UPC · Release
Zombilation: The Greatest Cuts
Lordi
Last verified:
886974419624 is the Universal Product Code (UPC barcode) for the release “Zombilation: The Greatest Cuts” by Lordi, released 2009-01-01 on Drakkar Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include FIBAR0500287, FIBAR0800274, FIBAR0600205.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hard Rock Hallelujah | Lordi | T-001.616.464-9 | |
| 2 | Bite It Like a Bulldog | Lordi | T-205.086.491-7 | |
| 3 | Who’s Your Daddy? (Decapitated radio edit) | Lordi | T-001.616.490-1 | |
| 4 | Devil Is a Loser | Lordi | T-001.616.456-9 | |
| 5 | Blood Red Sandman | Lordi | T-001.616.453-6 | |
| 6 | Get Heavy | Lordi | T-001.616.462-7 | |
| 7 | They Only Come Out at Night | Lordi, Udo Dirkschneider | T-001.616.486-5 | |
| 8 | My Heaven Is Your Hell | Lordi | T-001.616.473-0 | |
| 9 | Beast Loose in Paradise (Dark Floors version) | Lordi | T-000.942.886-7 | |
| 10 | Deadache | Lordi | T-906.012.073-2 | |
| 12 | Bringing Back the Balls to Rock | Lordi | T-001.616.451-4 | |
| 13 | Forsaken Fashion Dolls | Lordi | T-316.373.721-7 | |
| 14 | Supermonstars (The Anthem of the Phantoms) | Lordi | T-001.616.481-0 | |
| 15 | The Children of the Night | Lordi | T-001.616.455-8 | |
| 16 | Rock the Hell Outta You | Lordi | T-001.616.477-4 | |
| 17 | Pet the Destroyer | Lordi | T-001.616.475-2 | |
| 18 | Monster Monster | Lordi | T-001.616.472-9 | |
| 19 | It Snows in Hell | — | ||
| 2-1 | Bringing Back the Balls to Rock | Lordi | — | |
| 2-2 | Get Heavy | Lordi | — | |
| 2-3 | Who’s Your Daddy? | Lordi | — | |
| 2-4 | Not the Nicest Guy | Lordi | — | |
| 2-5 | Pet the Destroyer | Lordi | — | |
| 2-6 | Rock the Hell Outta You | Lordi | — | |
| 2-7 | Blood Red Sandman | Lordi | — | |
| 2-8 | The Kids Who Wanna Play With the Dead | Lordi | — | |
| 2-9 | They Only Come Out at Night | Lordi | — | |
| 2-10 | Would You Love a Monsterman? | Lordi | — | |
| 2-11 | Hard Rock Hallelujah | Lordi | T-001.616.464-9 | |
| 2-12 | Mr. Killjoy | Lordi | T-904.725.209-5 | |
| 2-13 | EviLove | Lordi | T-001.616.459-2 | |
| 2-14 | Don’t Let My Mother Know | Lordi | — | |
| 2-15 | Pyromite | Lordi | — | |
| 2-16 | To Hell With Pop | Lordi | — | |
| 3-1 | Bringing Back the Balls to Rock | — | ||
| 3-2 | Devil Is a Loser | — | ||
| 3-3 | Blood Red Sandman | Lordi | T-001.616.453-6 | |
| 3-4 | It Snows in Hell | — | ||
| 3-5 | Would You Love a Monsterman? | — | ||
| 3-6 | Hard Rock Hallelujah | — | ||
| 3-7 | Eurovision Specials | — | ||
| 3-8 | 5 Lordi Music Videos | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Would You Love a Monsterman? | Lordi | T-001.616.491-2 |
| Hard Rock Hallelujah (Eurovicious radio edit) | Lordi | T-001.616.464-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 886974419624?
886974419624 is a Universal Product Code (UPC) assigned to Zombilation: The Greatest Cuts by Lordi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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