UPC · Release
Ania
Last verified:
The UPC for “W spodniach, czy w sukience?” by Ania is 886972530321. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Sony BMG Music Entertainment. This release contains 10 tracks, each with its own ISRC. Tracks include PLB380800160, PLB380800161.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turu tu tu... | — | ||
| 2 | Smutek mam we krwi | — | ||
| 3 | W spodniach, czy w sukience | Ania | — | |
| 4 | Nigdy więcej nie tańcz ze mną | Ania | — | |
| 5 | Znowu przyszło lato | — | ||
| 6 | Póki mi starczy sił | — | ||
| 7 | Bardzo lubię opowiadania o miłości | — | ||
| 8 | Jesteś jak sen o spadaniu | — | ||
| 9 | Ciągle mylę cię z nim | — | ||
| 10 | Zmieniaj mnie gdy zechcesz | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886972530321 is a Universal Product Code (UPC) assigned to W spodniach, czy w sukience? by Ania. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “W spodniach, czy w sukience?” by Ania is 886972530321. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Sony BMG Music Entertainment. This release contains 10 tracks, each with its own ISRC. Tracks include PLB380800160, PLB380800161.
