Plug Me In

UPC · Release

Plug Me In

AC/DC

886971041798
50 tracksReleased 2007-01-01Columbia

Last verified:

886971041798 is the Universal Product Code (UPC barcode) for the release Plug Me In by AC/DC, released 2007-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.

Format

8Number system
86971Manufacturer
04179Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPlug Me In
ISWC42 works
IPI3 songwriters

Track List (50)

High Voltage (King of Pop Awards, Australia, October 1975)
High Voltage (King of Pop Awards, Australia, October 1975)
It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll) (Bandstand, Australia, February 1978)
It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll) (Bandstand, Australia, February 1978)
School Days (St. Albans High School, Australia, March 1976)
School Days (St. Albans High School, Australia, March 1976)
T.N.T. (St. Albans High School, Australia, March 1976)
T.N.T. (St. Albans High School, Australia, March 1976)
Live Wire (Super Pop/Rollin’ Bolan, July 1976)
Live Wire (Super Pop/Rollin’ Bolan, July 1976)
Can I Sit Next to You Girl (Super Pop/Rollin’ Bolan, July 1976)
Can I Sit Next to You Girl (Super Pop/Rollin’ Bolan, July 1976)
Baby Please Don’t Go (Myer Music Bowl, Melbourne, December 1976)
Baby Please Don’t Go (Myer Music Bowl, Melbourne, December 1976)
Hell Ain’t a Bad Place to Be (Sight & Sound in Concert, London, October 1977)
Hell Ain’t a Bad Place to Be (Sight & Sound in Concert, London, October 1977)
Rocker (Sight & Sound in Concert, London, October 1977)
Rocker (Sight & Sound in Concert, London, October 1977)
Rock ’n’ Roll Damnation (Apollo Theatre, Glasgow, April 1978)
Rock ’n’ Roll Damnation (Apollo Theatre, Glasgow, April 1978)
Dog Eat Dog (Apollo Theatre, Glasgow, April 1978)
Dog Eat Dog (Apollo Theatre, Glasgow, April 1978)
Let There Be Rock (Apollo Theatre, Glasgow, April 1978)
Let There Be Rock (Apollo Theatre, Glasgow, April 1978)
Problem Child (Rock Goes To College, Colchester, October 1978)
Problem Child (Rock Goes To College, Colchester, October 1978)
Sin City (Rock Goes To College, Colchester, October 1978)
Sin City (Rock Goes To College, Colchester, October 1978)
Bad Boy Boogie (Rock Goes To College, Colchester, October 1978)
Bad Boy Boogie (Rock Goes To College, Colchester, October 1978)
Highway to Hell (Countdown, Arnhem, August 1979)
Highway to Hell (Countdown, Arnhem, August 1979)
The Jack (Countdown, Arnhem, August 1979)
The Jack (Countdown, Arnhem, August 1979)
Whole Lotta Noise (Countdown, Arnhem, August 1979)
Whole Lotta Noise (Countdown, Arnhem, August 1979)
Baby Please Don’t Go (Szene 77, Circus Krone, Munich, September 1976)
Baby Please Don’t Go (Szene 77, Circus Krone, Munich, September 1976)
Problem Child (Myer Music Bowl, Melbourne, December 1976)
Problem Child (Myer Music Bowl, Melbourne, December 1976)
Rock ’n’ Roll Damnation (Top of the Pops, London, June 1978)
Rock ’n’ Roll Damnation (Top of the Pops, London, June 1978)
Shot Down in Flames (Nihon Seinenkan, Tokyo, February 1981)
Shot Down in Flames (Nihon Seinenkan, Tokyo, February 1981)
What Do You Do for Money Honey (Nihon Seinenkan, Tokyo, February 1981)
What Do You Do for Money Honey (Nihon Seinenkan, Tokyo, February 1981)
You Shook Me All Night Long (Nihon Seinenkan, Tokyo, February 1981)
You Shook Me All Night Long (Nihon Seinenkan, Tokyo, February 1981)
T.N.T. / Let There Be Rock (Nihon Seinenkan, Tokyo, February 1981)
T.N.T. / Let There Be Rock (Nihon Seinenkan, Tokyo, February 1981)
Back in Black (Capital Center, Landover MD, December 1981)
Back in Black (Capital Center, Landover MD, December 1981)
T.N.T. (Capital Center, Landover MD, December 1981)
T.N.T. (Capital Center, Landover MD, December 1981)
Shoot to Thrill (The Summit, Houston TX, October 1983)
Shoot to Thrill (The Summit, Houston TX, October 1983)
Guns for Hire (Joe Louis Arena, Detroit MI, November 1983)
Guns for Hire (Joe Louis Arena, Detroit MI, November 1983)
Dirty Deeds Done Dirt Cheap (Joe Louis Arena, Detroit MI, November 1983)
Dirty Deeds Done Dirt Cheap (Joe Louis Arena, Detroit MI, November 1983)
Flick of the Switch (Capital Center, Landover MD, December 1983)
Flick of the Switch (Capital Center, Landover MD, December 1983)
Bedlam in Belgium (Capital Center, Landover MD, December 1983)
Bedlam in Belgium (Capital Center, Landover MD, December 1983)
Back in Black (Tushino Airfield, Moscow, September 1991)
Back in Black (Tushino Airfield, Moscow, September 1991)
Highway to Hell (Tushino Airfield, Moscow, September 1991)
Highway to Hell (Tushino Airfield, Moscow, September 1991)
Whole Lotta Rosie (Tushino Airfield, Moscow, September 1991)
Whole Lotta Rosie (Tushino Airfield, Moscow, September 1991)
For Those About to Rock (We Salute You) (Tushino Airfield, Moscow, September 1991)
For Those About to Rock (We Salute You) (Tushino Airfield, Moscow, September 1991)
Gone Shootin’ (VH1 Studios, London, July 1996)
Gone Shootin’ (VH1 Studios, London, July 1996)
Hail Caesar (Entertainment Center, Sydney, November 1996)
Hail Caesar (Entertainment Center, Sydney, November 1996)
Ballbreaker (Entertainment Center, Sydney, November 1996)
Ballbreaker (Entertainment Center, Sydney, November 1996)
Rock and Roll Ain't Noise Pollution (Entertainment Center, Sydney, November 1996)
Rock and Roll Ain't Noise Pollution (Entertainment Center, Sydney, November 1996)
Hard as a Rock (Stade de France, Paris, June 2001)
Hard as a Rock (Stade de France, Paris, June 2001)
Hells Bells (Stade de France, Paris, June 2001)
Hells Bells (Stade de France, Paris, June 2001)
Ride On (Stade de France, Paris, June 2001)
Ride On (Stade de France, Paris, June 2001)
Stiff Upper Lip (Circus Krone, Munich, June 2003)
Stiff Upper Lip (Circus Krone, Munich, June 2003)
Thunderstruck (Circus Krone, Munich, June 2003)
Thunderstruck (Circus Krone, Munich, June 2003)
If You Want Blood (You’ve Got It) (Downsview Park, Toronto Rocks, July 2003)
If You Want Blood (You’ve Got It) (Downsview Park, Toronto Rocks, July 2003)
The Jack (Downsview Park, Toronto Rocks, July 2003)
The Jack (Downsview Park, Toronto Rocks, July 2003)
You Shook Me All Night Long (Downsview Park, Toronto Rocks, July 2003)
You Shook Me All Night Long (Downsview Park, Toronto Rocks, July 2003)
Gone Shootin’ (Rehearsal, VH1 Studios, London, July 1996)
Gone Shootin’ (Rehearsal, VH1 Studios, London, July 1996)
Rock Me Baby (Festwiese, Leipzig, June 2003)
Rock Me Baby (Festwiese, Leipzig, June 2003)

Credits Graph

People also ask

What is UPC 886971041798?
UPC 886971041798 is the Universal Product Code (barcode) for "Plug Me In" by AC/DC, released on Columbia.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 886971041798?
UPC 886971041798 contains 50 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 886971041798?

886971041798 is a Universal Product Code (UPC) assigned to Plug Me In by AC/DC. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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