UPC · Release
Symphony no. 8
Gustav Mahler, Diener, Banse and 13 more
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886975792627 is the Universal Product Code (UPC barcode) for the release “Symphony no. 8” by Gustav Mahler, Diener, Banse, Larsson, Naef, Remmert, Griffey, Powell, Abdrazakov, Muff, Schweizer Kammerchor, WDR Rundfunkchor Köln, Zürcher Sängerknaben, Kinderchor Kaltbrunn, Tonhalle Orchestra Zurich, David Zinman, released 2010-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include USBC11000067, USBC11000068, USBC11000069.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Part II: Final Scene from "Faust II.II" - Poco adagio | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-2 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Pìu mosso (Allegro moderato) | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-3 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Chor und Echo: Waldung, sie schwankt heran | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-4 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Pater ecstaticus: Ewiger Wonnebrand | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-5 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Pater profundus: Wie Felsenabgrund mir zu Füßen | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-6 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Chor der Engel: Gerettet ist das edle Glied der Geisterwelt vom Bösen - Chor seliger Knaben: Hände verschlinget euch | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-7 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Die jüngeren Engel: Jene Rosen aus den Händen | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-8 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Die vollendeteren Engel: Uns bleibt ein Erdenrest | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-9 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Die jüngeren Engel: Ich spür' soeben, nebelnd um Felsenhöh - Chor seliger Knaben: Freudig empfangen wir - Doctor Marianus: Hier ist die Aussicht frei | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-10 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Doctor Marianus: Höchste Herrscherin der Welt! | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-11 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Chor I/II: Dir, der Unberührbaren - Chor der Büßerinnen und Una poenitentium: Du schwebst zu Höhen der ewigen Reiche | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-12 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Magna Peccatrix: Bei der Liebe, die den Füßen - Mulier Samaritana: Bei dem Bronn, zu dem schon weiland - Maria Aegyptiaca: Bei dem hochgeweihten Orte | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-13 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Una poenitentium: Neige, du Ohnegleiche | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-14 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Selige Knaben: Er überwächst uns schon; Una poenitentium: Vom edlen Geisterchor umgeben | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-15 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Mater gloriosa: Komm! Hebe dich zu höhern Sphären | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-16 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Blicket auf | Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-17 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Alles Vergängliche ist nur ein Gleichnis | Tonhalle-Orchester Zürich, David Zinman | — |
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus | Tonhalle-Orchester Zürich, David Zinman | — |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Imple, superna gratia | Tonhalle-Orchester Zürich, David Zinman | — |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Infirma nostri corporis | Tonhalle-Orchester Zürich, David Zinman | — |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Tempo I (Allegro, etwas hastig) | Tonhalle-Orchester Zürich, David Zinman | — |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Sehr fließend | Tonhalle-Orchester Zürich, David Zinman | — |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Accende lumen sensibus | Tonhalle-Orchester Zürich, David Zinman | — |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus | Tonhalle-Orchester Zürich, David Zinman | T3064817723 |
| Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Gloria sit Patri Domino | Tonhalle-Orchester Zürich, David Zinman | — |
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What is UPC 886975792627?
886975792627 is a Universal Product Code (UPC) assigned to Symphony no. 8 by Gustav Mahler, Diener, Banse, Larsson, Naef, Remmert, Griffey, Powell, Abdrazakov, Muff, Schweizer Kammerchor, WDR Rundfunkchor Köln, Zürcher Sängerknaben, Kinderchor Kaltbrunn, Tonhalle Orchestra Zurich, David Zinman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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