
| 31-4 | Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: IV. Allegro | — | ||
| 31-5 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: I. Allegro | — | ||
| 31-6 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: II. Menuetto | — | ||
| 31-7 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: III. Andante cantabile | — | ||
| 31-8 | Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: IV. Allegro | — | ||
| 32-1 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: I. Allegro | — | ||
| 32-2 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I | — | ||
| 32-3 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro | — | ||
| 32-4 | Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto | — | ||
| 32-5 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio | — | ||
| 32-6 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo | — | ||
| 32-7 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: III. Scherzo. Allegro | — | ||
| 32-8 | Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: IV. Adagio “La malinconia” - Allegretto quasi allegro | — | ||
| 33-1 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: I. Allegro | — | ||
| 33-2 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: II. Andante con moto | — | ||
| 33-3 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: III. Allegro | — | ||
| 33-4 | Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: IV. Presto | — | ||
| 33-5 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto | — | ||
| 33-6 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto | — | ||
| 33-7 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: III. Menuetto. Allegretto | — | ||
| 33-8 | Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo | — | ||
| 34-1 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: I. Allegro | — | ||
| 34-2 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: II. Allegretto scherzando e sempre vivace | — | ||
| 34-3 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: III. Adagio molto | — | ||
| 34-4 | Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: IV. Allegro | — | ||
| 34-5 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: I. Poco adagio - Allegro | — | ||
| 34-6 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: II. Adagio ma non troppo | — | ||
| 34-7 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: III. Presto | — | ||
| 34-8 | Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: IV. Allegretto con variazioni | — | ||
| 35-1 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: I. Allegro | — | ||
| 35-2 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento | — | ||
| 35-3 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: III. Allegretto - Maggiore | — | ||
| 35-4 | Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: IV. Presto | — | ||
| 35-5 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: I. Andante con moto - Allegro vivace | — | ||
| 35-6 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: II. Andante con moto quasi allegretto | — | ||
| 35-7 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: III. Minuetto. Grazioso | — | ||
| 35-8 | Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: IV. Allegro molto | — | ||
| 36-1 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: I. Allegro con brio | — | ||
| 36-2 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: II. Allegretto ma non troppo | — | ||
| 36-3 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: III. Allegro assai vivace ma serioso | — | ||
| 36-4 | Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro | — | ||
| 36-5 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: I. Maestoso - Allegro | — | ||
| 36-6 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I | — | ||
| 36-7 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: III. Scherzando. Vivace | — | ||
| 36-8 | Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo | — | ||
| 37-1 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 37-2 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: II. Presto | — | ||
| 37-3 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: III. Andante con moto, ma non troppo | — | ||
| 37-4 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 37-5 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 37-6 | Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: VI. Finale. Allegro (alternate) | — | ||
| 37-7 | Große Fugue for 2 Violins, Viola, and Cello in B-flat major, op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro | — | ||
| 38-1 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo | — | ||
| 38-2 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace | — | ||
| 38-3 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: III. Allegro moderato | — | ||
| 38-4 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | — | ||
| 38-5 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio | — | ||
| 38-6 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | — | ||
| 38-7 | Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 38-8 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: I. Allegretto | — | ||
| 38-9 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: II. Vivace | — | ||
| 38-10 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: III. Lento assai, e cantante tranquillo | — | ||
| 38-11 | Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | — | ||
| 39-1 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | — | ||
| 39-2 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 39-3 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: III. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung | — | ||
| 39-4 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: IV. Alla Marcia, vivace assai - Più allegro | — | ||
| 39-5 | Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: V. Allegro appassionato - Presto | — | ||
| 40-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 40-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 40-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | — | ||
| 40-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 40-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | — | ||
| 40-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | — | ||
| 40-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | — | ||
| 40-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | — | ||
| 40-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 40-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 40-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 40-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 41-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 41-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione | — | ||
| 41-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 41-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 41-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 41-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 41-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 41-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 41-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 41-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 42-1 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 42-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 42-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 42-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 42-5 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 42-6 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Andante cantabile | — | ||
| 42-7 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 42-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 42-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 42-10 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 43-1 | Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | — | ||
| 43-2 | Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | — | ||
| 43-3 | Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | — | ||
| 43-4 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 43-5 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 43-6 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 43-7 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 43-8 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: I. Andante con Variazioni | — | ||
| 43-9 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | — | ||
| 43-10 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un Eroe | — | ||
| 43-11 | Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: IV. Allegro | — | ||
| 44-1 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | — | ||
| 44-2 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 44-3 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione - Allegro vivace | — | ||
| 44-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 44-5 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 44-6 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 44-7 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | — | ||
| 44-8 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | — | ||
| 44-9 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | — | ||
| 44-10 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | — | ||
| 45-1 | Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 45-2 | Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 45-3 | Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 45-4 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: I. Largo - Allegro | — | ||
| 45-5 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: II. Adagio | — | ||
| 45-6 | Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: III. Allegretto | — | ||
| 46-1 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 46-2 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 46-3 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | — | ||
| 46-4 | Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 46-5 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 46-6 | Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | — | ||
| 46-7 | Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 46-8 | Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | — | ||
| 46-9 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 46-10 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto | — | ||
| 46-11 | Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 47-1 | Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto | — | ||
| 47-2 | Sonata for Piano no. 22 in F major, op. 54: II. Allegretto | — | ||
| 47-3 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 47-4 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 47-5 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | — | ||
| 47-6 | Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 47-7 | Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: II. Allegro assai | — | ||
| 47-8 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca | — | ||
| 47-9 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo | — | ||
| 47-10 | Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace | — | ||
| 48-1 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio - Allegro “Les Adieux” | — | ||
| 48-2 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence” | — | ||
| 48-3 | Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” | — | ||
| 48-4 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 48-5 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 48-6 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 48-7 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 48-8 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 48-9 | Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 49-1 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: I. Allegro | — | ||
| 49-2 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: II. Scherzo. Assai vivace | — | ||
| 49-3 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento | — | ||
| 49-4 | Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: IV. Largo - Allegro risoluto | — | ||
| 50-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo | — | ||
| 50-2 | Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 50-3 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 50-4 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 50-5 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 50-6 | Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 50-7 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 50-8 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 51-1 | Bagatelle for Piano, op. 33 no. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 51-2 | Bagatelle for Piano, op. 33 no. 2 in C major: Scherzo. Allegro | — | ||
| 51-3 | Bagatelle for Piano, op. 33 no. 3 in F major: Allegretto | — | ||
| 51-4 | Bagatelle for Piano, op. 33 no. 4 in A major: Andante | — | ||
| 51-5 | Bagatelle for Piano, op. 33 no. 5 in C major: Allegro ma non troppo | — | ||
| 51-6 | Bagatelle for Piano, op. 33 no. 6 in D major: Allegretto quasi andante | — | ||
| 51-7 | Bagatelle for Piano, op. 33 no. 7 in A-flat major: Presto | — | ||
| 51-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | — | ||
| 51-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | — | ||
| 51-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l’Allemande | — | ||
| 51-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | — | ||
| 51-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | — | ||
| 51-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | — | ||
| 51-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | — | ||
| 51-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato | — | ||
| 51-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | — | ||
| 51-17 | Bagatelle for Piano, op. 119 no. 10 in A major: Allegramente | — | ||
| 51-18 | Bagatelle for Piano, op. 119 no. 11 in B-flat major: Andante, ma non troppo | — | ||
| 51-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | — | ||
| 51-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | — | ||
| 51-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | — | ||
| 51-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | — | ||
| 51-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | — | ||
| 51-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | — | ||
| 51-25 | Fantasia for Piano in G minor / B-flat major, op. 77: Allegro - Poco adagio | — | ||
| 51-26 | Polonaise for Piano in C major, op. 89: Alla polacca, vivace | — | ||
| 52-1 | 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio. Cantabile | — | ||
| 52-2 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. I | — | ||
| 52-3 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro ma non troppo | — | ||
| 52-4 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var III. Allegretto | — | ||
| 52-5 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di menuetto | — | ||
| 52-6 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. V. Marcia. Allegretto | — | ||
| 52-7 | 6 Variations for Piano in F major on an Original Theme, op. 34: Var. VI. Coda. Allegretto | — | ||
| 52-8 | 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio molto | — | ||
| 52-9 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace | — | ||
| 52-10 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema | — | ||
| 52-11 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I | — | ||
| 52-12 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II | — | ||
| 52-13 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III | — | ||
| 52-14 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV | — | ||
| 52-15 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V | — | ||
| 52-16 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI | — | ||
| 52-17 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava | — | ||
| 52-18 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII | — | ||
| 52-19 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX | — | ||
| 52-20 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X | — | ||
| 52-21 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI | — | ||
| 52-22 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII | — | ||
| 52-23 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII | — | ||
| 52-24 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV. minore | — | ||
| 52-25 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Maggiore. Largo | — | ||
| 52-26 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla fuga. Allegro con brio - Andante con moto | — | ||
| 52-27 | 6 Variations for Piano in D major on an Original Theme, op. 76: Tema. Allegro risoluto | — | ||
| 52-28 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. I | — | ||
| 52-29 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. II | — | ||
| 52-30 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. III | — | ||
| 52-31 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. IV | — | ||
| 52-32 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. V | — | ||
| 52-33 | 6 Variations for Piano in D major on an Original Theme, op. 76: Var. VI. Presto | — | ||
| 52-34 | Rondo for Piano in C major, op. 51 no. 1: Moderato e grazioso | — | ||
| 52-35 | Rondo for Piano in G major, op. 51 no. 2: Andante cantabile e grazioso | — | ||
| 52-36 | Rondo a Capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace | — | ||
| 53-1 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 53-2 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso | — | ||
| 53-3 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro | — | ||
| 53-4 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L’istesso tempo | — | ||
| 53-5 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace | — | ||
| 53-6 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace | — | ||
| 53-7 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso | — | ||
| 53-8 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro | — | ||
| 53-9 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace | — | ||
| 53-10 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto | — | ||
| 53-11 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto | — | ||
| 53-12 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto | — | ||
| 53-13 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto | — | ||
| 53-14 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace | — | ||
| 53-15 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso | — | ||
| 53-16 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando | — | ||
| 53-17 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro | — | ||
| 53-18 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII | — | ||
| 53-19 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato | — | ||
| 53-20 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto | — | ||
| 53-21 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante | — | ||
| 53-22 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio | — | ||
| 53-23 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto | — | ||
| 53-24 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai | — | ||
| 53-25 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante | — | ||
| 53-26 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro | — | ||
| 53-27 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI | — | ||
| 53-28 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace | — | ||
| 53-29 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro | — | ||
| 53-30 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo | — | ||
| 53-31 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile | — | ||
| 53-32 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo | — | ||
| 53-33 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | — | ||
| 53-34 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato | — | ||
| 53-35 | Quintet for Strings in C major, Hess 41 ( fragment ) | — | ||
| 53-36 | Allegretto for Piano in C minor, WoO 53 | — | ||
| 53-37 | Bagatelle for Piano in C minor, WoO 52: Presto | — | ||
| 53-38 | Allegretto for Piano in C minor, Hess 69 | — | ||
| 53-39 | ”Lustig-Traurig” for Piano in C major, WoO 54 | — | ||
| 54-1 | Music, love and wine | — | ||
| 54-2 | Bonny Laddie, Highland Laddie | — | ||
| 54-3 | I’ll praise the saints | — | ||
| 54-4 | Sally in our Alley | — | ||
| 54-5 | Sunset | — | ||
| 54-6 | Faithfu’ Johnie | — | ||
| 54-7 | Behold, my love | — | ||
| 54-8 | His boat comes on the sunny tide | — | ||
| 54-9 | Enchantress, farewell | — | ||
| 54-10 | The pulse of an Irishman | — | ||
| 54-11 | To the Aeolian Harp | — | ||
| 54-12 | O Charlie is my darling | — | ||
| 54-13 | Duncan Gray | — | ||
| 54-14 | To the blackbird | — | ||
| 54-15 | ‘Tis sunshine at last | — | ||
| 54-16 | Cease your funning | — | ||
| 54-17 | Oh sweet were the hours | — | ||
| 54-18 | Save me from the grave and wise | — | ||
| 54-19 | Farewell bliss and farewell Nancy | — | ||
| 54-20 | Love without hope | — | ||
| 54-21 | Farewell thou noisy town | — | ||
| 54-22 | He promis’d me at parting | — | ||
| 54-23 | The monks of Bangor’s March | — | ||
| 54-24 | Robin Adair | — | ||
| 54-25 | O swiftly glides the bonny boat | — | ||
| 54-26 | Sad and luckless was the season | — | ||
| 54-27 | Come draw we round a cheerful ring | — | ||
| 54-28 | The sweetest lad was Jamie | — | ||
| 54-29 | Come, fill my good fellow | — | ||
| 55-1 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I. Introduction - Recitative - Aria | — | ||
| 55-2 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II. Recitative - Aria - Choir of Angels | — | ||
| 55-3 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III. Recitative - Duet | — | ||
| 55-4 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV. Recitative - Choir of Warriors | — | ||
| 55-5 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V. Recitative - Choir of Warriors - Choir of Disciples | — | ||
| 55-6 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI. Recitative - Trio - Choir of Warriors - Choir of Disciples | — | ||
| 55-7 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir of Angels | — | ||
| 56-1 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo | — | ||
| 56-2 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio | — | ||
| 56-3 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio | — | ||
| 56-4 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | — | ||
| 56-5 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Benedictus | — | ||
| 56-6 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: VI. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | — | ||
| 57-1 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ia. Kyrie. Kyrie eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-2 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ib. Kyrie. Christe eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-3 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ic. Kyrie. Kyrie eleison | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-4 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIa. Gloria. Gloria in excelsis Deo | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-5 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIb. Gloria. Gratias agimus | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-6 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIc. Gloria. Qui tollis peccata mundi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-7 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IId. Gloria. Quoniam tu solus Sanctus | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-8 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIe. Gloria. Amen, in gloria dei Patris | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-9 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIa. Credo. Credo in unum Deum | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-10 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIb. Credo. Et incarnatus est | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-11 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-12 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIId. Credo. Et vitam venturi sauculi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-13 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIe. Credo. Allegro con moto | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-14 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIf. Credo. Grave | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-15 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-16 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-17 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVc. Sanctus. Osanna in excelsis | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-18 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVd. Sanctus. Praeludium | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-19 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: V. Benedictus. Benedictus qui venit in nomine Domini (violin: Primoz Novsak) | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-20 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIa. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Tonhalle-Orchester Zürich, David Zinman | — | |
| 57-21 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIb. Agnus Dei. Dona nobis pacem | Tonhalle-Orchester Zürich, David Zinman | — | |
| 58-1 | Scene and Aria in G major “Ah! Perfido”, op. 65 (New York Philharmonic Orchestra feat. conductor: Thomas Schippers, soprano: Regine Crespin) | — | ||
| 58-2 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers) | — | ||
| 58-3 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative “Ein Ungeheuer, sein Name Fanatismus” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz) | — | ||
| 58-4 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria “Da kam Joseph” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz) | — | ||
| 58-5 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria with Choir “Da stiegen die Menschen an’s Licht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, soprano: Martina Arroyo) | — | ||
| 58-6 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative “Er Schläft, von den Sorgen seiner Welten entladen” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers) | — | ||
| 58-7 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria “Hier schlummert seinen stillen Frieden der grosse Dulder” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers) | — | ||
| 58-8 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers) | — | ||
| 58-9 | Song “Bundelied”, op. 122 (London Symphony Orchestra, feat. conductor: Michael Tilson Thomas, Ambrosian Opera Chorus) | — | ||
| 59-1 | Fidelio, op. 72: Overture | — | ||
| 59-2 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” | — | ||
| 59-3 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” | — | ||
| 59-4 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” | — | ||
| 59-5 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” | — | ||
| 59-6 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” | — | ||
| 59-7 | Fidelio, op. 72: Act I, Scene II, no. 6. March | — | ||
| 59-8 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” | — | ||
| 59-9 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” | — | ||
| 59-10 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” | — | ||
| 59-11 | Fidelio, op. 72: Act I, Scene II, no. 10. Prisoner’s Chorus “O welche Lust” - Recitative “Nun sprecht, wie ging’s?” - Quintet “Ach, Vater, eilt!” - Recitative “Habt ihr wohl in Acht genommen” - “Leb wohl, du warmes Sonnenlicht” | — | ||
| 60-1 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction and Recitative “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | — | ||
| 60-2 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama - Duet “Nur hurtig fort” | — | ||
| 60-3 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessern Welten” | — | ||
| 60-4 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe!” | — | ||
| 60-5 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | — | ||
| 60-6 | Fidelio, op. 72: Act II, Scene I, no. 16. “Heil sei dem Tag” - “Bestrafet sei der Bösewicht” - “O Gott! O welch ein Augenblick!” - Recitative “Hinweg mit diesem Bösewicht” - “Wer ein holdes Weib errungen” | — | ||
| 60-7 | Overture “Leonore”, op. 138 | — |
Symphony no. 1 in C major, op. 21: I. Adagio molto
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
Tonhalle-Orchester Zürich, David Zinman
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Tonhalle-Orchester Zürich, David Zinman
Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 2 in D major, op. 36: I. Adagio molto
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 2 in D major, op. 36: II. Larghetto
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 2 in D major, op. 36: IV. Allegro molto
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
Tonhalle-Orchester Zürich, David Zinman
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Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 5 in C minor, op. 67: III. Allegro
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 5 in C minor, op. 67: IV. Allegro
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto moto. Szene am Bach
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro. Lustiges Zusammensein der Landleute
Tonhalle-Orchester Zürich, David Zinman
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Tonhalle-Orchester Zürich, David Zinman
Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto. Frohe und dankbare Gefühle nach dem Sturm
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Tonhalle-Orchester Zürich, David Zinman
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Tonhalle-Orchester Zürich, David Zinman
Symphony no. 7 in A major, op. 92: III. Presto
Tonhalle-Orchester Zürich, David Zinman
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Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Tonhalle-Orchester Zürich, David Zinman
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 9 in D minor, op. 125: II. Molto vivace
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 9 in D minor, op. 125: IV. Presto
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 9 in D minor, op. 125: V. Allegro assai vivace alla marcia. End
Tonhalle-Orchester Zürich, David Zinman
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Symphony no. 9 in D minor, op. 125: VI. Allegro assai vivace alla marcia. End, with Beethoven’s original general pause in bar 747
Tonhalle-Orchester Zürich, David Zinman
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Tonhalle-Orchester Zürich, David Zinman
Coriolan Overture in C minor, op. 62
Tonhalle-Orchester Zürich, David Zinman
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Leonore Overture no. 1 in C major, op. 138
Tonhalle-Orchester Zürich, David Zinman
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Leonore Overture no. 2 in C major, op. 72a
Tonhalle-Orchester Zürich, David Zinman
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Zur Namensfeier Overture in C major, op. 115
Tonhalle-Orchester Zürich, David Zinman
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Leonore Overture in C major, op. 72b
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Fidelio Overture in E major, op. 72c
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König Stephan Overture in E-flat major, op. 117
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Die Weihe des Hauses Overture in E-flat major, op. 124
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Die Geschöpfe des Prometheus: I. Overtura: Adagio - Allegro molto con brio
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Die Geschöpfe des Prometheus: II. Allegro non troppo
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Die Geschöpfe des Prometheus: III. Poco adagio - Allegro con brio
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Die Geschöpfe des Prometheus: IV. Adagio - Allegro con brio
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Die Geschöpfe des Prometheus: V. Allegro vivace
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Die Geschöpfe des Prometheus: VI. Maestoso - Andante
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Die Geschöpfe des Prometheus: VII. Adagio - Andante quasi allegretto
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Die Geschöpfe des Prometheus: VIII. Un poco adagio - Allegro
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Die Geschöpfe des Prometheus: IX. Grave
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Die Geschöpfe des Prometheus: X. Allegro con brio - Presto
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Die Geschöpfe des Prometheus: XI. Adagio - Allegro molto
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Die Geschöpfe des Prometheus: XII. Pastorale: Allegro
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Die Geschöpfe des Prometheus: XIII. Andante
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Die Geschöpfe des Prometheus: XIV. Maestoso - Allegro
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Die Geschöpfe des Prometheus: XV. Allegro
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Die Geschöpfe des Prometheus: XVI. Andante - Adagio - Allegro
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Die Geschöpfe des Prometheus: XVII. Andantino - Adagio - Allegro
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Die Geschöpfe des Prometheus: XVIII. Finale: Allegretto - Allegro molto - Presto
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Bagatelle in A minor, WoO 59 “Für Elise”
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Adagio für eine Spieluhr in F major, WoO 33 Nr. 1
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Twelve Contre-dances, WoO 14
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Sonatina in C minor, WoO 43a
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Sonatina in C major, WoO 44
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Menuet in G major, WoO 10,6
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Violin Concerto (fragment) in C major, WoO 5
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Willingtons Sieg, op. 91
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Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
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Piano Concerto no. 1 in C major, op. 15: II. Largo
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Piano Concerto no. 1 in C major, op. 15: III. Rondo: allegro scherzando
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Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio
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Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio
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Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: molto allegro
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Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
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Piano Concerto no. 3 in C minor, op. 37: II. Largo
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Piano Concerto no. 3 in C minor, op. 37: III. Rondo: allegro
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Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
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Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
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Piano Concerto no. 4 in G major, op. 58: III. Rondo: vivace
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Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro
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Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso
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Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo. Allegro
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Choral Fantasy in C minor, op. 80
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Meeresstille und glückliche Fahrt in D major, op. 112
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Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
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Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
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Concerto for Violin and Orchestra in D major, op. 61: III. Rondo
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Romance for Violin no. 1 in G major, op. 40: Adagio - Allegro con brio
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Romance for Violin no. 2 in F major, op. 50: Adagio cantabile
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Triple Concerto, op. 56: I. Allegro
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Triple Concerto, op. 56: II. Largo - attacca
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Triple Concerto, op. 56: III. Rondo. Alla polacca
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Septet, op. 20: I. Adagio - Allegro con brio
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Septet, op. 20: II. Adagio cantabile
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Septet, op. 20: III. Tempo di minuetto
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Septet, op. 20: IV. Andante con variazioni
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Septet, op. 20: V. Scherzo: Allegro molto e vivace
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Septet, op. 20: VI. Andante con moto alla marcia - Presto
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Violin Sonata in D major, op. 12 no. 1: I. Allegro con brio
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Violin Sonata in D major, op. 12 no. 1: II. Andante con moto
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Violin Sonata in D major, op. 12 no. 1: III. Rondo. Allegro
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Violin Sonata in A major, op. 12 no. 2: I. Allegro vivace
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Violin Sonata in A major, op. 12 no. 2: II. Andante più tosto allegretto
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Violin Sonata in A major, op. 12 no. 2: III. Allegro piacevole
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Violin Sonata in E-flat major, op. 12 no. 3: I. Allegro con spirito
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Violin Sonata in E-flat major, op. 12 no. 3: II. Adagio con molta espressione
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Violin Sonata in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto
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Violin Sonata no. 4 in A minor, op. 23: I. Presto
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Violin Sonata no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto
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Violin Sonata no. 4 in A minor, op. 23: III. Allegro molto
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Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: I. Allegro
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“Spring” Violin Sonata: II—Adagio molto espressivo
Marc Neikrug, Pinchas Zukerman
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Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: III. Scherzo. Allegro molto
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Violin Sonata no. 5 in F major, op. 24 “Spring Sonata”: IV. Rondo. Allegro ma non troppo
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Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro
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Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo
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Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni
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Violin Sonata no. 7 in C minor, op. 30 no. 2: I. Allegro con brio
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Violin Sonata no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile
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Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro
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Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro - Presto
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Violin Sonata no. 8 in G major, op. 30 no. 3: I. Allegro assai
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Violin Sonata no. 8 in G major, op. 30 no. 3: II. Tempo di minuetto, ma molto moderato e grazioso
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Violin Sonata no. 8 in G major, op. 30 no. 3: III. Allegro vivace
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Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto
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Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni
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Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Presto
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Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato
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Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo
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Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro
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Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto
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Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto
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Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto
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Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile
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Cello Sonata no. 3 in A major, op. 69: IV. Allegro vivace
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Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto
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Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro
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Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace
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Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo
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Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto
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Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro
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Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante
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Cello Sonata no. 4 in C major, op. 102 no. 1: II. Allegro vivace
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Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio – Tempo d’Andante
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Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace
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Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio
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Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto
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Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato
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12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte for Piano and Cello in F major, op. 66
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Piano Trio, op. 70 no. 1: I. Allegro vivache e con brio
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Piano Trio, op. 70 no. 1: II. Largo assai ed espressione
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Piano Trio, op. 70 no. 1: III. Presto
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Piano Trio, op. 70 no. 2: I. Poco sostenuto -- Allegro ma non troppo
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Piano Trio, op. 70 no. 2: II. Allegretto
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Piano Trio, op. 70 no. 2: III. Allegretto ma non troppo
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Piano Trio, op. 70 no. 2: IV. Finale. Allegro
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Piano Trio, op. 11: I. Allegro con brio
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Piano Trio, op. 11: II. Adagio
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Piano Trio, op. 11: III. Thema. Allegretto “Pria ch’ l’impegno”
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Piano Trio, op. 11: IV. Variation I
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Piano Trio, op. 11: V. Variation II
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Piano Trio, op. 11: VI. Variation III
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Piano Trio, op. 11: VII. Variation IV: minore
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Piano Trio, op. 11: VIII. Variation V: maggiore
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Piano Trio, op. 11: IX. Variation VI
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Piano Trio, op. 11: X. Variation VII: minore
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Piano Trio, op. 11: XI. Variation VIII: maggiore
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Piano Trio, op. 11: XII. Variation IX
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Piano Trio, op. 11: XIII. Allegro
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Piano Trio in G major, op. 1 no. 2: I. Adagio - Allegro vivace
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Piano Trio in G major, op. 1 no. 2: II. Largo con espressione
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Piano Trio in G major, op. 1 no. 2: III. Scherzo. Allegro
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Piano Trio in G major, op. 1 no. 2: IV. Finale. Presto
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Piano Trio in B-flat major op. 97 “Archduke”: I. Allegro
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Piano Trio in B-flat major op. 97 “Archduke”: II. Scherzo. Allegro
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Piano Trio in B-flat major op. 97 “Archduke”: III. Andante cantabile
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Piano Trio in B-flat major op. 97 “Archduke”: IV. Allegro moderato - Presto
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Piano Trio in B-flat major, WoO 39: I. Allegretto
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Piano Trio in E-flat major, op. 1. no. 1: I. Allegro
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Piano Trio in E-flat major, op. 1. no. 1: II. Adagio cantabile
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Piano Trio in E-flat major, op. 1. no. 1: III. Scherzo. Allegro assai
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Piano Trio in E-flat major, op. 1. no. 1: IV. Finale. Presto
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Piano Trio in C minor, op. 1 no. 3: I. Allegro con brio
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Piano Trio in C minor, op. 1 no. 3: II. Andante cantabile con variazioni
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Piano Trio in C minor, op. 1 no. 3: III. Menuetto. Quasi allegretto
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Piano Trio in C minor, op. 1 no. 3: IV. Finale. Prestissimo
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Piano Trio in E-flat major, op. 44: I. Thema. Andante
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Piano Trio in E-flat major, op. 44: II. Variation I
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Piano Trio in E-flat major, op. 44: III. Variation II
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Piano Trio in E-flat major, op. 44: IV. Variation III
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Piano Trio in E-flat major, op. 44: V. Variation IV
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Piano Trio in E-flat major, op. 44: VI. Variation V
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Piano Trio in E-flat major, op. 44: VII. Variation VI
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Piano Trio in E-flat major, op. 44: VIII. Variation VII. Largo
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Piano Trio in E-flat major, op. 44: IX. Variation VIII. Un poco adagio
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Piano Trio in E-flat major, op. 44: X. Variation IX. Tempo primo
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Piano Trio in E-flat major, op. 44: XI. Variation X
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Piano Trio in E-flat major, op. 44: XII. Variation XI
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Piano Trio in E-flat major, op. 44: XIII. Variation XII
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Piano Trio in E-flat major, op. 44: XIV. Variation XIII. Adagio
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Piano Trio in E-flat major, op. 44: XV. Variation XIV. Allegro
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Piano Trio in E-flat major, op. 44: XVI. Andante - Presto
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Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: I. Introduction. Adagio assai
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Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: II. Thema. Allegretto
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Variations in C major, op. 121a “Ich bin der Schneider Kakadu”: III. Variation 1
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IV. Variation 2
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: V. Variation 3
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VI. Variation 4
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VII. Variation 5
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: VIII. Variation 6
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: IX. Variation 7
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: X. Variation 8
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XI. Variation 9. Adagio espressivo
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Variations op. 121a in C major “Ich bin der Schneider Kakadu”: XII. Variation 10. Presto
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Piano Trio in E-flat major, op. 38: I. Adagio - Allegro con brio
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Piano Trio in E-flat major, op. 38: II. Adagio cantabile
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Piano Trio in E-flat major, op. 38: III. Tempo di menuetto
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Piano Trio in E-flat major, op. 38: IV. Andante con variazioni
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Piano Trio in E-flat major, op. 38: V. Scherzo: Allegro molto e vivace
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Piano Trio in E-flat major, op. 38: VI. Andante con moto alla macia
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Piano Trio in E-flat major, WoO 38: I. Allegro moderato
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Piano Trio in E-flat major, WoO 38: II. Scherzo
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Piano Trio in E-flat major, WoO 38: III. Rondo. Allegretto
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String Trio in E-flat major, op. 3: I. Allegro con brio
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String Trio in E-flat major, op. 3: II. Andante
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String Trio in E-flat major, op. 3: III. Menuetto (Allegretto)
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String Trio in E-flat major, op. 3: IV. Adagio
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String Trio in E-flat major, op. 3: V. Menuetto (Moderato)
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String Trio in E-flat major, op. 3: VI. Finale (Allegro)
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String Serenade in D major, op. 8: I. Marcia (Allegro)
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String Serenade in D major, op. 8: II. Adagio
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String Serenade in D major, op. 8: III. Menuetto (Allegretto)
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String Serenade in D major, op. 8: IV. Adagio-Scherzo (Allegro molto)
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String Serenade in D major, op. 8: V. Allegretto alla Polacca
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String Serenade in D major, op. 8: VI. Andante quasi allegretto-Finale (Marcia)
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Trio in G major, op. 9 no. 1: I. Adagio - Allegro con brio
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Trio in G major, op. 9 no. 1: II: Adagio, ma non tanto e cantabile
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Trio in G major, op. 9 no. 1: III. Scherzo. Allegro
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Trio in G major, op. 9 no. 1: IV. Presto
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Trio in D major, op. 9 no. 2: I. Allegretto
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Trio in D major, op. 9 no. 2: II. Andante quasi Allegretto
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Trio in D major, op. 9 no. 2: III. Menuetto. Allegro
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Trio in D major, op. 9 no. 2: IV. Rondo. Allegro
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Trio in C minor, op. 9 no. 3: I. Allegro con spirito
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Trio in C minor, op. 9 no. 3: II. Adagio con espressione
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Trio in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace
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Trio in C minor, op. 9 no. 3: IV. Finale. Presto
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Piano Concerto in E-flat major, WoO 4: I. Allegro moderato
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Piano Concerto in E-flat major, WoO 4: II. Larghetto
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Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto
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Piano Quintet in E-flat major, op. 16: I. Allegro ma non troppo
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Piano Quintet in E-flat major, op. 16: II. Andante cantabile
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Piano Quintet in E-flat major, op. 16: III. Rondo. Allegro ma non troppo
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Sextet String Quartet & 2 Horns in E-flat major, op. 81b: I. Allegro con brio
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Sextet String Quartet & 2 Horns in E-flat major, op. 81b: II. Adagio
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Sextet String Quartet & 2 Horns in E-flat major, op. 81b: III. Rondo. Allegro
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Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: I. Allegro
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Duo for Viola and Violoncello in E-flat major, WoO 32 “Duett mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto
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Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto
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Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: II. Andante con variazioni
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Quintet for 2 Violins, Viola and 2 Violoncellos in A major, op. 47 “Kreutzer”: III. Finale. Presto
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Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: I. Allegro
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Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: II. Andante
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Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: III. Menuetto
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Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: IV. Finale. Presto
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Rondo for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat major, WoO 25: Andante
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March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29
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Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: I. Allegro commodo
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Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: II. Larghetto sostenuto
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Duo for Clarinet & Bassoon in C major, WoO 27 no. 1: III. Rondo. Allegretto
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March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29
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Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: I. Adagio - allegro
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Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio
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Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio
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Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: IV. Rondò. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: I. Allegro con brio
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Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato
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Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: III. Scherzo. Allegro molto
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Quartet for 2 Violins, Viola, and Cello no. 1 in F major, op. 18 no. 1: IV. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: I. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: II. Menuetto
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Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: III. Andante cantabile
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Quartet for 2 Violins, Viola, and Cello no. 5 in A major, op. 18 no. 5: IV. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: I. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I
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Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto
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Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio
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Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo
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Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: III. Scherzo. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 6 in B-flat major, op. 18 no. 6: IV. Adagio “La malinconia” - Allegretto quasi allegro
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Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: I. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: II. Andante con moto
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Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: III. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 3 in D major, op. 18 no. 3: IV. Presto
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Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto
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Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto
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Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: III. Menuetto. Allegretto
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Quartet for 2 Violins, Viola, and Cello no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo
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Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: I. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: II. Allegretto scherzando e sempre vivace
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Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: III. Adagio molto
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Quartet for 2 Violins, Viola, and Cello no. 7 in F major, op. 59 no. 1: IV. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: I. Poco adagio - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: II. Adagio ma non troppo
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Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: III. Presto
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Quartet for 2 Violins, Viola, and Cello no. 10 in E-flat major, op. 74 “Harp”: IV. Allegretto con variazioni
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Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: I. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento
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Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: III. Allegretto - Maggiore
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Quartet for 2 Violins, Viola, and Cello no. 8 in E minor, op. 59 no. 2: IV. Presto
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Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: I. Andante con moto - Allegro vivace
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Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: II. Andante con moto quasi allegretto
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Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: III. Minuetto. Grazioso
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Quartet for 2 Violins, Viola, and Cello no. 9 in C major, op. 59 no. 3: IV. Allegro molto
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Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: I. Allegro con brio
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Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: II. Allegretto ma non troppo
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Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: III. Allegro assai vivace ma serioso
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Quartet for 2 Violins, Viola, and Cello no. 11 in F minor, op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: I. Maestoso - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I
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Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: III. Scherzando. Vivace
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Quartet for 2 Violins, Viola, and Cello no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo
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Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: I. Adagio ma non troppo - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: II. Presto
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Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: III. Andante con moto, ma non troppo
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Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: IV. Alla danza tedesca. Allegro assai
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Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo
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Quartet for 2 Violins, Viola, and Cello no. 13 in B-flat major, op. 130: VI. Finale. Allegro (alternate)
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Große Fugue for 2 Violins, Viola, and Cello in B-flat major, op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: III. Allegro moderato
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante
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Quartet for 2 Violins, Viola, and Cello no. 14 in C-sharp minor, op. 131: VII. Allegro
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Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: I. Allegretto
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Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: II. Vivace
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Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: III. Lento assai, e cantante tranquillo
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Quartet for 2 Violins, Viola, and Cello no. 16 in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro
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Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: II. Allegro ma non tanto
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Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: III. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung
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Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: IV. Alla Marcia, vivace assai - Più allegro
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Quartet for 2 Violins, Viola, and Cello no. 15 in A minor, op. 132: V. Allegro appassionato - Presto
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Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro
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Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio
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Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto
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Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo
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Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace
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Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato
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Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto
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Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso
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Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio
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Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio
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Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro
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Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai
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Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio
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Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione
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Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro
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Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso
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Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio
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Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto
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Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo
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Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro
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Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto
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Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto
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Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto
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Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto
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Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro
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Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro
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Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio
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Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Andante cantabile
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Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
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Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro
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Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto
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Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo
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Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro
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Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante
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Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai
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Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio
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Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione
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Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto
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Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto
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Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: I. Andante con Variazioni
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Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto
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Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un Eroe
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Sonata for Piano no. 12 in A-flat major, op. 26 “Funeral March”: IV. Allegro
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Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante
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Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace
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Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione - Allegro vivace
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Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
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Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
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Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato
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Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro
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Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante
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Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace
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Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo
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Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace
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Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso
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Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto
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Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: I. Largo - Allegro
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Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: II. Adagio
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Sonata for Piano no. 17 in D minor, op. 31 no. 2 “Storm”: III. Allegretto
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Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro
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Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace
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Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso
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Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco
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Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante
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Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro
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Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo
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Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto
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Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio
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Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto
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Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo
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Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto
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Sonata for Piano no. 22 in F major, op. 54: II. Allegretto
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Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
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Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
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Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo
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Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: I. Adagio cantabile - Allegro ma non troppo
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Sonata for Piano no. 24 in F-sharp major, op. 78 “A Thérèse”: II. Allegro assai
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Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca
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Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo
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Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace
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Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio - Allegro “Les Adieux”
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Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence”
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Sonata for Piano no. 26 in E-flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour”
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Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
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Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
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Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
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Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia
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Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
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Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
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Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: I. Allegro
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Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: II. Scherzo. Assai vivace
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Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento
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Sonata for Piano no. 29 in B-flat major, op. 106 “Hammer-Klavier”: IV. Largo - Allegro risoluto
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Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo
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Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo
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Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
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Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
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Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto
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Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo
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Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato
—
Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile
—
Bagatelle for Piano, op. 33 no. 1 in E-flat major: Andante grazioso quasi allegretto
—
Bagatelle for Piano, op. 33 no. 2 in C major: Scherzo. Allegro
—
Bagatelle for Piano, op. 33 no. 3 in F major: Allegretto
—
Bagatelle for Piano, op. 33 no. 4 in A major: Andante
—
Bagatelle for Piano, op. 33 no. 5 in C major: Allegro ma non troppo
—
Bagatelle for Piano, op. 33 no. 6 in D major: Allegretto quasi andante
—
Bagatelle for Piano, op. 33 no. 7 in A-flat major: Presto
—
Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto
—
Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto
—
Bagatelle for Piano, op. 119 no. 3 in D major: À l’Allemande
—
Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile
—
Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto
—
Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto
—
Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo
—
Bagatelle for Piano, op. 119 no. 8 in C major: Moderato
—
Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato
—
Bagatelle for Piano, op. 119 no. 10 in A major: Allegramente
—
Bagatelle for Piano, op. 119 no. 11 in B-flat major: Andante, ma non troppo
—
Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole
—
Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro
—
Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso
—
Bagatelle for Piano, op. 126 no. 4 in B minor: Presto
—
Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto
—
Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo
—
Fantasia for Piano in G minor / B-flat major, op. 77: Allegro - Poco adagio
—
Polonaise for Piano in C major, op. 89: Alla polacca, vivace
—
6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio. Cantabile
—
6 Variations for Piano in F major on an Original Theme, op. 34: Var. I
—
6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro ma non troppo
—
6 Variations for Piano in F major on an Original Theme, op. 34: Var III. Allegretto
—
6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di menuetto
—
6 Variations for Piano in F major on an Original Theme, op. 34: Var. V. Marcia. Allegretto
—
6 Variations for Piano in F major on an Original Theme, op. 34: Var. VI. Coda. Allegretto
—
6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio molto
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV. minore
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Maggiore. Largo
—
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla fuga. Allegro con brio - Andante con moto
—
6 Variations for Piano in D major on an Original Theme, op. 76: Tema. Allegro risoluto
—
6 Variations for Piano in D major on an Original Theme, op. 76: Var. I
—
6 Variations for Piano in D major on an Original Theme, op. 76: Var. II
—
6 Variations for Piano in D major on an Original Theme, op. 76: Var. III
—
6 Variations for Piano in D major on an Original Theme, op. 76: Var. IV
—
6 Variations for Piano in D major on an Original Theme, op. 76: Var. V
—
6 Variations for Piano in D major on an Original Theme, op. 76: Var. VI. Presto
—
Rondo for Piano in C major, op. 51 no. 1: Moderato e grazioso
—
Rondo for Piano in G major, op. 51 no. 2: Andante cantabile e grazioso
—
Rondo a Capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L’istesso tempo
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio
—
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato
—
Quintet for Strings in C major, Hess 41 ( fragment )
—
Allegretto for Piano in C minor, WoO 53
—
Bagatelle for Piano in C minor, WoO 52: Presto
—
Allegretto for Piano in C minor, Hess 69
—
”Lustig-Traurig” for Piano in C major, WoO 54
—
Music, love and wine
—
Bonny Laddie, Highland Laddie
—
I’ll praise the saints
—
Sally in our Alley
—
Sunset
—
Faithfu’ Johnie
—
Behold, my love
—
His boat comes on the sunny tide
—
Enchantress, farewell
—
The pulse of an Irishman
—
To the Aeolian Harp
—
O Charlie is my darling
—
Duncan Gray
—
To the blackbird
—
‘Tis sunshine at last
—
Cease your funning
—
Oh sweet were the hours
—
Save me from the grave and wise
—
Farewell bliss and farewell Nancy
—
Love without hope
—
Farewell thou noisy town
—
He promis’d me at parting
—
The monks of Bangor’s March
—
Robin Adair
—
O swiftly glides the bonny boat
—
Sad and luckless was the season
—
Come draw we round a cheerful ring
—
The sweetest lad was Jamie
—
Come, fill my good fellow
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I. Introduction - Recitative - Aria
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II. Recitative - Aria - Choir of Angels
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III. Recitative - Duet
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV. Recitative - Choir of Warriors
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V. Recitative - Choir of Warriors - Choir of Disciples
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI. Recitative - Trio - Choir of Warriors - Choir of Disciples
—
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir of Angels
—
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo
—
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio
—
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio
—
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro
—
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Benedictus
—
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: VI. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ia. Kyrie. Kyrie eleison
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ib. Kyrie. Christe eleison
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Ic. Kyrie. Kyrie eleison
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIa. Gloria. Gloria in excelsis Deo
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIb. Gloria. Gratias agimus
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIc. Gloria. Qui tollis peccata mundi
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IId. Gloria. Quoniam tu solus Sanctus
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIe. Gloria. Amen, in gloria dei Patris
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIa. Credo. Credo in unum Deum
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIb. Credo. Et incarnatus est
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIId. Credo. Et vitam venturi sauculi
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIe. Credo. Allegro con moto
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IIIf. Credo. Grave
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVc. Sanctus. Osanna in excelsis
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVd. Sanctus. Praeludium
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: V. Benedictus. Benedictus qui venit in nomine Domini (violin: Primoz Novsak)
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIa. Agnus Dei. Agnus Dei, qui tollis peccata mundi
Tonhalle-Orchester Zürich, David Zinman
—
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: VIb. Agnus Dei. Dona nobis pacem
Tonhalle-Orchester Zürich, David Zinman
—
Scene and Aria in G major “Ah! Perfido”, op. 65 (New York Philharmonic Orchestra feat. conductor: Thomas Schippers, soprano: Regine Crespin)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative “Ein Ungeheuer, sein Name Fanatismus” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria “Da kam Joseph” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, bass: Justino Diaz)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria with Choir “Da stiegen die Menschen an’s Licht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, soprano: Martina Arroyo)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative “Er Schläft, von den Sorgen seiner Welten entladen” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria “Hier schlummert seinen stillen Frieden der grosse Dulder” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers)
—
Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli “Tot! Tot, stöhnt es durch die öde Nacht” (New York Philharmonic Orchestra, feat. conductor: Thomas Schippers, Camerata Singers)
—
Song “Bundelied”, op. 122 (London Symphony Orchestra, feat. conductor: Michael Tilson Thomas, Ambrosian Opera Chorus)
—
Fidelio, op. 72: Overture
—
Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein”
—
Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint”
—
Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar”
—
Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben”
—
Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut”
—
Fidelio, op. 72: Act I, Scene II, no. 6. March
—
Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!”
—
Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!”
—
Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung”
—
Fidelio, op. 72: Act I, Scene II, no. 10. Prisoner’s Chorus “O welche Lust” - Recitative “Nun sprecht, wie ging’s?” - Quintet “Ach, Vater, eilt!” - Recitative “Habt ihr wohl in Acht genommen” - “Leb wohl, du warmes Sonnenlicht”
—
Fidelio, op. 72: Act II, Scene I, no. 11. Introduction and Recitative “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen”
—
Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama - Duet “Nur hurtig fort”
—
Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessern Welten”
—
Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe!”
—
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!”
—
Fidelio, op. 72: Act II, Scene I, no. 16. “Heil sei dem Tag” - “Bestrafet sei der Bösewicht” - “O Gott! O welch ein Augenblick!” - Recitative “Hinweg mit diesem Bösewicht” - “Wer ein holdes Weib errungen”
—
Overture “Leonore”, op. 138
—
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
00000000225942770000000055109290000000005889252400000000630152860000000063090649000000007839301X0000000078409018000000008125595300000000836685320000000083682633
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0000000083818190000000008384955200000000841113300000000084137864000000009077100100000001065654650000000106644972000000010670708000000001067096330000000106718732000000010858750200000001086941050000000109011599000000010911085300000001093541610000000109771475000000010997257600000001101647520000000110363356000000011060415600000001108511730000000114380217000000011448524600000001144995330000000114507679000000011462079400000001147198660000000114800445000000011497256200000001154411060000000115713351000000011695726X00000001185007490000000119352151000000011939259100000001194569620000000120978012000000012164641500000001216951960000000121785730
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