UPC · Release
Igor Stravinsky
Last verified:
886971031126 is the Universal Product Code (UPC barcode) for the release “Works of Igor Stravinsky” by Igor Stravinsky, released 2007-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 423 tracks, each with its own ISRC. Tracks include USSM16101281, USSM16101282, USSM16101283.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Firebird: Introduction | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2 | The Firebird: Scene 1. Kaschei's Enchanted Garden | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 3 | The Firebird: Scene 1. The Firebird Appears, Pursued by Ivan Tsarevitch | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4 | The Firebird: Scene 1. Dance of the Firebird | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5 | The Firebird: Scene 1. Ivan Tsarevitch Captures the Firebird | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 6 | The Firebird: Scene 1. The Firebird's Entreaty | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7 | The Firebird: Scene 1. The Appearance of the Thirteen Enchanted Princesses | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 8 | The Firebird: Scene 1. The Princesses' Game With Apples of Gold (Scherzo) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 9 | The Firebird: Scene 1. The Sudden Appearance of Ivan Tsarevitch | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10 | The Firebird: Scene 1. The Princesses' Round | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 11 | The Firebird: Scene 1. Dawn (Ivan Tsarevitch Enters Kashchei's Palace) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 12 | The Firebird: Scene 1. The Sound of Enchanted Bells - Monsters Appear, Kaschei's Guards, and Take Ivan Tsarevitch Prisoner | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 13 | The Firebird: Scene 1. The Arrival of Kashchei the Immortal | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 14 | The Firebird: Scene 1. Kashchei's Dialogue With Ivan Tsarevitch | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15 | The Firebird: Scene 1. The Princesses' Intercede | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 16 | The Firebird: Scene 1. The Appearance of the Firebird | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 17 | The Firebird: Scene 1. Kashchei's Followers Dance Under the Firebird's Spell | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 18 | The Firebird: Scene 1. Infernal Dance of Kashchei's Subjects | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 19 | The Firebird: Scene 1. Lullaby (The Firebird) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 20 | The Firebird: Scene 1. Kashchei Awakes | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 21 | The Firebird: Scene 1. Death of Kashchei - Profound Darkness | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 22 | The Firebird: Scene 2. Kashchei's Spells Are Broken; His Palace Disappears, the Stone Knights Return to Life, Joy Reigns | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 23 | Scherzo à la Russe | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 24 | Scherzo fantastique | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 25 | Fireworks | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-1 | Petrushka: Scene 1. The Shrove-Tide Fair | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-2 | Petrushka: Scene 1. The Crowds | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-3 | Petrushka: Scene 1. The Charlatan's Booth | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-4 | Petrushka: Scene 1. Russian Dance | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-5 | Petrushka: Scene 2. Petrushka's Room | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-6 | Petrushka: Scene 3. The Moor's Room | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-7 | Petrushka: Scene 3. Dance of the Ballerina | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-8 | Petrushka: Scene 3. Waltz (Ballerina and Moor) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-9 | Petrushka: Scene 4. The Shrove-Tide Fair (Near Evening) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-10 | Petrushka: Scene 4. Dance of the Wet Nurses | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-11 | Petrushka: Scene 4. Dance of the Peasant and the Bear | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-12 | Petrushka: Scene 4. Dance of the Gipsy Girls | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-13 | Petrushka: Scene 4. Dance of the Coachmen and Grooms | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-14 | Petrushka: Scene 4. The Masqueraders | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-15 | Petrushka: Scene 4. Conclusion (Petrushka's Death) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 2-16 | The Rite of Spring: Part One. Introduction | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-17 | The Rite of Spring: Part One. The Augurs of Spring | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-18 | The Rite of Spring: Part One. Mock Abduction | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-19 | The Rite of Spring: Part One. Spring Round Dances | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-20 | The Rite of Spring: Part One. Games of the Rival Tribes | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-21 | The Rite of Spring: Part One. Procession of the Wise Elder | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-22 | The Rite of Spring: Part One. Adoration of the Earth | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-23 | The Rite of Spring: Part One. Dance of the Earth | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-24 | The Rite of Spring: Part Two. Introduction | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-25 | The Rite of Spring: Part Two. Mystical Circles of the Young Girls | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-26 | The Rite of Spring: Part Two. Glorification of the Chosen Victim | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-27 | The Rite of Spring: Part Two. Summoning of the Ancestors | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-28 | The Rite of Spring: Part Two. Ritual of the Ancestors | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 2-29 | The Rite of Spring: Part Two. Sacrificial Dance | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 3-1 | The Wedding: Part I Scene I. The Bride's Chamber | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | — | |
| 3-2 | The Wedding: Part I Scene II. At the Bridegroom's | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | — | |
| 3-3 | The Wedding: Part I Scene III. The Bride's Departure | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | — | |
| 3-4 | The Wedding: Part I Scene IV. The Wedding Feast | Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky | — | |
| 3-5 | Renard the Fox | Loren Driscoll, Donald Gramm, William Murphy, George Shirley, Toni Koves-Steiner, Igor Stravinsky, Columbia Chamber Ensemble | — | |
| 3-6 | Histoire du Soldat Suite: Marche du Soldat - Airs de marche | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-7 | Histoire du Soldat Suite: Premiere tableau - Airs by a Stream | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-8 | Histoire du Soldat Suite: Deuxieme tableau - Pastorale | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-9 | Histoire du Soldat Suite: Marche Royal | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-10 | Histoire du Soldat Suite: Petit Concert | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-11 | Histoire du Soldat Suite: Trois Danses - Tango, Valse, Ragtime | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-12 | Histoire du Soldat Suite: Danse du Diable | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-13 | Histoire du Soldat Suite: Grand Choral | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 3-14 | Histoire du Soldat Suite: March Triomphale du Diable | Israel Baker, Charles Brady, Don Christlieb, Richard D. Kelley, William Kraft, Robert Marsteller, Roy d'Antonio, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 4-1 | Apollo: Scene 1. The Birth of Apollo | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-2 | Apollo: Scene 2. Variation d'Apollon | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-3 | Apollo: Scene 2. Pas d'action | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-4 | Apollo: Scene 2. Variation de Calliope | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-5 | Apollo: Scene 2. Variation de Polymnie | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-6 | Apollo: Scene 2. Variation de terpsichore | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-7 | Apollo: Scene 2. Variation d'Apollon | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-8 | Apollo: Scene 2. Pas de deux | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-9 | Apollo: Scene 2. Coda | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-10 | Apollo: Scene 2. Apothéose | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 4-11 | Agon: Pas de quatre | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-12 | Agon: Double Pas de quatre | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-13 | Agon: Triple Pas de quatre | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-14 | Agon: Prélude | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-15 | Agon: First Pas de trois. Saraband Step | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-16 | Agon: First Pas de trois. Gaillarde | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-17 | Agon: First Pas de trois. Coda | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-18 | Agon: First Pas de trois. Interlude | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-19 | Agon: Second Pas de trois. Bransle simple | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-20 | Agon: Second Pas de trois. Bransle gay | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-21 | Agon: Second Pas de trois. Bransle double | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-22 | Agon: Second Pas de trois. Interlude | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-23 | Agon: Second Pas de trois. Pas de deux | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-24 | Agon: Second Pas de trois. Coda | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-25 | Agon: Second Pas de trois. Four Duos | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-26 | Agon: Second Pas de trois. Four Trios | Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 4-27 | Card Game: First Deal | Cleveland Orchestra, Igor Stravinsky | — | |
| 4-28 | Card Game: Second Deal | Cleveland Orchestra, Igor Stravinsky | — | |
| 4-29 | Card Game: Third Deal | Cleveland Orchestra, Igor Stravinsky | — | |
| 5-1 | Scènes de ballet: Introduction | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.511-0 | |
| 5-2 | Scènes de ballet: Danses (Corps de ballet & Ballerine) | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 5-3 | Scènes de ballet: Pantomime | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.511-0 | |
| 5-4 | Scènes de ballet: Pas de deux | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.511-0 | |
| 5-5 | Scènes de ballet: Pantomime | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 5-6 | Scènes de ballet: Variations: Danseur & Ballerine | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 5-8 | Scènes de ballet: Danses (Corps de ballet) | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 5-9 | Scènes de ballet: Apothéose | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.511-0 | |
| 5-10 | Bluebird - Pas de deux: Adagio | Columbia Symphony Orchestra, Igor Stravinsky | T-922.332.148-0 | |
| 5-11 | Bluebird - Pas de deux: Variation I | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-12 | Bluebird - Pas de deux: Variation II | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-13 | Bluebird - Pas de deux: Coda | Columbia Symphony Orchestra, Igor Stravinsky | T-313.892.277-3 | |
| 5-14 | The Fairy's Kiss: Scene 1. Prologue | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-15 | The Fairy's Kiss: Scene 2. A Village Fête | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-16 | The Fairy's Kiss: Scene 3. At the Mill | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-17 | The Fairy's Kiss: Scene 3. Pas de deux | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-18 | The Fairy's Kiss: Scene 3. Adagio | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-19 | The Fairy's Kiss: Scene 3. Variation | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-20 | The Fairy's Kiss: Scene 3. Coda | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-21 | The Fairy's Kiss: Scene 3. Scene | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 5-22 | The Fairy's Kiss: Scene 4. Epilogue: The Lullaby of the Land Beyond Time and Place | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 6-1 | Pulcinella: Overture | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 6-2 | Pulcinella: Serenata | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 6-3 | Pulcinella: Scherzino | Columbia Symphony Orchestra, Igor Stravinsky | T-918.612.201-0 | |
| 6-4 | Pulcinella: Tarantella | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 6-5 | Pulcinella: Gavotte With Two Variations | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 6-6 | Orpheus: Scene 1. Orphée | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-7 | Orpheus: Scene 1. Air de danse | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-8 | Orpheus: Scene 1. Dance of the Angel of Death | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-9 | Orpheus: Scene 1. Interlude | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-10 | Orpheus: Scene 2. The Furies | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-11 | Orpheus: Scene 2. Air de danse - Interlude - Air de danse | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-12 | Orpheus: Scene 2. Pas d'action | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-13 | Orpheus: Scene 2. Pas de deux | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-14 | Orpheus: Scene 2. Interlude | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-15 | Orpheus: Scene 2. Pas d'action | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 6-16 | Orpheus: Scene 3. Apothéose d'Orphée | Chicago Symphony Orchestra, Igor Stravinsky | — | |
| 7-1 | Petrushka (Suite): Scene 1. I. The Shrove-Tide Fair | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-2 | Petrushka (Suite): Scene 1. II. The Crowds | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-3 | Petrushka (Suite): Scene 1. III. The Charlatan's Booth | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-4 | Petrushka (Suite): Scene 1. IV. Russian Dance | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-5 | Petrushka (Suite): Scene 2. Petrushka's Room | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-6 | Petrushka (Suite): Scene 3. I. The Shrove-Tide Fair (Near Evening) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-7 | Petrushka (Suite): Scene 3. II. Dance of the Wet Nurses | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-8 | Petrushka (Suite): Scene 3. III. Dance of the Peasant and the Bear | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-9 | Petrushka (Suite): Scene 3. IV. Dance of the Gipsy Girls | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-10 | Petrushka (Suite): Scene 3. V. Dance of the Coachmen | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-11 | Petrushka (Suite): Scene 3. VI. The Masqueraders | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-12 | Pulcinella (Suite): I. Sinfonia (Ouverture) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-13 | Pulcinella (Suite): II. Serenata | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-14 | Pulcinella (Suite): III. a) Scherzino | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-15 | Pulcinella (Suite): b) Allegro | Columbia Symphony Orchestra, Igor Stravinsky | T-073.071.144-0 | |
| 7-16 | Pulcinella (Suite): c) Andantino | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-17 | Pulcinella (Suite): IV. Tarantella | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-18 | Pulcinella (Suite): V. Toccata | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-19 | Pulcinella (Suite): VI. Gavotta con due variazioni | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-20 | Pulcinella (Suite): VII. Vivo (Duetto) | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-21 | Pulcinella (Suite): VIII. a) Minuetto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-22 | Pulcinella (Suite): b) Finale | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 7-23 | The Firebird (Suite): Introduction | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-24 | The Firebird (Suite): Prelude and Dance of the Firebird | Columbia Symphony Orchestra, Igor Stravinsky | T-042.176.795-4 | |
| 7-25 | The Firebird (Suite): Variations (The Firebird) | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-26 | The Firebird (Suite): Pantomime I | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-27 | The Firebird (Suite): Pas de deux (The Firebird and Ivan Tsarevitch) | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-28 | The Firebird (Suite): Pantomime II | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-29 | The Firebird (Suite): Scherzo. Dance of the Princess | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-30 | The Firebird (Suite): Pantomime III | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-31 | The Firebird (Suite): Rondo (Corovod) | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-32 | The Firebird (Suite): Infernal Dance | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-33 | The Firebird (Suite): Lullaby (The Firebird) | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 7-34 | The Firebird (Suite): Final Hymn | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 | |
| 8-1 | Symphony in E-flat major, op. 1: I. Allegro moderato | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 8-2 | Symphony in E-flat major, op. 1: II. Scherzo. Allegretto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 8-3 | Symphony in E-flat major, op. 1: III. Largo | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 8-4 | Symphony in E-flat major, op. 1: IV. Finale. Allegro molto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 8-5 | Stravinsky in Rehearsal: Apollo | John McClure, Igor Stravinsky, Columbia Symphony Orchestra | — | |
| 8-6 | Stravinsky in Rehearsal: Sleeping Beauty | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 8-7 | Stravinsky in Rehearsal: Recollections of My Childhood | Cathy Berberian, Igor Stravinsky, Columbia Symphony Orchestra | — | |
| 8-8 | Stravinsky in Rehearsal: Pulcinella | Игорь Фёдорович Стравинский | — | |
| 8-9 | Stravinsky in Rehearsal: Piano Concerto | Игорь Фёдорович Стравинский | — | |
| 8-10 | Stravinsky in Rehearsal: Symphony in C major | Игорь Фёдорович Стравинский | T-070.275.805-1 | |
| 8-11 | Stravinsky in His Own Words | Игорь Фёдорович Стравинский | — | |
| 9-1 | Symphony in Three Movements: I. Overture. Allegro | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 9-2 | Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 9-3 | Symphony in Three Movements: III. Con moto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 9-4 | Symphony in C major: I. Moderato alla breve | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.805-1 | |
| 9-5 | Symphony in C major: II. Larghetto concertante | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.805-1 | |
| 9-6 | Symphony in C major: III. Allegretto | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.805-1 | |
| 9-7 | Symphony in C major: IV. Largo - Tempo giusto, alla breve | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.805-1 | |
| 9-8 | Symphony of Psalms (rev. 1948): Part I “Exaudi orationem meam, Domine” | Elmer Iseler, Festival Singers Of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 9-9 | Symphony of Psalms (rev. 1948): Part II “Expectans expectavi Dominum” | Elmer Iseler, Festival Singers Of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 9-10 | Symphony of Psalms (rev. 1948): Part III “Alleluia, laudate Dominum” | Elmer Iseler, Festival Singers Of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 10-1 | Concerto for Piano and Wind Instruments (1950 version): I. Largo - Allegro - Più mosso - Maestoso (Largo del principio) | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10-2 | Concerto for Piano and Wind Instruments (1950 version): II. LArgo - Più mosso - Doppio valore - Tempo primo | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10-3 | Concerto for Piano and Wind Instruments (1950 version): III. Allegro - Agitato - Lento - Stringendo | Philippe Entremont, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10-4 | Movements for Piano and Orchestra: I. ♪ = 110 | Charles Rosen, Columbia Symphony Orchestra, Igor Stravinsky | T-070.270.113-0 | |
| 10-5 | Movements for Piano and Orchestra: II. ♪ = 52 | Charles Rosen, Columbia Symphony Orchestra, Igor Stravinsky | T-070.270.113-0 | |
| 10-6 | Movements for Piano and Orchestra: III. ♪ = 72 | Charles Rosen, Columbia Symphony Orchestra, Igor Stravinsky | T-070.270.113-0 | |
| 10-7 | Movements for Piano and Orchestra: IV. ♪ = 80 | Charles Rosen, Columbia Symphony Orchestra, Igor Stravinsky | T-070.270.113-0 | |
| 10-8 | Movements for Piano and Orchestra: V. ♪ = 104 | Charles Rosen, Columbia Symphony Orchestra, Igor Stravinsky | T-070.270.113-0 | |
| 10-9 | Capriccio (1949 version): I. Presto - attacca | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | — | |
| 10-10 | Capriccio (1949 version): II. Andante rapsodico | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | T-072.904.032-7 | |
| 10-11 | Capriccio (1949 version): III. Allegro capriccio ma tempo giusto | Philippe Entremont, Columbia Symphony Orchestra, Robert Craft | — | |
| 10-12 | Violin Concerto in D major: I. Toccata | Isaac Stern, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10-13 | Violin Concerto in D major: II. Aria I | Isaac Stern, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10-14 | Violin Concerto in D major: III. Aria II | Isaac Stern, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 10-15 | Violin Concerto in D major: IV. Capriccio | Isaac Stern, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 11-1 | Greeting Prelude | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 11-2 | Suite no. 1 for Small Orchestra: I. Andante | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-3 | Suite no. 1 for Small Orchestra: II. Napolitana | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-4 | Suite no. 1 for Small Orchestra: III. Española | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-5 | Suite no. 1 for Small Orchestra: IV. Balalaika | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-6 | Suite no. 2 for Small Orchestra: I. Marche | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-7 | Suite no. 2 for Small Orchestra: II. Valse | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-8 | Suite no. 2 for Small Orchestra: III. Polka | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-9 | Suite no. 2 for Small Orchestra: IV. Galop | Members of the CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-10 | Concerto in E‐flat for Chamber Orchestra “Dumbarton Oaks”: I. Tempo giusto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 11-11 | Concerto in E‐flat for Chamber Orchestra “Dumbarton Oaks”: II. Allegretto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 11-12 | Concerto in E‐flat for Chamber Orchestra “Dumbarton Oaks”: III. Con moto | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 11-13 | Four Norwegian Moods for Orchestra: I. Intrada | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-14 | Four Norwegian Moods for Orchestra: II. Song | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-15 | Four Norwegian Moods for Orchestra: III. Wedding Dance | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-16 | Four Norwegian Moods for Orchestra: IV. Cortège | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-17 | Circus Polka (Composed for a Young Elephant) | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-18 | Concerto in D major for String Orchestra “Basle Concerto”: I. Vivace | Columbia Symphony Orchestra, Igor Stravinsky | T-070.259.343-8 | |
| 11-19 | Concerto in D major for String Orchestra “Basle Concerto”: II. Arioso. Andantino | Columbia Symphony Orchestra, Igor Stravinsky | T-070.259.343-8 | |
| 11-20 | Concerto in D major for String Orchestra “Basle Concerto”: III.Rondo. Allegro | Columbia Symphony Orchestra, Igor Stravinsky | T-070.259.343-8 | |
| 11-21 | Eight Instrumental Miniatures: I. Andantino | Igor Stravinsky | — | |
| 11-22 | Eight Instrumental Miniatures: II. Vivace | Igor Stravinsky | — | |
| 11-23 | Eight Instrumental Miniatures: III. Lento | Igor Stravinsky | — | |
| 11-24 | Eight Instrumental Miniatures: IV. Allegretto | Igor Stravinsky | T-318.676.528-2 | |
| 11-25 | Eight Instrumental Miniatures: V. Moderato alla breve | Igor Stravinsky | — | |
| 11-26 | Eight Instrumental Miniatures: VI. Tempo di Marcia | Igor Stravinsky | — | |
| 11-27 | Eight Instrumental Miniatures: VII. Larghetto | Igor Stravinsky | — | |
| 11-28 | Eight Instrumental Miniatures: VIII. Tempo di Tango | Igor Stravinsky | — | |
| 11-29 | Four Etudes for Orchestra: I. Danse | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-30 | Four Etudes for Orchestra: II. Excentrique | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-31 | Four Etudes for Orchestra: III. Cantique | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11-32 | Four Etudes for Orchestra: IV. Madrid | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 12-1 | Preludium for Jazz Ensemble | Columbia Jazz Combo, Igor Stravinsky | T-070.270.113-0 | |
| 12-2 | Concertino for 12 Instruments | Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 12-3 | Octet for Wind Instruments: I. Sinfonia | Columbia Chamber Ensemble, Igor Stravinsky | T-070.272.413-7 | |
| 12-4 | Octet for Wind Instruments: II. Tema con variazioni | Columbia Chamber Ensemble, Igor Stravinsky | T-070.272.413-7 | |
| 12-5 | Octet for Wind Instruments: III. Finale | Columbia Chamber Ensemble, Igor Stravinsky | T-070.272.413-7 | |
| 12-6 | Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — | |
| 12-7 | Tango | Columbia Jazz Combo, Igor Stravinsky | T-070.178.048-4 | |
| 12-8 | Septett: I | Columbia Chamber Ensemble, Igor Stravinsky | T-070.275.533-6 | |
| 12-9 | Septett: II. Passacaglia | Columbia Chamber Ensemble, Igor Stravinsky | T-070.275.533-6 | |
| 12-10 | Septett: III. Gigue | Columbia Chamber Ensemble, Igor Stravinsky | T-070.275.533-6 | |
| 12-11 | Pastorale: Song Without Words | Israel Baker, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 12-12 | Ebony Concerto: I. Allegro moderato | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — | |
| 12-13 | Ebony Concerto: II. Andante | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — | |
| 12-14 | Ebony Concerto: III. Moderato - Con moto | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — | |
| 12-15 | Symphonies of Wind Instruments | WDR Sinfonieorchester Köln, Igor Stravinsky | — | |
| 13-1 | Duo Concertant for Violin and Piano: I. Cantilène | Igor Stravinsky, Joseph Szigeti | — | |
| 13-2 | Duo Concertant for Violin and Piano: II. Eclogue I | Igor Stravinsky, Joseph Szigeti | — | |
| 13-3 | Duo Concertant for Violin and Piano: III. Eclogue II | Igor Stravinsky, Joseph Szigeti | — | |
| 13-4 | Duo Concertant for Violin and Piano: IV. Gigue | Igor Stravinsky, Joseph Szigeti | — | |
| 13-5 | Duo Concertant for Violin and Piano: V. Dithyrambe | Igor Stravinsky, Joseph Szigeti | — | |
| 13-6 | Serenade in A: I. Hymn | Igor Stravinsky | — | |
| 13-7 | Serenade in A: II. Romanza | Igor Stravinsky | — | |
| 13-8 | Serenade in A: III. Rondoletto | Igor Stravinsky | — | |
| 13-9 | Serenade in A: IV. Cadenza finale | Igor Stravinsky | — | |
| 13-10 | Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — | |
| 13-11 | Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — | |
| 13-12 | Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — | |
| 13-13 | Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — | |
| 13-14 | Piano rag music | Igor Stravinsky | — | |
| 13-15 | Sonata for Two Pianos: I. Moderato | Igor Stravinsky | — | |
| 13-16 | Sonata for Two Pianos: II. Thème avec variations. Largo - Var. 1-4 | Igor Stravinsky | — | |
| 13-17 | Sonata for Two Pianos: III. Allegretto | Igor Stravinsky | — | |
| 13-18 | Sonata for Piano: I | Charles Rosen | — | |
| 13-19 | Sonata for Piano: II | Charles Rosen | — | |
| 13-20 | Sonata for Piano: III | Charles Rosen | — | |
| 14-1 | The Nightingale: Act 1. Introduction | John Moriarty, Herbert Beattie, Loren Driscoll, Reri Grist, Marina Picassi, Kenneth Smith, Chorus of the Opera Society of Washington, D.C., Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-2 | The Nightingale: Act 2. Entr'acte: Breezes | John Moriarty, Marina Picassi, Kenneth Smith, Chorus of the Opera Society of Washington, D.C., Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-3 | The Nightingale: Act 2. Chinese March | Kenneth Smith, Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-4 | The Nightingale: Act 2. Song of the Nightingale | Donald Gramm, Reri Grist, Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-5 | The Nightingale: Act 2. The Courtiers | John Moriarty, Kenneth Smith, Chorus of the Opera Society of Washington, D.C., Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-6 | The Nightingale: Act 2. Three Japanese Envoys | Carl Kaiser, Stanley Kolk, William Murphy, Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-7 | The Nightingale: Act 2. Performance of the Mechanical Nightingale | Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-8 | The Nightingale: Act 2. Conclusion, Larghetto | John Moriarty, Loren Driscoll, Donald Gramm, Kenneth Smith, Chorus of the Opera Society of Washington, D.C., Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-9 | The Nightingale: Act 3. Prelude | Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-10 | The Nightingale: Act 3. A Room in the Palace of the Emperor | John Moriarty, Donald Gramm, Chorus of the Opera Society of Washington, D.C., Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-11 | The Nightingale: Act 3. The Return of the Nightingale | Elaine Bonazzi, Donald Gramm, Reri Grist, Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-12 | The Nightingale: Act 3. Solemn Procession | Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-13 | The Nightingale: Act 3. The Emperor's Recovery | Loren Driscoll, Donald Gramm, Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky | — | |
| 14-14 | Mavra | Igor Stravinsky | — | |
| 15-1 | Faun and Shepherdess: I. The Shepherdess | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 15-2 | Faun and Shepherdess: II. The Faun | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 15-3 | Faun and Shepherdess: III. The Torrent | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 15-4 | Two Poems of Paul Verlaine: The white moon shines in the woods | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-5 | Two Poems of Paul Verlaine: Sleep | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-6 | Two Poems of Konstantin Bal'mont: I. The Flower | Игорь Фёдорович Стравинский | — | |
| 15-7 | Two Poems of Konstantin Bal'mont: II. The Dove | Игорь Фёдорович Стравинский | — | |
| 15-8 | Three Japanese Lyrics: I. Akahito | Columbia Symphony Orchestra, Robert Craft | — | |
| 15-9 | Three Japanese Lyrics: II. Mazatsumi | Columbia Symphony Orchestra, Robert Craft | — | |
| 15-10 | Three Japanese Lyrics: III. Tsaraiuki | Columbia Symphony Orchestra, Robert Craft | — | |
| 15-11 | Three Little Songs (Recollections of my Childhood): I. The Magpie | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-12 | Three Little Songs (Recollections of my Childhood): II. The Rook | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-13 | Three Little Songs (Recollections of my Childhood): III. The Jackdaw | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-14 | Pribaoutki (Pleasant Songs): I. Uncle Armand | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-15 | Pribaoutki (Pleasant Songs): II. The Oven | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-16 | Pribaoutki (Pleasant Songs): III. The Colonel | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-17 | Pribaoutki (Pleasant Songs): IV. The Old Man and the Hare | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-18 | Cat's Cradle Songs: I. On the Stove | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-19 | Cat's Cradle Songs: II. At Home | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-20 | Cat's Cradle Songs: III. Bye bye | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-21 | Cat's Cradle Songs: IV. The Cat has... | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 15-22 | Four Russian Peasant Songs: I. On Saint's Days in Chigisakh | Igor Stravinsky | — | |
| 15-23 | Four Russian Peasant Songs: Ii. Ovsen | Gregg Smith, Gregg Smith Singers, Igor Stravinsky | — | |
| 15-24 | Four Russian Peasant Songs: III. The Pik | Igor Stravinsky | — | |
| 15-25 | Four Russian Peasant Songs: IV. Master Portly | Igor Stravinsky | — | |
| 15-26 | Four Russian Songs: I. The Drake | Игорь Фёдорович Стравинский | — | |
| 15-27 | Four Songs: II. A Russian Spiritual | Игорь Фёдорович Стравинский | — | |
| 15-28 | Four Songs: III. Geese and Swans | Игорь Фёдорович Стравинский | — | |
| 15-29 | Four Russian Songs: IV. Tilim‐bom | Игорь Фёдорович Стравинский | — | |
| 15-30 | Three Songs from William Shakespeare: I. Music to hear | Igor Stravinsky | — | |
| 15-31 | Three Songs from William Shakespeare: II. Full fathom five | Igor Stravinsky | — | |
| 15-32 | Three Songs from William Shakespeare: III. When daisies pied | Igor Stravinsky | — | |
| 15-33 | In Memoriam Dylan Thomas: Dirge-Canons | Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 15-34 | In Memoriam Dylan Thomas: Do not go gentle into that good night | Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | T-060.277.046-6 | |
| 15-35 | In Memoriam Dylan Thomas: Dirge-Canons (Postlude) | Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 15-36 | Elegy for J.F.K. | Cathy Berberian, Paul Howland, Jack Kreiselman, Charles Russo, Igor Stravinsky | — | |
| 15-37 | The Owl and the Pussy-Cat | Adrienne Albert, Robert Craft, Igor Stravinsky | T-900.010.250-1 | |
| 15-38 | Tilim-Bom / Klabum-Klabam | Columbia Symphony Orchestra, Robert Craft | — | |
| 16-1 | The Rake's Progress: Act I, Scene I. Prelude | Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-2 | The Rake's Progress: Act I, Scene I. "The Woods Are Green" | Don Garrard, Judith Raskin, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-3 | The Rake's Progress: Act I, Scene I. "Here I Stand" | Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-4 | The Rake's Progress: Act I, Scene I. "Tom Rakewell?" | Don Garrard, Judith Raskin, John Reardon, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-5 | The Rake's Progress: Act I, Scene I. "Farewell for Now" | Don Garrard, Judith Raskin, John Reardon, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-6 | The Rake's Progress: Act I, Scene II. "With Air Commanding" | John Barker, Sadler’s Wells Opera Chorus, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-7 | The Rake's Progress: Act I, Scene II. "Come, Tom" | Jean Manning, John Reardon, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-8 | The Rake's Progress: Act I, Scene II. "Love too Frequently Betrayed" | John Barker, Jean Manning, Sadler’s Wells Opera Chorus, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-9 | The Rake's Progress: Act I, Scene II. "The Sun Is Bright" | John Barker, John Reardon, Sadler’s Wells Opera Chorus, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-10 | The Rake's Progress: Act I, Scene III. "No Word From Tom" | Don Garrard, Judith Raskin, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-11 | The Rake's Progress: Act I, Scene III. "I Go to Him" | Judith Raskin, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-12 | The Rake's Progress: Act II, Scene I. "Vary the Song, O London, Change!" | Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-13 | The Rake's Progress: Act II, Scene I. "Master, Are You Alone" | John Reardon, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-14 | The Rake's Progress: Act II, Scene I. "My Tale Shall Be Told" | John Reardon, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-15 | The Rake's Progress: Act II, Scene II. "How Strange!" | Judith Raskin, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-16 | The Rake's Progress: Act II, Scene II. "Anne! Here!" | Judith Raskin, Regina Sarfaty, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 16-17 | The Rake's Progress: Act II, Scene II. "Could It Then Have Been Known" | John Barker, Judith Raskin, Sadler’s Wells Opera Chorus, Regina Sarfaty, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-1 | The Rake's Progress: Act II, Scene II. "Could It Then Have Been Known" | John Barker, Judith Raskin, Sadler’s Wells Opera Chorus, Regina Sarfaty, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-2 | The Rake's Progress: Act II, Scene III. "You! O Nick, I've Had the Strangest Dream" | John Reardon, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-3 | The Rake's Progress: Act III, Scene I. "What Curious Phenomena..." | John Barker, Judith Raskin, Sadler’s Wells Opera Chorus, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-4 | The Rake's Progress: Act III, Scene I. "Aha!" | John Barker, Kevin Miller, Sadler’s Wells Opera Chorus, Regina Sarfaty, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-5 | The Rake's Progress: Act III, Scene I. "Sold! Annoyed! I've Caught You! Thieving!" | John Barker, Kevin Miller, Judith Raskin, John Reardon, Sadler’s Wells Opera Chorus, Regina Sarfaty, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-6 | The Rake's Progress: Act III, Scene I. "I Go to Him" | John Barker, Kevin Miller, Judith Raskin, John Reardon, Sadler’s Wells Opera Chorus, Regina Sarfaty, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-7 | The Rake's Progress: Act III, Scene II. Prelude | Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-8 | The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place" | John Reardon, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-9 | The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear" | Judith Raskin, John Reardon, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-10 | The Rake's Progress: Act III, Scene II. "I Burn! I Freeze!" | John Reardon, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-11 | The Rake's Progress: Act III, Scene III. "Prepare Yourselves, Heroic Shades" | John Barker, Sadler’s Wells Opera Chorus, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-12 | The Rake's Progress: Act III, Scene III. "There He Is. Have No Fear" | Judith Raskin, Peter Tracey, Alexander Young, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-13 | The Rake's Progress: Act III, Scene III. "Gently, Little Boat" | Don Garrard, Judith Raskin, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-14 | The Rake's Progress: Act III, Scene III. "Where Art Thou, Venus?" | John Barker, Sadler’s Wells Opera Chorus, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 17-15 | The Rake's Progress: Act III, Scene III. Epilogue "Good People, Just a Moment" | Don Garrard, Judith Raskin, John Reardon, Regina Sarfaty, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky | — | |
| 18-1 | Oedipus Rex: Prologue / Acte I | Igor Stravinsky | — | |
| 18-2 | Oedipus Rex: Acte II | Igor Stravinsky | — | |
| 18-3 | The Flood: Prelude | Robert Craft | T-902.193.150-0 | |
| 18-4 | The Flood: Melodrama | Columbia Symphony Orchestra, Robert Craft | T-902.193.150-0 | |
| 18-5 | The Flood: The Building of the Ark (Choreography) | Columbia Symphony Orchestra, Robert Craft | T-902.193.150-0 | |
| 18-6 | The Flood: The Catalogue of the Animals | Columbia Symphony Orchestra, Robert Craft | T-902.193.150-0 | |
| 18-7 | The Flood: The Comedy (Noah and His Wife) | Columbia Symphony Orchestra, Robert Craft | T-902.193.150-0 | |
| 18-8 | The Flood: The Flood (Choreography) | Columbia Symphony Orchestra, Robert Craft | T-902.193.150-0 | |
| 18-9 | The Flood: The Covenant of the Rainbow | Columbia Symphony Orchestra, Robert Craft | T-902.193.150-0 | |
| 19-1 | Perséphone: I. Persephone Abducted | George Bragg, Gregg Smith, The Ithaca College Concert Choir, Michele Molese, Gregg Smith Singers, Texas Boys Choir of Fort Worth, Vera Zorina, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 19-2 | Perséphone: II. Persephone in the Underworld | George Bragg, Gregg Smith, The Ithaca College Concert Choir, Michele Molese, Gregg Smith Singers, Texas Boys Choir of Fort Worth, Vera Zorina, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 19-3 | Perséphone: III. Persephone Restored | George Bragg, Gregg Smith, The Ithaca College Concert Choir, Michele Molese, Gregg Smith Singers, Texas Boys Choir of Fort Worth, Vera Zorina, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 19-4 | Ode: I. Eulogy | Cleveland Orchestra, Igor Stravinsky | — | |
| 19-5 | Ode: II. Eclogue | Cleveland Orchestra, Igor Stravinsky | — | |
| 19-6 | Ode: III. Epitaph | Cleveland Orchestra, Igor Stravinsky | — | |
| 19-7 | Monumentum pro Gesualdo di Venosa: I. Asciugate i begli occhi | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 19-8 | Monumentum pro Gesualdo di Venosa: II. Ma tu, cagion di quella | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 19-9 | Monumentum pro Gesualdo di Venosa: III. Belta poi che t'assenti | Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 20-1 | Chorale Variations: Choral | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-2 | Chorale Variations: Variation I (In canone all'Ottava) | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-3 | Chorale Variations: Variation II (Alio modo canone alla Quinta) | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-4 | Chorale Variations: Variation III (In canone alla Settima) | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-5 | Chorale Variations: Variation IV (In canone all'Ottava per | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-6 | Chorale Variations: Variation V (L'altra sorte del canone al | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-7 | Zvezdoliki | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 20-11 | Cantata: A Lyke-Wake Dirge (Versus I. Prelude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-12 | Cantata: Ricercar I (Soprano) The Maidens Came | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-13 | Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-14 | Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-15 | Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-16 | Cantata: Westron Wind (Soprano and Tenor) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-17 | Cantata: A Lyke-Wake Dirge (Versus IV. Postlude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 20-18 | Mass: Kyrie | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 20-19 | Mass: Gloria | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 20-20 | Mass: Credo | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 20-21 | Mass: Sanctus | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 20-22 | Mass: Agnus Dei | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 20-23 | Babel | Elmer Iseler, John Calicos, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 21-1 | Canticum Sacrum: Dedicatio | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 21-2 | Canticum Sacrum: I. Euntes in mundum | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 21-3 | Canticum Sacrum: II. Surge, aquilo | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 21-4 | Canticum Sacrum: III. Ad tres virtutes hortationes | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 21-5 | Canticum Sacrum: IV. Jesus autem ait illi | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 21-6 | Canticum Sacrum: V. Illi autem profecti | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — | |
| 21-7 | Introitus | Gregg Smith, Gregg Smith Singers, Igor Stravinsky | — | |
| 21-8 | A Sermon, A Narrative and a Prayer: I. A Sermon | Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 21-9 | A Sermon, A Narrative and a Prayer: II. A Narrative | Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 21-10 | A Sermon, A Narrative and a Prayer: III. A Prayer | Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 21-11 | Anthem | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | — | |
| 21-12 | Threni: Incipit | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 21-13 | Threni: De Elegia Prima | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 21-14 | Threni: De Elegia Tertia | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 21-15 | Threni: De Elegia Quinta | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — | |
| 22-1 | Song of the Nightingale | Columbia Symphony Orchestra, Robert Craft | — | |
| 22-2 | Danses Concertantes | Robert Craft | — | |
| 22-3 | Epitathium | Robert Craft | — | |
| 22-4 | Double Canon | Israel Baker, Otis Igleman, George Neikrug, Sanford Schonbach, Robert Craft | T-070.261.167-3 | |
| 22-5 | Abraham and Isaac | Columbia Symphony Orchestra, Robert Craft | — | |
| 22-6 | Variations: Aldous Huxley in memoriam | Columbia Symphony Orchestra, Robert Craft | — | |
| 22-7 | Requiem Canticles: I. Prelude | Columbia Symphony Orchestra, Robert Craft | — | |
| 22-8 | Requiem Canticles: II. Exaudi | Gregg Smith, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft | — | |
| 22-9 | Requiem Canticles: III. Dies Irae | Gregg Smith, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft | — | |
| 22-10 | Requiem Canticles: IV. Tuba mirum | Donald Gramm, Columbia Symphony Orchestra, Robert Craft | — | |
| 22-11 | Requiem Canticles: V. Interlude | Columbia Symphony Orchestra, Robert Craft | — | |
| 22-12 | Requiem Canticles: VI. Rex tremendae | Gregg Smith, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft | — | |
| 22-13 | Requiem Canticles: VII. Lacrimosa | Elaine Bonazzi, Columbia Symphony Orchestra, Robert Craft | — | |
| 22-14 | Requiem Canticles: VIII. Libera me | Gregg Smith, Elaine Bonazzi, Donald Gramm, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft | — | |
| 22-15 | Requiem Canticles: IX. Postlude | Columbia Symphony Orchestra, Robert Craft | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scènes de ballet: Pantomime | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.511-0 |
| The Rite of Spring: Part Two. Sacrificial Dance | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 |
| Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — |
| Ava Maria (Revised version, 1949) | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | T-901.127.660-1 |
| Pater Noster (Revised version, 1949) | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | — |
| Ebony Concerto: I. Allegro moderato | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — |
| Ebony Concerto: II. Andante | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — |
| Ebony Concerto: III. Moderato - Con moto | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — |
| Credo (Revised version, 1964) | Gregg Smith, Gregg Smith Singers, Igor Stravinsky | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886971031126 is a Universal Product Code (UPC) assigned to Works of Igor Stravinsky by Igor Stravinsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 423 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886971031126 is the Universal Product Code (UPC barcode) for the release “Works of Igor Stravinsky” by Igor Stravinsky, released 2007-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 423 tracks, each with its own ISRC. Tracks include USSM16101281, USSM16101282, USSM16101283.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scènes de ballet: Pantomime | CBC Symphony Orchestra, Igor Stravinsky | T-070.275.511-0 |
| The Rite of Spring: Part Two. Sacrificial Dance | Columbia Symphony Orchestra, Igor Stravinsky | T-070.257.887-7 |
| Ragtime for 11 Instruments | Columbia Chamber Ensemble, Toni Koves-Steiner, Igor Stravinsky | — |
| Ava Maria (Revised version, 1949) | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | T-901.127.660-1 |
| Pater Noster (Revised version, 1949) | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | — |
| Ebony Concerto: I. Allegro moderato | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — |
| Ebony Concerto: II. Andante | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — |
| Ebony Concerto: III. Moderato - Con moto | Benny Goodman, Columbia Jazz Combo, Igor Stravinsky | — |
| Credo (Revised version, 1964) | Gregg Smith, Gregg Smith Singers, Igor Stravinsky | — |
