UPC · Release
A Secret Labyrinth: A Celebration of Music from the Middle Ages to Renaissance
Huelgas Ensemble
886974784425
186 tracksReleased 2009-01-01Sony Classical
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886974784425 is the Universal Product Code (UPC barcode) for the release “A Secret Labyrinth: A Celebration of Music from the Middle Ages to Renaissance” by Huelgas Ensemble, released 2009-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 186 tracks, each with its own ISRC. Tracks include USSM10200574, USSM19804819, USSM19804820.
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78442Product
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Credit Chain
UPCA Secret Labyrinth: A Celebration of Music from the Middle Ages to Renaissance
ISRC14 recordings
ISWC1 work
IPI1 songwriter
Track List (186)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ex illustri nata prosapia | — | ||
| 2 | Crucifigat omnes | — | ||
| 3 | O Maria maris stella | — | ||
| 4 | Ex agone sanguinis | — | ||
| 5 | Belial vocatur | — | ||
| 6 | Sanctus | — | ||
| 7 | Agnus Dei | — | ||
| 8 | Benedicamus Domino | — | ||
| 9 | Flavit auster | — | ||
| 10 | Eya mater | — | ||
| 11 | Quis dabit capiti | — | ||
| 12 | Casta catholica | — | ||
| 13 | Homo miserabilis | — | ||
| 2-1 | Anonymous (c.1370) - Le Mont Aon de Thrace | — | ||
| 2-2 | Trebor (last decades 14th century) - En seumeillant | — | ||
| 2-3 | Anonymous (c.1360) - Febus mundo Oriens - Lanista vipereus - Cornibus | — | ||
| 2-4 | Anonymous (c.1365) - Tres dous compains | — | ||
| 2-5 | Anonymous (c.1350) - Altissonis aptatis - Hin principes | — | ||
| 2-6 | Solage (last third of the 14th century) - Fumeux fume | — | ||
| 2-7 | Anonymous (c.1385) - Inter densas - Imbribus irriguis | — | ||
| 2-8 | Johannes Cuvelier (last decades of the 14th century) - Se Galaas | — | ||
| 3-1 | Sanctus in eternis – Sanctus et ingenitus | — | ||
| 3-2 | Si doulchement mon ceur je sens souspris | — | ||
| 3-3 | Je sui trestout d’amour raimpli | — | ||
| 3-4 | Je prens d’amour noriture | — | ||
| 3-5 | Gloria | — | ||
| 3-6 | Certes mout fu – Nous devons tresfort amer | — | ||
| 3-7 | Je prens plaisir en une dame | — | ||
| 3-8 | Credo | — | ||
| 3-9 | Personet armonia | — | ||
| 3-10 | Si doulcement me fait amours – Nulz vrais amans | — | ||
| 4-1 | Spem in alium | — | ||
| 4-2 | Sanctus - Agnus Dei | — | ||
| 4-3 | Qui habitat | — | ||
| 4-4 | Deo gratias | Huelgas Ensemble, Paul Van Nevel | — | |
| 4-5 | Laudate Dominum | — | ||
| 4-6 | Exaudi me Domine | — | ||
| 4-7 | Ecce beatam lucem | — | ||
| 5-1 | In the “Chant sur le livre” Style: “Gaudeamus omnes in Domino” a 2 | Huelgas Ensemble | — | |
| 5-2 | In the “Chant sur le livre” Style: “De tous biens playne” a 3 | Huelgas Ensemble | — | |
| 5-3 | In the “Chant sur le livre” Style: “Dung aultre amer” a 3 | Huelgas Ensemble | — | |
| 5-4 | In the “Chant sur le livre” Style: “Virgo sub ethereis” a 3 | Huelgas Ensemble | — | |
| 5-5 | Missa Guazzabuglio: Kyrie from Missa Je ne demande a 4 | Huelgas Ensemble | — | |
| 5-6 | Missa Guazzabuglio: Gloria from Missa Secundi Toni a 4 | Huelgas Ensemble | — | |
| 5-7 | Missa Guazzabuglio: Credo from Missa Le serviteur a 4 | Huelgas Ensemble | — | |
| 5-8 | Missa Guazzabuglio: Sanctus from Missa Re-fa-mi-re-fa a 4 | Huelgas Ensemble | T-322.297.984-8 | |
| 5-9 | Missa Guazzabuglio: Agnus Dei from Missa In Myne Zyn a 4 | Huelgas Ensemble | — | |
| 5-10 | 3 Chansons: “Je nay dueil” a 4 (Bergerette) | Huelgas Ensemble | — | |
| 5-11 | 3 Chansons: “Se mieulx ne vient d'amours” a 3 (Rondeau) | Huelgas Ensemble | — | |
| 5-12 | 3 Chansons: “Fortuna desperata" a 6 (Canzona) | Huelgas Ensemble | — | |
| 5-13 | “Salve Regina” a 4 | Huelgas Ensemble | — | |
| 6-1 | Vray dieu d'amours - Ballade à 4 | — | ||
| 6-2 | Een vrouelic wesen - Chanson à 4 | — | ||
| 6-3 | Fors seulement - I. Chanson à 4 | — | ||
| 6-4 | Fors seulement - II. Contrafactum with sacred text "Exortum est in tenebris" | — | ||
| 6-5 | Salve Regina - Antiphon à 4 & 5 | — | ||
| 6-6 | Memorare Mater Christi - Motet à 7 | — | ||
| 6-7 | Missa 'L'homme armé' - I. Kyrie | — | ||
| 6-8 | Missa 'L'homme armé' - II. Gloria | — | ||
| 6-9 | Missa 'L'homme armé' - III. Credo | — | ||
| 6-10 | Missa 'L'homme armé' - IV. Sanctus - Pleni sunt - Hosanna - Benedictus | — | ||
| 6-11 | Missa 'L'homme armé' - V. Agnus Dei | — | ||
| 7-1 | Missa 'Et ecce terrae motus' - I. Kyrie - 1. Kyrie eleison | — | ||
| 7-2 | Missa 'Et ecce terrae motus' - I. Kyrie - 2. Christe eleison | — | ||
| 7-3 | Missa 'Et ecce terrae motus' - I. Kyrie - 3. Kyrie eleison | — | ||
| 7-4 | Missa 'Et ecce terrae motus' - I. Kyrie - 4. Gloria | — | ||
| 7-5 | Missa 'Et ecce terrae motus' - I. Kyrie - 5. Credo | — | ||
| 7-6 | Missa 'Et ecce terrae motus' - II. Sanctus - 1. Sanctus | — | ||
| 7-7 | Missa 'Et ecce terrae motus' - II. Sanctus - 2. Pleni sunt caeli | — | ||
| 7-8 | Missa 'Et ecce terrae motus' - II. Sanctus - 3. Hosanna | — | ||
| 7-9 | Missa 'Et ecce terrae motus' - II. Sanctus - 4. Benedictus | — | ||
| 7-10 | Missa 'Et ecce terrae motus' - II. Sanctus - 5. Hosanna | — | ||
| 7-11 | Missa 'Et ecce terrae motus' - III. Agnus Dei - 1. Agnus Dei I | — | ||
| 7-12 | Missa 'Et ecce terrae motus' - III. Agnus Dei - 2. Agnus Dei II | — | ||
| 7-13 | Missa 'Et ecce terrae motus' - III. Agnus Dei - 3. Agnus Dei III | — | ||
| 7-14 | Sequentia "Dies irae, Dies illa" | — | ||
| 8-1 | El Fuego: ¡Corred, corred, peccadores! | — | ||
| 8-2 | El Fuego: Oh cómo el mundo se abrassa | — | ||
| 8-3 | El Fuego: ¡No os tardéis, traed, traed agua ya! | — | ||
| 8-4 | El Fuego: Toca, Joan, con tu gaitilla | — | ||
| 8-5 | La Negrina: Cumplido es nuestro deseo | — | ||
| 8-6 | La Negrina: No nos cansemos | — | ||
| 8-7 | La Negrina: Caminemos y veremos | — | ||
| 8-8 | La Justa: ¡Oyd, oyd los vivientes! | — | ||
| 8-9 | La Justa: El mantenedor es fiero | — | ||
| 8-10 | La Justa: ¡Dale la lança! | — | ||
| 8-11 | La Justa: ¡Aparte todos! | — | ||
| 9-1 | Super Flumina Babylonis | — | ||
| 9-2 | Missa "Se congie pris" (a. Kyrie; b. Gloria) | — | ||
| 9-3 | Constantia'l vo' pur dire | — | ||
| 9-4 | E' morta la speranza | — | ||
| 9-5 | Quando ritrovo la mia pastorella | — | ||
| 9-6 | Madonna oymè | — | ||
| 9-7 | Chi vuol veder | — | ||
| 9-8 | Quis dabit oculis | — | ||
| 9-9 | Tribus miraculis | — | ||
| 9-10 | Magnificat septimi toni | — | ||
| 10-1 | Regina coeli | — | ||
| 10-2 | In te Domine speravi | — | ||
| 10-3 | Media vita | — | ||
| 10-4 | Tous les regretz | — | ||
| 10-5 | Je prens congie | — | ||
| 10-6 | Magnificat secundi toni: Et exultavit a 4 | — | ||
| 10-7 | Magnificat secundi toni: Quia fecit a 4 | — | ||
| 10-8 | Magnificat secundi toni: Fecit potentiam a 3 | — | ||
| 10-9 | Magnificat secundi toni: Esurientes a 2 | — | ||
| 10-10 | Magnificat secundi toni: Sicut lotucus est a 4 | — | ||
| 10-11 | Magnificat secundi toni: Sicut erat a 5 | — | ||
| 10-12 | Missa Tempore paschali: Kyrie a 6 | — | ||
| 10-13 | Missa Tempore paschali: Gloria a 6 | — | ||
| 10-14 | Missa Tempore paschali: Credo a 8 | — | ||
| 10-15 | Missa Tempore paschali: Sanctus a 6 / Pleni sunt caeli a 5 / Hosanna a 6 / Benedictus a 4 / Hosanna a 6 | — | ||
| 10-16 | Missa Tempore paschali: Agnus Dei I & II a 6 | — | ||
| 10-17 | Missa Tempore paschali: Agnus Dei III a 12 | — | ||
| 11-1 | Reges terrae | — | ||
| 11-2 | Missa veni sancte spiritus: Kyrie | — | ||
| 11-3 | O virgo virginum | — | ||
| 11-4 | Missa veni sancte spiritus: Gloria | — | ||
| 11-5 | 3 chansons : Long temps mon cueur languissoit | — | ||
| 11-6 | 3 chansons : Faulte dargent cest douleur non pareille | — | ||
| 11-7 | 3 chansons : Ô cruaulté logée en grand beaulté | — | ||
| 11-8 | Missa veni sancte spiritus: Credo | — | ||
| 11-9 | Maria magdalene | — | ||
| 11-10 | Missa veni sancte spiritus: Sanctus | — | ||
| 11-11 | Usquequo piger dormies | — | ||
| 11-12 | Missa veni sancte spiritus: Agnus dei | — | ||
| 12-1 | Part I - I. Il Magnanimo Pietro | — | ||
| 12-2 | Part I - II. Ma gli archi | — | ||
| 12-3 | Part I - III. Tre volte haveva | — | ||
| 12-4 | Part I - IV. Qual a l'incontro | — | ||
| 12-5 | Part I - V. Giovane donna | — | ||
| 12-6 | Part I - VI. Cosi talhor | — | ||
| 12-7 | Part I - VII. Ogni occhio del Signor | — | ||
| 12-8 | Part II - VIII. Nessun fedel trovai | — | ||
| 12-9 | Part II - IX. Chi ad una ad una | — | ||
| 12-10 | Part II - X. Come falda di neve | — | ||
| 12-11 | Part II - XI. E non fu il pianto suo | — | ||
| 12-12 | Part II - XII. Quel volto | — | ||
| 12-13 | Part II - XIII. Veduto il miser | — | ||
| 12-14 | Part II - XIV. E vago d'incontrar | — | ||
| 12-15 | Part III - XV. Vattene vita va | — | ||
| 12-16 | Part III - XVI. O vita troppo rea | — | ||
| 12-17 | Part III - XVII. A quanti già felici | — | ||
| 12-18 | Part III - XVIII. Non trovava mia fé | — | ||
| 12-19 | Part III - XIX. Queste opre e più | — | ||
| 12-20 | Part III - XX. Negando il mio Signor | — | ||
| 12-21 | Part III - XXI. Vide homo | — | ||
| 13-1 | Opus musicum - Venite ascendamus | — | ||
| 13-2 | Opus musicum - Obsecro Domine | — | ||
| 13-3 | Opus musicum - Tribus miraculis | — | ||
| 13-4 | Opus musicum - Mirabile misterium | — | ||
| 13-5 | Opus musicum - Ab oriente venerunt magi | — | ||
| 13-6 | Opus musicum - Pater noster | — | ||
| 13-7 | Opus musicum - Lamentatur jacob | — | ||
| 13-8 | Opus musicum - Eripe me | — | ||
| 13-9 | Opus musicum - Versa est in luctum cithara mea | — | ||
| 13-10 | Opus musicum - Quo mihi crude dolor | — | ||
| 13-11 | Opus musicum - O beata Trinitas | — | ||
| 13-12 | Opus musicum - Planxit David | — | ||
| 13-13 | Opus musicum - Jesu dulcis memoria | — | ||
| 13-14 | Opus musicum - Domine Deus exaudi orationem | — | ||
| 13-15 | Missa super 'Sancta Maria' - Kyrie | — | ||
| 13-16 | Missa super 'Sancta Maria' - Gloria | — | ||
| 13-17 | Missa super 'Sancta Maria' - Credo | — | ||
| 13-18 | Missa super 'Sancta Maria' - Sanctus | — | ||
| 13-19 | Missa super 'Sancta Maria' - Agnus Dei | — | ||
| 14-1 | Dexen que llore mi niño | — | ||
| 14-2 | Qué bien siente Galatea | — | ||
| 14-3 | Dos estrellas le siguen | — | ||
| 14-4 | Laetatus sum | — | ||
| 14-5 | Botay fora | — | ||
| 14-6 | Heu me Domine | — | ||
| 14-7 | Parce mihi Domine | — | ||
| 14-8 | Foyse gastamdo a esperança | — | ||
| 14-9 | Dipues vienes delhaldea | — | ||
| 14-10 | Na fomte esta Lianor | — | ||
| 14-11 | Quiem viese aquel dia | — | ||
| 14-12 | Antonya Flaciquia Gasipà: Negro de Navidad a 5 | — | ||
| 15-1 | Lamentations for Maundy Thursday | — | ||
| 15-2 | Vesper Psalms - 1. Dixit Dominus | — | ||
| 15-3 | Vesper Psalms - 2. Beatus vir | — | ||
| 15-4 | Vesper Psalms - 3. Laudate pueri | — | ||
| 15-5 | Vesper Psalms - 4. Credidi propter | — | ||
| 15-6 | Vesper Psalms - 5. Laudate Dominum | — | ||
| 15-7 | Vesper Psalms - 6. Laetatus sum | — | ||
| 15-8 | Vesper Psalms - 7. Lauda Jerusalem | — |
Ex illustri nata prosapia
—
Crucifigat omnes
—
O Maria maris stella
—
Ex agone sanguinis
—
Belial vocatur
—
Sanctus
—
Agnus Dei
—
Benedicamus Domino
—
Flavit auster
—
Eya mater
—
Quis dabit capiti
—
Casta catholica
—
Homo miserabilis
—
Anonymous (c.1370) - Le Mont Aon de Thrace
—
Trebor (last decades 14th century) - En seumeillant
—
Anonymous (c.1360) - Febus mundo Oriens - Lanista vipereus - Cornibus
—
Anonymous (c.1365) - Tres dous compains
—
Anonymous (c.1350) - Altissonis aptatis - Hin principes
—
Solage (last third of the 14th century) - Fumeux fume
—
Anonymous (c.1385) - Inter densas - Imbribus irriguis
—
Johannes Cuvelier (last decades of the 14th century) - Se Galaas
—
Sanctus in eternis – Sanctus et ingenitus
—
Si doulchement mon ceur je sens souspris
—
Je sui trestout d’amour raimpli
—
Je prens d’amour noriture
—
Gloria
—
Certes mout fu – Nous devons tresfort amer
—
Je prens plaisir en une dame
—
Credo
—
Personet armonia
—
Si doulcement me fait amours – Nulz vrais amans
—
Spem in alium
—
Sanctus - Agnus Dei
—
Qui habitat
—
Deo gratias
Huelgas Ensemble, Paul Van Nevel
—
Laudate Dominum
—
Exaudi me Domine
—
Ecce beatam lucem
—
In the “Chant sur le livre” Style: “Gaudeamus omnes in Domino” a 2
Huelgas Ensemble
—
In the “Chant sur le livre” Style: “De tous biens playne” a 3
Huelgas Ensemble
—
In the “Chant sur le livre” Style: “Dung aultre amer” a 3
Huelgas Ensemble
—
In the “Chant sur le livre” Style: “Virgo sub ethereis” a 3
Huelgas Ensemble
—
Missa Guazzabuglio: Kyrie from Missa Je ne demande a 4
Huelgas Ensemble
—
Missa Guazzabuglio: Gloria from Missa Secundi Toni a 4
Huelgas Ensemble
—
Missa Guazzabuglio: Credo from Missa Le serviteur a 4
Huelgas Ensemble
—
Missa Guazzabuglio: Agnus Dei from Missa In Myne Zyn a 4
Huelgas Ensemble
—
3 Chansons: “Je nay dueil” a 4 (Bergerette)
Huelgas Ensemble
—
3 Chansons: “Se mieulx ne vient d'amours” a 3 (Rondeau)
Huelgas Ensemble
—
3 Chansons: “Fortuna desperata" a 6 (Canzona)
Huelgas Ensemble
—
“Salve Regina” a 4
Huelgas Ensemble
—
Vray dieu d'amours - Ballade à 4
—
Een vrouelic wesen - Chanson à 4
—
Fors seulement - I. Chanson à 4
—
Fors seulement - II. Contrafactum with sacred text "Exortum est in tenebris"
—
Salve Regina - Antiphon à 4 & 5
—
Memorare Mater Christi - Motet à 7
—
Missa 'L'homme armé' - I. Kyrie
—
Missa 'L'homme armé' - II. Gloria
—
Missa 'L'homme armé' - III. Credo
—
Missa 'L'homme armé' - IV. Sanctus - Pleni sunt - Hosanna - Benedictus
—
Missa 'L'homme armé' - V. Agnus Dei
—
Missa 'Et ecce terrae motus' - I. Kyrie - 1. Kyrie eleison
—
Missa 'Et ecce terrae motus' - I. Kyrie - 2. Christe eleison
—
Missa 'Et ecce terrae motus' - I. Kyrie - 3. Kyrie eleison
—
Missa 'Et ecce terrae motus' - I. Kyrie - 4. Gloria
—
Missa 'Et ecce terrae motus' - I. Kyrie - 5. Credo
—
Missa 'Et ecce terrae motus' - II. Sanctus - 1. Sanctus
—
Missa 'Et ecce terrae motus' - II. Sanctus - 2. Pleni sunt caeli
—
Missa 'Et ecce terrae motus' - II. Sanctus - 3. Hosanna
—
Missa 'Et ecce terrae motus' - II. Sanctus - 4. Benedictus
—
Missa 'Et ecce terrae motus' - II. Sanctus - 5. Hosanna
—
Missa 'Et ecce terrae motus' - III. Agnus Dei - 1. Agnus Dei I
—
Missa 'Et ecce terrae motus' - III. Agnus Dei - 2. Agnus Dei II
—
Missa 'Et ecce terrae motus' - III. Agnus Dei - 3. Agnus Dei III
—
Sequentia "Dies irae, Dies illa"
—
El Fuego: ¡Corred, corred, peccadores!
—
El Fuego: Oh cómo el mundo se abrassa
—
El Fuego: ¡No os tardéis, traed, traed agua ya!
—
El Fuego: Toca, Joan, con tu gaitilla
—
La Negrina: Cumplido es nuestro deseo
—
La Negrina: No nos cansemos
—
La Negrina: Caminemos y veremos
—
La Justa: ¡Oyd, oyd los vivientes!
—
La Justa: El mantenedor es fiero
—
La Justa: ¡Dale la lança!
—
La Justa: ¡Aparte todos!
—
Super Flumina Babylonis
—
Missa "Se congie pris" (a. Kyrie; b. Gloria)
—
Constantia'l vo' pur dire
—
E' morta la speranza
—
Quando ritrovo la mia pastorella
—
Madonna oymè
—
Chi vuol veder
—
Quis dabit oculis
—
Tribus miraculis
—
Magnificat septimi toni
—
Regina coeli
—
In te Domine speravi
—
Media vita
—
Tous les regretz
—
Je prens congie
—
Magnificat secundi toni: Et exultavit a 4
—
Magnificat secundi toni: Quia fecit a 4
—
Magnificat secundi toni: Fecit potentiam a 3
—
Magnificat secundi toni: Esurientes a 2
—
Magnificat secundi toni: Sicut lotucus est a 4
—
Magnificat secundi toni: Sicut erat a 5
—
Missa Tempore paschali: Kyrie a 6
—
Missa Tempore paschali: Gloria a 6
—
Missa Tempore paschali: Credo a 8
—
Missa Tempore paschali: Sanctus a 6 / Pleni sunt caeli a 5 / Hosanna a 6 / Benedictus a 4 / Hosanna a 6
—
Missa Tempore paschali: Agnus Dei I & II a 6
—
Missa Tempore paschali: Agnus Dei III a 12
—
Reges terrae
—
Missa veni sancte spiritus: Kyrie
—
O virgo virginum
—
Missa veni sancte spiritus: Gloria
—
3 chansons : Long temps mon cueur languissoit
—
3 chansons : Faulte dargent cest douleur non pareille
—
3 chansons : Ô cruaulté logée en grand beaulté
—
Missa veni sancte spiritus: Credo
—
Maria magdalene
—
Missa veni sancte spiritus: Sanctus
—
Usquequo piger dormies
—
Missa veni sancte spiritus: Agnus dei
—
Part I - I. Il Magnanimo Pietro
—
Part I - II. Ma gli archi
—
Part I - III. Tre volte haveva
—
Part I - IV. Qual a l'incontro
—
Part I - V. Giovane donna
—
Part I - VI. Cosi talhor
—
Part I - VII. Ogni occhio del Signor
—
Part II - VIII. Nessun fedel trovai
—
Part II - IX. Chi ad una ad una
—
Part II - X. Come falda di neve
—
Part II - XI. E non fu il pianto suo
—
Part II - XII. Quel volto
—
Part II - XIII. Veduto il miser
—
Part II - XIV. E vago d'incontrar
—
Part III - XV. Vattene vita va
—
Part III - XVI. O vita troppo rea
—
Part III - XVII. A quanti già felici
—
Part III - XVIII. Non trovava mia fé
—
Part III - XIX. Queste opre e più
—
Part III - XX. Negando il mio Signor
—
Part III - XXI. Vide homo
—
Opus musicum - Venite ascendamus
—
Opus musicum - Obsecro Domine
—
Opus musicum - Tribus miraculis
—
Opus musicum - Mirabile misterium
—
Opus musicum - Ab oriente venerunt magi
—
Opus musicum - Pater noster
—
Opus musicum - Lamentatur jacob
—
Opus musicum - Eripe me
—
Opus musicum - Versa est in luctum cithara mea
—
Opus musicum - Quo mihi crude dolor
—
Opus musicum - O beata Trinitas
—
Opus musicum - Planxit David
—
Opus musicum - Jesu dulcis memoria
—
Opus musicum - Domine Deus exaudi orationem
—
Missa super 'Sancta Maria' - Kyrie
—
Missa super 'Sancta Maria' - Gloria
—
Missa super 'Sancta Maria' - Credo
—
Missa super 'Sancta Maria' - Sanctus
—
Missa super 'Sancta Maria' - Agnus Dei
—
Dexen que llore mi niño
—
Qué bien siente Galatea
—
Dos estrellas le siguen
—
Laetatus sum
—
Botay fora
—
Heu me Domine
—
Parce mihi Domine
—
Foyse gastamdo a esperança
—
Dipues vienes delhaldea
—
Na fomte esta Lianor
—
Quiem viese aquel dia
—
Antonya Flaciquia Gasipà: Negro de Navidad a 5
—
Lamentations for Maundy Thursday
—
Vesper Psalms - 1. Dixit Dominus
—
Vesper Psalms - 2. Beatus vir
—
Vesper Psalms - 3. Laudate pueri
—
Vesper Psalms - 4. Credidi propter
—
Vesper Psalms - 5. Laudate Dominum
—
Vesper Psalms - 6. Laetatus sum
—
Vesper Psalms - 7. Lauda Jerusalem
—
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What is UPC 886974784425?
886974784425 is a Universal Product Code (UPC) assigned to A Secret Labyrinth: A Celebration of Music from the Middle Ages to Renaissance by Huelgas Ensemble. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 186 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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