UPC · Release
Best of Klassik 2009
Various Artists
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886975741229 is the Universal Product Code (UPC barcode) for the release “Best of Klassik 2009” by Various Artists, released 2009-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include DEN960800183, GBAYC0802317, GBAYC0800471.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Concerto grosso F-Dur, op. 6,1: II. Allegro | — | ||
| 2-2 | Flötensonate Es-Dur, BWV 1031: II. Siciliana | — | ||
| 2-3 | Klaviersuite, HWV 441 (II/8) G-Dur: III. Courante | — | ||
| 2-4 | La fille aux cheveux de lin | — | ||
| 2-5 | Moments Musiceaux, D 780 Nr. 3: Allegretto moderato | — | ||
| 2-6 | Préludes pour piano: III. Le nombre léger | Pierre-Laurent Aimard | T0030145631 | |
| 2-7 | Sonate Nr. 2, op. 2: III. Scherzo. Allegro | — | ||
| 2-8 | Moments musicaux, op. 16: IV. Presto | — | ||
| 2-9 | Sonate Nr. 2 in g-moll für Cello und Piano, op. 28: II. Prestissimo assai | — | ||
| 2-10 | Streichquartett op. 1, Nr. 1 in B-Dur Hob. III:1: V. Finale. Presto | — | ||
| 2-11 | Streichquartett "Der Tod und das Mädchen" in d-moll, op. posth. D 810: III. Scherzo. Allegro molto | — | ||
| 2-12 | Konzert in d-moll für zwei Violinen, Violoncello, Streicher und B.c., op. 3 Nr. 11 RV 565: IV. Allegro | — | ||
| 2-13 | Violinkonzert e-Moll, op. 64: III. Allegro molto vivace | — | ||
| 2-14 | Konzert e-Moll für Klavier und Orchester: III. Finale. Allegro ma non troppo. Allegro molto vivace | — | ||
| 2-15 | Konzert für Klavier und Orchester Nr. 2 f-moll, op. 21: III. Allegro vivace | — | ||
| 2-16 | Konzert für Klavier und Orchester Nr. 1, op. 15 in C-Dur: III. Rondo (Allegro scherzando) | — | ||
| 2-17 | Sinfonie Nr. 9: I. (Feierlich) Misterioso | — | ||
| 2-18 | Concerto for Cello no. 2 in E minor, op. 30: III. Allegro | Gautier Capuçon, hr-Sinfonieorchester, Paavo Järvi | — | |
| 2-19 | Sinfonie Nr. 2, op. 29: III. Allegro | — | ||
| 2-20 | Sinfonie Nr. 14 F-Dur, op. 21 Nr. 6: III. Allegro | — | ||
| 2-21 | Sinfonie Nr. 1 in c-moll, op. 68: III. Un poco allegretto e grazioso | — | ||
| 2-22 | Symphony of Psalms: I. Exaudi orationem meam | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 2-23 | Afferentur regi virgines F-Dur (Offertorium), WAB 1 | — | ||
| 2-24 | Im schönsten Wiesengrunde | — | ||
| 2-25 | Benedicamus Domino | — | ||
| 2-26 | Gregorianischer Choral: Hymnus "Veni Creator Spiritus" | — | ||
| 2-27 | Irische Harfe: 5 Gesänge für gemischten Chor a capella: I. Das Geheimnis Amergins | — | ||
| 2-28 | Billy Budd Act II: Interlude | — | ||
| 2-29 | Chronochromie für großes Orchester: VII. Coda | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cellokonzert Nr. 2 G-Dur, Op. 126: II. Allegretto | Sol Gabetta, Münchner Philharmoniker, Marc Albrecht | — |
| Faust: Act II. "Le veau d'or" | René Pape, Sebastian Weigle, Sächsische Staatskapelle Dresden, Chor der Staatsoper Dresden | — |
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What is UPC 886975741229?
886975741229 is a Universal Product Code (UPC) assigned to Best of Klassik 2009 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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