UPC · Release
Miles Davis
Last verified:
886975249220 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Album Collection” by Miles Davis, released 2010-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 424 tracks, each with its own ISRC. Tracks include DEU240819406, DEU240819395, DEU240819405.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rifftide | — | ||
| 2 | Good Bait | — | ||
| 3 | Don’t Blame Me | — | ||
| 4 | Lady Bird | — | ||
| 5 | Wahhoo | — | ||
| 6 | Allen’s Alley | — | ||
| 7 | Embraceable You | — | ||
| 8 | Ornithology | — | ||
| 9 | All the Things You Are | — | ||
| 10 | Lover Man | — | ||
| 11 | The Squirrel | — | ||
| 2-1 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 2-2 | Ah‐Leu‐Cha | Miles Davis Quintet | T-010.320.310-6 | |
| 2-3 | All of You | Miles Davis Quintet | T-072.103.950-4 | |
| 2-4 | Bye Bye Blackbird | Miles Davis Quintet | T-070.013.021-7 | |
| 2-5 | Tadd’s Delight | Miles Davis Quintet | — | |
| 2-6 | Dear Old Stockholm | Miles Davis Quintet | T-900.312.305-5 | |
| 2-7 | Two Bass Hit | Miles Davis Quintet | — | |
| 2-8 | Little Melonae | Miles Davis Quintet | — | |
| 2-9 | Budo | Miles Davis Quintet | T-070.880.948-6 | |
| 2-10 | Sweet Sue, Just You | Miles Davis Quintet | T-070.138.798-5 | |
| 3-1 | Two Bass Hit | Miles Davis Quintet | — | |
| 3-2 | Love for Sale | Miles Davis | T-070.097.242-4 | |
| 3-3 | Blues No. 2 | — | ||
| 3-4 | Circle in the Round | — | ||
| 4-1 | Teo’s Bag | — | ||
| 4-2 | Side Car I | — | ||
| 4-3 | Side Car II | — | ||
| 4-4 | Splash | — | ||
| 4-5 | Sanctuary | — | ||
| 4-6 | Guinnevere | — | ||
| 5-1 | Springsville (master) | Miles Davis + 19 | T-902.293.657-8 | |
| 5-2 | The Maids of Cadiz (master) | Miles Davis + 19 | — | |
| 5-3 | The Duke (master) | Miles Davis + 19, Gil Evans | T-070.044.848-1 | |
| 5-4 | My Ship (master) | Miles Davis + 19 | T-070.111.363-4 | |
| 5-5 | Miles Ahead (master) | Miles Davis + 19, Gil Evans | T-905.297.131-0 | |
| 5-6 | Blues for Pablo (master) | Miles Davis + 19 | — | |
| 5-7 | New Rhumba (master) | Miles Davis + 19 | — | |
| 5-8 | The Meaning of the Blues (master) | Miles Davis + 19 | T-070.914.155-8 | |
| 5-9 | Lament (master) | Miles Davis + 19 | — | |
| 5-10 | I Don’t Wanna Be Kissed (by Anyone but You) | — | ||
| 5-11 | Springsville (remake take 7) | Miles Davis + 19 | — | |
| 5-12 | Blues for Pablo (take 1) | Miles Davis + 19 | — | |
| 5-13 | Medley: The Meaning of the Blues / Lament (rehearsal) | Miles Davis | T-070.914.155-8 | |
| 5-14 | I Don’t Wanna Be Kissed (by Anyone but You) (alternate take) | Miles Davis | T-070.902.727-9 | |
| 6-1 | Dr. Jackle | — | ||
| 6-2 | Sid’s Ahead | — | ||
| 6-3 | Two Bass Hit | Miles Davis Quintet | — | |
| 6-4 | Milestones | — | ||
| 6-5 | Billy Boy | — | ||
| 6-6 | Straight, No Chaser | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-700.067.566-3 | |
| 6-7 | Two Bass Hit (alternate take) | Miles Davis | — | |
| 6-8 | Milestones (alternate take) | Miles Davis | T-070.242.198-4 | |
| 6-9 | Straight, No Chaser (alternate take) | Miles Davis | T-700.067.566-3 | |
| 7-1 | On Green Dolphin Street | — | ||
| 7-2 | Fran‐Dance | — | ||
| 7-3 | Stella by Starlight | — | ||
| 7-4 | Love for Sale | — | ||
| 7-5 | Fran-Dance (alternate take) | Miles Davis Sextet | T-073.092.745-3 | |
| 8-1 | Introduction by Willis Connover | Miles Davis | — | |
| 8-2 | Ah‐Leu‐Cha | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-010.320.310-6 | |
| 8-3 | Straight, No Chaser | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-700.067.566-3 | |
| 8-4 | Fran‐Dance | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-073.092.745-3 | |
| 8-5 | Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — | |
| 8-6 | Bye Bye Blackbird | Miles Davis Sextet | T-070.013.021-7 | |
| 8-7 | The Theme | Miles Davis Sextet | — | |
| 9-1 | Buzzard Song | Miles Davis | — | |
| 9-2 | Bess, You Is My Woman Now | Miles Davis | T-903.624.216-7 | |
| 9-3 | Gone | Miles Davis | T-070.024.203-0 | |
| 9-4 | Gone, Gone, Gone | Miles Davis | T-900.008.917-8 | |
| 9-5 | Summertime | Miles Davis, Gil Evans and his Orchestra | T-800.364.991-1 | |
| 9-6 | Oh Bess, Oh Where’s My Bess | Miles Davis | T-801.269.905-8 | |
| 9-7 | Prayer (Oh Doctor Jesus) | Miles Davis | T-900.015.104-2 | |
| 9-8 | Fishermen, Strawberry and Devil Crab | Miles Davis | T-070.012.937-8 | |
| 9-9 | My Man’s Gone Now | Miles Davis | T-070.111.191-2 | |
| 9-10 | It Ain’t Necessarily So | Miles Davis | T-070.907.010-9 | |
| 9-11 | Here Come de Honey Man | Miles Davis | T-070.012.937-8 | |
| 9-12 | I Loves You, Porgy | Miles Davis | T-070.908.014-7 | |
| 9-13 | There’s a Boat That’s Leaving Soon for New York | Miles Davis | T-004.025.172-6 | |
| 9-15 | Gone (take 4) | Miles Davis | T-070.024.203-0 | |
| 10-1 | If I Were a Bell | — | ||
| 10-2 | Oleo | — | ||
| 10-3 | My Funny Valentine | — | ||
| 10-4 | Straight, No Chaser / The Theme | — | ||
| 11-1 | So What | Miles Davis | T-073.092.797-5 | |
| 11-2 | Freddie Freeloader | Miles Davis | T-073.092.747-5 | |
| 11-3 | Blue in Green | Miles Davis | T-073.092.724-8 | |
| 11-4 | All Blues | — | ||
| 11-5 | Flamenco Sketches | Miles Davis | T-073.092.744-2 | |
| 11-6 | Flamenco Sketches (Alternate take) | Miles Davis | T-073.092.744-2 | |
| 12-1 | Concierto de Aranjuez (adagio) | Miles Davis | — | |
| 12-2 | Will O’ the Wisp | Miles Davis | — | |
| 12-3 | The Pan Piper | Miles Davis | — | |
| 12-4 | Saeta | Miles Davis | T-070.940.107-9 | |
| 12-5 | Solea | Miles Davis | T-070.243.742-0 | |
| 12-6 | Song of Our Country | Miles Davis | — | |
| 12-7 | Concierto de Aranjuez (adagio) (part one, alternate take) | Miles Davis | T-041.489.061-1 | |
| 12-8 | Concierto de Aranjuez (adagio) (Part Two Ending) | Miles Davis | T-041.489.061-1 | |
| 13-1 | Song of Our Country | Miles Davis | — | |
| 13-2 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 13-3 | So Near, So Far | — | ||
| 13-4 | Limbo | — | ||
| 13-5 | Water on the Pond | — | ||
| 13-6 | Fun | — | ||
| 13-7 | Directions I | — | ||
| 13-8 | Directions II | — | ||
| 14-1 | Ascent | — | ||
| 14-2 | Duran | — | ||
| 14-3 | Konda | — | ||
| 14-4 | Willie Nelson | — | ||
| 15-1 | Someday My Prince Will Come | Miles Davis Sextet | T-070.136.619-9 | |
| 15-2 | Old Folks | Miles Davis Sextet | T-070.158.542-3 | |
| 15-3 | Pfrancing (No Blues) | Miles Davis | T-073.092.789-5 | |
| 15-4 | Drad‐Dog | Miles Davis | T-073.092.738-4 | |
| 15-5 | Teo | Miles Davis | T-073.092.808-1 | |
| 15-6 | I Thought About You | Miles Davis Sextet | T-070.904.431-4 | |
| 15-7 | Blues No.2 | Miles Davis | T-073.092.725-9 | |
| 15-8 | Someday My Prince Will Come (alternate take) | Miles Davis | T-070.136.619-9 | |
| 16-1 | Oleo | — | ||
| 16-2 | No Blues | Miles Davis | T-073.092.783-9 | |
| 16-3 | Bye Bye (The Theme) | — | ||
| 16-4 | If I Were a Bell | — | ||
| 16-5 | Fran‐Dance | — | ||
| 16-6 | On Green Dolphin Street | — | ||
| 16-7 | The Theme | — | ||
| 17-1 | All of You | Miles Davis Quintet | T-072.103.950-4 | |
| 17-2 | Neo | — | ||
| 17-3 | I Thought About You | — | ||
| 17-4 | Bye Bye Blackbird | Miles Davis Quintet | T-070.013.021-7 | |
| 17-5 | Walkin’ | Miles Davis | T-071.494.835-2 | |
| 17-6 | Love, I’ve Found You | — | ||
| 18-1 | If I Were a Bell | — | ||
| 18-2 | So What | Miles Davis | T-073.092.797-5 | |
| 18-3 | No Blues (Closing Theme) | — | ||
| 18-4 | On Green Dolphin Street | — | ||
| 18-5 | Walkin’ | — | ||
| 18-6 | ’Round Midnight | — | ||
| 18-7 | Well, You Needn’t | — | ||
| 18-8 | Bye Bye (The Theme) | — | ||
| 19-1 | Autumn Leaves | — | ||
| 19-2 | Neo | — | ||
| 19-3 | Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — | |
| 19-4 | Bye Bye (The Theme) | — | ||
| 19-5 | Love, I’ve Found You | — | ||
| 19-6 | I Thought About You | — | ||
| 19-7 | Someday My Prince Will Come | — | ||
| 19-8 | Softly, as in a Morning Sunrise | — | ||
| 20-1 | So What | Miles Davis | T-073.092.797-5 | |
| 20-2 | Spring Is Here | — | ||
| 20-3 | Teo | — | ||
| 20-4 | Walkin’ | — | ||
| 20-5 | The Meaning of the Blues / Lament | — | ||
| 20-6 | New Rhumba | — | ||
| 21-1 | Someday My Prince Will Come | — | ||
| 21-2 | Oleo | — | ||
| 21-3 | No Blues | — | ||
| 21-4 | I Thought About You | — | ||
| 21-5 | Concierto de Aranjuez | — | ||
| 22-1 | Song No. 2 | — | ||
| 22-2 | Once Upon a Summertime | — | ||
| 22-3 | Aos pes da cruz | — | ||
| 22-4 | Song No. 1 | — | ||
| 22-5 | Wait Till You See Her | — | ||
| 22-6 | Corcovado | — | ||
| 22-7 | Summer Night | Miles Davis | T-070.138.296-8 | |
| 22-8 | The Time of the Barracudas | — | ||
| 22-9 | Blue Xmas (To Whom It May Concern) | Miles Davis | T-910.977.436-9 | |
| 22-10 | Devil May Care | Miles Davis | T-070.038.885-7 | |
| 23-1 | Basin Street Blues | Miles Davis | T-070.010.455-7 | |
| 23-2 | Seven Steps to Heaven | Miles Davis | T-902.845.190-3 | |
| 23-3 | I Fall in Love Too Easily | Miles Davis | T-070.902.822-7 | |
| 23-4 | So Near, So Far | Miles Davis | — | |
| 23-5 | Baby Won’t You Please Come Home | Miles Davis | T-914.986.189-2 | |
| 23-6 | Joshua | Miles Davis | T-072.806.595-9 | |
| 23-7 | So Near, So Far (alternate) | Miles Davis | — | |
| 23-8 | Summer Night | Miles Davis | T-070.138.296-8 | |
| 24-1 | Introduction by André Francis | — | ||
| 24-2 | Autumn Leaves | — | ||
| 24-3 | Milestones | — | ||
| 24-4 | I Thought About You | — | ||
| 24-5 | Joshua | — | ||
| 24-6 | All of You | — | ||
| 24-7 | Walkin’ | — | ||
| 25-1 | My Funny Valentine | Miles Davis | T-070.110.849-7 | |
| 25-2 | All of You | Miles Davis | T-072.103.950-4 | |
| 25-3 | Stella by Starlight | Miles Davis | T-070.137.735-6 | |
| 25-4 | All Blues | Miles Davis | T-039.266.451-5 | |
| 25-5 | I Thought About You | Miles Davis | T-070.904.431-4 | |
| 26-1 | So What | Miles Davis | T-073.092.797-5 | |
| 26-2 | Walkin’ | Miles Davis | T-071.494.835-2 | |
| 26-3 | Joshua | Miles Davis | T-072.806.595-9 | |
| 26-4 | Go-Go (Theme and Announcement) | Miles Davis | T-073.111.439-8 | |
| 26-5 | Four | Miles Davis | T-070.234.116-9 | |
| 26-6 | Seven Steps to Heaven | Miles Davis | T-902.845.190-3 | |
| 26-7 | There Is No Greater Love | Miles Davis | T-070.179.103-8 | |
| 26-8 | Go-Go (Theme and Anouncement) | Miles Davis | T-073.111.439-8 | |
| 27-1 | If I Were a Bell | — | ||
| 27-2 | My Funny Valentine | — | ||
| 27-3 | So What | — | ||
| 27-4 | Walkin’ | — | ||
| 27-5 | All of You | — | ||
| 28-1 | Milestones | Miles Davis | T-070.242.198-4 | |
| 28-2 | Autumn Leaves | Miles Davis | T-070.002.297-4 | |
| 28-3 | So What | Miles Davis Quintet | T-073.092.797-5 | |
| 28-4 | Stella by Starlight | Miles Davis | T-070.137.735-6 | |
| 28-5 | Walkin’ | Miles Davis | T-071.494.835-2 | |
| 28-6 | Go-Go (Theme and Announcement) | Miles Davis | T-073.111.439-8 | |
| 29-1 | E.S.P. | Miles Davis Quintet | — | |
| 29-2 | Eighty-One | Miles Davis | T-073.345.912-5 | |
| 29-3 | Little One | Miles Davis | T-700.038.116-0 | |
| 29-4 | R.J. | Miles Davis | T-039.285.888-6 | |
| 29-5 | Agitation | Miles Davis | T-073.092.717-9 | |
| 29-6 | Iris | Miles Davis | T-070.881.265-0 | |
| 29-7 | Mood | Miles Davis | T-073.092.779-3 | |
| 30-1 | Walkin’ | — | ||
| 30-2 | Agitation | — | ||
| 30-3 | On Green Dolphin Street | — | ||
| 30-4 | So What | — | ||
| 30-5 | The Theme | — | ||
| 31-1 | ’Round Midnight | — | ||
| 31-2 | Stella by Starlight | — | ||
| 31-3 | All Blues | — | ||
| 31-4 | Yesterdays | — | ||
| 31-5 | The Theme | — | ||
| 32-1 | Orbits | Miles Davis Quintet | T-700.051.529-9 | |
| 32-2 | Circle | Miles Davis Quintet | T-073.092.728-2 | |
| 32-3 | Footprints | Miles Davis Quintet | T-070.234.088-2 | |
| 32-4 | Dolores | Miles Davis Quintet | T-700.010.030-3 | |
| 32-5 | Freedom Jazz Dance | Miles Davis Quintet | — | |
| 32-6 | Gingerbread Boy | Miles Davis Quintet | T-700.016.317-9 | |
| 33-1 | Prince of Darkness | Miles Davis | T-073.092.846-7 | |
| 33-2 | Pee Wee | Miles Davis | — | |
| 33-3 | Masqualero | Miles Davis | T-700.042.528-7 | |
| 33-4 | The Sorcerer | Miles Davis | T-700.065.667-9 | |
| 33-5 | Limbo | Miles Davis | T-060.337.264-0 | |
| 33-6 | Vonetta | Miles Davis | T-700.076.638-3 | |
| 33-7 | Nothing Like You | Miles Davis | T-070.153.292-4 | |
| 33-8 | Masqualero (alternate take) | Miles Davis | T-700.042.528-7 | |
| 34-1 | Nefertiti | Miles Davis | T-070.242.439-2 | |
| 34-2 | Fall | Miles Davis | T-070.242.439-2 | |
| 34-3 | Hand Jive | Miles Davis | T-073.092.754-4 | |
| 34-4 | Madness | Miles Davis | T-073.092.769-1 | |
| 34-5 | Riot | Miles Davis | T-700.058.199-9 | |
| 34-6 | Pinocchio | Miles Davis | T-070.242.912-6 | |
| 34-7 | Hand Jive (first alternate take) | Miles Davis | T-073.092.754-4 | |
| 34-8 | Hand Jive (second alternate take) | Miles Davis | T-073.092.754-4 | |
| 34-9 | Madness (alternate take) | Miles Davis | T-073.092.769-1 | |
| 34-10 | Pinocchio (alternate take) | Miles Davis | T-070.242.912-6 | |
| 35-1 | Water Babies | Miles Davis | T-700.077.563-5 | |
| 35-2 | Capricorn | Miles Davis | T-700.004.732-7 | |
| 35-3 | Sweet Pea | Miles Davis | T-700.068.776-5 | |
| 35-4 | Two Faced | Miles Davis | — | |
| 35-5 | Dual Mr. Anthony Tillmon Williams Process | Miles Davis | T-072.870.632-8 | |
| 35-6 | Splash | Miles Davis | T-073.092.803-6 | |
| 36-1 | Stuff | Miles Davis | T-073.092.807-0 | |
| 36-2 | Paraphernalia | Miles Davis | T-070.939.816-2 | |
| 36-3 | Black Comedy | Miles Davis | — | |
| 36-4 | Country Son | Miles Davis | T-073.092.732-8 | |
| 36-5 | Black Comedy (alternate take) | Miles Davis | — | |
| 36-6 | Country Son (alternate take) | Miles Davis | T-073.092.732-8 | |
| 37-1 | Frelon Brun (Brown Hornet) | Miles Davis | T-073.092.726-0 | |
| 37-2 | Tout de suite | Miles Davis | T-073.345.917-0 | |
| 37-3 | Petits Machins (Little Stuff) | Miles Davis | T-073.092.787-3 | |
| 37-4 | Filles de Kilimanjaro (Girls of Kilimanjaro) | Miles Davis | T-073.345.913-6 | |
| 37-5 | Mademoiselle Mabry (Miss Mabry) | Miles Davis | T-073.092.777-1 | |
| 37-6 | Tout de suite (alternate take) | Miles Davis | T-073.345.917-0 | |
| 39-1 | Pharaoh’s Dance | Miles Davis | T-073.092.721-5 | |
| 39-2 | Bitches Brew | Miles Davis | T-073.092.721-5 | |
| 40-1 | Spanish Key | Miles Davis | T-073.092.801-4 | |
| 40-2 | John McLaughlin | Miles Davis | T-072.870.639-5 | |
| 40-3 | Miles Runs the Voodoo Down | Miles Davis | T-073.092.721-5 | |
| 40-4 | Sanctuary | Miles Davis | T-073.092.847-8 | |
| 40-5 | Feio | Miles Davis | T-700.013.396-2 | |
| 41-1 | Great Expectations | Miles Davis | T-073.092.835-4 | |
| 41-2 | Ife | Miles Davis | T-073.092.758-8 | |
| 41-3 | Recollections | Miles Davis | T-700.056.934-8 | |
| 41-4 | Trevere | Miles Davis | T-072.870.673-7 | |
| 42-1 | Go Ahead John | Miles Davis | T-073.092.835-4 | |
| 42-3 | The Little Blue Frog (mst) | Miles Davis | T-072.870.640-8 | |
| 42-4 | Yaphet | Miles Davis | T-072.870.643-1 | |
| 43-1 | Right Off | Miles Davis | T-070.940.538-8 | |
| 43-2 | Yesternow | Miles Davis | T-073.092.822-9 | |
| 44-1 | Directions | — | ||
| 44-2 | Spanish Key | — | ||
| 44-3 | Masqualero | — | ||
| 44-4 | It’s About That Time / The Theme | — | ||
| 45-1 | Directions | — | ||
| 45-2 | Miles Runs the Voodoo Down | Miles Davis | T-073.092.721-5 | |
| 45-3 | Bitches Brew | — | ||
| 45-4 | Spanish Key | — | ||
| 45-5 | It’s About That Time / Willie Nelson | — | ||
| 46-1 | Directions | — | ||
| 46-2 | Miles Runs the Voodoo Down | — | ||
| 46-3 | Willie Nelson | — | ||
| 46-4 | I Fall in Love Too Easily | — | ||
| 46-5 | Sanctuary | — | ||
| 46-6 | It’s About That Time | — | ||
| 47-1 | Bitches Brew | — | ||
| 47-2 | Masquaiero | — | ||
| 47-3 | Spanish Key / The Theme | — | ||
| 48-1 | Directions | — | ||
| 48-2 | Bitches Brew | — | ||
| 48-3 | The Mask | — | ||
| 48-4 | It’s About That Time | — | ||
| 48-5 | Bitches Brew / The Theme | — | ||
| 48-6 | Directions | — | ||
| 48-7 | The Mask | — | ||
| 48-8 | It’s About That Time | — | ||
| 49-1 | It’s About That Time | — | ||
| 49-2 | I Fall in Love Too Easily | — | ||
| 49-3 | Sanctuary | — | ||
| 49-4 | Bitches Brew / The Theme | — | ||
| 49-5 | It’s About That Time | — | ||
| 49-6 | I Fall in Love Too Easily | — | ||
| 49-7 | Sanctuary | — | ||
| 49-8 | Bitches Brew | — | ||
| 49-9 | Willie Nelson / The Theme | — | ||
| 50-1 | Directions | — | ||
| 50-2 | Bitches Brew | — | ||
| 50-3 | It’s About That Time | — | ||
| 50-4 | Sanctuary | — | ||
| 50-5 | Spanish Key | — | ||
| 50-6 | The Theme | — | ||
| 51-1 | Sivad | Miles Davis | T-072.870.656-6 | |
| 51-2 | Little Church | Miles Davis | T-072.870.642-0 | |
| 51-3 | Medley: Gemini / Double Image | Miles Davis | T-072.870.667-9 | |
| 51-4 | What I Say | Miles Davis | T-070.940.773-7 | |
| 51-5 | Nem Um Talvez | Miles Davis | T-072.870.649-7 | |
| 52-1 | Selim | Miles Davis | T-072.870.655-5 | |
| 52-2 | Funky Tonk | Miles Davis | T-072.870.633-9 | |
| 52-3 | Inamorata and Narration by Conrad Roberts | Miles Davis | T-072.870.637-3 | |
| 53-1 | On the Corner | Miles Davis | T-073.092.784-0 | |
| 53-2 | New York Girl | Miles Davis | T-073.092.782-8 | |
| 53-3 | Thinkin’ One Thing and Doin’ Another | Miles Davis | T-073.092.813-8 | |
| 53-4 | Vote for Miles | Miles Davis | T-073.092.817-2 | |
| 53-5 | Black Satin | Miles Davis | T-073.092.723-7 | |
| 53-6 | One and One | Miles Davis | T-073.092.785-1 | |
| 53-7 | Helen Butte | Miles Davis | T-073.092.755-5 | |
| 53-8 | Mr. Freedom X | Miles Davis | — | |
| 54-1 | Rated X | — | ||
| 54-2 | Honky Tonk | — | ||
| 54-3 | Theme from Jack Johnson | — | ||
| 54-4 | Black Satin / The Theme | — | ||
| 55-1 | Ife | — | ||
| 55-2 | Right Off / The Theme | — | ||
| 56-1 | Moja, Part I | — | ||
| 56-2 | Moja, Part II | — | ||
| 56-3 | Wili, Part I | — | ||
| 56-4 | Wili, Part II | — | ||
| 57-1 | Tatu, Part I | — | ||
| 57-2 | Tatu, Part II | — | ||
| 57-3 | Nne, Part I | — | ||
| 57-4 | Nne, Part II | — | ||
| 58-1 | He Loved Him Madly | Miles Davis | T-072.870.635-1 | |
| 58-2 | Maiysha | Miles Davis | T-073.092.770-4 | |
| 58-3 | Honky Tonk | Miles Davis | T-072.870.636-2 | |
| 58-4 | Rated X | Miles Davis | T-072.870.652-2 | |
| 59-1 | Calypso Frelimo | Miles Davis | T-072.870.629-3 | |
| 59-2 | Red China Blues | Miles Davis | T-072.870.653-3 | |
| 59-3 | Mtume | Miles Davis | T-072.870.646-4 | |
| 59-4 | Billy Preston | Miles Davis | T-072.870.628-2 | |
| 60-1 | Prelude | — | ||
| 60-2 | Maiysha | — | ||
| 61-1 | Interlude / Theme from Jack Johnson | — | ||
| 62-1 | Zimbabwe | — | ||
| 63-1 | Gondwana | — | ||
| 64-1 | Fat Time | Miles Davis | T-073.092.743-1 | |
| 64-2 | Back Seat Betty | Miles Davis | T-073.092.720-4 | |
| 64-3 | Shout | Miles Davis | — | |
| 64-4 | Aïda | Miles Davis | T-073.092.718-0 | |
| 64-5 | The Man With the Horn | Miles Davis | — | |
| 64-6 | Ursula | Miles Davis | T-073.092.816-1 | |
| 65-1 | Jean Pierre | Miles Davis | T-073.092.763-5 | |
| 65-2 | Back Seat Betty | Miles Davis | T-073.092.720-4 | |
| 65-3 | Fast Track | Miles Davis | T-073.092.742-0 | |
| 65-5 | Ursula | Miles Davis | T-073.092.816-1 | |
| 65-6 | Aida | Miles Davis | T-073.092.718-0 | |
| 66-1 | My Man’s Gone Now | Miles Davis | T-070.111.191-2 | |
| 66-2 | KIX | Miles Davis | T-073.092.767-9 | |
| 66-3 | Fat Time | Miles Davis | T-073.092.743-1 | |
| 67-1 | Come Get It | Miles Davis | T-073.092.731-7 | |
| 67-2 | It Gets Better | Miles Davis | T-073.092.759-9 | |
| 67-3 | Speak | Miles Davis | T-073.092.802-5 | |
| 67-4 | Star People | Miles Davis | T-073.092.805-8 | |
| 67-5 | U ’n’ I | Miles Davis | T-072.870.661-3 | |
| 67-6 | Star on Cicely | Miles Davis | T-073.092.804-7 | |
| 68-1 | Decoy | Miles Davis | T-073.092.737-3 | |
| 68-2 | Robot 415 | Miles Davis | T-073.092.791-9 | |
| 68-3 | Code M.D. | Miles Davis | T-073.092.730-6 | |
| 68-4 | Freaky Deaky | Miles Davis | T-073.092.746-4 | |
| 68-5 | What It Is | Miles Davis | T-073.092.820-7 | |
| 68-6 | That’s Right | Miles Davis | T-073.092.810-5 | |
| 68-7 | That’s What Happened | Miles Davis | T-073.092.811-6 | |
| 69-1 | One Phone Call / Street Scenes | Miles Davis | T-073.092.786-2 | |
| 69-2 | Human Nature | Miles Davis | T-070.077.785-0 | |
| 69-3 | Intro: MD 1 / Something’s on Your Mind / MD 2 | Miles Davis | T-073.092.772-6 | |
| 69-4 | Ms. Morrisine | Miles Davis | T-914.433.275-2 | |
| 69-5 | Katia Prelude | Miles Davis | T-073.092.765-7 | |
| 69-6 | Katia | Miles Davis | T-073.092.764-6 | |
| 69-7 | Time After Time | Miles Davis | T-070.247.363-9 | |
| 69-8 | You’re Under Arrest | Miles Davis | — | |
| 69-9 | Medley: Jean Pierre / You’re Under Arrest / Then There Were None | Miles Davis | T-073.092.763-5 | |
| 70-2 | White | — | ||
| 70-3 | Yellow | — | ||
| 70-4 | Orange | — | ||
| 70-5 | Red | — | ||
| 70-6 | Green | — | ||
| 70-7 | Blue | — | ||
| 70-8 | Electric Red | — | ||
| 70-9 | Indigo | — | ||
| 70-10 | Violet | — | ||
| 71-1 | Introduction | — | ||
| 71-2 | Agitation | — | ||
| 71-3 | Footprints | — | ||
| 71-4 | I Fall In Love Too Easily | — | ||
| 71-5 | Walkin’ | — | ||
| 71-6 | Gingerbread Boy | — | ||
| 71-7 | The Theme | — | ||
| 71-8 | Introduction | — | ||
| 71-9 | Agitation | — | ||
| 71-10 | Footprints | Miles Davis Quintet | — | |
| 71-11 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 71-12 | Gingerbread Boy | Miles Davis Quintet | — | |
| 71-13 | The Theme | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Jean Pierre | Miles Davis | T-073.092.763-5 |
| I Loves You, Porgy (take 1, second version) | Miles Davis | T-070.908.014-7 |
| Limbo (alternate take) | Miles Davis | T-060.337.264-0 |
| Shhh / Peaceful | Miles Davis | T-070.241.148-0 |
| In a Silent Way / It’s About That Time | Miles Davis | T-070.241.148-0 |
| Introduction by Willis Connover | Miles Davis | T-904.737.154-0 |
| Little Melonae | Miles Davis Quintet | — |
| Tadd’s Delight | Miles Davis Quintet | T-070.159.751-4 |
| Springsville (master) | Miles Davis + 19 | — |
| The Maids of Cadiz | Miles Davis + 19, Gil Evans | — |
| The Duke | Miles Davis + 19 | T-070.044.848-1 |
| My Ship | Miles Davis + 19, Gil Evans | T-070.111.363-4 |
| Blues for Pablo | Miles Davis + 19, Gil Evans | — |
| New Rhumba (master) | Miles Davis + 19 | — |
| The Meaning of the Blues | Miles Davis + 19, Gil Evans | T-070.914.155-8 |
| Lament (master) | Miles Davis + 19 | — |
| Springsville (remake take 7) | Miles Davis | — |
| Blues for Pablo (take 1) | Miles Davis + 19 | — |
| Buzzard Song | Miles Davis | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Song of Our Country | Miles Davis | — |
| Will O’ the Wisp | Miles Davis | — |
| The Pan Piper | Miles Davis | — |
| Song of Our Country | Miles Davis | — |
| Some Day My Prince Will Come | Miles Davis | T-070.136.619-9 |
| E.S.P. | Miles Davis Quintet | T-070.881.265-0 |
| Mademoiselle Mabry (Miss Mabry) | Miles Davis | T-070.250.278-0 |
| Lonely Fire | Miles Davis | T-072.870.643-1 |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
886975249220 is a Universal Product Code (UPC) assigned to The Complete Columbia Album Collection by Miles Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 424 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886975249220 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Album Collection” by Miles Davis, released 2010-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 424 tracks, each with its own ISRC. Tracks include DEU240819406, DEU240819395, DEU240819405.
