UPC · Release
The Complete Symphonies
Mahler, Leonard Bernstein
886974536925
6 tracksReleased 2009-01-01Sony Classical
Last verified:
886974536925 is the Universal Product Code (UPC barcode) for the release “The Complete Symphonies” by Mahler, Leonard Bernstein, released 2009-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 6 tracks, each with its own ISRC. Tracks include USSM10704091, USSM10704092, USSM10704093.
Format
8Number system
86974Manufacturer
53692Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Complete Symphonies
ISRC6 recordings
ISWC1 work
IPI1 songwriter
Track List (6)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 12-1 | Das Lied von der Erde: I. Das Trinklied vom jammer der Erde | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-3 | Das Lied von der Erde: III. Von der Jugend | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-4 | Das Lied von der Erde: IV. Von der Schönheit | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-5 | Das Lied von der Erde: V. Der Trunkene im Frühung | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-6 | Das Lied von der Erde: VI. Der Abschied | Israel Philharmonic Orchestra, Leonard Bernstein | — |
Das Lied von der Erde: I. Das Trinklied vom jammer der Erde
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: II. Der Einsame im Herbst
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: III. Von der Jugend
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: IV. Von der Schönheit
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: V. Der Trunkene im Frühung
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: VI. Der Abschied
Israel Philharmonic Orchestra, Leonard Bernstein
—
Additional database matches (39)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 1 “Titan”: IV. Stürmisch bewegt – Energisch | New York Philharmonic, Leonard Bernstein | T-900.953.062-5 |
| Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 4 in G major: III. Ruhevoll | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden” | Reri Grist, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 7 in E minor: I. Langsam (Adagio) | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 7 in E minor: III. Scherzo. Schattenhaft | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario) | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | London Symphony Orchestra, Leonard Bernstein | — |
| Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | London Symphony Orchestra, Leonard Bernstein | — |
| Adagio from Symphony no. 10 | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — |
Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
New York Philharmonic, Leonard Bernstein
—
Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell
New York Philharmonic, Leonard Bernstein
—
Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
Martha Lipton, New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: III. Ruhevoll
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden”
Reri Grist, New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct
New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz
New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell
James Chambers, New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam
New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: III. Andante moderato
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: I. Andante comodo
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: I. Langsam (Adagio)
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: III. Scherzo. Schattenhaft
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario)
New York Philharmonic, Leonard Bernstein
—
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus”
London Symphony Orchestra, Leonard Bernstein
—
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust
London Symphony Orchestra, Leonard Bernstein
—
Adagio from Symphony no. 10
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!”
Jennie Tourel, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein
—
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What is UPC 886974536925?
886974536925 is a Universal Product Code (UPC) assigned to The Complete Symphonies by Mahler, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 6 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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