UPC · Release
Leonard Bernstein
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886972798820 is the Universal Product Code (UPC barcode) for the release “Bernstein Conducts Bernstein” by Leonard Bernstein, released 2008-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 149 tracks, each with its own ISRC. Tracks include GBGQH0801085, GBGQH0801086, GBGQH0801087.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture to Candide | — | ||
| 2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 5 | Symphonic Dances From West Side Story: Mambo - Presto | — | ||
| 6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 11 | Symphonic Suite From the Film on the Waterfront: Andante (with Dignity) | — | ||
| 12 | Symphonic Suite From the Film on the Waterfront: Adagio - Allegro Molto Agitato - Alla Breve (Poco Più Mosso) | — | ||
| 13 | Symphonic Suite From the Film on the Waterfront: Andante Largamente - More Flowing - Still More Flowing | — | ||
| 14 | Symphonic Suite From the Film on the Waterfront: Moving Forward, With Warmth - Largamente - A Tempo | — | ||
| 15 | Symphonic Suite From the Film on the Waterfront: Allegro Non Troppo, Molto Marcato - Poco Più Sostentuto | — | ||
| 16 | Symphonic Suite From the Film on the Waterfront: A Tempo | — | ||
| 17 | Fancy Free: I. Enter Three Sailors | — | ||
| 18 | Fancy Free: II. Scene at the Bar | — | ||
| 19 | Fancy Free: III. Enter Two Girls | — | ||
| 20 | Fancy Free: IV. Pas de Deux | — | ||
| 21 | Fancy Free: V. Competition Scene | — | ||
| 22 | Fancy Free: VI. Three Dance Variations I - Galop | — | ||
| 23 | Fancy Free: VI. Three Dance Variations II - Waltz | — | ||
| 24 | Fancy Free: VI. Three Dance Variations III - Danzon | — | ||
| 25 | Fancy Free: VII. Finale | — | ||
| 2-1 | Symphony N°1 (Jeremiah): I. Prophecy | — | ||
| 2-2 | Symphony N°1 (Jeremiah): II. Profanation | — | ||
| 2-3 | Symphony N°1 (Jeremiah): III. Lamentation | — | ||
| 2-4 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-5 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-6 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-7 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-8 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-9 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-10 | I Hate Music! A Cycle of Five Kid Songs for Soprano: I. Moderato | — | ||
| 2-11 | I Hate Music! A Cycle of Five Kid Songs for Soprano: II. Allegretto Vivace | — | ||
| 2-12 | I Hate Music! A Cycle of Five Kid Songs for Soprano: III. Sostenuto; Allegro Molto | — | ||
| 2-13 | I Hate Music! A Cycle of Five Kid Songs for Soprano: IV. Con Brio | — | ||
| 2-14 | I Hate Music! A Cycle of Five Kid Songs for Soprano: V. Moderato, Alla Marcia; Andante | — | ||
| 2-15 | La Bonne Cuisine: I. Plum Pudding | — | ||
| 2-16 | La Bonne Cuisine: II. Queues de Boeuf (Ox-Tails) | — | ||
| 2-17 | La Bonne Cuisine: III. Taveuk Gueunksis | — | ||
| 2-18 | La Bonne Cuisine: IV. Civet À Toute Vitesse (Rabbit at Top Speed) | — | ||
| 3-1 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. A) The Prologue | — | ||
| 3-2 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. B) The Seven Ages (Variations I-VII) | — | ||
| 3-3 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. C) The Seven Stages (Variations VIII-XIV) | — | ||
| 3-4 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. A) The Dirge | — | ||
| 3-5 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. B) The Masque | — | ||
| 3-6 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. C) The Epilogue | — | ||
| 3-7 | Serenate for Soio Violin, Strings, Harp and Percussion: I. Phaedrus; Pausanias | — | ||
| 3-8 | Serenate for Soio Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto) | — | ||
| 3-9 | Serenate for Soio Violin, Strings, Harp and Percussion: III. Eryximachus (Presto) | — | ||
| 3-10 | Serenate for Soio Violin, Strings, Harp and Percussion: IV. Agathon (Adagio) | — | ||
| 3-11 | Serenate for Soio Violin, Strings, Harp and Percussion: V. Socrates; Alcibiades (Molto Tenuto; Allegro) | — | ||
| 4-1 | Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-2 | Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-3 | Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-4 | Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-5 | Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4) | John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-902.471.486-1 | |
| 4-6 | Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-070.119.642-0 | |
| 5-1 | Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: I. Prelude for the Brass | — | ||
| 5-2 | Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: II. Fugue for the Saxes | — | ||
| 5-3 | Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: III. Riffs for Everyone | — | ||
| 5-4 | On the Town (Tree dance Episodes): I. The Great Lover | — | ||
| 5-5 | On the Town (Tree dance Episodes): II. Lonly Town: Pas de Deux | — | ||
| 5-6 | On the Town (Tree dance Episodes): III. Time Square; 1944 | — | ||
| 5-7 | Serenade for Solo Violin, String, Harp and Percussion: I. Phaedrus; Pausanias | — | ||
| 5-8 | Serenade for Solo Violin, String, Harp and Percussion: II. Aristophanes | — | ||
| 5-9 | Serenade for Solo Violin, String, Harp and Percussion: III. Eryximachus | — | ||
| 5-10 | Serenade for Solo Violin, String, Harp and Percussion: IV. Agathon | — | ||
| 5-11 | Serenade for Solo Violin, String, Harp and Percussion: V. Socrates; Alcibiades | — | ||
| 5-12 | Fancy Free: I. Enter Three Sailors | — | ||
| 5-13 | Fancy Free: II. Scene at the Bar | — | ||
| 5-14 | Fancy Free: III. Enter Two Girls | — | ||
| 5-15 | Fancy Free: IV. Pas de Deux | — | ||
| 5-16 | Fancy Free: V. Competition Scene | — | ||
| 5-17 | Fancy Free: Three Dance Variations: VI. Variation 1 (Galop) | — | ||
| 5-18 | Fancy Free: Three Dance Variations: VII. Variation 2 (Waltz) | — | ||
| 5-19 | Fancy Free: Three Dance Variations: VIII. Variation 3 (Danzon) | — | ||
| 5-20 | Fancy Free: IX. Finale | — | ||
| 6-1 | Dybbuk (1974): Part I. The Community (Complete Ballet) | — | ||
| 6-2 | Dybbuk (1974): Part I. The Fathers | — | ||
| 6-3 | Dybbuk (1974): Part I. Witnesses of Birth | — | ||
| 6-4 | Dybbuk (1974): Part I. The Children | — | ||
| 6-5 | Dybbuk (1974): Part II. Kabbalah: Six Variations | — | ||
| 6-6 | Dybbuk (1974): Part III. Witnesses of Death | — | ||
| 6-7 | Dybbuk (1974): Part III. Leah | — | ||
| 6-8 | Dybbuk (1974): Part III. Possession | — | ||
| 6-9 | Dybbuk (1974): Part III. Exorcism | — | ||
| 6-10 | Dybbuk (1974): Part III. The Community | — | ||
| 7-1 | Trouble in Tahiti: Prelude: "Daa/Doa Day: Mornin' Sun" | — | ||
| 7-2 | Trouble in Tahiti: Scene I: "How Could You Say" | — | ||
| 7-3 | Trouble in Tahiti: Scene II: "Yes? Oh Mister Partridge" | — | ||
| 7-4 | Trouble in Tahiti: Scene III: "I Was Standing in the Garden" | — | ||
| 7-5 | Trouble in Tahiti: Scene Iiia: "Then Desire Took Hold Inside Me" | — | ||
| 7-6 | Trouble in Tahiti: Scene IV: "I'm on My Way" | — | ||
| 7-7 | Trouble in Tahiti: Interlude: "Skid a Lit Day" | — | ||
| 7-8 | Trouble in Tahiti: Scene V: "There's a Law" | — | ||
| 7-9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein | — | |
| 7-10 | Trouble in Tahiti: Scene Via: "There's a Law" | — | ||
| 7-11 | Trouble in Tahiti: Scene VII: "Evenin' Shadows" | — | ||
| 7-12 | Facsimile, Choreographic Essai for Orchestra: Part I. Molto Adagio [New York Philharmonic, 1963] | — | ||
| 7-13 | Facsimile, Choreographic Essai for Orchestra: Part II. Allegretto | — | ||
| 8-1 | On the Town: Opening, New York, New York | — | ||
| 8-2 | On the Town: Come Up to My Place | — | ||
| 8-3 | On the Town: Carried Away | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | On the Town: Lonely Town | — | ||
| 8-5 | On the Town: Carnegie Hall (Do-Do-Re-Do) | — | ||
| 8-6 | On the Town: I Can Cook, Too | — | ||
| 8-7 | On the Town: Lucky to Be Me | — | ||
| 8-8 | On the Town: Dance; Times Square | — | ||
| 8-9 | On the Town: Night Club Sequence: a) So Long Baby: B) I'm Blue: C) Ya Got Me | — | ||
| 8-10 | On the Town: I Understand | — | ||
| 8-11 | On the Town: Ballet; The Imaginary Coney Island: a) Subway River: B) Dance of the Great Lover: C) Pas de Deux | — | ||
| 8-12 | On the Town: Some Other Time | Cris Alexander, Betty Comden, Adolph Green, Nancy Walker, New York Philharmonic, Leonard Bernstein | T-070.136.536-7 | |
| 8-13 | On the Town: Dance; The Real Coney Island | — | ||
| 8-14 | On the Town: Overture to the Town | — | ||
| 9-1 | Mass: I. Devotions before Mass: 1. Antiphon: Kyrie eleison | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-2 | Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | — | |
| 9-3 | Mass: I. Devotions before Mass: 3. Responsory: Alleluia | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-4 | Mass: II. First Introit (Rondo): 1. Prefatory Prayers | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-5 | Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-6 | Mass: III. Second Introit: 1. In nomine Patris | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-7 | Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-8 | Mass: III. Second Introit: 3. Epiphany | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-9 | Mass: IV. Confession: 1. Confiteor | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-10 | Mass: IV. Confession: 2. Trope: "I Don't Know" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | — | |
| 9-11 | Mass: IV. Confession: 3. Trope: "Easy" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-12 | Mass: V. Meditation No. 1 | Leonard Bernstein | T-071.067.939-2 | |
| 9-13 | Mass: VI. Gloria: 1. Gloria tibi | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-14 | Mass: VI. Gloria: 2. Gloria in excelsis | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-15 | Mass: VI. Gloria: 3. Trope: "Half of the People | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-16 | Mass: VI. Gloria: 4. Trope: "Thank You" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-17 | Mass: VII. Meditation No. 2 | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-18 | Mass: VIII. Epistle: "The Word of the Lord" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-19 | Mass: IX. Gospel-Sermon: "God Said" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-1 | Mass: X. Credo: 1. Credo in unum Deum | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-2 | Mass: X. Credo: 2. Trope: "Non Credo" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-3 | Mass: X. Credo: 3. Trope: "Hurry" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-4 | Mass: X. Credo: 4. Trope: "World Without End" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-5 | Mass: X. Credo: 5. Trope: "I Believe In God" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-6 | Mass: XI. Meditation No. 3: (De profundis, part 1) | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-7 | Mass: XII. Offertory: (De profundis, part 2) | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-8 | Mass: XIII. The Lord's Prayer: 1. Our Father | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-9 | Mass: XIII. The Lord's Prayer: 2. Trope: "I Go On" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-10 | Mass: XIV. Sanctus: "Holy! Holy! Holy!..." | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-11 | Mass: XV. Agnus Dei | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-12 | Mass: XVI. Fraction: "Things Get Broken" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-13 | Mass: XVII. Pax: Communion: "Secret Songs" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
886972798820 is a Universal Product Code (UPC) assigned to Bernstein Conducts Bernstein by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 149 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886972798820 is the Universal Product Code (UPC barcode) for the release “Bernstein Conducts Bernstein” by Leonard Bernstein, released 2008-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 149 tracks, each with its own ISRC. Tracks include GBGQH0801085, GBGQH0801086, GBGQH0801087.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture to Candide | — | ||
| 2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 5 | Symphonic Dances From West Side Story: Mambo - Presto | — | ||
| 6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 11 | Symphonic Suite From the Film on the Waterfront: Andante (with Dignity) | — | ||
| 12 | Symphonic Suite From the Film on the Waterfront: Adagio - Allegro Molto Agitato - Alla Breve (Poco Più Mosso) | — | ||
| 13 | Symphonic Suite From the Film on the Waterfront: Andante Largamente - More Flowing - Still More Flowing | — | ||
| 14 | Symphonic Suite From the Film on the Waterfront: Moving Forward, With Warmth - Largamente - A Tempo | — | ||
| 15 | Symphonic Suite From the Film on the Waterfront: Allegro Non Troppo, Molto Marcato - Poco Più Sostentuto | — | ||
| 16 | Symphonic Suite From the Film on the Waterfront: A Tempo | — | ||
| 17 | Fancy Free: I. Enter Three Sailors | — | ||
| 18 | Fancy Free: II. Scene at the Bar | — | ||
| 19 | Fancy Free: III. Enter Two Girls | — | ||
| 20 | Fancy Free: IV. Pas de Deux | — | ||
| 21 | Fancy Free: V. Competition Scene | — | ||
| 22 | Fancy Free: VI. Three Dance Variations I - Galop | — | ||
| 23 | Fancy Free: VI. Three Dance Variations II - Waltz | — | ||
| 24 | Fancy Free: VI. Three Dance Variations III - Danzon | — | ||
| 25 | Fancy Free: VII. Finale | — | ||
| 2-1 | Symphony N°1 (Jeremiah): I. Prophecy | — | ||
| 2-2 | Symphony N°1 (Jeremiah): II. Profanation | — | ||
| 2-3 | Symphony N°1 (Jeremiah): III. Lamentation | — | ||
| 2-4 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-5 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-6 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-7 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-8 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-9 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 2-10 | I Hate Music! A Cycle of Five Kid Songs for Soprano: I. Moderato | — | ||
| 2-11 | I Hate Music! A Cycle of Five Kid Songs for Soprano: II. Allegretto Vivace | — | ||
| 2-12 | I Hate Music! A Cycle of Five Kid Songs for Soprano: III. Sostenuto; Allegro Molto | — | ||
| 2-13 | I Hate Music! A Cycle of Five Kid Songs for Soprano: IV. Con Brio | — | ||
| 2-14 | I Hate Music! A Cycle of Five Kid Songs for Soprano: V. Moderato, Alla Marcia; Andante | — | ||
| 2-15 | La Bonne Cuisine: I. Plum Pudding | — | ||
| 2-16 | La Bonne Cuisine: II. Queues de Boeuf (Ox-Tails) | — | ||
| 2-17 | La Bonne Cuisine: III. Taveuk Gueunksis | — | ||
| 2-18 | La Bonne Cuisine: IV. Civet À Toute Vitesse (Rabbit at Top Speed) | — | ||
| 3-1 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. A) The Prologue | — | ||
| 3-2 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. B) The Seven Ages (Variations I-VII) | — | ||
| 3-3 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. C) The Seven Stages (Variations VIII-XIV) | — | ||
| 3-4 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. A) The Dirge | — | ||
| 3-5 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. B) The Masque | — | ||
| 3-6 | Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. C) The Epilogue | — | ||
| 3-7 | Serenate for Soio Violin, Strings, Harp and Percussion: I. Phaedrus; Pausanias | — | ||
| 3-8 | Serenate for Soio Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto) | — | ||
| 3-9 | Serenate for Soio Violin, Strings, Harp and Percussion: III. Eryximachus (Presto) | — | ||
| 3-10 | Serenate for Soio Violin, Strings, Harp and Percussion: IV. Agathon (Adagio) | — | ||
| 3-11 | Serenate for Soio Violin, Strings, Harp and Percussion: V. Socrates; Alcibiades (Molto Tenuto; Allegro) | — | ||
| 4-1 | Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-2 | Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-3 | Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-4 | Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-5 | Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4) | John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-902.471.486-1 | |
| 4-6 | Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-070.119.642-0 | |
| 5-1 | Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: I. Prelude for the Brass | — | ||
| 5-2 | Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: II. Fugue for the Saxes | — | ||
| 5-3 | Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: III. Riffs for Everyone | — | ||
| 5-4 | On the Town (Tree dance Episodes): I. The Great Lover | — | ||
| 5-5 | On the Town (Tree dance Episodes): II. Lonly Town: Pas de Deux | — | ||
| 5-6 | On the Town (Tree dance Episodes): III. Time Square; 1944 | — | ||
| 5-7 | Serenade for Solo Violin, String, Harp and Percussion: I. Phaedrus; Pausanias | — | ||
| 5-8 | Serenade for Solo Violin, String, Harp and Percussion: II. Aristophanes | — | ||
| 5-9 | Serenade for Solo Violin, String, Harp and Percussion: III. Eryximachus | — | ||
| 5-10 | Serenade for Solo Violin, String, Harp and Percussion: IV. Agathon | — | ||
| 5-11 | Serenade for Solo Violin, String, Harp and Percussion: V. Socrates; Alcibiades | — | ||
| 5-12 | Fancy Free: I. Enter Three Sailors | — | ||
| 5-13 | Fancy Free: II. Scene at the Bar | — | ||
| 5-14 | Fancy Free: III. Enter Two Girls | — | ||
| 5-15 | Fancy Free: IV. Pas de Deux | — | ||
| 5-16 | Fancy Free: V. Competition Scene | — | ||
| 5-17 | Fancy Free: Three Dance Variations: VI. Variation 1 (Galop) | — | ||
| 5-18 | Fancy Free: Three Dance Variations: VII. Variation 2 (Waltz) | — | ||
| 5-19 | Fancy Free: Three Dance Variations: VIII. Variation 3 (Danzon) | — | ||
| 5-20 | Fancy Free: IX. Finale | — | ||
| 6-1 | Dybbuk (1974): Part I. The Community (Complete Ballet) | — | ||
| 6-2 | Dybbuk (1974): Part I. The Fathers | — | ||
| 6-3 | Dybbuk (1974): Part I. Witnesses of Birth | — | ||
| 6-4 | Dybbuk (1974): Part I. The Children | — | ||
| 6-5 | Dybbuk (1974): Part II. Kabbalah: Six Variations | — | ||
| 6-6 | Dybbuk (1974): Part III. Witnesses of Death | — | ||
| 6-7 | Dybbuk (1974): Part III. Leah | — | ||
| 6-8 | Dybbuk (1974): Part III. Possession | — | ||
| 6-9 | Dybbuk (1974): Part III. Exorcism | — | ||
| 6-10 | Dybbuk (1974): Part III. The Community | — | ||
| 7-1 | Trouble in Tahiti: Prelude: "Daa/Doa Day: Mornin' Sun" | — | ||
| 7-2 | Trouble in Tahiti: Scene I: "How Could You Say" | — | ||
| 7-3 | Trouble in Tahiti: Scene II: "Yes? Oh Mister Partridge" | — | ||
| 7-4 | Trouble in Tahiti: Scene III: "I Was Standing in the Garden" | — | ||
| 7-5 | Trouble in Tahiti: Scene Iiia: "Then Desire Took Hold Inside Me" | — | ||
| 7-6 | Trouble in Tahiti: Scene IV: "I'm on My Way" | — | ||
| 7-7 | Trouble in Tahiti: Interlude: "Skid a Lit Day" | — | ||
| 7-8 | Trouble in Tahiti: Scene V: "There's a Law" | — | ||
| 7-9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein | — | |
| 7-10 | Trouble in Tahiti: Scene Via: "There's a Law" | — | ||
| 7-11 | Trouble in Tahiti: Scene VII: "Evenin' Shadows" | — | ||
| 7-12 | Facsimile, Choreographic Essai for Orchestra: Part I. Molto Adagio [New York Philharmonic, 1963] | — | ||
| 7-13 | Facsimile, Choreographic Essai for Orchestra: Part II. Allegretto | — | ||
| 8-1 | On the Town: Opening, New York, New York | — | ||
| 8-2 | On the Town: Come Up to My Place | — | ||
| 8-3 | On the Town: Carried Away | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | On the Town: Lonely Town | — | ||
| 8-5 | On the Town: Carnegie Hall (Do-Do-Re-Do) | — | ||
| 8-6 | On the Town: I Can Cook, Too | — | ||
| 8-7 | On the Town: Lucky to Be Me | — | ||
| 8-8 | On the Town: Dance; Times Square | — | ||
| 8-9 | On the Town: Night Club Sequence: a) So Long Baby: B) I'm Blue: C) Ya Got Me | — | ||
| 8-10 | On the Town: I Understand | — | ||
| 8-11 | On the Town: Ballet; The Imaginary Coney Island: a) Subway River: B) Dance of the Great Lover: C) Pas de Deux | — | ||
| 8-12 | On the Town: Some Other Time | Cris Alexander, Betty Comden, Adolph Green, Nancy Walker, New York Philharmonic, Leonard Bernstein | T-070.136.536-7 | |
| 8-13 | On the Town: Dance; The Real Coney Island | — | ||
| 8-14 | On the Town: Overture to the Town | — | ||
| 9-1 | Mass: I. Devotions before Mass: 1. Antiphon: Kyrie eleison | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-2 | Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | — | |
| 9-3 | Mass: I. Devotions before Mass: 3. Responsory: Alleluia | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-4 | Mass: II. First Introit (Rondo): 1. Prefatory Prayers | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-5 | Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-6 | Mass: III. Second Introit: 1. In nomine Patris | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-7 | Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-8 | Mass: III. Second Introit: 3. Epiphany | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-9 | Mass: IV. Confession: 1. Confiteor | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-10 | Mass: IV. Confession: 2. Trope: "I Don't Know" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | — | |
| 9-11 | Mass: IV. Confession: 3. Trope: "Easy" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-12 | Mass: V. Meditation No. 1 | Leonard Bernstein | T-071.067.939-2 | |
| 9-13 | Mass: VI. Gloria: 1. Gloria tibi | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-14 | Mass: VI. Gloria: 2. Gloria in excelsis | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-15 | Mass: VI. Gloria: 3. Trope: "Half of the People | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-16 | Mass: VI. Gloria: 4. Trope: "Thank You" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-17 | Mass: VII. Meditation No. 2 | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-18 | Mass: VIII. Epistle: "The Word of the Lord" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 9-19 | Mass: IX. Gospel-Sermon: "God Said" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-1 | Mass: X. Credo: 1. Credo in unum Deum | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-2 | Mass: X. Credo: 2. Trope: "Non Credo" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-3 | Mass: X. Credo: 3. Trope: "Hurry" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-4 | Mass: X. Credo: 4. Trope: "World Without End" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-5 | Mass: X. Credo: 5. Trope: "I Believe In God" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-6 | Mass: XI. Meditation No. 3: (De profundis, part 1) | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-7 | Mass: XII. Offertory: (De profundis, part 2) | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-8 | Mass: XIII. The Lord's Prayer: 1. Our Father | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-9 | Mass: XIII. The Lord's Prayer: 2. Trope: "I Go On" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-10 | Mass: XIV. Sanctus: "Holy! Holy! Holy!..." | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-11 | Mass: XV. Agnus Dei | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-12 | Mass: XVI. Fraction: "Things Get Broken" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 10-13 | Mass: XVII. Pax: Communion: "Secret Songs" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 |
