UPC · Release
Backtracks
AC/DC
Last verified:
886975409921 is the Universal Product Code (UPC barcode) for the release “Backtracks” by AC/DC, released 2009-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC. Tracks include AUAP07500006, AUAP07500009, AUAP07600032.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | STICK AROUND | ACDC, AC-DC, AC/DC, AC/DC, ANGUS YOUNG, MALCOLM YOUNG, BON SCOTT, ANGUS YOUNG, MALCOLM YOUNG, BON SCOTT, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG FOR ALBERT PRODUCTIONS | T-974.231.119-9 | |
| 2 | LOVE SONG | AC-DC, AC/DC, AC/DC, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG FOR ALBERT PRODUCTIONS | T-060.160.696-5 | |
| 3 | FLING THING | ACDC, AC-DC, AC/DC | T-970.238.013-0 | |
| 4 | R.I.P. (ROCK IN PEACE) | AC/DC | T-913.025.416-9 | |
| 5 | CARRY ME HOME | ACDC, AC-DC, AC/DC, AC/DC, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG FOR ALBERT PRODUCTIONS | T-060.172.975-2 | |
| 6 | CRABSODY IN BLUE | ACDC, AC-DC, AC/DC, AC/DC, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG FOR ALBERT PRODUCTIONS | T-060.211.278-6 | |
| 7 | COLD HEARTED MAN | ACDC, AC DC, AC-DC, AC,DC, AC/DC, AC/DC, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG FOR ALBERT PRODUCTIONS | T-060.005.513-7 | |
| 8 | SNAKE EYE | AC/DC | T-060.330.914-3 | |
| 9 | BORROWED TIME | ACDC, AC DC, AC-DC, AC,DC, AC/DC, AC/DC, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG | T-060.225.113-7 | |
| 10 | DOWN ON THE BORDERLINE | ACDC, AC-DC, AC/DC, AC/DC, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG | T-061.126.914-7 | |
| 11 | Big Gun | AC/DC | T-060.110.277-5 | |
| 12 | CYBERSPACE | ACDC, AC-DC, AC,DC, AC/DC, AC/DC, ANGUS YOUNG, MALCOLM YOUNG, ANGUS YOUNG, GEORGE YOUNG, MALCOLM YOUNG | T-060.485.074-9 | |
| 2-1 | DIRTY DEEDS DONE DIRT CHEAP [LIVE SYDNEY FESTIVAL, JAN. 30, 1977] | AC/DC | T-060.035.336-3 | |
| 2-2 | DOG EAT DOG - LIVE APOLLO THEATRE, GLASGOW, APR. 30, 1978 | AC/DC, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, ANGUS YOUNG, BON SCOTT, MALCOLM YOUNG, VANDA, YOUNG, HARRY VANDA AND GEORGE YOUNG FOR ALBERT PRODUCTIONS | T-060.005.895-4 | |
| 2-3 | LIVE WIRE [LIVE HAMMERSMITH ODEON, LONDON, NOV. 2, 1979] | AC/DC | T-060.077.586-7 | |
| 2-4 | SHOT DOWN IN FLAMES [LIVE HAMMERSMITH ODEON, LONDON, NOV. 2, 1979] | AC/DC | T-060.116.373-8 | |
| 2-5 | BACK IN BLACK [LIVE CAPITAL CENTER, LANDOVER MD, DEC. 21, 1981] | AC/DC | T-060.108.262-5 | |
| 2-6 | T.N.T. [LIVE CAPITAL CENTER, LANDOVER MD, DEC. 21, 1981] | AC/DC | T-060.248.735-3 | |
| 2-7 | LET THERE BE ROCK LIVE CAPITAL CENTER LANDOVER MD DEC 21 1981 | AC DC | T-060.150.418-0 | |
| 2-8 | GUNS FOR HIRE [LIVE JOE LOUIS ARENA, DETROIT MI, NOV. 18, 1983] | AC/DC | T-060.118.501-6 | |
| 2-9 | BACK IN BLACK | AC/DC | T-901.068.221-0 | |
| 2-10 | THIS HOUSE IS ON FIRE [LIVE] | AC/DC | T-060.192.257-9 | |
| 2-11 | YOU SHOOK ME ALL NIGHT LONG [LIVE JOE LOUIS ARENA, DETROIT MI, NOV. 18, 1983] | AC/DC | T-060.148.228-3 | |
| 2-12 | JAILBREAK [LIVE DALLAS TX, OCT. 12, 1985] | AC/DC | T-060.089.194-8 | |
| 2-13 | HIGHWAY TO HELL - LIVE TUSHINO AIRFIELD, MOSCOW, SEPT. 28, 1991 | AC/DC, ANGUS YOUNG, MALCOLM YOUNG, BON SCOTT, ANGUS YOUNG, BRUCE FAIRBAIRN, MALCOLM YOUNG, BON SCOTT | T-060.115.593-4 | |
| 2-14 | FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) [LIVE TUSHINO AIRFIELD, MOSCOW, SEPT. 28, 1991] | AC/DC | T-060.153.738-5 | |
| 2-15 | SAFE IN NEW YORK CITY [LIVE PHOENIX AZ, SEPT. 13, 2000] | AC/DC | T-060.436.207-3 | |
| 3-1 | Big Gun | AC/DC | T-060.110.277-5 | |
| 3-2 | Hard as a Rock | AC/DC | T-060.084.573-5 | |
| 3-3 | Hail Caesar | AC/DC | T-060.037.819-5 | |
| 3-4 | Cover You in Oil | AC/DC | T-060.159.546-3 | |
| 3-5 | Stiff Upper Lip | AC/DC | T-060.436.203-9 | |
| 3-6 | Satellite Blues | AC/DC | T-060.436.211-9 | |
| 3-7 | Safe in New York City | AC/DC | T-060.436.207-3 | |
| 3-8 | Rock ’n’ Roll Train | AC/DC | T-061.020.782-3 | |
| 3-9 | Anything Goes | AC/DC | T-061.020.787-8 | |
| 3-10 | Jailbreak | AC/DC | T-060.089.194-8 | |
| 3-11 | It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll) | AC/DC | T-060.040.033-6 | |
| 3-12 | Highway to Hell | AC/DC | T-060.115.593-4 | |
| 3-13 | You Shook Me All Night Long | AC/DC | T-060.148.228-3 | |
| 3-14 | Guns for Hire | AC/DC | T-060.118.501-6 | |
| 3-15 | Dirty Deeds Done Dirt Cheap | AC/DC | T-060.035.336-3 | |
| 3-17 | The Making of Hard as a Rock | AC/DC | — | |
| 3-18 | The Making of Rock ’n’ Roll Train | AC/DC | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Highway to Hell | AC/DC | T-060.115.593-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 886975409921?
886975409921 is a Universal Product Code (UPC) assigned to Backtracks by AC/DC. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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