UPC · Release
Various Artists
Last verified:
886976459222 is the Universal Product Code (UPC barcode) for the release “Popmusik in Deutschland 1950–2010” by Various Artists, released 2010-01-01 on RCA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 155 tracks, each with its own ISRC. Tracks include DEA340500364, DEU241016892, DEAD62130204.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mäki-Boogie | — | ||
| 2 | Bobby Schick hat ’nen Tick | — | ||
| 3 | Am Zuckerhut | — | ||
| 4 | Allerdings sprach die Sphinx | — | ||
| 5 | Egon | — | ||
| 6 | Tina Marie | — | ||
| 7 | Fräulein | Chris Howland | — | |
| 8 | Sieben süße Girls | — | ||
| 9 | Cindy, oh Cindy | Margot Eskens | T-801.463.789-0 | |
| 10 | Frauen und Wein | — | ||
| 11 | Weil ich jung bin | — | ||
| 12 | Der lachende Vagabund | — | ||
| 13 | Ich bin ein Mann | — | ||
| 14 | Diana | — | ||
| 15 | Sugar Baby | Peter Kraus | — | |
| 16 | Siebenmal in der Woche | — | ||
| 17 | Der Theodor im Fußballtor | Theo Lingen, Das Orchester Bruno Uher | T-800.091.328-1 | |
| 18 | Der Mann am Klavier | — | ||
| 19 | Wer soll das bezahlen | — | ||
| 2-1 | Afrikaan Beat | — | ||
| 2-2 | Itsy Bitsy Teenie Weenie Honolulu‐Strand‐Bikini | Caterina Valente, Silvio Francesco, Club Honolulu | T-801.980.548-3 | |
| 2-3 | Butlers Boogie | — | ||
| 2-4 | In The Midnight Hour | — | ||
| 2-5 | Schöner fremder Mann | Connie Francis | — | |
| 2-6 | Wenn ich ein Junge wär’ | — | ||
| 2-7 | Shake Hands | — | ||
| 2-8 | Halbstark | — | ||
| 2-9 | Die Strasse | — | ||
| 2-10 | Spiel nicht mit den Schmuddelkindern | Franz Josef Degenhardt | — | |
| 2-11 | Peter Gunn | — | ||
| 2-12 | Pretty Liza | — | ||
| 2-13 | Nichts haut mich um – aber Du | Hildegard Knef | — | |
| 2-14 | Morgens bin ich immer müde | — | ||
| 2-15 | Konkunktur Cha-Cha | Hazy Osterwald | — | |
| 2-16 | Shakin’ All Over | — | ||
| 2-17 | Gitarren-Twist | — | ||
| 2-18 | Ich geh’ noch zur Schule | — | ||
| 2-19 | Der Computer Nr. 3 | — | ||
| 2-20 | Oh, How To Do Now | — | ||
| 2-21 | Heya | — | ||
| 3-1 | Jesus Came Down | — | ||
| 3-2 | Vitamin C | — | ||
| 3-3 | Auf’m Bahnhof Zoo | — | ||
| 3-4 | Mein Name ist Mensch | — | ||
| 3-5 | Alles klar auf der Andrea Doria | — | ||
| 3-6 | Cloudburst Flight | Tangerine Dream | T-802.038.336-3 | |
| 3-7 | Am Fenster (edit version) | City | T-800.723.441-6 | |
| 3-8 | Jadoo | — | ||
| 3-9 | Solar Music Live | — | ||
| 3-10 | Hallogallo | — | ||
| 3-11 | Über sieben Brücken mußt du gehn | Karat | T-800.244.447-6 | |
| 3-12 | Archangel Thunderbird | — | ||
| 3-13 | Gamma Ray | — | ||
| 3-14 | For You | — | ||
| 3-15 | Kinder | — | ||
| 3-16 | Tritt ein in den Dom | — | ||
| 4-1 | Eiszeit | Ideal | T-801.546.135-6 | |
| 4-2 | Verdamp lang her | — | ||
| 4-3 | Forever Young | — | ||
| 4-4 | Wir bauen eine neue Stadt | — | ||
| 4-5 | Also was soll aus mir werden | — | ||
| 4-6 | Major Tom (Völlig losgelöst) | Peter Schilling | T-800.108.752-2 | |
| 4-7 | Hier kommt Alex | — | ||
| 4-8 | Ein Jahr (Es geht voran) | Fehlfarben | T-800.537.856-4 | |
| 4-9 | Schickeria | Spider Murphy Gang | T-800.811.123-8 | |
| 4-10 | Lederhosentyp | — | ||
| 4-11 | Nur geträumt | Nena | T-800.033.809-1 | |
| 4-12 | Stiller Raum | — | ||
| 4-13 | Dein ist mein ganzes Herz | Heinz Rudolf Kunze | T-801.179.887-2 | |
| 4-14 | Das Blech | Spliff | T-800.107.987-5 | |
| 4-15 | Jajaja | — | ||
| 4-16 | Bruttosozialprodukt | Geier Sturzflug | T-800.270.544-5 | |
| 4-17 | Da da da ich lieb dich nicht du liebst mich nicht aha aha aha | Trio | T-801.580.282-2 | |
| 4-18 | Bataillon d’Amour | — | ||
| 4-19 | Ohne dich (schlaf’ ich heut Nacht nicht ein) | Münchener Freiheit | T-325.964.630-1 | |
| 4-20 | Das Buch | Puhdys | T-305.507.971-1 | |
| 5-1 | Die da!?! | Die Fantastischen Vier | T-801.310.291-6 | |
| 5-2 | Alles nur geklaut | — | ||
| 5-3 | Ohne Dich | — | ||
| 5-4 | Jaja… deine Mudder | — | ||
| 5-5 | Hammerhart | — | ||
| 5-6 | Wir kommen um uns zu beschweren | — | ||
| 5-7 | Freiheit | — | ||
| 5-8 | Verdammt, ich lieb’ dich | Matthias Reim | T-801.507.858-8 | |
| 5-9 | Universal Tellerwäscher | Die Sterne | T-800.838.761-0 | |
| 5-10 | Jein | — | ||
| 5-11 | Ich find’ dich scheiße | Tic Tac Toe | T-801.967.078-2 | |
| 5-12 | Nicht von dieser Welt | — | ||
| 5-13 | Open Your Eyes | — | ||
| 5-14 | Move | — | ||
| 5-15 | Horny ’98 | — | ||
| 5-16 | Return to Innocence | — | ||
| 5-17 | Mädchen | — | ||
| 5-18 | Mr. Vain | Culture Beat | T-800.123.445-4 | |
| 5-19 | Herz an Herz | — | ||
| 5-20 | Hyper Hyper | Scooter | T-801.060.319-8 | |
| 6-1 | Raven gegen Deutschland | — | ||
| 6-2 | Tanz der Moleküle | — | ||
| 6-3 | Aurélie | Wir sind Helden | T-802.029.512-0 | |
| 6-4 | Sexy Girl | 2raumwohnung | T-800.311.962-9 | |
| 6-5 | Feuer | — | ||
| 6-6 | Dickes B | — | ||
| 6-7 | Bon Voyage | — | ||
| 6-8 | Keinen Zentimeter | — | ||
| 6-9 | Weinst Du | — | ||
| 6-10 | Der beste Tag meines Lebens | — | ||
| 6-11 | Pick Up the Phone | — | ||
| 6-12 | If This Hat Is Missing I Have Gone Hunting | — | ||
| 6-13 | Fashion | — | ||
| 6-14 | Moonpigs | — | ||
| 6-15 | Meantime | — | ||
| 6-16 | Landungsbrücken raus | — | ||
| 6-17 | Ich sang die ganze Zeit von dir | — | ||
| 6-18 | Schrei | — | ||
| 6-19 | We’re Not Gonna Take It | — | ||
| 7-1 | Harlequin – The Beauty & The Beast | — | ||
| 7-2 | Der Erdbeermund | — | ||
| 7-3 | Actionist Respoke | — | ||
| 7-4 | Hale Bopp | — | ||
| 7-5 | Hypnotized | — | ||
| 7-6 | The Sparrows and the Nightingales (radio edit) | Wolfsheim | T-800.554.789-8 | |
| 7-7 | Hard Times | — | ||
| 7-8 | Autopfoten | — | ||
| 7-9 | Somewhere Over the Rainbow | — | ||
| 7-10 | Sunshine | — | ||
| 7-11 | Doom’s Night | — | ||
| 7-12 | & Down | — | ||
| 7-13 | Pogo | — | ||
| 7-14 | 14 Zero, Zero | — | ||
| 7-15 | Rheinita | — | ||
| 7-16 | Flammende Herzen | — | ||
| 7-17 | Ruhe | — | ||
| 8-1 | Lustig, lustig, ihr lieben Brüder | — | ||
| 8-2 | Herr und Knecht | — | ||
| 8-3 | Der Bremberger | — | ||
| 8-4 | Wach auf mein’s Herzens Schöne | — | ||
| 8-5 | Bürgerlied | — | ||
| 8-6 | Wo soll ich mich hinwenden | — | ||
| 8-7 | O König von Preussen | — | ||
| 8-8 | Lied der Maurergesellen in Hamburg | — | ||
| 8-9 | Wenn man bi’n Buren Deent | — | ||
| 8-10 | Auswandererlied | — | ||
| 8-11 | De fief Söhns | — | ||
| 8-12 | Es wollt ein Bauer früh aufstehn | — | ||
| 8-13 | Auf Jener Wiesen, da schenkt man ein | — | ||
| 8-14 | Gute Nacht, auf Wiedersehn, Marie | — | ||
| 8-15 | Dr Aale Wetzstaa | — | ||
| 8-16 | Triangeldreher | — | ||
| 8-17 | Große Runde/Finale | — | ||
| 8-18 | Kommt, ihr G’spielene | — | ||
| 8-19 | Gstanzl | — | ||
| 8-20 | Steuerbescheid | — | ||
| 8-21 | Mudder Witsch | — | ||
| 8-22 | Polka des 3. Oktober | — | ||
| 8-23 | Ännchen von Tharau | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Major Tom (Coming Home) | Peter Schilling | T-071.520.434-4 |
| Fred vom Jupiter | Die Doraus & Die Marinas | T-801.529.937-4 |
| Sugar Baby | Peter Kraus | T-010.013.173-4 |
| Sugar Baby | Peter Kraus | — |
| Schöner fremder Mann | Connie Francis | — |
| Sugar Baby | Peter Kraus | — |
| Fräulein | Chris Howland | — |
| Sugar Baby | Peter Kraus | — |
| Sugar Baby | Peter Kraus | — |
| Schöner fremder Mann | Connie Francis | T-070.136.655-3 |
| Major Tom (Coming Home) | Peter Schilling | T-071.520.434-4 |
| Fred vom Jupiter | Die Doraus & Die Marinas | T-801.529.937-4 |
| Sugar Baby | Peter Kraus | T-010.013.173-4 |
| Sugar Baby | Peter Kraus | T-010.013.173-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886976459222 is a Universal Product Code (UPC) assigned to Popmusik in Deutschland 1950–2010 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 155 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886976459222 is the Universal Product Code (UPC barcode) for the release “Popmusik in Deutschland 1950–2010” by Various Artists, released 2010-01-01 on RCA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 155 tracks, each with its own ISRC. Tracks include DEA340500364, DEU241016892, DEAD62130204.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mäki-Boogie | — | ||
| 2 | Bobby Schick hat ’nen Tick | — | ||
| 3 | Am Zuckerhut | — | ||
| 4 | Allerdings sprach die Sphinx | — | ||
| 5 | Egon | — | ||
| 6 | Tina Marie | — | ||
| 7 | Fräulein | Chris Howland | — | |
| 8 | Sieben süße Girls | — | ||
| 9 | Cindy, oh Cindy | Margot Eskens | T-801.463.789-0 | |
| 10 | Frauen und Wein | — | ||
| 11 | Weil ich jung bin | — | ||
| 12 | Der lachende Vagabund | — | ||
| 13 | Ich bin ein Mann | — | ||
| 14 | Diana | — | ||
| 15 | Sugar Baby | Peter Kraus | — | |
| 16 | Siebenmal in der Woche | — | ||
| 17 | Der Theodor im Fußballtor | Theo Lingen, Das Orchester Bruno Uher | T-800.091.328-1 | |
| 18 | Der Mann am Klavier | — | ||
| 19 | Wer soll das bezahlen | — | ||
| 2-1 | Afrikaan Beat | — | ||
| 2-2 | Itsy Bitsy Teenie Weenie Honolulu‐Strand‐Bikini | Caterina Valente, Silvio Francesco, Club Honolulu | T-801.980.548-3 | |
| 2-3 | Butlers Boogie | — | ||
| 2-4 | In The Midnight Hour | — | ||
| 2-5 | Schöner fremder Mann | Connie Francis | — | |
| 2-6 | Wenn ich ein Junge wär’ | — | ||
| 2-7 | Shake Hands | — | ||
| 2-8 | Halbstark | — | ||
| 2-9 | Die Strasse | — | ||
| 2-10 | Spiel nicht mit den Schmuddelkindern | Franz Josef Degenhardt | — | |
| 2-11 | Peter Gunn | — | ||
| 2-12 | Pretty Liza | — | ||
| 2-13 | Nichts haut mich um – aber Du | Hildegard Knef | — | |
| 2-14 | Morgens bin ich immer müde | — | ||
| 2-15 | Konkunktur Cha-Cha | Hazy Osterwald | — | |
| 2-16 | Shakin’ All Over | — | ||
| 2-17 | Gitarren-Twist | — | ||
| 2-18 | Ich geh’ noch zur Schule | — | ||
| 2-19 | Der Computer Nr. 3 | — | ||
| 2-20 | Oh, How To Do Now | — | ||
| 2-21 | Heya | — | ||
| 3-1 | Jesus Came Down | — | ||
| 3-2 | Vitamin C | — | ||
| 3-3 | Auf’m Bahnhof Zoo | — | ||
| 3-4 | Mein Name ist Mensch | — | ||
| 3-5 | Alles klar auf der Andrea Doria | — | ||
| 3-6 | Cloudburst Flight | Tangerine Dream | T-802.038.336-3 | |
| 3-7 | Am Fenster (edit version) | City | T-800.723.441-6 | |
| 3-8 | Jadoo | — | ||
| 3-9 | Solar Music Live | — | ||
| 3-10 | Hallogallo | — | ||
| 3-11 | Über sieben Brücken mußt du gehn | Karat | T-800.244.447-6 | |
| 3-12 | Archangel Thunderbird | — | ||
| 3-13 | Gamma Ray | — | ||
| 3-14 | For You | — | ||
| 3-15 | Kinder | — | ||
| 3-16 | Tritt ein in den Dom | — | ||
| 4-1 | Eiszeit | Ideal | T-801.546.135-6 | |
| 4-2 | Verdamp lang her | — | ||
| 4-3 | Forever Young | — | ||
| 4-4 | Wir bauen eine neue Stadt | — | ||
| 4-5 | Also was soll aus mir werden | — | ||
| 4-6 | Major Tom (Völlig losgelöst) | Peter Schilling | T-800.108.752-2 | |
| 4-7 | Hier kommt Alex | — | ||
| 4-8 | Ein Jahr (Es geht voran) | Fehlfarben | T-800.537.856-4 | |
| 4-9 | Schickeria | Spider Murphy Gang | T-800.811.123-8 | |
| 4-10 | Lederhosentyp | — | ||
| 4-11 | Nur geträumt | Nena | T-800.033.809-1 | |
| 4-12 | Stiller Raum | — | ||
| 4-13 | Dein ist mein ganzes Herz | Heinz Rudolf Kunze | T-801.179.887-2 | |
| 4-14 | Das Blech | Spliff | T-800.107.987-5 | |
| 4-15 | Jajaja | — | ||
| 4-16 | Bruttosozialprodukt | Geier Sturzflug | T-800.270.544-5 | |
| 4-17 | Da da da ich lieb dich nicht du liebst mich nicht aha aha aha | Trio | T-801.580.282-2 | |
| 4-18 | Bataillon d’Amour | — | ||
| 4-19 | Ohne dich (schlaf’ ich heut Nacht nicht ein) | Münchener Freiheit | T-325.964.630-1 | |
| 4-20 | Das Buch | Puhdys | T-305.507.971-1 | |
| 5-1 | Die da!?! | Die Fantastischen Vier | T-801.310.291-6 | |
| 5-2 | Alles nur geklaut | — | ||
| 5-3 | Ohne Dich | — | ||
| 5-4 | Jaja… deine Mudder | — | ||
| 5-5 | Hammerhart | — | ||
| 5-6 | Wir kommen um uns zu beschweren | — | ||
| 5-7 | Freiheit | — | ||
| 5-8 | Verdammt, ich lieb’ dich | Matthias Reim | T-801.507.858-8 | |
| 5-9 | Universal Tellerwäscher | Die Sterne | T-800.838.761-0 | |
| 5-10 | Jein | — | ||
| 5-11 | Ich find’ dich scheiße | Tic Tac Toe | T-801.967.078-2 | |
| 5-12 | Nicht von dieser Welt | — | ||
| 5-13 | Open Your Eyes | — | ||
| 5-14 | Move | — | ||
| 5-15 | Horny ’98 | — | ||
| 5-16 | Return to Innocence | — | ||
| 5-17 | Mädchen | — | ||
| 5-18 | Mr. Vain | Culture Beat | T-800.123.445-4 | |
| 5-19 | Herz an Herz | — | ||
| 5-20 | Hyper Hyper | Scooter | T-801.060.319-8 | |
| 6-1 | Raven gegen Deutschland | — | ||
| 6-2 | Tanz der Moleküle | — | ||
| 6-3 | Aurélie | Wir sind Helden | T-802.029.512-0 | |
| 6-4 | Sexy Girl | 2raumwohnung | T-800.311.962-9 | |
| 6-5 | Feuer | — | ||
| 6-6 | Dickes B | — | ||
| 6-7 | Bon Voyage | — | ||
| 6-8 | Keinen Zentimeter | — | ||
| 6-9 | Weinst Du | — | ||
| 6-10 | Der beste Tag meines Lebens | — | ||
| 6-11 | Pick Up the Phone | — | ||
| 6-12 | If This Hat Is Missing I Have Gone Hunting | — | ||
| 6-13 | Fashion | — | ||
| 6-14 | Moonpigs | — | ||
| 6-15 | Meantime | — | ||
| 6-16 | Landungsbrücken raus | — | ||
| 6-17 | Ich sang die ganze Zeit von dir | — | ||
| 6-18 | Schrei | — | ||
| 6-19 | We’re Not Gonna Take It | — | ||
| 7-1 | Harlequin – The Beauty & The Beast | — | ||
| 7-2 | Der Erdbeermund | — | ||
| 7-3 | Actionist Respoke | — | ||
| 7-4 | Hale Bopp | — | ||
| 7-5 | Hypnotized | — | ||
| 7-6 | The Sparrows and the Nightingales (radio edit) | Wolfsheim | T-800.554.789-8 | |
| 7-7 | Hard Times | — | ||
| 7-8 | Autopfoten | — | ||
| 7-9 | Somewhere Over the Rainbow | — | ||
| 7-10 | Sunshine | — | ||
| 7-11 | Doom’s Night | — | ||
| 7-12 | & Down | — | ||
| 7-13 | Pogo | — | ||
| 7-14 | 14 Zero, Zero | — | ||
| 7-15 | Rheinita | — | ||
| 7-16 | Flammende Herzen | — | ||
| 7-17 | Ruhe | — | ||
| 8-1 | Lustig, lustig, ihr lieben Brüder | — | ||
| 8-2 | Herr und Knecht | — | ||
| 8-3 | Der Bremberger | — | ||
| 8-4 | Wach auf mein’s Herzens Schöne | — | ||
| 8-5 | Bürgerlied | — | ||
| 8-6 | Wo soll ich mich hinwenden | — | ||
| 8-7 | O König von Preussen | — | ||
| 8-8 | Lied der Maurergesellen in Hamburg | — | ||
| 8-9 | Wenn man bi’n Buren Deent | — | ||
| 8-10 | Auswandererlied | — | ||
| 8-11 | De fief Söhns | — | ||
| 8-12 | Es wollt ein Bauer früh aufstehn | — | ||
| 8-13 | Auf Jener Wiesen, da schenkt man ein | — | ||
| 8-14 | Gute Nacht, auf Wiedersehn, Marie | — | ||
| 8-15 | Dr Aale Wetzstaa | — | ||
| 8-16 | Triangeldreher | — | ||
| 8-17 | Große Runde/Finale | — | ||
| 8-18 | Kommt, ihr G’spielene | — | ||
| 8-19 | Gstanzl | — | ||
| 8-20 | Steuerbescheid | — | ||
| 8-21 | Mudder Witsch | — | ||
| 8-22 | Polka des 3. Oktober | — | ||
| 8-23 | Ännchen von Tharau | — |
