UPC · Release
100 Essential Tracks: Country Hits
Various Artists
Last verified:
886976074920 is the Universal Product Code (UPC barcode) for the release “100 Essential Tracks: Country Hits” by Various Artists, released 2009-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USRN11600931, USCA28800181, USSM15901193.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Distant Drums | Jim Reeves | T-070.881.761-1 | |
| 2 | I’ve Been Everywhere | — | ||
| 3 | Please Help Me (I’m Falling) | — | ||
| 4 | Saginaw Michigan | — | ||
| 5 | Sixteen Tons | Tennessee Ernie Ford | T-070.243.651-8 | |
| 6 | Right or Wrong | — | ||
| 7 | Wheels | — | ||
| 8 | Big Bad John | — | ||
| 9 | Once a Day | — | ||
| 10 | Here Comes My Baby | — | ||
| 11 | Last Date | — | ||
| 12 | No Charge | — | ||
| 13 | Happy Anniversary | — | ||
| 14 | B.J the D.J. | — | ||
| 15 | The Ballad of Jed Clampett | — | ||
| 16 | Till I Can Make It on My Own | — | ||
| 17 | Big Iron | Marty Robbins | T-071.000.589-2 | |
| 18 | The End of the World | — | ||
| 19 | Make the World Go Away | Eddy Arnold | T-071.000.906-5 | |
| 20 | Rawhide | — | ||
| 2-1 | Coward of the County | Kenny Rogers | T-070.259.575-2 | |
| 2-2 | Big River | — | ||
| 2-3 | Sea of Heartbreak | — | ||
| 2-4 | Rose Garden | — | ||
| 2-5 | (Now and Then There’s) a Fool Such as I | Elvis Presley | T-070.262.892-9 | |
| 2-6 | 500 Miles | — | ||
| 2-7 | Crystal Chandeliers | — | ||
| 2-8 | Always on My Mind | — | ||
| 2-9 | The Danger of a Stranger | — | ||
| 2-10 | Just as Long as I Have You | — | ||
| 2-11 | Behind Closed Doors | — | ||
| 2-12 | Ode to Billy Joe | Bobbie Gentry | T-070.160.551-7 | |
| 2-13 | Streets of Bakersfield | — | ||
| 2-14 | Abeline | — | ||
| 2-15 | The Last Country Song | — | ||
| 2-16 | I’ve Always Been Crazy | — | ||
| 2-17 | I’m Not Lisa | Jessi Colter | — | |
| 2-18 | Mr Bojangles | — | ||
| 2-19 | A Good Year for the Roses | — | ||
| 2-20 | The First Time Ever I Saw Your Face | — | ||
| 3-1 | Take Me Home, Country Roads | John Denver | T-010.629.732-8 | |
| 3-2 | I Love a Rainy Night | — | ||
| 3-3 | Help Me Make It Through the Night | Kris Kristofferson | T-070.918.750-7 | |
| 3-4 | Honey Come Back | Glen Campbell | T-070.075.889-9 | |
| 3-5 | Snowbird | — | ||
| 3-6 | L.A. Freeway | — | ||
| 3-7 | Talking in Your Sleep | Crystal Gayle | T-070.244.200-9 | |
| 3-8 | Pancho and Lefty | — | ||
| 3-9 | HIGHWAYMAN | Waylon Jennings, Willie Nelson, Johnny Cash & Kris Kristofferson | T-070.076.942-1 | |
| 3-10 | Take This Job and Shove It | — | ||
| 3-11 | I’ll Still Be Loving You | — | ||
| 3-12 | Smokey Mountain Rain | — | ||
| 3-13 | Warfaring Stranger | — | ||
| 3-14 | Now I Know | — | ||
| 3-15 | Something in Red | Lorrie Morgan | T-070.243.796-4 | |
| 3-16 | You’re Gone | Diamond Rio | T-316.861.479-3 | |
| 3-17 | She Took It Like a Man | — | ||
| 3-18 | Nobody | — | ||
| 3-19 | True Love Ways | — | ||
| 3-20 | I Will Always Love You | Dolly Parton | T-070.919.097-5 | |
| 4-1 | Tonight the Heartache’s on Me | — | ||
| 4-2 | Remember When | Alan Jackson | T-072.033.620-8 | |
| 4-3 | CRAZY LITTLE THING CALLED LOVE (LP VERSION) | DWIGHT YOAKAM | T-010.139.364-9 | |
| 4-4 | Love Letters From Old Mexico | — | ||
| 4-5 | Like the Rain | — | ||
| 4-6 | Born Country | — | ||
| 4-7 | Run for the Roses | Dan Fogelberg | T-070.129.003-0 | |
| 4-8 | Silver Moon | — | ||
| 4-9 | Blue Bayou | — | ||
| 4-10 | Streets of Baltimore | — | ||
| 4-11 | Angel of the Morning | Juice Newton | T-070.880.640-9 | |
| 4-12 | Still Learning How to Fly | — | ||
| 4-13 | Tonight I Think I’m Gonna Go Downtown | — | ||
| 4-14 | If I Were You | — | ||
| 4-15 | Do Ya | — | ||
| 4-16 | Runaway Train | — | ||
| 4-17 | Unbreakable Heart | — | ||
| 4-18 | Ghost in This House | Shenandoah | T-070.234.216-2 | |
| 4-19 | When You Say Nothing at All | Keith Whitley | T-070.247.910-4 | |
| 4-20 | Forever and Ever, Amen | Randy Travis | T-070.263.102-4 | |
| 5-1 | Redneck Woman | Gretchen Wilson | T-071.969.926-9 | |
| 5-2 | Amazed | Lonestar | T-071.056.673-6 | |
| 5-3 | Oh Romeo | — | ||
| 5-4 | Just Call Me Lonesome | — | ||
| 5-5 | Lucky in Love | — | ||
| 5-6 | Austin | Blake Shelton | T-071.180.013-3 | |
| 5-7 | Shut Up and Kiss Me | — | ||
| 5-8 | I Lost It | Kenny Chesney | T-071.066.260-4 | |
| 5-9 | How Long Gone | Brooks & Dunn | T-901.334.775-6 | |
| 5-10 | Born to Fly | Sara Evans | T-071.058.099-6 | |
| 5-11 | Still in Love With You | — | ||
| 5-12 | Broken Wing | — | ||
| 5-13 | Kerosene | Miranda Lambert | T-072.417.667-3 | |
| 5-14 | Spilled Perfume | — | ||
| 5-15 | I Swear | John Michael Montgomery | T-070.085.815-6 | |
| 5-16 | You Don’t Even Know Who I Am | — | ||
| 5-17 | Tell It Like It Is | — | ||
| 5-18 | Crying My Heart Out Over You | — | ||
| 5-19 | Sand and Water | — | ||
| 5-20 | Jesus, Take the Wheel | Carrie Underwood | T-072.472.795-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
+71 more
Songwriters/Publishers (IPI)
+40 more
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 886976074920?
886976074920 is a Universal Product Code (UPC) assigned to 100 Essential Tracks: Country Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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