UPC · Release
Leonard Bernstein, New York Philharmonic
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886976836528 is the Universal Product Code (UPC barcode) for the release “Leonard Bernstein: The Symphony Edition” by Leonard Bernstein, New York Philharmonic, released 2010-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 444 tracks, each with its own ISRC. Tracks include USSM16401155, USSM16401156, USSM16401157.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto, Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio, Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 7 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 8 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto, Allegro con brio | — | ||
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto, vivace | New York Philharmonic, Leonard Bernstein | — | |
| 2-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | New York Philharmonic, Leonard Bernstein | T-071.481.827-5 | |
| 2-7 | Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto | New York Philharmonic, Leonard Bernstein | T-915.710.750-1 | |
| 2-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio, Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | — | ||
| 3-3 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | — | ||
| 3-4 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 3-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 3-7 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 3-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Allegro ma non troppo | — | ||
| 4-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | — | ||
| 4-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 4-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 4-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und Dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 4-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 4-7 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 4-8 | Symphony no. 8 in F major, op. 93: III. Tempo di Minuetto | — | ||
| 4-9 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, Un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto, Allegro assai | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125: IV. Rezitativo: “O Freunde, nicht diese Töne!”, Allegro assai | — | ||
| 6-1 | Symphonie Fantastique: I. Rêveries. Passions. Largo, Allegro agitato e appassionato assai | — | ||
| 6-2 | Symphonie Fantastique: II. Un bal. Valse. Allegro non troppo | — | ||
| 6-3 | Symphonie Fantastique: III. Scène aux Champs. Adagio | — | ||
| 6-4 | Symphonie Fantastique: IV. Marche au Supplice. Allegretto non troppo | — | ||
| 6-5 | Symphonie Fantastique: V. Songe d’une nuit du sabbat. Larghetto, Allegro | — | ||
| 6-6 | Leonard Bernstein Explores the “Symphonie Fantastique” With Musical Illustrations By The New York Philharmonic | — | ||
| 7-1 | Jeremiah, Symphony no. 1: I. Prophecy. Largamente | — | ||
| 7-2 | Jeremiah, Symphony no. 1: II. Profanation. Vivace con brio | — | ||
| 7-3 | Jeremiah, Symphony no. 1: III. Lamentation | — | ||
| 7-4 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-6 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-7 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-8 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-9 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony in C major: I. Allegro vivo | — | ||
| 8-5 | Symphony in C major: II. Adagio | — | ||
| 8-6 | Symphony in C major: III. Scherzo. Allegro vivace | — | ||
| 8-7 | Symphony in C major: IV. Finale. Allegro vivace | — | ||
| 9-1 | The Airborne Symphony: I. Theory of Flight | — | ||
| 9-2 | The Airborne Symphony: I. Ballad of History and Mythology | — | ||
| 9-3 | The Airborne Symphony: I. Kittyhawk | — | ||
| 9-4 | The Airborne Symphony: I. The Airbone | — | ||
| 9-5 | The Airborne Symphony: II. The Enemy | — | ||
| 9-6 | The Airborne Symphony: II. Threat and Approach | — | ||
| 9-7 | The Airborne Symphony: II. Ballad of the Cities | — | ||
| 9-8 | The Airborne Symphony: II. Morning Poem | — | ||
| 9-9 | The Airborne Symphony: III. Ballad of Hurry‐up | — | ||
| 9-10 | The Airborne Symphony: III. Night Music: Ballad of the Bombardier | — | ||
| 9-11 | The Airborne Symphony: III. Recitative: Chorus of the Rendezvous | — | ||
| 9-12 | The Airborne Symphony: III. The Open Sky | — | ||
| 10-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto, Allegro vivace | — | ||
| 10-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 10-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 10-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio, Più andante, Allegro ma non troppo, Ma con brio | — | ||
| 11-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 11-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 11-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino), Presto ma non assai, Tempo I | — | ||
| 11-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 11-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 11-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 11-7 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 11-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 12-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 12-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 12-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Poco meno presto, Tempo I | — | ||
| 12-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Più allegro | — | ||
| 12-5 | Sinfonía India (Symphony No. 2) | New York Philharmonic, Leonard Bernstein | — | |
| 12-6 | Symphony no. 4: I. Allegretto | — | ||
| 12-7 | Symphony no. 4: II. Adagio andante | — | ||
| 12-8 | Symphony no. 4: III. Allegro | — | ||
| 13-1 | Symphony no. 9 in D minor: I. Feierlich. Misterioso | — | ||
| 13-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, Lebhaft, Trio. Schnell | — | ||
| 13-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich | — | ||
| 14-1 | Symphony for Organ and Orchestra: I. Prelude: Andante | New York Philharmonic, Leonard Bernstein, E. Power Biggs | T-802.326.793-9 | |
| 14-2 | Symphony for Organ and Orchestra: II. Scherzo: Allegro molto - Moderato | New York Philharmonic, Leonard Bernstein, E. Power Biggs | — | |
| 14-3 | Symphony for Organ and Orchestra: III. Finale: Lento - Allegro moderato | New York Philharmonic, Leonard Bernstein, E. Power Biggs | — | |
| 14-4 | Symphony no. 3: I. Molto moderato - with simple expression | New York Philharmonic, Leonard Bernstein | — | |
| 14-5 | Symphony no. 3: II. Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 14-6 | Symphony no. 3: III. Andantino quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 14-7 | Symphony no. 3: IV. Molto deliberato | New York Philharmonic, Leonard Bernstein | — | |
| 15-1 | Symphony no. 7 in D minor: I. Allegro maestoso | — | ||
| 15-2 | Symphony no. 7 in D minor: II. Poco adagio | — | ||
| 15-3 | Symphony no. 7 in D minor: III. Scherzo. Vivace, Poco meno mosso | — | ||
| 15-4 | Symphony no. 7 in D minor: IV. Finale. Allegro | — | ||
| 15-5 | Symphony in D minor: I. Lento, Allegro non troppo | — | ||
| 15-6 | Symphony in D minor: II. Allegretto | — | ||
| 15-7 | Symphony in D minor: III. Allegro non troppo | — | ||
| 16-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 16-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | New York Philharmonic, Leonard Bernstein | T-902.286.256-2 | |
| 16-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 16-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | — | |
| 16-5 | Symphony no. 3 (in one movement) | — | ||
| 17-1 | Rustic Wedding Symphony: I. Hochzeitsmarsch: Variationen. Moderato molto, Allegro, Andante con moto quasi allegretto, Allegretto, Allegro vivace, Allegretto pesante, Allegro scherzando, Allegretto quasi andantino, Molto vivace, Andante con moto, Moderato, Tempo des themas | — | ||
| 17-2 | Rustic Wedding Symphony: II. Brautlied: Intermezzo. Allegretto | — | ||
| 17-3 | Rustic Wedding Symphony: III. Serenade: Scherzo. Allegro moderato scherzando | — | ||
| 17-4 | Rustic Wedding Symphony: IV. Im Garten. Andante, Poco più lento, Tempo I | — | ||
| 17-5 | Rustic Wedding Symphony: V. Tanz: Finale. Allegro molto, Andante | — | ||
| 17-6 | Symphony in E‐flat major: I. Sehr lebhaft, Lebhafter | — | ||
| 17-7 | Symphony in E‐flat major: II. Sehr langsam, Breit | — | ||
| 17-8 | Symphony in E‐flat major: III. Lebhaft, Ein wenig ruhiger, Im früheren Zeitmaß | — | ||
| 17-9 | Symphony in E‐flat major: IV. Mäßig Schnelle Halbe, Intermezzo, Im Gleichen Zeitmaß, Breit Bewegt, Lebhaft, Mit Höchster Kraft | — | ||
| 18-1 | Symphony no. 82 in C major "The Bear": I. Vivace Assai | New York Philharmonic, Leonard Bernstein | — | |
| 18-2 | Symphony no. 82 in C major "The Bear": II. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 18-3 | Symphony no. 82 in C major "The Bear": III. Menuetto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 18-4 | Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 18-5 | Symphony no. 83 in G minor "The Hen": I. Allegro Spirito | New York Philharmonic, Leonard Bernstein | — | |
| 18-6 | Symphony no. 83 in G minor "The Hen": II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 18-7 | Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 18-8 | Symphony no. 83 in G minor "The Hen": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 18-9 | Symphony no. 84 in E-flat major: I. Largo, Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 18-10 | Symphony no. 84 in E-flat major: II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 18-11 | Symphony no. 84 in E-flat major: III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 18-12 | Symphony no. 84 in E-flat major: IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 19-1 | Symphony no. 85 in B-flat major "La Reine": I. Adagio, Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 19-2 | Symphony no. 85 in B-flat major "La Reine": II. Romance. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 19-3 | Symphony no. 85 in B-flat major "La Reine": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 19-4 | Symphony no. 85 in B-flat major "La Reine": IV. Finale. Presto | New York Philharmonic, Leonard Bernstein | T-312.542.381-2 | |
| 19-5 | Symphony no. 86 in D major: I. Adagio, Allegro Spiritoso | New York Philharmonic, Leonard Bernstein | T-312.542.381-2 | |
| 19-6 | Symphony no. 86 in D major: II. Capriccio. Largo | New York Philharmonic, Leonard Bernstein | — | |
| 19-7 | Symphony no. 86 in D major: III. Menuet. Allegretto, Trio | — | ||
| 19-8 | Symphony no. 86 in D major: IV. Finale. Allegro Con Spirito | New York Philharmonic, Leonard Bernstein | T-312.542.381-2 | |
| 19-9 | Symphony no. 87 in A major: I. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 19-10 | Symphony no. 87 in A major: II. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 19-11 | Symphony no. 87 in A major: III. Menuet, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 19-12 | Symphony no. 87 in A major: IV. Finale. Vivace | — | ||
| 20-1 | Symphony no. 93 in D major: I. Adagio, Allegro assai | — | ||
| 20-2 | Symphony no. 93 in D major: II. Largo cantabile | — | ||
| 20-3 | Symphony no. 93 in D major: III. Menuetto. Allegro, Trio | — | ||
| 20-4 | Symphony no. 93 in D major: IV. Finale. Presto ma non troppo | — | ||
| 20-5 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": I. Adagio. Vivace assai | New York Philharmonic, Leonard Bernstein | — | |
| 20-6 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 20-7 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": III. Menuetto. Allegro molto - Trio | New York Philharmonic, Leonard Bernstein | — | |
| 20-8 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": IV. Finale - Allegro di molto | New York Philharmonic, Leonard Bernstein | — | |
| 20-9 | Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 20-10 | Symphony no. 95 in C minor, Hob. I:95: II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 20-11 | Symphony no. 95 in C minor, Hob. I:95: III. Menuet - Trio | New York Philharmonic, Leonard Bernstein | — | |
| 20-12 | Symphony no. 95 in C minor, Hob. I:95: IV. Finale - Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 21-1 | Symphony no. 96 in D major, Hob. I:96 "The Miracle": I. Adagio - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 21-2 | Symphony No. 96 in D major, "Miracle": II. Andante | Leonard Bernstein, New York Philharmonic | — | |
| 21-3 | Symphony no. 96 in D major, Hob. I:96 "The Miracle": III. Menuetto. Allegretto - Trio | New York Philharmonic, Leonard Bernstein | — | |
| 21-4 | Symphony No. 96 in D major, "Miracle": IV. Finale: Vivace | Leonard Bernstein, New York Philharmonic | — | |
| 21-5 | Symphony no. 97 in C major: I. Adagio, Vivace | — | ||
| 21-6 | Symphony no. 97 in C major: II. Adagio ma non troppo | — | ||
| 21-7 | Symphony no. 97 in C major: III. Menuetto. Allegretto, Trio | — | ||
| 21-8 | Symphony no. 97 in C major: IV. Finale. Presto assai | — | ||
| 21-9 | Symphony no. 88 in G major: I. Adagio, Allegro | — | ||
| 21-10 | Symphony no. 88 in G major: II. Largo | — | ||
| 21-11 | Symphony no. 88 in G major: III. Menuetto. Allegretto, Trio | — | ||
| 21-12 | Symphony no. 88 in G major: IV. Finale. Allegro con spirito | — | ||
| 22-1 | Symphony no. 98 in B‐flat major: I. Adagio, Allegro | — | ||
| 22-2 | Symphony no. 98 in B‐flat major: II. Adagio | — | ||
| 22-3 | Symphony no. 98 in B‐flat major: III. Menuetto. Allegro, Trio | — | ||
| 22-4 | Symphony no. 98 in B‐flat major: IV. Finale. Presto | — | ||
| 22-5 | Symphony no. 99 in E‐flat major: I. Adagio, Vivace assai | — | ||
| 22-6 | Symphony no. 99 in E‐flat major: II. Adagio | — | ||
| 22-7 | Symphony no. 99 in E‐flat major: III. Menuet. Allegretto, Trio | — | ||
| 22-8 | Symphony no. 99 in E‐flat major: IV. Finale. Vivace | — | ||
| 23-1 | Symphony no. 100 in G major “Military”: I. Adagio, Allegro | — | ||
| 23-2 | Symphony no. 100 in G major “Military”: II. Allegretto | — | ||
| 23-3 | Symphony no. 100 in G major “Military”: III. Menuet. Moderato, Trio | — | ||
| 23-4 | Symphony no. 100 in G major “Military”: IV. Finale. Presto | — | ||
| 23-5 | Symphony no. 102 in B‐flat major: I. Largo, Vivace | — | ||
| 23-6 | Symphony no. 102 in B‐flat major: II. Adagio | — | ||
| 23-7 | Symphony no. 102 in B‐flat major: III. Menuet. Allegro, Trio | — | ||
| 23-8 | Symphony no. 102 in B‐flat major: IV. Finale. Presto | — | ||
| 23-9 | Symphony no. 104 in D major “London”: I. Adagio, Allegro | — | ||
| 23-10 | Symphony no. 104 in D major “London”: II. Andante | — | ||
| 23-11 | Symphony no. 104 in D major “London”: III. Menuet. Allegreo, Trio | — | ||
| 23-12 | Symphony no. 104 in D major “London”: IV. Finale. Spirituoso | — | ||
| 24-1 | Symphony no. 101 in D major “The Clock”: I. Adagio, Presto | — | ||
| 24-2 | Symphony no. 101 in D major “The Clock”: II. Andante | — | ||
| 24-3 | Symphony no. 101 in D major “The Clock”: III. Menuet. Allegretto, Trio | — | ||
| 24-4 | Symphony no. 101 in D major “The Clock”: IV. Finale. Vivace | — | ||
| 24-5 | Symphony no. 103 in E‐flat major “Drum‐Roll”: I. Adagio, Allegro con spirito | — | ||
| 24-6 | Symphony no. 103 in E‐flat major “Drum‐Roll”: II. Andante più tosto allegretto | — | ||
| 24-7 | Symphony no. 103 in E‐flat major “Drum‐Roll”: III. Menuet, Trio | — | ||
| 24-8 | Symphony no. 103 in E‐flat major “Drum‐Roll”: IV. Finale. Allegro con spirito | — | ||
| 25-1 | Symphony no. 2: I. Andante moderato | — | ||
| 25-2 | Symphony no. 2: II. Allegro | — | ||
| 25-3 | Symphony no. 2: III. Adagio cantabile | — | ||
| 25-4 | Symphony no. 2: IV. Lento (Maestoso) | — | ||
| 25-5 | Symphony no. 2: V. Allegro molto vivace | — | ||
| 25-6 | Symphony no. 3 “The Camp Meeting”: I. Old Folks Gatherin’. Andante maestoso | — | ||
| 25-7 | Symphony no. 3 “The Camp Meeting”: II. Children’s Day. Allegro | — | ||
| 25-8 | Symphony no. 3 “The Camp Meeting”: III. Communion. Largo | — | ||
| 25-9 | Leonard Bernstein Discusses Charles Ives | — | ||
| 26-1 | A Faust Symphony: I. Faust | — | ||
| 26-2 | A Faust Symphony: II. Gretchen | — | ||
| 26-3 | A Faust Symphony: III. Mephistopheles | — | ||
| 26-4 | A Faust Symphony: Chorus Mysticus: “Alles Vergängliche” | — | ||
| 27-1 | Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 27-2 | Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell | New York Philharmonic, Leonard Bernstein | — | |
| 27-3 | Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen | New York Philharmonic, Leonard Bernstein | — | |
| 27-4 | Symphony no. 1 “Titan”: IV. Stürmisch bewegt – Energisch | New York Philharmonic, Leonard Bernstein | T-900.953.062-5 | |
| 27-5 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 28-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 28-2 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 28-3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — | |
| 28-4 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — | |
| 29-1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — | |
| 29-2 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — | |
| 29-3 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 29-4 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — | |
| 29-5 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck Im Ausdruck: “Es sungen drei Engel” | — | ||
| 30-1 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — | |
| 30-2 | Symphony no. 2 in E minor: I. Allegro | — | ||
| 30-3 | Symphony no. 2 in E minor: II. Largo | — | ||
| 30-4 | Symphony no. 2 in E minor: III. Vivace | — | ||
| 30-5 | Symphony no. 2 in E minor: IV. Andante moderato. Allegro con spirito | — | ||
| 31-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | New York Philharmonic, Leonard Bernstein | — | |
| 31-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 31-3 | Symphony no. 4 in G major: III. Ruhevoll | New York Philharmonic, Leonard Bernstein | — | |
| 31-4 | Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden” | Reri Grist, New York Philharmonic, Leonard Bernstein | — | |
| 32-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 32-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 32-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 32-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 32-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 33-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 33-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 33-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 33-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 34-1 | Symphony no. 7 in E minor: I. Langsam (Adagio) | New York Philharmonic, Leonard Bernstein | — | |
| 34-2 | Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 34-3 | Symphony no. 7 in E minor: III. Scherzo. Schattenhaft | New York Philharmonic, Leonard Bernstein | — | |
| 34-4 | Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso | New York Philharmonic, Leonard Bernstein | — | |
| 34-5 | Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario) | New York Philharmonic, Leonard Bernstein | — | |
| 35-1 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | London Symphony Orchestra, Leonard Bernstein | — | |
| 35-2 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | London Symphony Orchestra, Leonard Bernstein | — | |
| 36-1 | Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — | |
| 36-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — | |
| 36-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — | |
| 36-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 37-1 | Adagio from Symphony no. 10 | New York Philharmonic, Leonard Bernstein | — | |
| 37-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto, Allegro un poco agitato, Assai animato, Andante come prima | — | ||
| 37-3 | Symphony No. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 37-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | — | ||
| 37-5 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo, Allegro maestoso assai | — | ||
| 38-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | New York Philharmonic, Leonard Bernstein | — | |
| 38-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | New York Philharmonic, Leonard Bernstein | T-303.792.628-2 | |
| 38-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | New York Philharmonic, Leonard Bernstein | T-931.717.262-6 | |
| 38-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto | New York Philharmonic, Leonard Bernstein | T-308.451.891-8 | |
| 38-5 | Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante, Allegro con fuoco | — | ||
| 38-6 | Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace | New York Philharmonic, Leonard Bernstein | — | |
| 38-7 | Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante | — | ||
| 38-8 | Symphony no. 5 in D minor, op. 107 “Reformation” : IV. Chorale: “Ein’ feste Burg ist unser Gott”. Andante con moto, Allegro vivace, Allegro maestoso assai | — | ||
| 39-1 | Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio, Allegro spiritoso | — | ||
| 39-2 | Symphony no. 36 in C major, K. 425 “Linz”: II. Andante | — | ||
| 39-3 | Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto, Trio | — | ||
| 39-4 | Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto | — | ||
| 39-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 39-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 39-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto, Trio | — | ||
| 39-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 39-9 | Symphony no. 3 in G minor op. 42: I. Allegro vivo | — | ||
| 39-10 | Symphony no. 3 in G minor op. 42: II. Adagio | — | ||
| 39-11 | Symphony no. 3 in G minor op. 42: III. Vivace | — | ||
| 39-12 | Symphony no. 3 in G minor op. 42: IV. Allegro con spirito | — | ||
| 40-1 | Symphony no. 39 in E‐flat major: I. Adagio, Allegro | — | ||
| 40-2 | Symphony no. 39 in E‐flat major: II. Andante con moto | — | ||
| 40-3 | Symphony no. 39 in E‐flat major: III. Menuetto. Allegretto, Trio | — | ||
| 40-4 | Symphony no. 39 in E‐flat major: IV. Finale. Allegro | — | ||
| 40-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | — | ||
| 40-6 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | — | ||
| 40-7 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto. Allegretto, Trio | — | ||
| 40-8 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | — | ||
| 41-1 | Symphony no. 2, op. 16 “The Four Temperaments”: I. Allegro collerico | — | ||
| 41-2 | Symphony no. 2, op. 16 “The Four Temperaments”: II. Allegro comodo e flemmatico | — | ||
| 41-3 | Symphony no. 2, op. 16 “The Four Temperaments”: III. Andante malincolico | — | ||
| 41-4 | Symphony no. 2, op. 16 “The Four Temperaments”: IV. Allegro sanguineo | — | ||
| 41-5 | Symphony no. 4, op. 29 “The Inextinguishable”: I. Allegro | — | ||
| 41-6 | Symphony no. 4, op. 29 “The Inextinguishable”: II. Poco allegretto | — | ||
| 41-7 | Symphony no. 4, op. 29 “The Inextinguishable”: III. Poco adagio quasi andante | — | ||
| 41-8 | Symphony no. 4, op. 29 “The Inextinguishable”: IV. Allegro | — | ||
| 42-1 | Symphony no. 3, op. 27 “Sinfonia espansiva”: I. Allegro espansivo | — | ||
| 42-2 | Symphony no. 3, op. 27 “Sinfonia espansiva”: II. Andante pastorale | — | ||
| 42-3 | Symphony no. 3, op. 27 “Sinfonia espansiva”: III. Allegretto un poco | — | ||
| 42-4 | Symphony no. 3, op. 27 “Sinfonia espansiva”: IV. Finale. Allegro | — | ||
| 42-5 | Symphony no. 5, op. 50: I. Tempo Giusto, Adagio non troppo | — | ||
| 42-6 | Symphony no. 5, op. 50: II. Allegro, Andante un poco tranquillo | — | ||
| 43-1 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | — | ||
| 43-2 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | — | ||
| 43-3 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. non troppo allegro | — | ||
| 43-4 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace | — | ||
| 43-5 | Symphony no. 5 in B‐flat major, op. 100: I. Andante | — | ||
| 43-6 | Symphony no. 5 in B‐flat major, op. 100: II. Allegro marcato | — | ||
| 43-7 | Symphony no. 5 in B‐flat major, op. 100: III. Adagio | — | ||
| 43-8 | Symphony no. 5 in B‐flat major, op. 100: IV. Allegro giocoso | — | ||
| 44-1 | Symphony no. 3 in C minor, op. 78 “Organ”: I. Adagio | — | ||
| 44-2 | Symphony no. 3 in C minor, op. 78 “Organ”: I. Allegro moderato | — | ||
| 44-3 | Symphony no. 3 in C minor, op. 78 “Organ”: I. Poco adagio | — | ||
| 44-4 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Allegro moderato | — | ||
| 44-5 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Presto | — | ||
| 44-6 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Maestoso | — | ||
| 44-7 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Allegro | — | ||
| 44-8 | Symphony no. 5 in B‐flat major, D 485: I. Allegro | — | ||
| 44-9 | Symphony no. 5 in B‐flat major, D 485: II. Andante con moto | — | ||
| 44-10 | Symphony no. 5 in B‐flat major, D 485: III. Menuetto. Allegro molto, Trio | — | ||
| 44-11 | Symphony no. 5 in B‐flat major, D 485: IV. Allegro vivace | — | ||
| 45-1 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | — | ||
| 45-2 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | — | ||
| 45-3 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante, Allegro ma non troppo | — | ||
| 45-4 | Symphony no. 9 in C major, D 944 “The Great”: II. Andante con moto | — | ||
| 45-5 | Symphony no. 9 in C major, D 944 “The Great”: III. Scherzo. Allegro vivace, Trio | — | ||
| 45-6 | Symphony no. 9 in C major, D 944 “The Great”: IV. Finale. Allegro vivace | — | ||
| 46-1 | Symphony no. 3: I. Passacaglia and Fugue | — | ||
| 46-2 | Symphony no. 3: II. Chorale and Toccata | — | ||
| 46-3 | Symphony no. 5 for Strings: I. Molto agitato ed energico | — | ||
| 46-4 | Symphony no. 5 for Strings: II. Larghissimo | — | ||
| 46-5 | Symphony no. 5 for Strings: III. Presto | — | ||
| 46-6 | Symphony no. 8: I. Lento sostenuto | — | ||
| 46-7 | Symphony no. 8: II. Largo | — | ||
| 46-8 | Symphony no. 8: III. Presto | — | ||
| 47-1 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso, Allegro molto vivace | — | ||
| 47-2 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: II. Larghetto | — | ||
| 47-3 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: III. Scherzo. Molto vivace, Trio I. Molto più vivace, Trio II | — | ||
| 47-4 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | — | ||
| 47-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai, Allegro ma non troppo | — | ||
| 47-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace, Trio I, Trio II | — | ||
| 47-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 47-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 48-1 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: I. Lebhaft | — | ||
| 48-2 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: II. Scherzo. Sehr Mäßig | — | ||
| 48-3 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht Schnell | — | ||
| 48-4 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: IV. Feierlich | — | ||
| 48-5 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: V. Lebhaft | — | ||
| 48-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich Langsam, Lebhaft | — | ||
| 48-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich Langsam | — | ||
| 48-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft, Trio | — | ||
| 48-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft | — | ||
| 49-1 | Symphony for Classical Orchestra: I. Adagio, Allegro | — | ||
| 49-2 | Symphony for Classical Orchestra: II. Adagietto | — | ||
| 49-3 | Symphony for Classical Orchestra: III. Scherzo | — | ||
| 49-4 | Symphony for Classical Orchestra: IV. Finale. Allegro con spirito | — | ||
| 49-5 | Symphony of Psalms: I. Exaudi orationem meam (Psalmus XXXVIII 13, 14) | — | ||
| 49-6 | Symphony of Psalms: II. Expectans expectavi dominum (Psalmus XXXIX 1–3) | — | ||
| 49-7 | Symphony of Psalms: III. Alleluja. Laudate dominum (Psalmus CL) | — | ||
| 50-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto, Allegro non troppo | — | ||
| 50-2 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 50-3 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 50-4 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto | — | ||
| 50-5 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 50-6 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 50-7 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 51-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 51-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 51-3 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 51-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 51-5 | Symphony no. 9 in E‐flat major, op. 70: I. Allegro | — | ||
| 51-6 | Symphony no. 9 in E‐flat major, op. 70: II. Moderato | — | ||
| 51-7 | Symphony no. 9 in E‐flat major, op. 70: III. Presto | — | ||
| 51-8 | Symphony no. 9 in E‐flat major, op. 70: IV. Largo | — | ||
| 51-9 | Symphony no. 9 in E‐flat major, op. 70: V. Allegretto | — | ||
| 52-1 | Symphony no. 7 in C major, op. 60 “Leningrad”: I. Allegretto | — | ||
| 52-2 | Symphony no. 7 in C major, op. 60 “Leningrad”: II. Moderato (Poco allegretto) | — | ||
| 52-3 | Symphony no. 7 in C major, op. 60 “Leningrad”: III. Adagio | — | ||
| 52-4 | Symphony no. 7 in C major, op. 60 “Leningrad”: IV. Allegro non troppo | — | ||
| 53-1 | Symphony no. 14, op. 135: I. De profundis. Adagio | — | ||
| 53-2 | Symphony no. 14, op. 135: II. Malagueña. Allegretto | — | ||
| 53-3 | Symphony no. 14, op. 135: III. Loreley. Allegro molto, Adagio, A Tempo | — | ||
| 53-4 | Symphony no. 14, op. 135: IV. The Suicide. Adagio | — | ||
| 53-5 | Symphony no. 14, op. 135: V. On the Alert. Allegretto, Adagio, Allegretto | — | ||
| 53-6 | Symphony no. 14, op. 135: VI. Look Here, Madame! Adagio | — | ||
| 53-7 | Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio | — | ||
| 53-8 | Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks’ Reply to the Sultan of Constantinople. Allegro | — | ||
| 53-9 | Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante | — | ||
| 53-10 | Symphony no. 14, op. 135: X. The Poet’s Death. Largo | — | ||
| 53-11 | Symphony no. 14, op. 135: XI. Conclusion. Moderato | — | ||
| 53-12 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 53-13 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 53-14 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro, ma non tanto | New York Philharmonic, Leonard Bernstein | — | |
| 54-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 54-2 | Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento | New York Philharmonic, Leonard Bernstein | — | |
| 54-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 54-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia): Andante - Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 54-5 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | New York Philharmonic, Leonard Bernstein | — | |
| 54-6 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | New York Philharmonic, Leonard Bernstein | — | |
| 54-7 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | New York Philharmonic, Leonard Bernstein | — | |
| 54-8 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | New York Philharmonic, Leonard Bernstein | — | |
| 55-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 55-2 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, Ma Rubato | New York Philharmonic, Leonard Bernstein | — | |
| 55-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | New York Philharmonic, Leonard Bernstein | — | |
| 55-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro Moderato | New York Philharmonic, Leonard Bernstein | — | |
| 55-5 | Symphony no. 7 in C major, op. 105: Adagio - Vivacissimo - Allegro molto moderato - Allegro moderato - Vivace - Presto - Adagio - Largamente molto - Affettuoso | New York Philharmonic, Leonard Bernstein | — | |
| 56-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | New York Philharmonic, Leonard Bernstein | — | |
| 56-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 56-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | New York Philharmonic, Leonard Bernstein | — | |
| 56-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | New York Philharmonic, Leonard Bernstein | T-318.676.528-2 | |
| 56-5 | Symphony no. 5 in E‐flat major, op. 82: I. Largamente, Tempo molto moderato | — | ||
| 56-6 | Symphony no. 5 in E‐flat major, op. 82: I. Allegro moderato, Presto | — | ||
| 56-7 | Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 56-8 | Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto – Un pochettino largamente – Largamente assai | New York Philharmonic, Leonard Bernstein | — | |
| 57-1 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: I. Dreams of a Winter Journey. Allegro tranquillo | — | ||
| 57-2 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto | — | ||
| 57-3 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: III. Scherzo. Allegro scherzando giocoso | — | ||
| 57-4 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: IV. Finale. Andante lugubre, Andante moderato, Allegro maestoso, Allegro vivo | — | ||
| 57-5 | Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto, Allegro vivo | — | ||
| 57-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, Quasi moderato | — | ||
| 57-7 | Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace, Trio. L’istesso tempo | — | ||
| 57-8 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai, Allegro vivo | — | ||
| 58-1 | Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione. Moderato assai (Tempo di marcia funebre) Allegro brillante | — | ||
| 58-2 | Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice | — | ||
| 58-3 | Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco | — | ||
| 58-4 | Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo | — | ||
| 58-5 | Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco (Tempo di polacca) | — | ||
| 58-6 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto, Moderato con anima, Moderato assai, Quasi andante, Allegro con anima, Allegro vivo | — | ||
| 59-1 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 59-2 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | — | ||
| 59-3 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 59-4 | Symphony no. 5 in E minor, op. 64: I. Andante, Allegro con anima | — | ||
| 59-5 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 59-6 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 59-7 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso, Allegro vivace | — | ||
| 60-1 | Symphony no. 6 in B minor, op. 74 “Pathétique": I. Adagio, Allegro non troppo | — | ||
| 60-2 | Symphony no. 6 in B minor, op. 74 “Pathétique": II. Allegro con grazia | — | ||
| 60-3 | Symphony no. 6 in B minor, op. 74 “Pathétique": III. Allegro molto vivace | — | ||
| 60-4 | Symphony no. 6 in B minor, op. 74 “Pathétique": IV. Finale. Adagio lamentoso, Andante | — | ||
| 60-5 | Symphony no. 4 in F minor: I. Allegro | — | ||
| 60-6 | Symphony no. 4 in F minor: II. Andante moderato | — | ||
| 60-7 | Symphony no. 4 in F minor: III. Scherzo. Allegro molto | — | ||
| 60-8 | Symphony no. 4 in F minor: IV. Finale. Allegro molto | — | ||
| 60-9 | Symphony no. 4 in F minor: IV. Epilogo fugato. Con anima | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 2 in D major, op. 43: II. Tempo Andante, Ma Rubato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 43: III. Vivacissimo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 43: IV. Finale. Allegro Moderato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
886976836528 is a Universal Product Code (UPC) assigned to Leonard Bernstein: The Symphony Edition by Leonard Bernstein, New York Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 444 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886976836528 is the Universal Product Code (UPC barcode) for the release “Leonard Bernstein: The Symphony Edition” by Leonard Bernstein, New York Philharmonic, released 2010-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 444 tracks, each with its own ISRC. Tracks include USSM16401155, USSM16401156, USSM16401157.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto, Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio, Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 7 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 8 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto, Allegro con brio | — | ||
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto, vivace | New York Philharmonic, Leonard Bernstein | — | |
| 2-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | New York Philharmonic, Leonard Bernstein | T-071.481.827-5 | |
| 2-7 | Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto | New York Philharmonic, Leonard Bernstein | T-915.710.750-1 | |
| 2-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio, Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | — | ||
| 3-3 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | — | ||
| 3-4 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 3-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 3-7 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 3-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Allegro ma non troppo | — | ||
| 4-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto | — | ||
| 4-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 4-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 4-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und Dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 4-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 4-7 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 4-8 | Symphony no. 8 in F major, op. 93: III. Tempo di Minuetto | — | ||
| 4-9 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, Un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125: IV. Presto, Allegro assai | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125: IV. Rezitativo: “O Freunde, nicht diese Töne!”, Allegro assai | — | ||
| 6-1 | Symphonie Fantastique: I. Rêveries. Passions. Largo, Allegro agitato e appassionato assai | — | ||
| 6-2 | Symphonie Fantastique: II. Un bal. Valse. Allegro non troppo | — | ||
| 6-3 | Symphonie Fantastique: III. Scène aux Champs. Adagio | — | ||
| 6-4 | Symphonie Fantastique: IV. Marche au Supplice. Allegretto non troppo | — | ||
| 6-5 | Symphonie Fantastique: V. Songe d’une nuit du sabbat. Larghetto, Allegro | — | ||
| 6-6 | Leonard Bernstein Explores the “Symphonie Fantastique” With Musical Illustrations By The New York Philharmonic | — | ||
| 7-1 | Jeremiah, Symphony no. 1: I. Prophecy. Largamente | — | ||
| 7-2 | Jeremiah, Symphony no. 1: II. Profanation. Vivace con brio | — | ||
| 7-3 | Jeremiah, Symphony no. 1: III. Lamentation | — | ||
| 7-4 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-6 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-7 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-8 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 7-9 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony in C major: I. Allegro vivo | — | ||
| 8-5 | Symphony in C major: II. Adagio | — | ||
| 8-6 | Symphony in C major: III. Scherzo. Allegro vivace | — | ||
| 8-7 | Symphony in C major: IV. Finale. Allegro vivace | — | ||
| 9-1 | The Airborne Symphony: I. Theory of Flight | — | ||
| 9-2 | The Airborne Symphony: I. Ballad of History and Mythology | — | ||
| 9-3 | The Airborne Symphony: I. Kittyhawk | — | ||
| 9-4 | The Airborne Symphony: I. The Airbone | — | ||
| 9-5 | The Airborne Symphony: II. The Enemy | — | ||
| 9-6 | The Airborne Symphony: II. Threat and Approach | — | ||
| 9-7 | The Airborne Symphony: II. Ballad of the Cities | — | ||
| 9-8 | The Airborne Symphony: II. Morning Poem | — | ||
| 9-9 | The Airborne Symphony: III. Ballad of Hurry‐up | — | ||
| 9-10 | The Airborne Symphony: III. Night Music: Ballad of the Bombardier | — | ||
| 9-11 | The Airborne Symphony: III. Recitative: Chorus of the Rendezvous | — | ||
| 9-12 | The Airborne Symphony: III. The Open Sky | — | ||
| 10-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto, Allegro vivace | — | ||
| 10-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 10-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 10-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio, Più andante, Allegro ma non troppo, Ma con brio | — | ||
| 11-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 11-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 11-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino), Presto ma non assai, Tempo I | — | ||
| 11-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 11-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 11-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 11-7 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 11-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 12-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 12-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 12-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Poco meno presto, Tempo I | — | ||
| 12-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Più allegro | — | ||
| 12-5 | Sinfonía India (Symphony No. 2) | New York Philharmonic, Leonard Bernstein | — | |
| 12-6 | Symphony no. 4: I. Allegretto | — | ||
| 12-7 | Symphony no. 4: II. Adagio andante | — | ||
| 12-8 | Symphony no. 4: III. Allegro | — | ||
| 13-1 | Symphony no. 9 in D minor: I. Feierlich. Misterioso | — | ||
| 13-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, Lebhaft, Trio. Schnell | — | ||
| 13-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich | — | ||
| 14-1 | Symphony for Organ and Orchestra: I. Prelude: Andante | New York Philharmonic, Leonard Bernstein, E. Power Biggs | T-802.326.793-9 | |
| 14-2 | Symphony for Organ and Orchestra: II. Scherzo: Allegro molto - Moderato | New York Philharmonic, Leonard Bernstein, E. Power Biggs | — | |
| 14-3 | Symphony for Organ and Orchestra: III. Finale: Lento - Allegro moderato | New York Philharmonic, Leonard Bernstein, E. Power Biggs | — | |
| 14-4 | Symphony no. 3: I. Molto moderato - with simple expression | New York Philharmonic, Leonard Bernstein | — | |
| 14-5 | Symphony no. 3: II. Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 14-6 | Symphony no. 3: III. Andantino quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 14-7 | Symphony no. 3: IV. Molto deliberato | New York Philharmonic, Leonard Bernstein | — | |
| 15-1 | Symphony no. 7 in D minor: I. Allegro maestoso | — | ||
| 15-2 | Symphony no. 7 in D minor: II. Poco adagio | — | ||
| 15-3 | Symphony no. 7 in D minor: III. Scherzo. Vivace, Poco meno mosso | — | ||
| 15-4 | Symphony no. 7 in D minor: IV. Finale. Allegro | — | ||
| 15-5 | Symphony in D minor: I. Lento, Allegro non troppo | — | ||
| 15-6 | Symphony in D minor: II. Allegretto | — | ||
| 15-7 | Symphony in D minor: III. Allegro non troppo | — | ||
| 16-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 16-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | New York Philharmonic, Leonard Bernstein | T-902.286.256-2 | |
| 16-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 16-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | — | |
| 16-5 | Symphony no. 3 (in one movement) | — | ||
| 17-1 | Rustic Wedding Symphony: I. Hochzeitsmarsch: Variationen. Moderato molto, Allegro, Andante con moto quasi allegretto, Allegretto, Allegro vivace, Allegretto pesante, Allegro scherzando, Allegretto quasi andantino, Molto vivace, Andante con moto, Moderato, Tempo des themas | — | ||
| 17-2 | Rustic Wedding Symphony: II. Brautlied: Intermezzo. Allegretto | — | ||
| 17-3 | Rustic Wedding Symphony: III. Serenade: Scherzo. Allegro moderato scherzando | — | ||
| 17-4 | Rustic Wedding Symphony: IV. Im Garten. Andante, Poco più lento, Tempo I | — | ||
| 17-5 | Rustic Wedding Symphony: V. Tanz: Finale. Allegro molto, Andante | — | ||
| 17-6 | Symphony in E‐flat major: I. Sehr lebhaft, Lebhafter | — | ||
| 17-7 | Symphony in E‐flat major: II. Sehr langsam, Breit | — | ||
| 17-8 | Symphony in E‐flat major: III. Lebhaft, Ein wenig ruhiger, Im früheren Zeitmaß | — | ||
| 17-9 | Symphony in E‐flat major: IV. Mäßig Schnelle Halbe, Intermezzo, Im Gleichen Zeitmaß, Breit Bewegt, Lebhaft, Mit Höchster Kraft | — | ||
| 18-1 | Symphony no. 82 in C major "The Bear": I. Vivace Assai | New York Philharmonic, Leonard Bernstein | — | |
| 18-2 | Symphony no. 82 in C major "The Bear": II. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 18-3 | Symphony no. 82 in C major "The Bear": III. Menuetto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 18-4 | Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 18-5 | Symphony no. 83 in G minor "The Hen": I. Allegro Spirito | New York Philharmonic, Leonard Bernstein | — | |
| 18-6 | Symphony no. 83 in G minor "The Hen": II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 18-7 | Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 18-8 | Symphony no. 83 in G minor "The Hen": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 18-9 | Symphony no. 84 in E-flat major: I. Largo, Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 18-10 | Symphony no. 84 in E-flat major: II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 18-11 | Symphony no. 84 in E-flat major: III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 18-12 | Symphony no. 84 in E-flat major: IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 19-1 | Symphony no. 85 in B-flat major "La Reine": I. Adagio, Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 19-2 | Symphony no. 85 in B-flat major "La Reine": II. Romance. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 19-3 | Symphony no. 85 in B-flat major "La Reine": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 19-4 | Symphony no. 85 in B-flat major "La Reine": IV. Finale. Presto | New York Philharmonic, Leonard Bernstein | T-312.542.381-2 | |
| 19-5 | Symphony no. 86 in D major: I. Adagio, Allegro Spiritoso | New York Philharmonic, Leonard Bernstein | T-312.542.381-2 | |
| 19-6 | Symphony no. 86 in D major: II. Capriccio. Largo | New York Philharmonic, Leonard Bernstein | — | |
| 19-7 | Symphony no. 86 in D major: III. Menuet. Allegretto, Trio | — | ||
| 19-8 | Symphony no. 86 in D major: IV. Finale. Allegro Con Spirito | New York Philharmonic, Leonard Bernstein | T-312.542.381-2 | |
| 19-9 | Symphony no. 87 in A major: I. Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 19-10 | Symphony no. 87 in A major: II. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 19-11 | Symphony no. 87 in A major: III. Menuet, Trio | New York Philharmonic, Leonard Bernstein | — | |
| 19-12 | Symphony no. 87 in A major: IV. Finale. Vivace | — | ||
| 20-1 | Symphony no. 93 in D major: I. Adagio, Allegro assai | — | ||
| 20-2 | Symphony no. 93 in D major: II. Largo cantabile | — | ||
| 20-3 | Symphony no. 93 in D major: III. Menuetto. Allegro, Trio | — | ||
| 20-4 | Symphony no. 93 in D major: IV. Finale. Presto ma non troppo | — | ||
| 20-5 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": I. Adagio. Vivace assai | New York Philharmonic, Leonard Bernstein | — | |
| 20-6 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 20-7 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": III. Menuetto. Allegro molto - Trio | New York Philharmonic, Leonard Bernstein | — | |
| 20-8 | Symphony no. 94 in G major, Hob. I:94 "The Surprise": IV. Finale - Allegro di molto | New York Philharmonic, Leonard Bernstein | — | |
| 20-9 | Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 20-10 | Symphony no. 95 in C minor, Hob. I:95: II. Andante | New York Philharmonic, Leonard Bernstein | — | |
| 20-11 | Symphony no. 95 in C minor, Hob. I:95: III. Menuet - Trio | New York Philharmonic, Leonard Bernstein | — | |
| 20-12 | Symphony no. 95 in C minor, Hob. I:95: IV. Finale - Vivace | New York Philharmonic, Leonard Bernstein | — | |
| 21-1 | Symphony no. 96 in D major, Hob. I:96 "The Miracle": I. Adagio - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 21-2 | Symphony No. 96 in D major, "Miracle": II. Andante | Leonard Bernstein, New York Philharmonic | — | |
| 21-3 | Symphony no. 96 in D major, Hob. I:96 "The Miracle": III. Menuetto. Allegretto - Trio | New York Philharmonic, Leonard Bernstein | — | |
| 21-4 | Symphony No. 96 in D major, "Miracle": IV. Finale: Vivace | Leonard Bernstein, New York Philharmonic | — | |
| 21-5 | Symphony no. 97 in C major: I. Adagio, Vivace | — | ||
| 21-6 | Symphony no. 97 in C major: II. Adagio ma non troppo | — | ||
| 21-7 | Symphony no. 97 in C major: III. Menuetto. Allegretto, Trio | — | ||
| 21-8 | Symphony no. 97 in C major: IV. Finale. Presto assai | — | ||
| 21-9 | Symphony no. 88 in G major: I. Adagio, Allegro | — | ||
| 21-10 | Symphony no. 88 in G major: II. Largo | — | ||
| 21-11 | Symphony no. 88 in G major: III. Menuetto. Allegretto, Trio | — | ||
| 21-12 | Symphony no. 88 in G major: IV. Finale. Allegro con spirito | — | ||
| 22-1 | Symphony no. 98 in B‐flat major: I. Adagio, Allegro | — | ||
| 22-2 | Symphony no. 98 in B‐flat major: II. Adagio | — | ||
| 22-3 | Symphony no. 98 in B‐flat major: III. Menuetto. Allegro, Trio | — | ||
| 22-4 | Symphony no. 98 in B‐flat major: IV. Finale. Presto | — | ||
| 22-5 | Symphony no. 99 in E‐flat major: I. Adagio, Vivace assai | — | ||
| 22-6 | Symphony no. 99 in E‐flat major: II. Adagio | — | ||
| 22-7 | Symphony no. 99 in E‐flat major: III. Menuet. Allegretto, Trio | — | ||
| 22-8 | Symphony no. 99 in E‐flat major: IV. Finale. Vivace | — | ||
| 23-1 | Symphony no. 100 in G major “Military”: I. Adagio, Allegro | — | ||
| 23-2 | Symphony no. 100 in G major “Military”: II. Allegretto | — | ||
| 23-3 | Symphony no. 100 in G major “Military”: III. Menuet. Moderato, Trio | — | ||
| 23-4 | Symphony no. 100 in G major “Military”: IV. Finale. Presto | — | ||
| 23-5 | Symphony no. 102 in B‐flat major: I. Largo, Vivace | — | ||
| 23-6 | Symphony no. 102 in B‐flat major: II. Adagio | — | ||
| 23-7 | Symphony no. 102 in B‐flat major: III. Menuet. Allegro, Trio | — | ||
| 23-8 | Symphony no. 102 in B‐flat major: IV. Finale. Presto | — | ||
| 23-9 | Symphony no. 104 in D major “London”: I. Adagio, Allegro | — | ||
| 23-10 | Symphony no. 104 in D major “London”: II. Andante | — | ||
| 23-11 | Symphony no. 104 in D major “London”: III. Menuet. Allegreo, Trio | — | ||
| 23-12 | Symphony no. 104 in D major “London”: IV. Finale. Spirituoso | — | ||
| 24-1 | Symphony no. 101 in D major “The Clock”: I. Adagio, Presto | — | ||
| 24-2 | Symphony no. 101 in D major “The Clock”: II. Andante | — | ||
| 24-3 | Symphony no. 101 in D major “The Clock”: III. Menuet. Allegretto, Trio | — | ||
| 24-4 | Symphony no. 101 in D major “The Clock”: IV. Finale. Vivace | — | ||
| 24-5 | Symphony no. 103 in E‐flat major “Drum‐Roll”: I. Adagio, Allegro con spirito | — | ||
| 24-6 | Symphony no. 103 in E‐flat major “Drum‐Roll”: II. Andante più tosto allegretto | — | ||
| 24-7 | Symphony no. 103 in E‐flat major “Drum‐Roll”: III. Menuet, Trio | — | ||
| 24-8 | Symphony no. 103 in E‐flat major “Drum‐Roll”: IV. Finale. Allegro con spirito | — | ||
| 25-1 | Symphony no. 2: I. Andante moderato | — | ||
| 25-2 | Symphony no. 2: II. Allegro | — | ||
| 25-3 | Symphony no. 2: III. Adagio cantabile | — | ||
| 25-4 | Symphony no. 2: IV. Lento (Maestoso) | — | ||
| 25-5 | Symphony no. 2: V. Allegro molto vivace | — | ||
| 25-6 | Symphony no. 3 “The Camp Meeting”: I. Old Folks Gatherin’. Andante maestoso | — | ||
| 25-7 | Symphony no. 3 “The Camp Meeting”: II. Children’s Day. Allegro | — | ||
| 25-8 | Symphony no. 3 “The Camp Meeting”: III. Communion. Largo | — | ||
| 25-9 | Leonard Bernstein Discusses Charles Ives | — | ||
| 26-1 | A Faust Symphony: I. Faust | — | ||
| 26-2 | A Faust Symphony: II. Gretchen | — | ||
| 26-3 | A Faust Symphony: III. Mephistopheles | — | ||
| 26-4 | A Faust Symphony: Chorus Mysticus: “Alles Vergängliche” | — | ||
| 27-1 | Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 27-2 | Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell | New York Philharmonic, Leonard Bernstein | — | |
| 27-3 | Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen | New York Philharmonic, Leonard Bernstein | — | |
| 27-4 | Symphony no. 1 “Titan”: IV. Stürmisch bewegt – Energisch | New York Philharmonic, Leonard Bernstein | T-900.953.062-5 | |
| 27-5 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 28-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 28-2 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 28-3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — | |
| 28-4 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — | |
| 29-1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — | |
| 29-2 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — | |
| 29-3 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 29-4 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — | |
| 29-5 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck Im Ausdruck: “Es sungen drei Engel” | — | ||
| 30-1 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — | |
| 30-2 | Symphony no. 2 in E minor: I. Allegro | — | ||
| 30-3 | Symphony no. 2 in E minor: II. Largo | — | ||
| 30-4 | Symphony no. 2 in E minor: III. Vivace | — | ||
| 30-5 | Symphony no. 2 in E minor: IV. Andante moderato. Allegro con spirito | — | ||
| 31-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | New York Philharmonic, Leonard Bernstein | — | |
| 31-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 31-3 | Symphony no. 4 in G major: III. Ruhevoll | New York Philharmonic, Leonard Bernstein | — | |
| 31-4 | Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden” | Reri Grist, New York Philharmonic, Leonard Bernstein | — | |
| 32-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 32-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 32-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 32-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 32-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 33-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 33-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 33-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 33-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 34-1 | Symphony no. 7 in E minor: I. Langsam (Adagio) | New York Philharmonic, Leonard Bernstein | — | |
| 34-2 | Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 34-3 | Symphony no. 7 in E minor: III. Scherzo. Schattenhaft | New York Philharmonic, Leonard Bernstein | — | |
| 34-4 | Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso | New York Philharmonic, Leonard Bernstein | — | |
| 34-5 | Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario) | New York Philharmonic, Leonard Bernstein | — | |
| 35-1 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | London Symphony Orchestra, Leonard Bernstein | — | |
| 35-2 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | London Symphony Orchestra, Leonard Bernstein | — | |
| 36-1 | Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — | |
| 36-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — | |
| 36-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — | |
| 36-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 37-1 | Adagio from Symphony no. 10 | New York Philharmonic, Leonard Bernstein | — | |
| 37-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto, Allegro un poco agitato, Assai animato, Andante come prima | — | ||
| 37-3 | Symphony No. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 37-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | — | ||
| 37-5 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo, Allegro maestoso assai | — | ||
| 38-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | New York Philharmonic, Leonard Bernstein | — | |
| 38-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | New York Philharmonic, Leonard Bernstein | T-303.792.628-2 | |
| 38-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | New York Philharmonic, Leonard Bernstein | T-931.717.262-6 | |
| 38-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto | New York Philharmonic, Leonard Bernstein | T-308.451.891-8 | |
| 38-5 | Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante, Allegro con fuoco | — | ||
| 38-6 | Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace | New York Philharmonic, Leonard Bernstein | — | |
| 38-7 | Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante | — | ||
| 38-8 | Symphony no. 5 in D minor, op. 107 “Reformation” : IV. Chorale: “Ein’ feste Burg ist unser Gott”. Andante con moto, Allegro vivace, Allegro maestoso assai | — | ||
| 39-1 | Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio, Allegro spiritoso | — | ||
| 39-2 | Symphony no. 36 in C major, K. 425 “Linz”: II. Andante | — | ||
| 39-3 | Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto, Trio | — | ||
| 39-4 | Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto | — | ||
| 39-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 39-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 39-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto, Trio | — | ||
| 39-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 39-9 | Symphony no. 3 in G minor op. 42: I. Allegro vivo | — | ||
| 39-10 | Symphony no. 3 in G minor op. 42: II. Adagio | — | ||
| 39-11 | Symphony no. 3 in G minor op. 42: III. Vivace | — | ||
| 39-12 | Symphony no. 3 in G minor op. 42: IV. Allegro con spirito | — | ||
| 40-1 | Symphony no. 39 in E‐flat major: I. Adagio, Allegro | — | ||
| 40-2 | Symphony no. 39 in E‐flat major: II. Andante con moto | — | ||
| 40-3 | Symphony no. 39 in E‐flat major: III. Menuetto. Allegretto, Trio | — | ||
| 40-4 | Symphony no. 39 in E‐flat major: IV. Finale. Allegro | — | ||
| 40-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | — | ||
| 40-6 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | — | ||
| 40-7 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto. Allegretto, Trio | — | ||
| 40-8 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | — | ||
| 41-1 | Symphony no. 2, op. 16 “The Four Temperaments”: I. Allegro collerico | — | ||
| 41-2 | Symphony no. 2, op. 16 “The Four Temperaments”: II. Allegro comodo e flemmatico | — | ||
| 41-3 | Symphony no. 2, op. 16 “The Four Temperaments”: III. Andante malincolico | — | ||
| 41-4 | Symphony no. 2, op. 16 “The Four Temperaments”: IV. Allegro sanguineo | — | ||
| 41-5 | Symphony no. 4, op. 29 “The Inextinguishable”: I. Allegro | — | ||
| 41-6 | Symphony no. 4, op. 29 “The Inextinguishable”: II. Poco allegretto | — | ||
| 41-7 | Symphony no. 4, op. 29 “The Inextinguishable”: III. Poco adagio quasi andante | — | ||
| 41-8 | Symphony no. 4, op. 29 “The Inextinguishable”: IV. Allegro | — | ||
| 42-1 | Symphony no. 3, op. 27 “Sinfonia espansiva”: I. Allegro espansivo | — | ||
| 42-2 | Symphony no. 3, op. 27 “Sinfonia espansiva”: II. Andante pastorale | — | ||
| 42-3 | Symphony no. 3, op. 27 “Sinfonia espansiva”: III. Allegretto un poco | — | ||
| 42-4 | Symphony no. 3, op. 27 “Sinfonia espansiva”: IV. Finale. Allegro | — | ||
| 42-5 | Symphony no. 5, op. 50: I. Tempo Giusto, Adagio non troppo | — | ||
| 42-6 | Symphony no. 5, op. 50: II. Allegro, Andante un poco tranquillo | — | ||
| 43-1 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | — | ||
| 43-2 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | — | ||
| 43-3 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. non troppo allegro | — | ||
| 43-4 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace | — | ||
| 43-5 | Symphony no. 5 in B‐flat major, op. 100: I. Andante | — | ||
| 43-6 | Symphony no. 5 in B‐flat major, op. 100: II. Allegro marcato | — | ||
| 43-7 | Symphony no. 5 in B‐flat major, op. 100: III. Adagio | — | ||
| 43-8 | Symphony no. 5 in B‐flat major, op. 100: IV. Allegro giocoso | — | ||
| 44-1 | Symphony no. 3 in C minor, op. 78 “Organ”: I. Adagio | — | ||
| 44-2 | Symphony no. 3 in C minor, op. 78 “Organ”: I. Allegro moderato | — | ||
| 44-3 | Symphony no. 3 in C minor, op. 78 “Organ”: I. Poco adagio | — | ||
| 44-4 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Allegro moderato | — | ||
| 44-5 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Presto | — | ||
| 44-6 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Maestoso | — | ||
| 44-7 | Symphony no. 3 in C minor, op. 78 “Organ”: II. Allegro | — | ||
| 44-8 | Symphony no. 5 in B‐flat major, D 485: I. Allegro | — | ||
| 44-9 | Symphony no. 5 in B‐flat major, D 485: II. Andante con moto | — | ||
| 44-10 | Symphony no. 5 in B‐flat major, D 485: III. Menuetto. Allegro molto, Trio | — | ||
| 44-11 | Symphony no. 5 in B‐flat major, D 485: IV. Allegro vivace | — | ||
| 45-1 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | — | ||
| 45-2 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | — | ||
| 45-3 | Symphony no. 9 in C major, D 944 “The Great”: I. Andante, Allegro ma non troppo | — | ||
| 45-4 | Symphony no. 9 in C major, D 944 “The Great”: II. Andante con moto | — | ||
| 45-5 | Symphony no. 9 in C major, D 944 “The Great”: III. Scherzo. Allegro vivace, Trio | — | ||
| 45-6 | Symphony no. 9 in C major, D 944 “The Great”: IV. Finale. Allegro vivace | — | ||
| 46-1 | Symphony no. 3: I. Passacaglia and Fugue | — | ||
| 46-2 | Symphony no. 3: II. Chorale and Toccata | — | ||
| 46-3 | Symphony no. 5 for Strings: I. Molto agitato ed energico | — | ||
| 46-4 | Symphony no. 5 for Strings: II. Larghissimo | — | ||
| 46-5 | Symphony no. 5 for Strings: III. Presto | — | ||
| 46-6 | Symphony no. 8: I. Lento sostenuto | — | ||
| 46-7 | Symphony no. 8: II. Largo | — | ||
| 46-8 | Symphony no. 8: III. Presto | — | ||
| 47-1 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso, Allegro molto vivace | — | ||
| 47-2 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: II. Larghetto | — | ||
| 47-3 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: III. Scherzo. Molto vivace, Trio I. Molto più vivace, Trio II | — | ||
| 47-4 | Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | — | ||
| 47-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai, Allegro ma non troppo | — | ||
| 47-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace, Trio I, Trio II | — | ||
| 47-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 47-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 48-1 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: I. Lebhaft | — | ||
| 48-2 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: II. Scherzo. Sehr Mäßig | — | ||
| 48-3 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht Schnell | — | ||
| 48-4 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: IV. Feierlich | — | ||
| 48-5 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: V. Lebhaft | — | ||
| 48-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich Langsam, Lebhaft | — | ||
| 48-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich Langsam | — | ||
| 48-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft, Trio | — | ||
| 48-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft | — | ||
| 49-1 | Symphony for Classical Orchestra: I. Adagio, Allegro | — | ||
| 49-2 | Symphony for Classical Orchestra: II. Adagietto | — | ||
| 49-3 | Symphony for Classical Orchestra: III. Scherzo | — | ||
| 49-4 | Symphony for Classical Orchestra: IV. Finale. Allegro con spirito | — | ||
| 49-5 | Symphony of Psalms: I. Exaudi orationem meam (Psalmus XXXVIII 13, 14) | — | ||
| 49-6 | Symphony of Psalms: II. Expectans expectavi dominum (Psalmus XXXIX 1–3) | — | ||
| 49-7 | Symphony of Psalms: III. Alleluja. Laudate dominum (Psalmus CL) | — | ||
| 50-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto, Allegro non troppo | — | ||
| 50-2 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 50-3 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 50-4 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto | — | ||
| 50-5 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 50-6 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 50-7 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 51-1 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 51-2 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 51-3 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 51-4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 51-5 | Symphony no. 9 in E‐flat major, op. 70: I. Allegro | — | ||
| 51-6 | Symphony no. 9 in E‐flat major, op. 70: II. Moderato | — | ||
| 51-7 | Symphony no. 9 in E‐flat major, op. 70: III. Presto | — | ||
| 51-8 | Symphony no. 9 in E‐flat major, op. 70: IV. Largo | — | ||
| 51-9 | Symphony no. 9 in E‐flat major, op. 70: V. Allegretto | — | ||
| 52-1 | Symphony no. 7 in C major, op. 60 “Leningrad”: I. Allegretto | — | ||
| 52-2 | Symphony no. 7 in C major, op. 60 “Leningrad”: II. Moderato (Poco allegretto) | — | ||
| 52-3 | Symphony no. 7 in C major, op. 60 “Leningrad”: III. Adagio | — | ||
| 52-4 | Symphony no. 7 in C major, op. 60 “Leningrad”: IV. Allegro non troppo | — | ||
| 53-1 | Symphony no. 14, op. 135: I. De profundis. Adagio | — | ||
| 53-2 | Symphony no. 14, op. 135: II. Malagueña. Allegretto | — | ||
| 53-3 | Symphony no. 14, op. 135: III. Loreley. Allegro molto, Adagio, A Tempo | — | ||
| 53-4 | Symphony no. 14, op. 135: IV. The Suicide. Adagio | — | ||
| 53-5 | Symphony no. 14, op. 135: V. On the Alert. Allegretto, Adagio, Allegretto | — | ||
| 53-6 | Symphony no. 14, op. 135: VI. Look Here, Madame! Adagio | — | ||
| 53-7 | Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio | — | ||
| 53-8 | Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks’ Reply to the Sultan of Constantinople. Allegro | — | ||
| 53-9 | Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante | — | ||
| 53-10 | Symphony no. 14, op. 135: X. The Poet’s Death. Largo | — | ||
| 53-11 | Symphony no. 14, op. 135: XI. Conclusion. Moderato | — | ||
| 53-12 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 53-13 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 53-14 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro, ma non tanto | New York Philharmonic, Leonard Bernstein | — | |
| 54-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 54-2 | Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento | New York Philharmonic, Leonard Bernstein | — | |
| 54-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 54-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia): Andante - Allegro molto | New York Philharmonic, Leonard Bernstein | — | |
| 54-5 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | New York Philharmonic, Leonard Bernstein | — | |
| 54-6 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | New York Philharmonic, Leonard Bernstein | — | |
| 54-7 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | New York Philharmonic, Leonard Bernstein | — | |
| 54-8 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | New York Philharmonic, Leonard Bernstein | — | |
| 55-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 55-2 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, Ma Rubato | New York Philharmonic, Leonard Bernstein | — | |
| 55-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | New York Philharmonic, Leonard Bernstein | — | |
| 55-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro Moderato | New York Philharmonic, Leonard Bernstein | — | |
| 55-5 | Symphony no. 7 in C major, op. 105: Adagio - Vivacissimo - Allegro molto moderato - Allegro moderato - Vivace - Presto - Adagio - Largamente molto - Affettuoso | New York Philharmonic, Leonard Bernstein | — | |
| 56-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | New York Philharmonic, Leonard Bernstein | — | |
| 56-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | — | |
| 56-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | New York Philharmonic, Leonard Bernstein | — | |
| 56-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | New York Philharmonic, Leonard Bernstein | T-318.676.528-2 | |
| 56-5 | Symphony no. 5 in E‐flat major, op. 82: I. Largamente, Tempo molto moderato | — | ||
| 56-6 | Symphony no. 5 in E‐flat major, op. 82: I. Allegro moderato, Presto | — | ||
| 56-7 | Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 56-8 | Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto – Un pochettino largamente – Largamente assai | New York Philharmonic, Leonard Bernstein | — | |
| 57-1 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: I. Dreams of a Winter Journey. Allegro tranquillo | — | ||
| 57-2 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto | — | ||
| 57-3 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: III. Scherzo. Allegro scherzando giocoso | — | ||
| 57-4 | Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: IV. Finale. Andante lugubre, Andante moderato, Allegro maestoso, Allegro vivo | — | ||
| 57-5 | Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto, Allegro vivo | — | ||
| 57-6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, Quasi moderato | — | ||
| 57-7 | Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace, Trio. L’istesso tempo | — | ||
| 57-8 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai, Allegro vivo | — | ||
| 58-1 | Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione. Moderato assai (Tempo di marcia funebre) Allegro brillante | — | ||
| 58-2 | Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice | — | ||
| 58-3 | Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco | — | ||
| 58-4 | Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo | — | ||
| 58-5 | Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco (Tempo di polacca) | — | ||
| 58-6 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto, Moderato con anima, Moderato assai, Quasi andante, Allegro con anima, Allegro vivo | — | ||
| 59-1 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 59-2 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | — | ||
| 59-3 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 59-4 | Symphony no. 5 in E minor, op. 64: I. Andante, Allegro con anima | — | ||
| 59-5 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 59-6 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 59-7 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso, Allegro vivace | — | ||
| 60-1 | Symphony no. 6 in B minor, op. 74 “Pathétique": I. Adagio, Allegro non troppo | — | ||
| 60-2 | Symphony no. 6 in B minor, op. 74 “Pathétique": II. Allegro con grazia | — | ||
| 60-3 | Symphony no. 6 in B minor, op. 74 “Pathétique": III. Allegro molto vivace | — | ||
| 60-4 | Symphony no. 6 in B minor, op. 74 “Pathétique": IV. Finale. Adagio lamentoso, Andante | — | ||
| 60-5 | Symphony no. 4 in F minor: I. Allegro | — | ||
| 60-6 | Symphony no. 4 in F minor: II. Andante moderato | — | ||
| 60-7 | Symphony no. 4 in F minor: III. Scherzo. Allegro molto | — | ||
| 60-8 | Symphony no. 4 in F minor: IV. Finale. Allegro molto | — | ||
| 60-9 | Symphony no. 4 in F minor: IV. Epilogo fugato. Con anima | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 2 in D major, op. 43: II. Tempo Andante, Ma Rubato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 43: III. Vivacissimo | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 43: IV. Finale. Allegro Moderato | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 82 in C major "The Bear": IV. Finale. Vivace | New York Philharmonic, Leonard Bernstein | — |
| Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio | New York Philharmonic, Leonard Bernstein | — |
