UPC · Release
The Very Best of Music to Watch Girls By
Various Artists
886974668527
60 tracksReleased 2009-01-01Sony Music
Last verified:
886974668527 is the Universal Product Code (UPC barcode) for the release “The Very Best of Music to Watch Girls By” by Various Artists, released 2009-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include USSM10027821, USCA25800114, USRC10000274.
Format
8Number system
86974Manufacturer
66852Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Very Best of Music to Watch Girls By
ISRC24 recordings
ISWC50 works
IPI43 songwriters
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music to Watch Girls By | Andy Williams | T-071.066.664-0 | |
| 2 | What’s New Pussycat? | — | ||
| 3 | Volare (Nel blu, dipinto di blu) | Dean Martin, Gus Levene | T-070.195.578-3 | |
| 4 | Sway | Rosemary Clooney | T-904.205.197-8 | |
| 5 | Secret Love (album version) | — | ||
| 6 | Just Walkin’ in the Rain | — | ||
| 7 | A Swingin’ Safari | Bert Kaempfert and His Orchestra | — | |
| 8 | The Look of Love | Dusty Springfield | T-070.098.571-2 | |
| 9 | If You Go Away | Scott Walker | T-071.183.935-8 | |
| 10 | Beyond the Sea | — | ||
| 11 | Born Free | Matt Monro | T-070.880.903-3 | |
| 12 | Wichita Lineman | Glen Campbell | T-011.202.922-7 | |
| 13 | Alfie | — | ||
| 14 | The Theme From "A Summer Place" | Percy Faith | T-070.178.992-5 | |
| 15 | Anyone Who Had a Heart | — | ||
| 16 | Raindrops Keep Fallin’ on My Head | B.J. Thomas | T-070.128.029-6 | |
| 17 | Blue Velvet | Bobby Vinton | T-070.880.863-2 | |
| 18 | Spanish Eyes | Al Martino | T-071.070.597-7 | |
| 19 | Guantanamera | — | ||
| 20 | Hold Me, Thrill Me, Kiss Me | — | ||
| 2-1 | The More I See You | — | ||
| 2-2 | The Best Is Yet to Come (single version) | — | ||
| 2-3 | From Russia With Love | — | ||
| 2-4 | It Must Be Him | — | ||
| 2-5 | Fools Rush In (single version) | — | ||
| 2-6 | Blue Moon | — | ||
| 2-7 | Mambo Italiano | Rosemary Clooney, The Mellomen, Buddy Cole | T-042.661.364-0 | |
| 2-8 | On the Street Where You Live | Vic Damone | T-037.659.054-3 | |
| 2-9 | Catch a Falling Star | Perry Como, Mitchell Ayres Orchestra, The Ray Charles Singers | T-070.024.190-2 | |
| 2-10 | ’s Wonderful | Ray Conniff | T-802.704.407-2 | |
| 2-11 | The Twelfth of Never | — | ||
| 2-12 | All of Me | Frank Sinatra | T-070.000.748-2 | |
| 2-13 | The Lady Is a Tramp | — | ||
| 2-14 | Fever | — | ||
| 2-15 | Let There Be Love | Nat King Cole, The George Shearing Quintet | T-070.095.649-5 | |
| 2-16 | Medley: Just a Gigolo / I Ain’t Got Nobody | — | ||
| 2-17 | Fool, Fool, Fool | — | ||
| 2-18 | Trains and Boats and Planes | — | ||
| 2-19 | Dream a Little Dream of Me | — | ||
| 2-20 | What Kind of Fool Am I? | — | ||
| 3-1 | Fly Me to the Moon (In Other Words) | — | ||
| 3-2 | Let There Be Drums | — | ||
| 3-3 | God Only Knows | — | ||
| 3-4 | Singing the Blues | Guy Mitchell | T-070.940.240-3 | |
| 3-5 | Moon River | The Henry Mancini Orchestra | T-070.111.569-6 | |
| 3-6 | Personality | — | ||
| 3-7 | No One but You | — | ||
| 3-8 | What a Diff’rence a Day Makes (single version) | — | ||
| 3-9 | Mack the Knife | — | ||
| 3-10 | On the Rebound | — | ||
| 3-11 | Peaceful | — | ||
| 3-12 | The in Crowd (single version) | — | ||
| 3-13 | Je t’aime moi non plus | Serge Gainsbourg, Jane Birkin | T-003.024.051-7 | |
| 3-14 | Cast Your Fate to the Wind | — | ||
| 3-15 | Wives and Lovers | — | ||
| 3-16 | Can’t Take My Eyes Off You | Andy Williams | T-070.881.004-1 | |
| 3-17 | Light My Fire | José Feliciano | T-070.098.574-5 | |
| 3-18 | Anything Goes | — | ||
| 3-19 | Windy | The Association | T-070.248.059-8 | |
| 3-20 | Everybody’s Talkin’ (From "Midnight Cowboy") | — |
What’s New Pussycat?
—
Secret Love (album version)
—
Just Walkin’ in the Rain
—
A Swingin’ Safari
Bert Kaempfert and His Orchestra
—
Beyond the Sea
—
Alfie
—
Anyone Who Had a Heart
—
Guantanamera
—
Hold Me, Thrill Me, Kiss Me
—
The More I See You
—
The Best Is Yet to Come (single version)
—
From Russia With Love
—
It Must Be Him
—
Fools Rush In (single version)
—
Blue Moon
—
The Twelfth of Never
—
The Lady Is a Tramp
—
Fever
—
Medley: Just a Gigolo / I Ain’t Got Nobody
—
Fool, Fool, Fool
—
Trains and Boats and Planes
—
Dream a Little Dream of Me
—
What Kind of Fool Am I?
—
Fly Me to the Moon (In Other Words)
—
Let There Be Drums
—
God Only Knows
—
Personality
—
No One but You
—
What a Diff’rence a Day Makes (single version)
—
Mack the Knife
—
On the Rebound
—
Peaceful
—
The in Crowd (single version)
—
Cast Your Fate to the Wind
—
Wives and Lovers
—
Anything Goes
—
Everybody’s Talkin’ (From "Midnight Cowboy")
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Quién será (Sway) | Pérez Prado, Rosemary Clooney | T-904.205.197-8 |
| Blue Velvet | Bobby Vinton | T-930.380.417-3 |
Pérez Prado, Rosemary Clooney
Bobby Vinton
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.024.051-7T-010.012.375-8T-010.801.422-7T-011.202.922-7T-037.659.054-3T-042.661.364-0T-070.000.748-2T-070.002.588-2T-070.002.812-1T-070.011.006-0
+40 more
T-070.024.190-2T-070.040.124-6T-070.095.649-5T-070.098.571-2T-070.098.574-5T-070.111.569-6T-070.128.029-6T-070.134.575-6T-070.152.736-7T-070.158.980-1T-070.182.503-7T-070.195.578-3T-070.201.183-3T-070.201.475-2T-070.201.950-8T-070.234.264-0T-070.242.861-2T-070.242.884-9T-070.248.059-8T-070.880.863-2T-070.880.903-3T-070.881.004-1T-070.881.340-4T-070.881.410-1T-070.940.240-3T-070.940.765-7T-071.000.596-1T-071.066.664-0T-071.070.597-7T-071.183.935-8T-071.184.064-0T-071.314.125-3T-071.402.746-9T-205.206.921-0T-801.254.950-8T-802.192.136-9T-802.203.417-0T-802.337.911-6T-802.704.407-2T-900.008.631-7
Songwriters/Publishers (IPI)
00001334546000017518210000274502300004959576000064859810000664858600007499567000079580710000970140100011123948
+33 more
000119357020001258520600012741616000138197920001549628700016746482000176371880001795296400019420110000215680080002218412400022277310000222774080002240173800024838872000248396730002491189600024927482000288149660003083879100032147124000325392000003258349500034216024000342161220005652895600056590070000594955320006150810200062916081000636579530008854324400243086286
Creative Contributors (ISNI)
0000000055142939000000005515872X00000000551762230000000059514410000000006302267000000000630257400000000063084935000000006309652200000000630983330000000071408143
+45 more
0000000071409517000000007245488900000000735708140000000073573345000000007357928800000000735977180000000073604164000000007375416200000000772909670000000077291986000000007735713X0000000078273077000000008084705X0000000080969313000000008116165800000000813511520000000081490726000000008154304X00000000816107910000000081844678000000008371472X000000008376302X00000000839302970000000107873005000000010799189600000001085591300000000108823528000000010920912400000001094317290000000110007458000000011019807100000001108635100000000114397975000000011451213600000001145354500000000114712242000000011474634600000001147623700000000114898972000000011490454300000001156316040000000115935851000000011611274200000001164683510000000374326364
Identifier Graph
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Verified on
What is UPC 886974668527?
886974668527 is a Universal Product Code (UPC) assigned to The Very Best of Music to Watch Girls By by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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