UPC · Release
Dinner Classics
Various Artists
Last verified:
886971412024 is the Universal Product Code (UPC barcode) for the release “Dinner Classics” by Various Artists, released 2007-01-01 on Sony BMG Music Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 158 tracks, each with its own ISRC. Tracks include DEP629501535, GBCLS0102010, USSM17600290.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (158)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peer Gynt Suite Nr. 1 op. 46 - Morgenstimmung | — | ||
| 2 | Sechs Charakterbilder op. 50 Nr. 1 - Nocturne | — | ||
| 3 | Sinfonie Nr. 1 D-Dur op. 25 - Symphonie Classique - Larghetto | — | ||
| 4 | Streicherserenade E-Dur op. 22 - Scherzo | — | ||
| 5 | Ungarischer Tanz Nr. 3 F-Dur - Allegretto | — | ||
| 6 | Sinfonie Nr. 8 op. 93 - Allegretto scherzando | — | ||
| 7 | Bartholdy - Klaviersonate B-Dur op. posth. 106 - Allegro moderato - Allegro | — | ||
| 8 | Cellokonzert Nr. 2 Hob. VIIb: 2 - Rondo: Allegro | — | ||
| 9 | Suite für 2 Klaviere op. 6 - Andantino con moto, quasi allegro | — | ||
| 10 | Suite für Violine - Michail Vaiman | — | ||
| 11 | Flötenkonzert D-Dur RV 428 - op. 10 Nr. 3 - Jean-Pierre Rampal - I Solisti Veneti | — | ||
| 12 | Klavierkonzert Nr. 5 D-Dur KV 175 | — | ||
| 13 | Streichersonate Nr. 1 G-Dur - Moderato | — | ||
| 14 | Holberg-Suite op. 40 - Gavotte - Musette | — | ||
| 15 | 6 Morceaux op. 59 - Nr. 2: Caprice | — | ||
| 16 | Petite Suite - Cortège | — | ||
| 2-1 | Orchestersuite Nr. 2 h-Moll, BWV 1067 -Badinerie | — | ||
| 2-2 | Le Donne di buon umore, Allegro | — | ||
| 2-3 | Le Donne di buon umore, Andante | — | ||
| 2-4 | Rondeau aus „Abdelazer“ | — | ||
| 2-5 | The Arrival of the Queen of Sheba, aus „Solomon“ | — | ||
| 2-6 | „Wir eilen mit schwachen, doch emsigen Schritten“, Duetto aus Kantata, | — | ||
| 2-7 | Rondeau: Minuet, aus „The Gordian Knot Unty’d“ | — | ||
| 2-8 | Air, aus „The Gordian Knot Unty’d“ | — | ||
| 2-9 | Concerto C-Dur, op. 3 Nr. 12 - Pastorale | — | ||
| 2-10 | Concerto grosso g-Moll, op. 6,8 - Allegro | — | ||
| 2-11 | Flötenkonzert D-Dur, RV 428 „Der Stieglitz“ | — | ||
| 2-12 | Festliche Suite A-Dur - Gavotte | — | ||
| 2-13 | Oboenkonzert d-Moll - Adagio | — | ||
| 2-14 | Sinfonie D-Dur -Allegro | — | ||
| 2-15 | Die vier Jahreszeiten - Concerto Nr. 3 „Der H | — | ||
| 2-16 | Kantate BWV 156 -Sinfonia | — | ||
| 2-17 | Wassermusik HWV 348 - Air | — | ||
| 2-18 | Concerto grosso f-Moll - Pastorale: Andante | Jürgen Geise, Cis Collegium Mozarteum Salzburg | — | |
| 2-19 | Konzert für Violine und C | — | ||
| 2-20 | Wassermusik HWV 349 - Alla Hornpipe | — | ||
| 3-1 | Canzon septimi toni Nr. 2 | — | ||
| 3-2 | Die vier Jahreszeiten, Concerto Nr. 1, „Der Frühling“ op. 8,1 - Allegro | — | ||
| 3-3 | Overtüre (Allegro), aus: Le Donne di buon umore | — | ||
| 3-4 | Concerto G-Dur für 2 Gitarren - I. Allegro | — | ||
| 3-5 | Streichquintett E-Dur, op. 13,5 - Minuetto | — | ||
| 3-6 | Sonate für Violine und Gitarre op. 25 - III. Menuetto: Allegretto | — | ||
| 3-7 | Sonata concertata A-Dur - III. Rondeau | — | ||
| 3-8 | Cantabile für Violine & Gitarre | — | ||
| 3-9 | Concerto Nr. 1 für Gitarre & Streichorchester A-Dur op. 30 - II. Andantino siciliano | — | ||
| 3-10 | Nocturne (Moderato) aus La Boutique Fantasque | — | ||
| 3-11 | Sebastian Suite - Barcarole | — | ||
| 3-12 | Dance for Six, aus Guillaume Tell | — | ||
| 3-13 | La donna è mobile, aus Rigoletto | — | ||
| 3-14 | Walzer der Musetta, aus La Bohème | — | ||
| 3-15 | O soave fanciulla, aus La Bohème | — | ||
| 3-16 | Vissi d’arte, aus Tosca | — | ||
| 3-17 | Andante cantabile, aus Fedora | — | ||
| 3-18 | Vorspiel zum 1. Akt, aus La traviata | — | ||
| 3-19 | Intermezzo, aus Cavalleria rusticana | — | ||
| 3-20 | Celeste Aida, aus Aida | — | ||
| 3-21 | O mio babbino, aus Gianni Schicchi | — | ||
| 4-1 | Sakura Sakura | — | ||
| 4-2 | Chin-Chin-Chidori | — | ||
| 4-3 | Yamanaka Bushi | — | ||
| 4-4 | T ryanse (Children’s Song) | — | ||
| 4-5 | Chidori No Kyoku | — | ||
| 4-6 | Defune | — | ||
| 4-7 | Oharabushi (Trad.)Chugoko-Chiho-No-Komoriuta | — | ||
| 4-8 | Shimabara No Komoriuta | — | ||
| 4-9 | Imayoh | — | ||
| 4-10 | I May | — | ||
| 4-11 | Chugoko-Chiho-No-Komoriuta | — | ||
| 4-12 | J gashima No Ame | — | ||
| 4-13 | Haru No Umi | — | ||
| 4-14 | Sakura Sakura | — | ||
| 5-1 | Grand Entree aus Alceste | — | ||
| 5-2 | Brandenburgisches Konzert No.4 C-Dur BWV 1049 - Allegro | — | ||
| 5-3 | Ouverture - Rondeau aus The Guardian Knot Unty’d | — | ||
| 5-4 | Orchestersuite No.1 C-Dur BWV 1066 - Gavotte I & II | — | ||
| 5-5 | Dance - Ritornelle - Introduction aus Dido and Aneas | — | ||
| 5-6 | Symphony no. 4 in F major, op. 2 no. 4: III. Gavot: Allegro | English Chamber Orchestra, José-Luis García | — | |
| 5-7 | Passacaglia aus Rodrigo | — | ||
| 5-8 | Concerto Grosso B-Dur op.6 No.7 - Hornpipe | — | ||
| 5-9 | Flötenkonzert A-Dur - Tempo giusto | — | ||
| 5-10 | Let the Bright Seraphim aus Samson | — | ||
| 5-11 | Non pesto in tempo di ballo aus Le donne di buon umore | — | ||
| 5-12 | Trompetenkonzert D-Dur - Allegro - Allegro | — | ||
| 5-13 | Violinsonate, op. 5 no. 9: Gigue | — | ||
| 5-14 | Notenbüchlein der Anna Magdalena Bach - Kleine Suite | — | ||
| 5-15 | Trumpet Voluntary - andante maestoso | — | ||
| 6-1 | Nussknacker Suite op. 71a. Ouverture | — | ||
| 6-2 | Haydn Variationen op. 56a, Variation VII. Grazioso | — | ||
| 6-3 | Sinfonie no. 5 D-Dur op. 107. Allegro | — | ||
| 6-4 | Divertimento D-Dur KV 344. Menuett | — | ||
| 6-5 | Streichquartett E-Dur op.13 No. 5. Menuett | — | ||
| 6-6 | SUITE IN A MAJOR FOR ORCHESTRA, OP. 98B 'AMERICAN' A-DUR: III. MODERATO (ALLA POLLACCA) | — | ||
| 6-7 | Concerto Grosso No. 5 D-Dur op. 6 No. 5 Menuetto: Larghetto | — | ||
| 6-8 | La Serenata | — | ||
| 6-9 | Rosamunde D 797 - Ballettmusik No. 4 | — | ||
| 6-10 | Chanson de matin op. 15, no. 1 | — | ||
| 6-11 | Je te veux | — | ||
| 6-12 | Streichquartett F-Dur op. 3, no. 5. Serenade | — | ||
| 6-13 | La Gioconda: Tanz der Stunden | — | ||
| 7-1 | Sinfonie No.3 D-Dur - Allegretto | — | ||
| 7-2 | Klavierkonzert No.2 c-moll op.18 - Allegretto sostenuto | — | ||
| 7-3 | Stericherserenade E-Dur op.22 - Larghetto | — | ||
| 7-4 | Serenade No.2 A-Dur op.16 - Quasi Menuetto | — | ||
| 7-5 | Klarinettenkonzert A-dur KV 622 Adagio | — | ||
| 7-6 | Orchestersuite No.2 h-moll BWV 1067 - Polonaise | — | ||
| 7-7 | Sinfonie No.2 B-Dur op.52 - Adagio religioso | — | ||
| 7-8 | Capriol Suite - Pieds-en-l’air | — | ||
| 7-9 | Divertimento No.2 Es-Dur HobIII 2 - Adagio | — | ||
| 7-10 | Klavierkonzert No.2 B-Dur op.19 - Adagio | — | ||
| 7-11 | Concerto Grosso c-moll op.6,8 - Siciliana andante | — | ||
| 7-12 | Carmen Suite No.1 - Intermezzo | — | ||
| 8-1 | Slawischer Tanz C-Dur op.46 No.1 | — | ||
| 8-2 | Sinfonie No.6 F-dur op.68 - „Pastorale“ | — | ||
| 8-3 | Carmina Burana | — | ||
| 8-4 | Der Karneval der Tiere - Das Vogelhaus | — | ||
| 8-5 | Gli uccelli - Der Kuckuck | — | ||
| 8-6 | Forellenquintett A-Dur D667 | — | ||
| 8-7 | Ländliche Hochzeit op.26 | — | ||
| 8-8 | Bergakungen op.37 - Tanz des Hirtenmädchens | — | ||
| 8-9 | Symphonie fantastique, op. 14 - Un bal | — | ||
| 8-10 | Fantasiestück No.2 A-Dur op.73 No.2 | — | ||
| 8-11 | Serenade No.1 D-Dur op.11 - Rondo Allegro | — | ||
| 8-12 | Peer Gynt Suite No.1 op. 46 - Anitras Tanz | — | ||
| 8-13 | The Gadfly op.97a - Folk Festival | — | ||
| 8-14 | L’Arlesienne - Suite No.1 - Carillon | — | ||
| 8-15 | Nussknacker Suite op. 71a - Blumenwalzer | — | ||
| 9-1 | Take Five | — | ||
| 9-2 | Spring Is Here | — | ||
| 9-3 | Michelle | — | ||
| 9-4 | What Will I Do | — | ||
| 9-5 | Choro | — | ||
| 9-6 | I Left My Heart in San Francisco | — | ||
| 9-7 | Quiet Evenings | — | ||
| 9-8 | Taxi Driver Blues | — | ||
| 9-9 | Tereza My Love | — | ||
| 9-10 | Lovelady | — | ||
| 9-11 | Relaxing | — | ||
| 9-12 | Nightclub 1960 | — | ||
| 9-13 | Girl Talk | — | ||
| 9-14 | Wave | — | ||
| 9-15 | On Rainy Afternoons | — | ||
| 9-16 | Misty | — | ||
| 9-17 | Love Gets Old | — | ||
| 10-1 | Kinderszenen op. 15 No. 7: Träumerei | — | ||
| 10-2 | Carmen Suite No. 2: Nocturne, Andantino molto | — | ||
| 10-3 | Souvenir d’un lieu cher op. 42: No. 3 Melodie Es-Dur, Moderato con moto | — | ||
| 10-4 | Nocturne Es-Dur Op. 9 No. 2 | — | ||
| 10-5 | Liebestraum: Nocturne No. 3 As-Dur | — | ||
| 10-6 | Crisantemi | — | ||
| 10-7 | Suite bergamasque: Clair de Lune | — | ||
| 10-8 | Londonderry Air | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-9 | To a Wild Rose, op. 51 no. 1 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-10 | Fantasia on Greensleeves from Sir John in Love | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-11 | Intermezzo (Cavalleria Rusticana) | The Philadelphia Orchestra, Eugene Ormandy | T-921.418.457-3 | |
| 10-12 | Elegie | The Philadelphia Orchestra, Eugene Ormandy | T-900.231.344-2 | |
| 10-13 | Schwanengesang D 957: Ständchen (Serenade) | — | ||
| 10-14 | Die Perlenfischer: „Hör ich die Stimmen im Traum” | — | ||
| 10-15 | Ich liebe Dich | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Elegie | The Philadelphia Orchestra, Eugene Ormandy | T-071.423.331-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
Verified on
What is UPC 886971412024?
886971412024 is a Universal Product Code (UPC) assigned to Dinner Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 158 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm