UPC · Release
Jascha Heifetz
Last verified:
886977005022 is the Universal Product Code (UPC barcode) for the release “The Complete Album Collection” by Jascha Heifetz, released 2011-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 902 tracks, each with its own ISRC. Tracks include HKI190008701, HKI190008702, HKI190008703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata no. 1 in D, op. 12 no. 1: 1. Allegro con brio | — | ||
| 2 | Sonata no. 1 in D, op. 12 no. 1: 2. Tema: Andante con moto | — | ||
| 3 | Sonata no. 1 in D, op. 12 no. 1: 3. Variation I | — | ||
| 4 | Sonata no. 1 in D, op. 12 no. 1: 4. Variation II | — | ||
| 5 | Sonata no. 1 in D, op. 12 no. 1: 5. Variation III | — | ||
| 6 | Sonata no. 1 in D, op. 12 no. 1: 6. Variation IV | — | ||
| 7 | Sonata no. 1 in D, op. 12 no. 1: 7. Rondo: Allegro | — | ||
| 8 | Sonata no. 2 in A, op. 12 no. 2: 1. Allegro vivace | — | ||
| 9 | Sonata no. 2 in A, op. 12 no. 2: 2. Andante piu tosto allegretto | — | ||
| 10 | Sonata no. 2 in A, op. 12 no. 2: 3. Allegro piacevole | — | ||
| 2-1 | Sonata no. 5 in F, op. 24 "Spring": 1. Allegro | — | ||
| 2-2 | Sonata no. 5 in F, op. 24 "Spring": 2. Adagio molto espressivo | — | ||
| 2-3 | Sonata no. 5 in F, op. 24 "Spring": 3. Scherzo: Allegro molto | — | ||
| 2-4 | Sonata no. 5 in F, op. 24 "Spring": 4. Trio | — | ||
| 2-5 | Sonata no. 5 in F, op. 24 "Spring": 5. Rondo: allegro ma non troppo | — | ||
| 2-6 | Sonata in C, K. 296: 1. Allegro vivace | — | ||
| 2-7 | Sonata in C, K. 296: 2. Andante sostenuto | — | ||
| 2-8 | Sonata in C, K. 296: 3. Rondo: Allegro | — | ||
| 3-1 | Concerto for Two Violins in D minor, BWV 1043: 1. Vivace | — | ||
| 3-2 | Concerto for Two Violins in D minor, BWV 1043: 2. Largo ma non tanto | — | ||
| 3-3 | Concerto for Two Violins in D minor, BWV 1043: 3. Allegro | — | ||
| 3-4 | Violin Concerto no. 4 in D, K. 218: 1. Allegro | — | ||
| 3-5 | Violin Concerto no. 4 in D, K. 218: 2. Andante cantabile | — | ||
| 3-6 | Violin Concerto no. 4 in D, K. 218: 3. Rondeau: Andante grazioso; Allegro ma non troppo | — | ||
| 4-1 | Violin Concerto In B minor, op. 61: 1. Allegro | — | ||
| 4-2 | Violin Concerto In B minor, op. 61: 2. Andante | — | ||
| 4-3 | Violin Concerto In B minor, op. 61: 3. Allegro molto | — | ||
| 5-1 | Violin Concerto in D, op. 35: 1. Allegro moderato | — | ||
| 5-2 | Violin Concerto in D, op. 35: 2. Canzonetta: Andante | — | ||
| 5-3 | Violin Concerto in D, op. 35: 3. Allegro vivacissimo | — | ||
| 6-1 | Violin Concerto no. 2 in G minor, op. 63: 1. Allegro moderato | — | ||
| 6-2 | Violin Concerto no. 2 in G minor, op. 63: 2. Andante assai | — | ||
| 6-3 | Violin Concerto no. 2 in G minor, op. 63: 3. Allegro ben marcato | — | ||
| 7-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 8-1 | Concerto for Violin and Cello in A minor, op. 102: 1. Allegro | — | ||
| 8-2 | Concerto for Violin and Cello in A minor, op. 102: 2. Andante | — | ||
| 8-3 | Concerto for Violin and Cello in A minor, op. 102: 3. Vivace non troppo | — | ||
| 9-1 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 1. Allegro moderato | — | ||
| 9-2 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 2. Andante un poco mosso | — | ||
| 9-3 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 3. Scherzo: Allegro | — | ||
| 9-4 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 4. Rondo: Allegro vivace | — | ||
| 10-1 | Piano Trio in B-flat, op. 97: 1. Allegro moderato | — | ||
| 10-2 | Piano Trio in B-flat, op. 97: 2. Scherzo: Allegro | — | ||
| 10-3 | Piano Trio in B-flat, op. 97: 3. Andante cantabile ma pero con moto | — | ||
| 10-4 | Piano Trio in B-flat, op. 97: 4. Allegro moderato | — | ||
| 11-1 | Divertimento in E-flat, K. 563: 1. Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 11-2 | Divertimento in E-flat, K. 563: 2. Adagio | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-071.179.565-1 | |
| 11-3 | Divertimento in E-flat, K. 563: 3. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.774.400-9 | |
| 11-4 | Divertimento in E-flat, K. 563: 4. Andante | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.128.688-4 | |
| 11-5 | Divertimento in E-flat, K. 563: 5. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-931.717.066-4 | |
| 11-6 | Divertimento in E-flat, K. 563: 6. Rondo: Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 12-1 | Piano Trio in B, op. 8: 1. Allegro con brio | — | ||
| 12-2 | Piano Trio in B, op. 8: 2. Scherzo: Allegro molto -- Meno allegro | — | ||
| 12-3 | Piano Trio in B, op. 8: 3. Adagio | — | ||
| 12-4 | Piano Trio in B, op. 8: 4. Allegro | — | ||
| 13-1 | Piano Trio in A minor: 1. Modere | — | ||
| 13-2 | Piano Trio in A minor: 2. Pantuom - Assez vif | — | ||
| 13-3 | Piano Trio in A minor: 3. Passacaille - Tres large | — | ||
| 13-4 | Piano Trio in A minor: 4. Final - Anime | — | ||
| 13-5 | Piano Trio in D minor, op. 49: 1. Molto allegro e agitato | — | ||
| 13-6 | Piano Trio in D minor, op. 49: 2. Andante con moto tranquillo | — | ||
| 13-7 | Piano Trio in D minor, op. 49: 3. Scherzo: Leggiero e vivace | — | ||
| 13-8 | Piano Trio in D minor, op. 49: 4. Finale: Allegro assai appassionato | — | ||
| 14-1 | Piano Trio in A minor, op. 50: 1. Pezzo elegiaco: Moderato assai | — | ||
| 14-2 | Piano Trio in A minor, op. 50: 2. A. Tema con Variazioni: Andante con moto | — | ||
| 14-3 | Piano Trio in A minor, op. 50: 3. Variation I | — | ||
| 14-4 | Piano Trio in A minor, op. 50: 4. Variation II: Piu mosso | — | ||
| 14-5 | Piano Trio in A minor, op. 50: 5. Variation III: Scherzando: Allegro moderato | — | ||
| 14-6 | Piano Trio in A minor, op. 50: 6. Variation IV: L'istesso tempo | — | ||
| 14-7 | Piano Trio in A minor, op. 50: 7. Variation V: L'istesso tempo | — | ||
| 14-8 | Piano Trio in A minor, op. 50: 8. Variation VI: Tempo di valse | — | ||
| 14-9 | Piano Trio in A minor, op. 50: 9. Variation VII: Allegro moderato | — | ||
| 14-10 | Piano Trio in A minor, op. 50: 10. Variation VIII: Fuga: Allegro moderato | — | ||
| 14-11 | Piano Trio in A minor, op. 50: 11. Variation IX: Andante flebile, ma non tanto | — | ||
| 14-12 | Piano Trio in A minor, op. 50: 12. Variation X: Tempo di Mazurka | — | ||
| 14-13 | Piano Trio in A minor, op. 50: 13. Variation XI: Moderato | — | ||
| 14-14 | Piano Trio in A minor, op. 50: 14. Variation Finale e Coda: Allegro risoluto con fuoco | — | ||
| 15-1 | Violin Concerto in B minor: 1. Andante tranquillo | — | ||
| 15-2 | Violin Concerto in B minor: 2. Presto capriccioso alla Napolitana | — | ||
| 15-3 | Violin Concerto in B minor: 3. Vivace | — | ||
| 15-4 | Violin Concerto no. 5 in A minor, op. 37: 1. Allegro non troppo | — | ||
| 15-5 | Violin Concerto no. 5 in A minor, op. 37: 2. Adagio | — | ||
| 15-6 | Violin Concerto no. 5 in A minor, op. 37: 3. Allegro con fuoco | — | ||
| 16-1 | Ariettes oubliees: No. 2. Il pleure dans mon coeur | — | ||
| 16-2 | English Suite no. 6, BWV 811: Gavottes I and II | — | ||
| 16-3 | El amor brujo: No. 2. Pantomime | — | ||
| 16-4 | Piano Trio in D minor, op. 49: Scherzo | — | ||
| 16-5 | Violin Concerto in A minor, op. 54: Tempo di valse | — | ||
| 16-6 | Cantos d'España: No. 14. Cantilene asturienne | — | ||
| 16-7 | Saudades do Brasil: No. 7. Corcovado | — | ||
| 16-8 | German Dances, WoO 8: No. 6. Folk Dance | — | ||
| 16-9 | Tango | — | ||
| 16-10 | Alt Wien (Triakontameron no. 11) | Jascha Heifetz, Emanuel Bay | — | |
| 16-11 | Songs Without Words, op. 19: No. 1. Sweet Remembrance | — | ||
| 16-12 | La plus que lente | Jascha Heifetz, Emanuel Bay | T-306.482.600-8 | |
| 16-13 | Ave Maria, D. 839 | Jascha Heifetz, Emanuel Bay | — | |
| 16-14 | On Wings of Song, op. 34 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 16-15 | Divertimento no. 17, K. 334: Minuet | — | ||
| 17-1 | Sonata in B minor: 1. Moderato | — | ||
| 17-2 | Sonata in B minor: 2. Andante espressivo | — | ||
| 17-3 | Sonata in B minor: 3. Passacaglia: Allegro moderato ma energico | — | ||
| 17-4 | Sonata no. 3 in G minor: 1. Allegro vivo | — | ||
| 17-5 | Sonata no. 3 in G minor: 2. Intermede: Fantasque et leger | — | ||
| 17-6 | Sonata no. 3 in G minor: 3. Finale: Tres anime | — | ||
| 18-1 | Violin Concerto in D, op. 77: 1. Allegro non troppo | — | ||
| 18-2 | Violin Concerto in D, op. 77: 2. Adagio | — | ||
| 18-3 | Violin Concerto in D, op. 77: 3. Allegro giocoso, ma non troppo vivace | — | ||
| 19-1 | Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel: Allegro moderato | — | ||
| 19-2 | Violin Concerto no. 1 in G minor, op. 26: 2. Adagio | — | ||
| 19-3 | Violin Concerto no. 1 in G minor, op. 26: 3. Finale: Allegro energico | — | ||
| 19-4 | Sonata no. 1 in D minor, op. 75: 1. Allegro agitato | — | ||
| 19-5 | Sonata no. 1 in D minor, op. 75: 2. Adagio | — | ||
| 19-6 | Sonata no. 1 in D minor, op. 75: 3. Allegretto moderato | — | ||
| 19-7 | Sonata no. 1 in D minor, op. 75: 4. | — | ||
| 20-1 | Sonata no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto; Presto | — | ||
| 20-2 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Andante with Variations | — | ||
| 20-3 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation I | — | ||
| 20-4 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation II | — | ||
| 20-5 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation III | — | ||
| 20-6 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation IV | — | ||
| 20-7 | Sonata no. 9 in A, op. 47 "Kreutzer": 3. Presto | — | ||
| 21-1 | Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto; Adagio | — | ||
| 21-2 | Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio | — | ||
| 21-3 | Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di menuetto; Allegro | — | ||
| 21-4 | Romance no. 1 in G, op. 40 | — | ||
| 21-5 | Romance no. 2 in F, op. 50 | — | ||
| 22-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 22-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 22-3 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 22-4 | Concerto for Violin, Piano & String Quartet in D, op. 21: 1. Decide; Calme; Anime | — | ||
| 22-5 | Concerto for Violin, Piano & String Quartet in D, op. 21: 2. Sicilienne: Pas vite | — | ||
| 22-6 | Concerto for Violin, Piano & String Quartet in D, op. 21: 3. Grave | — | ||
| 22-7 | Concerto for Violin, Piano & String Quartet in D, op. 21: 4. Tres anime | — | ||
| 23-1 | Violin Concerto in E minor, op. 64: 1. Allegro molto appassionato | — | ||
| 23-2 | Violin Concerto in E minor, op. 64: 2. Andante | — | ||
| 23-3 | Violin Concerto in E minor, op. 64: 3. Allegretto non troppo; Allegro molto vivace | — | ||
| 23-4 | Scottish Fantasy: 1. Introduction: Grave; Adagio cantabile | — | ||
| 23-5 | Scottish Fantasy: 2. Allegro | — | ||
| 23-6 | Scottish Fantasy: 3. Andante sostenuto | — | ||
| 23-7 | Scottish Fantasy: 4. Finale: Allegro guerriero | — | ||
| 24-1 | Poeme, op. 25 | — | ||
| 24-2 | Violin Concerto in E minor: 1. Allegro molto | — | ||
| 24-3 | Violin Concerto in E minor: 2. Adagio | — | ||
| 24-4 | Violin Concerto in E minor: 3. Cadenza; Allegro subito | — | ||
| 25-1 | Sonata for Violin and Piano in A: 1. Allegro ben moderato | — | ||
| 25-2 | Sonata for Violin and Piano in A: 2. Allegro | — | ||
| 25-3 | Sonata for Violin and Piano in A: 3. Recitativo-Fantasia | — | ||
| 25-4 | Sonata for Violin and Piano in A: 4. Allegro poco mosso | — | ||
| 25-5 | Sonata in E-flat, op. 18: 1. Allegro, ma non troppo | — | ||
| 25-6 | Sonata in E-flat, op. 18: 2. Improvisation: Andante cantabile | — | ||
| 25-7 | Sonata in E-flat, op. 18: 3. Finale: Andante; Allegro | — | ||
| 26-1 | Violin Concerto in D, op. 35: 1. Moderato nobile | — | ||
| 26-2 | Violin Concerto in D, op. 35: 2. Romance | — | ||
| 26-3 | Violin Concerto in D, op. 35: 3. Finale: Allegro assai vivace | — | ||
| 26-4 | Symphonie espagnole, op. 21: 1. Allegro non troppo | — | ||
| 26-5 | Symphonie espagnole, op. 21: 2. Scherzando: Allegro molto | — | ||
| 26-6 | Symphonie espagnole, op. 21: 3. Andante | — | ||
| 26-7 | Symphonie espagnole, op. 21: 4. Rondo: Allegro | — | ||
| 27-1 | Divertimento in E-flat, K. 563: 1. Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 27-2 | Divertimento in E-flat, K. 563: 2. Adagio | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-071.179.565-1 | |
| 27-3 | Divertimento in E-flat, K. 563: 3. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.774.400-9 | |
| 27-4 | Divertimento in E-flat, K. 563: 4. Andante | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.128.688-4 | |
| 27-5 | Divertimento in E-flat, K. 563: 5. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-931.717.066-4 | |
| 27-6 | Divertimento in E-flat, K. 563: 6. Rondo: Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 27-7 | Duo no. 2 in B-flat, K. 424: 1. Adagio; Allegro | — | ||
| 27-8 | Duo no. 2 in B-flat, K. 424: 2. Andante cantabile | — | ||
| 27-9 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Theme | — | ||
| 27-10 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation I | — | ||
| 27-11 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation II | — | ||
| 27-12 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation III | — | ||
| 27-13 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation IV | — | ||
| 27-14 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation V | — | ||
| 27-15 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation VI | — | ||
| 27-16 | Duo no. 2 in B-flat, K. 424: Allegro | — | ||
| 27-17 | Harpsichord Suite no. 7 in G minor | — | ||
| 28-1 | Sonata no. 4 in A minor, op. 23: 1. Presto | — | ||
| 28-2 | Sonata no. 4 in A minor, op. 23: 2. Andante scherzoso, piu allegretto | — | ||
| 28-3 | Sonata no. 4 in A minor, op. 23: 3. Allegro molto | — | ||
| 28-4 | Sonata no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | — | ||
| 28-5 | Sonata no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | — | ||
| 28-6 | Sonata no. 7 in C minor, op. 30 no. 2: 3. Scherzo: Allegro | — | ||
| 28-7 | Sonata no. 7 in C minor, op. 30 no. 2: 4. Trio | — | ||
| 28-8 | Sonata no. 7 in C minor, op. 30 no. 2: 5. Finale: Allegro; Presto | — | ||
| 29-1 | Concerto no. 1 in A minor, BWV 1041: 1. Allegro | — | ||
| 29-2 | Concerto no. 1 in A minor, BWV 1041: 2. Andante | — | ||
| 29-3 | Concerto no. 1 in A minor, BWV 1041: 3. Allegro assai | — | ||
| 29-4 | Concerto no. 2 in E, BWV 1042: 1. Allegro | — | ||
| 29-5 | Concerto no. 2 in E, BWV 1042: 2. Adagio | — | ||
| 29-6 | Concerto no. 2 in E, BWV 1042: 3. Allegro assai | — | ||
| 30-1 | Sonata no. 1: 1. Agitato | — | ||
| 30-2 | Sonata no. 1: 2. Molto quieto | — | ||
| 30-3 | Sonata no. 1: 3. Moderato | — | ||
| 30-4 | Sonata in E, op. 1 no. 15: 1. Adagio cantabile | — | ||
| 30-5 | Sonata in E, op. 1 no. 15: 2. Allegro | — | ||
| 30-6 | Sonata in E, op. 1 no. 15: 3. Largo | — | ||
| 30-7 | Sonata in E, op. 1 no. 15: 4. Allegro non troppo | — | ||
| 30-8 | Sonatina in G minor, D. 408, op. 137 no. 3: 1. Allegro giusto | — | ||
| 30-9 | Sonatina in G minor, D. 408, op. 137 no. 3: 2. Andante | — | ||
| 30-10 | Sonatina in G minor, D. 408, op. 137 no. 3: 3. Menuetto: Allegro vivace | — | ||
| 30-11 | Sonatina in G minor, D. 408, op. 137 no. 3: 4. Allegro moderato | — | ||
| 31-1 | Serenade in C, op. 10: 1. Marcia | — | ||
| 31-2 | Serenade in C, op. 10: 2. Romanza | — | ||
| 31-3 | Serenade in C, op. 10: 3. Scherzo | — | ||
| 31-4 | Serenade in C, op. 10: 4. Tema con variazioni | — | ||
| 31-5 | Serenade in C, op. 10: 5. Rondo (Finale) | — | ||
| 31-6 | Violin Concerto, op. 47: I. Moderately | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 31-7 | Violin Concerto, op. 47: II. With simplicity and warmth | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 31-8 | Violin Concerto, op. 47: III. Lively and with good humor | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 32-1 | Violin Concerto in D, op. 35: 1. Allegro moderato | — | ||
| 32-2 | Violin Concerto in D, op. 35: 2. Canzonetta: Andante | — | ||
| 32-3 | Violin Concerto in D, op. 35: 3. Allegro vivacissimo | — | ||
| 32-4 | Suite in A minor, op. 10: 1. Presto | — | ||
| 32-5 | Suite in A minor, op. 10: 2. Adagio | — | ||
| 32-6 | Suite in A minor, op. 10: 3. Tempo giusto | — | ||
| 32-7 | Tzigane (Rapsodie de concert) | — | ||
| 33-1 | Sonata no. 3 in E-flat, op. 12 no. 3: 1. Allegro con spirito | — | ||
| 33-2 | Sonata no. 3 in E-flat, op. 12 no. 3: 2. Adagio con molta espressione | — | ||
| 33-3 | Sonata no. 3 in E-flat, op. 12 no. 3: 3. Rondo: Allegro molto | — | ||
| 33-4 | Sonata no. 6 in A, op. 30 no. 1: 1. Allegro | — | ||
| 33-5 | Sonata no. 6 in A, op. 30 no. 1: 2. Adagio molto espressivo | — | ||
| 33-6 | Sonata no. 6 in A, op. 30 no. 1: 3. Tema: Allegretto With Variations | — | ||
| 33-7 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation I | — | ||
| 33-8 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation II | — | ||
| 33-9 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation III | — | ||
| 33-10 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation IV | — | ||
| 33-11 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation V | — | ||
| 33-12 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation VI: Allegro ma non tanto | — | ||
| 34-1 | Sonata no. 8 in G, op. 30 no. 3: 1. Allegro assai | — | ||
| 34-2 | Sonata no. 8 in G, op. 30 no. 3: 2. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 34-3 | Sonata no. 8 in G, op. 30 no. 3: 3. Allegro vivace | — | ||
| 34-4 | Sonata no. 10 in G, op. 96: 1. Allegro moderato | — | ||
| 34-5 | Sonata no. 10 in G, op. 96: 2. Adagio espressivo | — | ||
| 34-6 | Sonata no. 10 in G, op. 96: 3. Scherzo: Allegro | — | ||
| 34-7 | Sonata no. 10 in G, op. 96: 4. Poco allegretto | — | ||
| 35-1 | Violin Concerto no. 2 in D minor, op. 44: 1. Adagio ma non troppo | — | ||
| 35-2 | Violin Concerto no. 2 in D minor, op. 44: 2. Allegro moderato | — | ||
| 35-3 | Violin Concerto no. 2 in D minor, op. 44: 3. Finale: Allegro molto | — | ||
| 35-4 | Violin Concerto no. 2, op. 22: 1. Allegro moderato | — | ||
| 35-5 | Violin Concerto no. 2, op. 22: 2. Romanze: Andante non troppo | — | ||
| 35-6 | Violin Concerto no. 2, op. 22: 3. Allegro con fuoco; Allegro moderato (a la zingara) | — | ||
| 36-1 | Sonata in B-flat, K. 378: 1. Allegro moderato | — | ||
| 36-2 | Sonata in B-flat, K. 378: 2. Andantino sostenuto e cantabile | — | ||
| 36-3 | Sonata in B-flat, K. 378: 3. Rondo: Allegro | — | ||
| 36-4 | Sonata in B-flat, K. 454: 1. Largo; Allegro | — | ||
| 36-5 | Sonata in B-flat, K. 454: 2. Andante | — | ||
| 36-6 | Sonata in B-flat, K. 454: 3. Rondo: Allegretto | — | ||
| 37-1 | Sonata no. 1 in G minor, BWV 1001: 1. Adagio | — | ||
| 37-2 | Sonata no. 1 in G minor, BWV 1001: 2. Fugue: Allegro | — | ||
| 37-3 | Sonata no. 1 in G minor, BWV 1001: 3. Siciliano | — | ||
| 37-4 | Sonata no. 1 in G minor, BWV 1001: 4. Presto | — | ||
| 37-5 | Partita no. 2 in D minor, BWV 1004: 1. Allemande | — | ||
| 37-6 | Partita no. 2 in D minor, BWV 1004: 2. Courante | — | ||
| 37-7 | Partita no. 2 in D minor, BWV 1004: 3. Sarabande | — | ||
| 37-8 | Partita no. 2 in D minor, BWV 1004: 4. Gigue | — | ||
| 37-9 | Partita no. 2 in D minor, BWV 1004: 5. Chaconne | — | ||
| 38-1 | Violin Concerto, op. 24: 1. Allegro non troppo ma passionato | — | ||
| 38-2 | Violin Concerto, op. 24: 2. Lento cantabile | — | ||
| 38-3 | Violin Concerto, op. 24: 3. Allegro vivace | — | ||
| 38-4 | Violin Concerto no. 8 in A minor, op. 47: 1. Allegro molto | — | ||
| 38-5 | Violin Concerto no. 8 in A minor, op. 47: 2. Adagio; Andante | — | ||
| 38-6 | Violin Concerto no. 8 in A minor, op. 47: 3. Allegro moderato | — | ||
| 38-7 | Serenade melancolique, op. 26 | — | ||
| 39-1 | Violin Concerto no. 2, op. 66 "I profeti": 1. Grave e meditative "Isaiah" | — | ||
| 39-2 | Violin Concerto no. 2, op. 66 "I profeti": 2. Espressivo e dolente "Jeremiah" | — | ||
| 39-3 | Violin Concerto no. 2, op. 66 "I profeti": 3. Fiero e impetuoso (ma sostenuto e ben marcato il ritmo) "Elijah" | — | ||
| 39-4 | Sonata in E-flat, op. 18: 1. Allegro, ma non troppo | — | ||
| 39-5 | Sonata in E-flat, op. 18: 2. Improvisation: Andante cantabile | — | ||
| 39-6 | Sonata in E-flat, op. 18: 3. Finale: Andante; Allegro | — | ||
| 40-1 | Chaconne in G minor | — | ||
| 40-2 | The Lark | — | ||
| 40-3 | Sonata no. 1 in A, op. 13: 1. Allegro molto | — | ||
| 40-4 | Sonata no. 1 in A, op. 13: 2. Andante | — | ||
| 40-5 | Sonata no. 1 in A, op. 13: 3. Allegro vivo | — | ||
| 40-6 | Sonata no. 1 in A, op. 13: 4. Allegro quasi presto | — | ||
| 41-1 | Sonata no. 2 "Poeme mystique": 1. Andante moderato | — | ||
| 41-2 | Sonata no. 2 "Poeme mystique": 2. Animato | — | ||
| 41-3 | Sonata no. 2 "Poeme mystique": 3. Tempo I; Animato; Moderato | — | ||
| 41-4 | Sonata no. 2 "Poeme mystique": 4. L'istesso tempo (ma un poco lento) | — | ||
| 41-5 | Sonata no. 2 "Poeme mystique": 5. Moderato assai "Credo in unum Deum!..." | — | ||
| 41-6 | Sonata no. 2 "Poeme mystique": 6. Piu lento "Gloria in excelsis Deo" | — | ||
| 41-7 | Sonata no. 2 "Poeme mystique": 7. Animato; Moderato; Allegro moderato; Tempo iniziale | — | ||
| 41-8 | Sonata no. 2 "Poeme mystique": 8. Molto quieto | — | ||
| 41-9 | Sonata no. 2 in G, op. 13: 1. Lento doloroso; Allegro vivace | — | ||
| 41-10 | Sonata no. 2 in G, op. 13: 2. Allegretto tranquillo | — | ||
| 41-11 | Sonata no. 2 in G, op. 13: 3. Allegro animato | — | ||
| 42-1 | Sonata no. 2 in A minor, BWV 1003: 1. Grave | — | ||
| 42-2 | Sonata no. 2 in A minor, BWV 1003: 2. Fugue | — | ||
| 42-3 | Sonata no. 2 in A minor, BWV 1003: 3. Andante | — | ||
| 42-4 | Sonata no. 2 in A minor, BWV 1003: 4. Allegro | — | ||
| 42-5 | Partita no. 3 in E, BWV 1006: 1. Preludio | — | ||
| 42-6 | Partita no. 3 in E, BWV 1006: 2. Loure | — | ||
| 42-7 | Partita no. 3 in E, BWV 1006: 3. Gavotte en Rondeau | — | ||
| 42-8 | Partita no. 3 in E, BWV 1006: 4. Menuet I | — | ||
| 42-9 | Partita no. 3 in E, BWV 1006: 5. Menuet II | — | ||
| 42-10 | Partita no. 3 in E, BWV 1006: 6. Bouree | — | ||
| 42-11 | Partita no. 3 in E, BWV 1006: 7. Gigue | — | ||
| 43-1 | Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.378.608-5 | |
| 43-2 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.381.014-2 | |
| 43-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.375.756-4 | |
| 44-1 | Sinfonia Concertante in E-flat major, KV. 364: I. Allegro maestoso | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-913.521.687-4 | |
| 44-2 | Sinfonia concertante in E-flat, K. 364: 2. Andante | — | ||
| 44-3 | Sinfonia Concertante in E-flat major, KV. 364: III. Presto | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | — | |
| 44-4 | Romantic Fantasy: 1. Nocturne | — | ||
| 44-5 | Romantic Fantasy: 2. Scherzino | — | ||
| 44-6 | Romantic Fantasy: 3. Sonata: Allegro, tempo giusto | — | ||
| 45-1 | Trio in G, op. 9 no. 1: 1. Adagio; Allegro con brio | — | ||
| 45-2 | Trio in G, op. 9 no. 1: 2. Adagio ma non tanto e cantabile | — | ||
| 45-3 | Trio in G, op. 9 no. 1: 3. Scherzo: Allegro | — | ||
| 45-4 | Trio in G, op. 9 no. 1: 4. Presto | — | ||
| 45-5 | Trio in C minor, op. 9 no. 3: 1. Allegro con spirito | — | ||
| 45-6 | Trio in C minor, op. 9 no. 3: 2. Adagio con espressione | — | ||
| 45-7 | Trio in C minor, op. 9 no. 3: 3. Scherzo: Allegro molto e vivace | — | ||
| 45-8 | Trio in C minor, op. 9 no. 3: 4. Finale: Presto | — | ||
| 46-1 | Trio in E-flat, op. 3: 1. Allegro con brio | — | ||
| 46-2 | Trio in E-flat, op. 3: 2. Andante | — | ||
| 46-3 | Trio in E-flat, op. 3: 3. Menuetto: Allegretto | — | ||
| 46-4 | Trio in E-flat, op. 3: 4. Adagio | — | ||
| 46-5 | Trio in E-flat, op. 3: 5. Menuetto: Moderato | — | ||
| 46-6 | Trio in E-flat, op. 3: 6. Finale: Allegro | — | ||
| 47-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 47-2 | Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 47-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 48-1 | I. ALLEGRO MOLTO APPASSIONATO | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-2 | VIOLIN CONCERTO IN E MINOR, OP. 64: II. ANDANTE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-3 | VIOLIN CONCERTO IN E MINOR, OP. 64: ALLEGRETTO NON TROPPO - ALLEGRO MOLTO VIVACE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 49-1 | Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-031.682.208-8 | |
| 49-2 | Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 49-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-306.482.598-1 | |
| 50-1 | Sonata no. 3 in C, BWV 1005: 1. Adagio | — | ||
| 50-2 | Sonata no. 3 in C, BWV 1005: 2. Fugue: Alla breve | — | ||
| 50-3 | Sonata no. 3 in C, BWV 1005: 3. Largo | — | ||
| 50-4 | Sonata no. 3 in C, BWV 1005: 4. Allegro assai | — | ||
| 50-5 | Partita no. 1 in B minor, BWV 1002: 1. Allemande | — | ||
| 50-6 | Partita no. 1 in B minor, BWV 1002: 2. Double | — | ||
| 50-7 | Partita no. 1 in B minor, BWV 1002: 3. Courante | — | ||
| 50-8 | Partita no. 1 in B minor, BWV 1002: 4. Double | — | ||
| 50-9 | Partita no. 1 in B minor, BWV 1002: 5. Sarabande | — | ||
| 50-10 | Partita no. 1 in B minor, BWV 1002: 6. Double | — | ||
| 50-11 | Partita no. 1 in B minor, BWV 1002: 7. Bourree | — | ||
| 50-12 | Partita no. 1 in B minor, BWV 1002: 8. Double | — | ||
| 51-1 | Hungarian Dance no. 11 in D minor | — | ||
| 51-2 | Hungarian Dance no. 17 in F minor | — | ||
| 51-3 | Hungarian Dance no. 20 in D minor | — | ||
| 51-4 | A Song Sonata: 1. Belligerent | — | ||
| 51-5 | A Song Sonata: 2. Slow and Lonely | — | ||
| 51-6 | A Song Sonata: 3. Madly Dancing | — | ||
| 51-7 | Cod Liver 'Ile | — | ||
| 51-8 | Sabre Dance (from Gayaneh) | Jascha Heifetz, Brooks Smith | — | |
| 51-9 | Caprice no. 13 in B-flat | — | ||
| 51-10 | Caprice no. 20 in D | — | ||
| 51-11 | Serenata napoletana, op. 4 no. 2 | — | ||
| 51-12 | Banjo and Fiddle | Jascha Heifetz, Emanuel Bay | T-071.057.174-6 | |
| 51-13 | Firebird Suite: Berceuse | — | ||
| 51-14 | Sonatine in F-sharp: Menuet | — | ||
| 51-15 | Danse fantastique, op. 5 no. 2 | — | ||
| 51-16 | La fille aux cheveux de lin (Preludes, Livre I, no. 8) | — | ||
| 51-17 | Hora Staccato | Emanuel Bay, Jascha Heifetz | T-300.517.625-6 | |
| 51-18 | Havanaise, op. 83: 1. Allegro e lusinghiero | — | ||
| 51-19 | Havanaise, op. 83: 2. Allegro | — | ||
| 51-20 | Havanaise, op. 83: 3. Allegro mo non troppo | — | ||
| 52-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 52-2 | Violin Concerto in D Minor, op. 47: 2. Adagio di molto | — | ||
| 52-3 | Violin Concerto in D Minor, op. 47: 3. Allegro ma non tanto | — | ||
| 53-1 | Serenade, op. 8 (Trio in D): 1. Marcia: Allegro | — | ||
| 53-2 | Serenade, op. 8 (Trio in D): 2. Adagio | — | ||
| 53-3 | Serenade, op. 8 (Trio in D): 3. Menuetto: Allegretto | — | ||
| 53-4 | Serenade, op. 8 (Trio in D): 4. Adagio; Scherzo: Allegro molto | — | ||
| 53-5 | Serenade, op. 8 (Trio in D): 5. Allegretto alla polacca | — | ||
| 53-6 | Serenade, op. 8 (Trio in D): 6. Andante quasi allegretto (Variationen) | — | ||
| 53-7 | Serenade, op. 8 (Trio in D): 7. Allegro | — | ||
| 53-8 | Serenade, op. 8 (Trio in D): 8. Marcia: Allegro | — | ||
| 53-9 | Duo, op. 7: 1. Allegro serioso, non troppo | — | ||
| 53-10 | Duo, op. 7: 2. Adagio | — | ||
| 53-11 | Duo, op. 7: 3. Maestoso e largamente, ma non troppo lento; Presto | — | ||
| 54-1 | Trio in D, op. 9 no. 2: 1. Allegretto | — | ||
| 54-2 | Trio in D, op. 9 no. 2: 2. Andante quasi allegretto | — | ||
| 54-3 | Trio in D, op. 9 no. 2: 3. Menuetto: Allegro | — | ||
| 54-4 | Trio in D, op. 9 no. 2: 4. Rondo: Allegro | — | ||
| 54-5 | Sinfonia no. 4 in D minor, BWV 790 | — | ||
| 54-6 | Sinfonia no. 9 F minor, BWV 795 | — | ||
| 54-7 | Sinfonia no. 3 in D, BWV 789 | — | ||
| 54-8 | Trio no. 2 in B-flat, D. 581: 1. Allegro moderato | — | ||
| 54-9 | Trio no. 2 in B-flat, D. 581: 2. Andante | — | ||
| 54-10 | Trio no. 2 in B-flat, D. 581: 3. Menuetto | — | ||
| 54-11 | Trio no. 2 in B-flat, D. 581: 4. Rondo | — | ||
| 55-1 | Concerto for Violin and Cello in A minor, op. 102: I. Allegro | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-905.049.604-3 | |
| 55-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-917.685.925-9 | |
| 55-3 | Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | — | |
| 56-1 | Sonata no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto; Presto | — | ||
| 56-2 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Tema: Andante | — | ||
| 56-3 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation I | — | ||
| 56-4 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation II | — | ||
| 56-5 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation III | — | ||
| 56-6 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation IV | — | ||
| 56-7 | Sonata no. 9 in A, op. 47 "Kreutzer": 3. Presto | — | ||
| 56-8 | Concerto for Two Violins in D minor, BWV 1043: I. Vivace | Erick Friedman, Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 56-9 | Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto | Jascha Heifetz, Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent | T-106.677.153-5 | |
| 56-10 | Concerto in D minor for Two Violins, BWV 1043: 3. Allegro | — | ||
| 57-1 | Violin Concerto no. 5 in A minor: I. Allegro non troppo | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-031.682.208-8 | |
| 57-2 | Violin Concerto no. 5 in A minor: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-3 | Violin Concerto no. 5 in A minor: III. Allegro con fuoco | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-4 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-5 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-6 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-7 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 58-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 58-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-050.459.341-2 | |
| 58-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 58-4 | Violin Concerto no. 4 in D, K. 218: 1. Allegro | — | ||
| 58-5 | Violin Concerto no. 4 in D, K. 218: 2. Andante cantabile | — | ||
| 58-6 | Violin Concerto no. 4 in D, K. 218: 3. Rondeau: Andante grazioso; Allegro ma non troppo | — | ||
| 59-1 | Quintet in C, D. 956, op. 163: 1. Allegro ma non troppo | — | ||
| 59-2 | Quintet in C, D. 956, op. 163: 2. Adagio | — | ||
| 59-3 | Quintet in C, D. 956, op. 163: 3. Scherzo: Presto; Trio: Andante sostenuto | — | ||
| 59-4 | Quintet in C, D. 956, op. 163: 4. Allegretto | — | ||
| 60-1 | Quintet in F minor: 1. Molto moderato quasi lento; Allegro | — | ||
| 60-2 | Quintet in F minor: 2. Lento, con molto sentimento | — | ||
| 60-3 | Quintet in F minor: 3. Allegro non troppo, ma con fuoco | — | ||
| 60-4 | Sextet in G, op. 36: 1. Allegro non troppo | — | ||
| 60-5 | Sextet in G, op. 36: 2. Scherzo: Allegro non troppo | — | ||
| 60-6 | Sextet in G, op. 36: 3. Poco adagio | — | ||
| 60-7 | Sextet in G, op. 36: 4. Poco allegro | — | ||
| 61-1 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-2 | Violin Concerto in A minor, op. 82: II. Andante sostenuto | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-3 | Violin Concerto in A minor, op. 82: III. Tempo I | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-4 | Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-5 | Sinfonia concertante in E-flat, K. 364: 1. Allegro maestoso | — | ||
| 61-6 | Sinfonia Concertante in E-flat major, KV. 364: II. Andante | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-010.194.421-1 | |
| 61-7 | Sinfonia Concertante in E-flat major, KV. 364: III. Presto | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | — | |
| 62-1 | Octet in E-flat, op. 20: 1. Allegro moderato ma con fuoco | — | ||
| 62-2 | Octet in E-flat, op. 20: 2. Andante | — | ||
| 62-3 | Octet in E-flat, op. 20: 3. Scherzo: Allegro leggierissimo | — | ||
| 62-4 | Octet in E-flat, op. 20: 4. Presto | — | ||
| 62-5 | Quintet in G minor, K. 516: 1. Allegro | — | ||
| 62-6 | Quintet in G minor, K. 516: 2. Menuetto: Allegretto | — | ||
| 62-7 | Quintet in G minor, K. 516: 3. Adagio ma non troppo | — | ||
| 62-8 | Quintet in G minor, K. 516: 4. Adagio; Allegro | — | ||
| 63-1 | Trio in E-flat, op. 1 no. 1: 1. Allegro | — | ||
| 63-2 | Trio in E-flat, op. 1 no. 1: 2. Adagio cantabile | — | ||
| 63-3 | Trio in E-flat, op. 1 no. 1: 3. Scherzo: Allegro assai | — | ||
| 63-4 | Trio in E-flat, op. 1 no. 1: 4. Finale: Presto | — | ||
| 63-5 | Divertimento for Cello and Orchestra | — | ||
| 63-6 | Sinfonia concertante, op. 29: Tema con variazioni : Tema | — | ||
| 63-7 | Sinfonia concertante, op. 29: Variation I | — | ||
| 63-8 | Sinfonia concertante, op. 29: Variation II | — | ||
| 63-9 | Sinfonia concertante, op. 29: Variation III | — | ||
| 63-10 | Sinfonia concertante, op. 29: Variation IV | — | ||
| 63-11 | Sinfonia concertante, op. 29: Variation V | — | ||
| 63-12 | Sinfonia concertante, op. 29: Variation VI | — | ||
| 63-13 | Sinfonia concertante, op. 29: Variation VII | — | ||
| 64-1 | Preludes: I. Allegro ben ritmato e deciso | Jascha Heifetz, Brooks Smith | T-070.126.537-3 | |
| 64-2 | Preludes: II. Andante con moto e poco rubato | Jascha Heifetz, Brooks Smith | T-070.126.537-3 | |
| 64-3 | Preludes: III. Allegro ben ritmato e deciso | Jascha Heifetz, Brooks Smith | T-070.126.537-3 | |
| 64-4 | Porgy and Bess: Summertime | Jascha Heifetz, Brooks Smith | T-910.978.509-3 | |
| 64-5 | Porgy and Bess: A Woman Is a Sometime Thing | Jascha Heifetz, Brooks Smith | T-901.121.953-7 | |
| 64-6 | Porgy and Bess: My Man’s Gone Now | Jascha Heifetz, Brooks Smith | T-070.024.203-0 | |
| 64-7 | Porgy and Bess: It Ain’t Necessarily So | Jascha Heifetz, Brooks Smith | T-900.757.862-3 | |
| 64-8 | Porgy and Bess: Bess, You Is My Woman | Jascha Heifetz, Brooks Smith | T-900.082.355-2 | |
| 64-9 | Porgy and Bess: Tempo di Blues | Jascha Heifetz, Brooks Smith | T-070.178.366-5 | |
| 64-10 | Chansons de Bilitis: No. 2. La chevelure | — | ||
| 64-11 | Children's Corner: No. 6. Golliwogg's Cakewalk | — | ||
| 64-12 | Beau soir | — | ||
| 64-13 | Valses nobles et sentimentales: No. 6. Vif | — | ||
| 64-14 | Valses nobles et sentimentales: No. 7. Moins vif, | — | ||
| 64-15 | Mouvements perpetuels | — | ||
| 64-16 | Le Carnaval des Animaux: Le cygne | — | ||
| 64-17 | Histoires: No. 2. Le petit ane blanc | — | ||
| 65-1 | Trio no. 1 in D minor, op. 32: 1. Allegro moderato | — | ||
| 65-2 | Trio no. 1 in D minor, op. 32: 2. Scherzo: Allegro molto | — | ||
| 65-3 | Trio no. 1 in D minor, op. 32: 3. Elegia: Adagio | — | ||
| 65-4 | Trio no. 1 in D minor, op. 32: 4. Finale: Allegro non troppo | — | ||
| 65-5 | Concerto in B-flat, RV 547: 1. Allegro moderato | — | ||
| 65-6 | Concerto in B-flat, RV 547: 2. Andante | — | ||
| 65-7 | Concerto in B-flat, RV 547: 3. Allegro molto | — | ||
| 65-8 | Duo for Violin and Cello: 1. Preludium: Andante moderato | — | ||
| 65-9 | Duo for Violin and Cello: 2. Rondo: Allegro con brio | — | ||
| 66-1 | Sonata no. 1, op. 2: 1. Molto moderato | — | ||
| 66-2 | Sonata no. 1, op. 2: 2. Allegro furioso | — | ||
| 66-3 | Sonata no. 1, op. 2: 3. Quasi fantasia | — | ||
| 66-4 | Sonata in G minor, op. 1: 1. Allegro | — | ||
| 66-5 | Sonata in G minor, op. 1: 2. Andante | — | ||
| 66-6 | Sonata in G minor, op. 1: 3. Presto | — | ||
| 67-1 | Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto | — | ||
| 67-2 | Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio | — | ||
| 67-3 | Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di Menuetto; Allegro | — | ||
| 67-4 | Piano Trio no. 1, op. 35: 1. Prelude and Fuge: Lento; Andante | — | ||
| 67-5 | Piano Trio no. 1, op. 35: 2. Theme: Andante | — | ||
| 67-6 | Piano Trio no. 1, op. 35: 2. Variation I: Allegro moderato | — | ||
| 67-7 | Piano Trio no. 1, op. 35: 2. Variation II: Andantino mosso | — | ||
| 67-8 | Piano Trio no. 1, op. 35: 2. Variation III: Moderato | — | ||
| 67-9 | Piano Trio no. 1, op. 35: 2. Variation IV: Allegro | — | ||
| 67-10 | Piano Trio no. 1, op. 35: 2. Variation V: Andantino | — | ||
| 67-11 | Piano Trio no. 1, op. 35: 3. Sonata: Allegro | — | ||
| 68-1 | Sonata no. 1 in D minor, op. 75: 1. Allegro agitato | — | ||
| 68-2 | Sonata no. 1 in D minor, op. 75: 2. Adagio | — | ||
| 68-3 | Sonata no. 1 in D minor, op. 75: 3. Allegretto moderato | — | ||
| 68-4 | Sonata no. 1 in D minor, op. 75: 4. Allegro molto | — | ||
| 68-5 | Nocturne (from Belshazzar's Feast) | — | ||
| 68-6 | Capriccio-Valse in E Major, op. 7 (Remastered) | Jascha Heifetz | — | |
| 68-7 | Daisies, op. 38 no. 3 | Jascha Heifetz, Brooks Smith | — | |
| 68-8 | Oriental Sketch, op. 2 no. 2 | Jascha Heifetz, Brooks Smith | — | |
| 68-9 | Nana (Berceuse) (Seven Popular Spanish Songs no. 5) | — | ||
| 68-10 | Jota (Seven Popular Spanish Songs no. 4) | — | ||
| 69-1 | Quintet in A, op. 81: 1. Allegro ma non tanto | — | ||
| 69-2 | Quintet in A, op. 81: 2. Dumka: Andante con moto | — | ||
| 69-3 | Quintet in A, op. 81: 3. Scherzo (Furiant): Molto vivace | — | ||
| 69-4 | Quintet in A, op. 81: 4. Finale: Allegro | — | ||
| 69-5 | Trio in C: 1. Allegretto vivo | — | ||
| 69-6 | Trio in C: 2. Scherzo: Vivo | — | ||
| 69-7 | Trio in C: 3. Andante | — | ||
| 69-8 | Trio in C: 4. Rondo: Vivo | — | ||
| 70-1 | Piano Quartet in C minor, op. 60: 1. Allegro ma non troppo | — | ||
| 70-2 | Piano Quartet in C minor, op. 60: 2. Scherzo: Allegro | — | ||
| 70-3 | Piano Quartet in C minor, op. 60: 3. Andante | — | ||
| 70-4 | Piano Quartet in C minor, op. 60: 4. Finale: Allegro | — | ||
| 70-5 | Sonata in D: 1. Allegretto spiritoso | — | ||
| 70-6 | Sonata in D: 2. Vivace | — | ||
| 70-7 | Sonata in D: 3. Grave | — | ||
| 70-8 | Sonata in D: 4. Allegro assai | — | ||
| 70-9 | Divertimento, op. 37 no. 2 (arr. by Piatigorsky): 1. Flott und lustig | — | ||
| 70-10 | Divertimento, op. 37 no. 2 (arr. by Piatigorsky): 2. Adagio | — | ||
| 70-11 | Divertimento, op. 37 no. 2 (arr. by Piatigorsky): 3. Vivace molto | — | ||
| 71-1 | Quintet in C, K. 515: 1. Allegro | — | ||
| 71-2 | Quintet in C, K. 515: 2. Andante | — | ||
| 71-3 | Quintet in C, K. 515: 3. Menuetto: Allegretto | — | ||
| 71-4 | Quintet in C, K. 515: 4. Allegro | — | ||
| 71-5 | Trio no. 2 in C minor, op. 66: 1. Allegro energico e con fuoco | — | ||
| 71-6 | Trio no. 2 in C minor, op. 66: 2. Andante espressivo | — | ||
| 71-7 | Trio no. 2 in C minor, op. 66: 3. Scherzo: Molto allegro, quasi presto | — | ||
| 71-8 | Trio no. 2 in C minor, op. 66: 4. Finale: Allegro appassionato | — | ||
| 72-1 | Double Quartet in D minor, op. 65: 1. Allegro | — | ||
| 72-2 | Double Quartet in D minor, op. 65: 2. Scherzo: Vivace | — | ||
| 72-3 | Double Quartet in D minor, op. 65: 3. Larghetto | — | ||
| 72-4 | Double Quartet in D minor, op. 65: 4. Finale: Allegro molto | — | ||
| 72-5 | Trio in E minor, op. 90 "Dumky": 1. Dumka I : Lento maestoso; Allegro quasi doppio movimento | — | ||
| 72-6 | Trio in E minor, op. 90 "Dumky": 1. Lento maestoso; Allegro | — | ||
| 72-7 | Trio in E minor, op. 90 "Dumky": 2. Dumka II : Poco adagio; Vivace non troppo | — | ||
| 72-8 | Trio in E minor, op. 90 "Dumky":2. Poco adagio | — | ||
| 72-9 | Trio in E minor, op. 90 "Dumky": 2. Vivace | — | ||
| 72-10 | Trio in E minor, op. 90 "Dumky": 3. Dumka III : Andante | — | ||
| 72-11 | Trio in E minor, op. 90 "Dumky": 3. Vivace non troppo | — | ||
| 72-12 | Trio in E minor, op. 90 "Dumky": 3. Andante | — | ||
| 72-13 | Trio in E minor, op. 90 "Dumky": 4. Dumka IV : Andante moderato | — | ||
| 72-14 | Trio in E minor, op. 90 "Dumky": 4. Allegretto scherzando | — | ||
| 72-15 | Trio in E minor, op. 90 "Dumky": 5. Dumka V : Allegro | — | ||
| 72-16 | Trio in E minor, op. 90 "Dumky": 6. Dumka VI : Lento maestoso | — | ||
| 72-17 | Trio in E minor, op. 90 "Dumky": 6. Vivace | — | ||
| 73-1 | Partita no. 2 in D minor, BWV 1004: Chaconne | — | ||
| 73-2 | Serenade in D, K. 250 "Haffner": Rondo | — | ||
| 73-3 | March (from "The Love for Three Oranges") | Jascha Heifetz, Brooks Smith | — | |
| 73-4 | Preludes: Livre I, no. 8: La fille aux cheveux de lin | — | ||
| 73-5 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 73-6 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 73-7 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 73-8 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 73-9 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 74-1 | Fantasie in C, D. 934: 1. Andante molto | — | ||
| 74-2 | Fantasie in C, D. 934: 2. Allegretto | — | ||
| 74-3 | Fantasie in C, D. 934: 3. Andantino; Tempo I | — | ||
| 74-4 | Fantasie in C, D. 934: 4. Allegro vivace; Allegretto; Presto | — | ||
| 74-5 | Serenade melancolique, op. 26 | — | ||
| 74-6 | Serenade in C, op. 48: Waltz | — | ||
| 74-7 | Souvenir de Florence, op. 70: 1. Allegro con spirito | — | ||
| 74-8 | Souvenir de Florence, op. 70: 2. Adagio cantabile e con moto | — | ||
| 74-9 | Souvenir de Florence, op. 70: 3. Allegretto moderato | — | ||
| 74-10 | Souvenir de Florence, op. 70: 4. Allegro vivace | — | ||
| 75-1 | Zigeunerweisen, op. 20: 1. Moderato | — | ||
| 75-2 | Zigeunerweisen, op. 20: 2. Lento | — | ||
| 75-3 | Zigeunerweisen, op. 20: 3. Un poco piu lento | — | ||
| 75-4 | Zigeunerweisen, op. 20: 4. Allegro molto vivace | — | ||
| 75-5 | Havanaise, op. 83: 1. Allegro e lusinghiero | — | ||
| 75-6 | Havanaise, op. 83: 2. Allegro | — | ||
| 75-7 | Havanaise, op. 83: 3. Allegro mo non troppo | — | ||
| 75-8 | Introduction and Rondo Capriccioso, op. 28: 1. Andante | — | ||
| 75-9 | Introduction and Rondo Capriccioso, op. 28: 2. Allegro ma non troppo | — | ||
| 75-10 | Introduction and Rondo Capriccioso, op. 28: 3. Piu allegro | — | ||
| 75-11 | Poeme, op. 25 | — | ||
| 75-12 | Hungarian Dance no. 7 | — | ||
| 75-13 | "Carmen" Fantasie | — | ||
| 76-1 | Scherzo-tarantelle, op. 16 | Jascha Heifetz, Emanuel Bay | — | |
| 76-2 | Ave Maria, D. 839 | Jascha Heifetz, Emanuel Bay | — | |
| 76-3 | Valse bluette (Air de ballet no. 2) | Jascha Heifetz, Emanuel Bay | T-909.999.756-5 | |
| 76-4 | On Wings of Song, op. 34 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 76-5 | Presto in B-flat major | Jascha Heifetz, Emanuel Bay | — | |
| 76-6 | La plus que lente | Jascha Heifetz, Emanuel Bay | T-306.482.600-8 | |
| 76-7 | Hora Staccato | Emanuel Bay, Jascha Heifetz | T-300.517.625-6 | |
| 76-8 | Zapateado, op. 23 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 76-9 | Estrellita | Jascha Heifetz, Emanuel Bay | — | |
| 76-10 | Vocalise, op. 34 no. 14 | Jascha Heifetz, Emanuel Bay | — | |
| 76-11 | Banjo and Fiddle | Jascha Heifetz, Emanuel Bay | T-071.057.174-6 | |
| 76-12 | Hebrew Melody, op. 33 | Jascha Heifetz, Emanuel Bay | — | |
| 76-13 | Alt Wien (Triakontameron no. 11) | Jascha Heifetz, Emanuel Bay | — | |
| 76-14 | Sabre Dance (from Gayaneh) | Jascha Heifetz, Brooks Smith | — | |
| 77-1 | March (from "The Love for Three Oranges") | Jascha Heifetz, Brooks Smith | — | |
| 77-2 | Porgy and Bess: Bess, You Is My Woman | Jascha Heifetz, Brooks Smith | T-900.082.355-2 | |
| 77-3 | Children's Corner: No. 6. Golliwogg's Cakewalk | — | ||
| 77-4 | Preludes: Livre I, no. 8: La fille aux cheveux de lin | — | ||
| 77-5 | Daisies, op. 38 no. 3 | Jascha Heifetz, Brooks Smith | — | |
| 77-6 | Nana (Berceuse) (Seven Popular Spanish Songs no. 5) | — | ||
| 77-7 | Jota (Seven Popular Spanish Songs no. 4) | — | ||
| 77-8 | Mouvements perpetuels | — | ||
| 77-9 | Porgy and Bess: It Ain’t Necessarily So | Jascha Heifetz, Brooks Smith | T-900.757.862-3 | |
| 77-10 | Serenade in D, K. 250 "Haffner" | — | ||
| 77-11 | Le Carnaval des Animaux: Le cygne | — | ||
| 77-12 | Capriccio-Valse in E Major, op. 7 (Remastered) | Jascha Heifetz | — | |
| 77-13 | Porgy and Bess: Summertime | Jascha Heifetz, Brooks Smith | T-910.978.509-3 | |
| 77-14 | Porgy and Bess: A Woman Is a Sometime Thing | Jascha Heifetz, Brooks Smith | T-901.121.953-7 | |
| 77-15 | Garden Scene (from "Much Ado About Nothing") | Jascha Heifetz, Brooks Smith | — | |
| 77-16 | Serenade in C, op. 48: Waltz | — | ||
| 77-17 | Heifetz on Music | — | ||
| 78-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-4 | Zigeunerweisen, op. 20: 1. Moderato | — | ||
| 78-5 | Zigeunerweisen, op. 20: 2. Lento | — | ||
| 78-6 | Zigeunerweisen, op. 20: 3. Un poco piu lento | — | ||
| 78-7 | Zigeunerweisen, op. 20: 4. Allegro molto vivace | — | ||
| 78-8 | Havanaise, op. 83: 1. Allegretto e lusinghiero | — | ||
| 78-9 | Havanaise, op. 83: 2. Allegro | — | ||
| 78-10 | Havanaise, op. 83: 3. Allegro ma non troppo | — | ||
| 78-11 | Violin Concerto in B minor: 1. Andante tranquillo | — | ||
| 78-12 | Violin Concerto in B minor: 2. Presto capriccioso alla napolitana | — | ||
| 78-13 | Violin Concerto in B minor: 3. Vivace | — | ||
| 79-1 | Gavotte, op. 32 no. 3 | — | ||
| 79-2 | March in F minor, op. 12 no. 1 | — | ||
| 79-3 | Etude-tableau in A minor, op. 39 no. 2 | — | ||
| 79-4 | Daisies, op. 38 no. 3 | — | ||
| 79-5 | Oriental Sketch, op. 2 no. 2 | — | ||
| 79-6 | Tango (Songs of Shakespeare, Book VIII, no. 3: Two Maids Wooing a Man) | — | ||
| 79-7 | Valses nobles et sentimentales: No. 6. Vif | — | ||
| 79-8 | Valses nobles et sentimentales: No. 7. Moins vif | — | ||
| 79-9 | Fairy Tale in B-flat minor, op. 20 no. 1 | — | ||
| 79-10 | Chansons de Bilitis: No. 2. La chevelure | — | ||
| 79-11 | Mediterranean | — | ||
| 79-12 | Danza de la gitana: No. 4. Sonatina | — | ||
| 79-13 | Nocturne in E minor, op. 72 no. 1 | — | ||
| 79-14 | Sea Murmurs (Deux etudes d'ondes) | — | ||
| 79-15 | Tsar Saltan: The Flight of the Bumblebee | — | ||
| 79-16 | Predules: Livre I, no. 8. La fille aux cheveux de lin | — | ||
| 79-17 | Much Ado About Nothing, op. 11: Holzapfel und Schlehwein (March) | — | ||
| 79-18 | Romanza andaluza, op. 22 no. 1 | — | ||
| 79-19 | Sonata in D, op. 53, D. 850: Rondo | — | ||
| 79-20 | Seven Popular Spanish Songs: No. 4. Jota | — | ||
| 79-21 | Much Ado About Nothing, op. 11: Garden Scene | — | ||
| 79-22 | Five Pieces for Violin and Piano: No. 3. Mouvement perpetuel | — | ||
| 80-1 | Sonata no. 3 in D minor, op. 108: 1. Allegro | — | ||
| 80-2 | Sonata no. 3 in D minor, op. 108: 2. Adagio | — | ||
| 80-3 | Sonata no. 3 in D minor, op. 108: 3. Un poco presto e con sentimento | — | ||
| 80-4 | Sonata no. 3 in D minor, op. 108: 4. Presto agitato | — | ||
| 80-5 | Polonaise brillante no. 1 in D, op. 4 | — | ||
| 80-6 | Sonata in D, op. 1 no. 13: 1. Largo maestoso | — | ||
| 80-7 | Sonata in D, op. 1 no. 13: 2. Allegro | — | ||
| 80-8 | Sonata in D, op. 1 no. 13: 3. Larghetto | — | ||
| 80-9 | Sonata in D, op. 1 no. 13: 4. Allegro con brio | — | ||
| 81-1 | Ave Maria (Ellens Gesang III, D. 839) | — | ||
| 81-2 | Air de ballet: No. 2. Valse bluette | — | ||
| 81-3 | The Ruins of Athens, op. 113: No. 3. Chorus of Dervishes | — | ||
| 81-4 | La Capricieuse, op. 17 (Morecau de genre) | — | ||
| 81-5 | Scherzo-Tarantelle, op. 16 | — | ||
| 81-6 | Hebrew Melody, op. 33 | — | ||
| 81-7 | Scherzo fantastique, op. 25: La ronde des lutins | — | ||
| 81-8 | The Ruins of Athens, op. 113: No. 4. Turkish March | — | ||
| 81-9 | Meditation, op. 32 | — | ||
| 81-10 | Danza espanola no. 1: Malaguena, op. 21 no. 1 | — | ||
| 81-11 | Violin Concerto no. 2, op. 22: Romance | — | ||
| 81-12 | Moto perpetuo, op. 11 | — | ||
| 81-13 | Sicilienne et Rigaudon (In the style of Francoeur) | — | ||
| 81-14 | Introduction and Tarantelle, op. 43 | — | ||
| 82-1 | Guitarre, op. 45 no. 2 | — | ||
| 82-2 | Nocturne in E-flat, op. 9 no. 2 | — | ||
| 82-3 | Minuet (In the Style of Porpora) | — | ||
| 82-4 | Caprice no. 20 in D | — | ||
| 82-5 | On Wings of Song, op. 34 no. 2 | — | ||
| 82-6 | Danza espanola no. 6: Zapateado, op. 23 no. 2 | — | ||
| 82-7 | Souvenir d'un lieu cher, op. 42: No. 2. Scherzo | — | ||
| 82-8 | Serenade, op. 48: No. 2. Valse | — | ||
| 82-9 | Slavonic Dance, op. 46 no. 2 (arr. in G minor) | — | ||
| 82-10 | Myrthen, op. 25: No. 1. Widmung | — | ||
| 82-11 | Zigeunerweisen, op. 20 | — | ||
| 83-1 | Symphonie espagnole, op. 21: Andante | — | ||
| 83-2 | Divertimento no. 17, K. 334: Minuet | — | ||
| 83-3 | Serenade, op. 4 | — | ||
| 83-4 | Serenade, K. 250 "Haffner": Rondo | — | ||
| 83-5 | Caprice no. 13 in B-flat | — | ||
| 83-6 | Violin Concerto in E minor, op. 64: Finale. Allegro molto vivace | — | ||
| 83-7 | Slavonic Dance, op. 72 no. 8 (arr. in G) | — | ||
| 83-8 | Berceuse, op. 28 no. 3 | — | ||
| 83-9 | Raymonda, op. 57: No. 6. Valse | — | ||
| 83-10 | Violin Concerto in D, op. 35: Canzonetta | — | ||
| 83-11 | Violin Concerto in A minor, op. 28: Andante | — | ||
| 83-12 | Impression no. 8: Waltz in D | — | ||
| 83-13 | Hungarian Dance no. 1 in G minor | — | ||
| 84-1 | Serenade melancolique, op. 26 | — | ||
| 84-2 | Quartet, op. 64 no. 5 "The Lark": Vivace | — | ||
| 84-3 | Hebrew Lullaby, op. 35 no. 2 | — | ||
| 84-4 | Danzas espanolas, op. 37: No. 5. Andaluza | — | ||
| 84-5 | Raymonda, op. 57: No. 4. Grand Adagio | — | ||
| 84-6 | Slavonic Dance in E minor, op. 72 no. 2 | — | ||
| 84-7 | Nocturne, op. 27 no. 2 (arr. in D) | — | ||
| 84-8 | Hebrew Dance, op. 35 no. 1 | — | ||
| 84-9 | Stimmung, op. 32 no. 1 | — | ||
| 84-10 | Nocturne in F | — | ||
| 84-11 | The Gentle Maiden | — | ||
| 84-12 | Cortege | — | ||
| 84-13 | Habanera, op. 21 no. 2 | — | ||
| 84-14 | Havanaise, op. 83 | — | ||
| 84-15 | "Carmen" Fantasy, op. 25 | — | ||
| 85-1 | La plus que lente | — | ||
| 85-2 | Menuets I & II (from Partita no. 3, BWV 1006) | — | ||
| 85-3 | Les petits moulins a vent, XVII, no. 2 | — | ||
| 85-4 | Preludes: Livre 1, no. 8: La fille aux cheveux de lin | — | ||
| 85-5 | Scherzo-Impromptu (Moods, op. 73 no. 2) | — | ||
| 85-6 | Hebrew Melody, op. 33 | — | ||
| 85-7 | Rondo (from Sonata in D, D. 850, op. 53) | — | ||
| 85-8 | Ave Maria, D. 839 | — | ||
| 85-9 | Zapateado, op. 23 no. 2 (Danza espanola no. 6) | — | ||
| 85-10 | Estrellita | — | ||
| 85-11 | Jota (Seven Popular Songs no. 4) | — | ||
| 85-12 | Puck (Lyric Pieces, op. 71 no. 3) | — | ||
| 85-13 | On Wings of Song, op. 34 no. 2 | — | ||
| 85-14 | Sonata in C minor, op. 45: 2. Allegro espressivo alla Romanza | — | ||
| 85-15 | Valse bluette (Air de ballet no. 2) | — | ||
| 86-1 | Rondo in E-flat, op. 11 "Rondo favori" | — | ||
| 86-2 | Sea Murmurs (Deux etudes d'ondes) | — | ||
| 86-3 | Tsar Saltan: The Flight of the Bumblebee | — | ||
| 86-4 | Impromptu in G, D. 899/op. 90 no. 3 | — | ||
| 86-5 | Sarabande (from English Suite no. 3, BWV 808) | — | ||
| 86-6 | Alt Wien (Triakontameron no. 11) | — | ||
| 86-7 | Holzapfel und Schlehwein (March) (from Much Ado About Nothing, op. 11) | — | ||
| 86-8 | Tzigane (Rapsodie de concert) | — | ||
| 86-9 | Largo in C minor | — | ||
| 86-10 | Sevilla, sevillanas (Suite espanola no. 3, op. 47) | — | ||
| 86-11 | Prelude (from L'enfant prodigue) | — | ||
| 86-12 | Gypsy Andante (Ruralia hungarica no. 6, op. 32a) | — | ||
| 86-13 | La capricieuse, op. 17 | — | ||
| 86-14 | Sumare (Saudades do Brasil no. 9) | — | ||
| 86-15 | Sonata in A, op. 2 no. 2, RV 31: Preludio | — | ||
| 86-16 | Sonata in A, op. 2 no. 2, RV 31: Capriccio | — | ||
| 86-17 | Sonata in A, op. 2 no. 2, RV 31: Corrente | — | ||
| 86-18 | Sonata in A, op. 2 no. 2, RV 31: Recitativo | — | ||
| 86-19 | Sonata in A, op. 2 no. 2, RV 31: Giga | — | ||
| 87-1 | Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto | — | ||
| 87-2 | Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio | — | ||
| 87-3 | Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di menuetto - Allegro | — | ||
| 87-4 | Caprice no. 13 in B-flat | — | ||
| 87-5 | Gavotte I (from English Suite no. 3, BWV 808) | — | ||
| 87-6 | Gavotte II (from English Suite no. 3, BWV 808) | — | ||
| 87-7 | Caprice no. 24 in A minor | — | ||
| 87-8 | Stimmungsbilder, op. 9 no. 2 "An einsamer Quelle" | Jascha Heifetz, Arpád Sándor | — | |
| 87-9 | Guitarre, op. 45 no. 2 | — | ||
| 87-10 | Alt-Wien, op. 30 no. 1: Valse | Jascha Heifetz, Arpád Sándor | — | |
| 87-11 | Scherzo-Tarantelle in G minor, op. 16 | Jascha Heifetz, Arpád Sándor | — | |
| 88-1 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 88-2 | Violin Concerto in A minor, op. 82: 2. Andante sostenuto | — | ||
| 88-3 | Violin Concerto in A minor, op. 82: 3. Tempo I | — | ||
| 88-4 | Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 88-5 | Meditation, op. 32 | — | ||
| 88-6 | Caprice no. 20 in D | — | ||
| 88-7 | Sonata in E-flat, op. 18: 1. Allegro, ma non troppo | — | ||
| 88-8 | Sonata in E-flat, op. 18: 2. Improvisation: Andante cantabile | — | ||
| 88-9 | Sonata in E-flat, op. 18: 3. Finale: Andante - Allegro | — | ||
| 89-1 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 89-2 | Violin Concerto no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 89-3 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 89-4 | Polonaise brillante no. 1 in D, op. 4 | — | ||
| 89-5 | Violin Concerto no. 4 in D minor, op. 31: 1. Andante; Moderato | — | ||
| 89-6 | Violin Concerto no. 4 in D minor, op. 31: 2. Adagio religioso | — | ||
| 89-7 | Violin Concerto no. 4 in D minor, op. 31: 3. Scherzo: Vivace | — | ||
| 89-8 | Violin Concerto no. 4 in D minor, op. 31: 4. Finale marziale: Andante - Allegro | — | ||
| 89-9 | Mouvement perpetuel | — | ||
| 90-1 | Hora Staccato | — | ||
| 90-2 | Krol Roger: Chant de Roxane | — | ||
| 90-3 | Tallahasse Suite: Air et Danse negre | — | ||
| 90-4 | Tallahasse Suite: Bygone Memories | — | ||
| 90-5 | Tallahasse Suite: After Sundown | — | ||
| 90-6 | La vida breve: Danza española no. 1 | — | ||
| 90-7 | La ronde des lutins (Scherzo fantastique, op. 25) | — | ||
| 90-8 | Sonata no. 1 in G minor, BWV 1001: 1. Adagio | — | ||
| 90-9 | Sonata no. 1 in G minor, BWV 1001: 2. Fugue: Allegro | — | ||
| 90-10 | Sonata no. 1 in G minor, BWV 1001: 3. Siciliano | — | ||
| 90-11 | Sonata no. 1 in G minor, BWV 1001: 4. Presto | — | ||
| 90-12 | Partita no. 2 in D minor, BWV 1004: 1. Allemande | — | ||
| 90-13 | Partita no. 2 in D minor, BWV 1004: 2. Courante | — | ||
| 90-14 | Partita no. 2 in D minor, BWV 1004: 3. Sarabande | — | ||
| 90-15 | Partita no. 2 in D minor, BWV 1004: 4. Gigue | — | ||
| 90-16 | Partita no. 2 in D minor, BWV 1004: 5. Chaconne | — | ||
| 91-1 | Sonata no. 3 in C, BWV 1005: 1. Adagio | — | ||
| 91-2 | Sonata no. 3 in C, BWV 1005: 2. Fugue | — | ||
| 91-3 | Sonata no. 3 in C, BWV 1005: 3. Largo | — | ||
| 91-4 | Sonata no. 3 in C, BWV 1005: 4. Allegro assai | Jascha Heifetz | T-310.061.637-9 | |
| 91-5 | Sonata no. 2 in G, op. 13: 1. Lento doloroso; Allegro vivace | — | ||
| 91-6 | Sonata no. 2 in G, op. 13: 2. Allegretto tranquillo | — | ||
| 91-7 | Sonata no. 2 in G, op. 13: 3. Allegro animato | — | ||
| 92-1 | Sonata no. 1 in A, op. 13: 1. Allegro molto | — | ||
| 92-2 | Sonata no. 1 in A, op. 13: 2. Andante | — | ||
| 92-3 | Sonata no. 1 in A, op. 13: 3. Allegro vivo | — | ||
| 92-4 | Sonata no. 1 in A, op. 13: 4. Allegro quasi presto | — | ||
| 92-5 | Sonata no. 2 in A, op. 100: 1. Allegro amabile | — | ||
| 92-6 | Sonata no. 2 in A, op. 100: 2. Andante tranquillo; Vivace | — | ||
| 92-7 | Sonata no. 2 in A, op. 100: 3. Allegretto grazioso | — | ||
| 92-8 | Introduction & Rondo Capriccioso, op. 28: 1. Andante | — | ||
| 92-9 | Introduction & Rondo Capriccioso, op. 28: 2. Allegro ma non troppo | — | ||
| 92-10 | Introduction & Rondo Capriccioso, op. 28: 3. Piu allegro | — | ||
| 93-1 | Sonata in A: I. Allegretto ben moderato | Jascha Heifetz, Brooks Smith | — | |
| 93-2 | Sonata in A: II. Allegro | Jascha Heifetz, Brooks Smith | — | |
| 93-3 | Sonata in A: III. Recitativo-Fantasia: Ben moderato | Jascha Heifetz, Brooks Smith | — | |
| 93-4 | Sonata in A: IV. Allegretto poco mosso | Jascha Heifetz, Brooks Smith | — | |
| 93-5 | Sonata in E-flat, op. 18: I. Allegro ma non troppo | Jascha Heifetz, Brooks Smith | — | |
| 93-6 | Sonata in E-flat, op. 18: II. Improvisation: Andante cantabile | Jascha Heifetz, Brooks Smith | — | |
| 93-7 | Sonata in E-flat, op. 18: III. Finale: Allegro | Jascha Heifetz, Brooks Smith | — | |
| 94-1 | Partita no. 3 in E, BWV 1006: I. Preludio | Jascha Heifetz | T-041.917.934-2 | |
| 94-2 | Partita no. 3 in E, BWV 1006: II. Loure | Jascha Heifetz | T-310.071.810-9 | |
| 94-3 | Partita no. 3 in E, BWV 1006: VII. Gigue | Jascha Heifetz | — | |
| 94-4 | Baal Shem (Three Pictures of Chassidic Life): No. 2. Nigun (Improvisation) | Jascha Heifetz, Brooks Smith | T-070.009.928-0 | |
| 94-5 | La plus que lente | Jascha Heifetz, Brooks Smith | T-050.351.801-1 | |
| 94-6 | Etude-tableau in E-flat, op. 33 no. 4 | Jascha Heifetz, Brooks Smith | — | |
| 94-7 | Seven Popular Spanish Songs: No. 5. Nana (Berceuse) | Jascha Heifetz, Brooks Smith | — | |
| 94-8 | La chasse (In the Style of Cartier) | Jascha Heifetz, Brooks Smith | — | |
| 94-9 | Tzigane (Rapsodie de concert) | Jascha Heifetz, Brooks Smith | — | |
| 94-10 | Sea Murmurs (Deux études d'ondes) | Jascha Heifetz, Brooks Smith | — | |
| 95-1 | Trio in F minor, op. 65: 1. Allegro ma non troppo | — | ||
| 95-2 | Trio in F minor, op. 65: 2. Allegretto grazioso | — | ||
| 95-3 | Trio in F minor, op. 65: 3. Poco adagio | — | ||
| 95-4 | Trio in F minor, op. 65: 4. Finale: Allegro con brio | — | ||
| 95-5 | Suite italienne: 1. Introduzione | — | ||
| 95-6 | Suite italienne: 2. Serenata | — | ||
| 95-7 | Suite italienne: 3. Aria | — | ||
| 95-8 | Suite italienne: 4. Tarantella | — | ||
| 95-9 | Suite italienne: 5. Gavotta | — | ||
| 95-10 | Suite italienne: 6. Minuetto e Finale | — | ||
| 95-11 | Prelude, op. 39 no. 1 | — | ||
| 95-12 | Passacaglia no. 6 in G minor (Harpsichord Suite no. 7) | — | ||
| 96-1 | Sonata in B-flat, K. 378: 1. Allegro moderato | — | ||
| 96-2 | Sonata in B-flat, K. 378: 2. Andantino sostenuto e cantabile | — | ||
| 96-3 | Sonata in B-flat, K. 378: 3. Allegro | — | ||
| 96-4 | Sonata in B-flat, K. 454: 1. Largo; Allegro | — | ||
| 96-5 | Sonata in B-flat, K. 454: 2. Andante | — | ||
| 96-6 | Sonata in B-flat, K. 454: 3. Rondo: Allegro | — | ||
| 97-1 | Sonata no. 3 in E-flat, op. 12: 1. Allegro con spirito | — | ||
| 97-2 | Sonata no. 3 in E-flat, op. 12: 2. Adagio con molta espressione | — | ||
| 97-3 | Sonata no. 3 in E-flat, op. 12: 3. Rondo: Allegro molto | — | ||
| 97-4 | Sonata no. 8 in G, op. 30 no. 3: 1. Allegro assai | — | ||
| 97-5 | Sonata no. 8 in G, op. 30 no. 3: 2. Tempo di menuetto, ma molto moderato e grazioso | — | ||
| 97-6 | Sonata no. 8 in G, op. 30 no. 3: 3. Allegro vivace | — | ||
| 98-1 | Quintet no. 2 in G, op. 111: 1. Allegro non troppo, ma con brio | — | ||
| 98-2 | Quintet no. 2 in G, op. 111: 2. Adagio | — | ||
| 98-3 | Quintet no. 2 in G, op. 111: 3. Un poco allegretto | — | ||
| 98-4 | Quintet no. 2 in G, op. 111: 4. Vivace ma non troppo presto | — | ||
| 98-5 | Trio in E-flat, op. 70 no. 2: 1. Poco sostenuto; Allegro ma non troppo | — | ||
| 98-6 | Trio in E-flat, op. 70 no. 2: 2. Allegretto | — | ||
| 98-7 | Trio in E-flat, op. 70 no. 2: 3. Allegretto ma non troppo | — | ||
| 98-8 | Trio in E-flat, op. 70 no. 2: 4. Finale: Allegro | — | ||
| 99-1 | Trio no. 2, D. 929/op. 100: 1. Allegro | — | ||
| 99-2 | Trio no. 2, D. 929/op. 100: 2. Andante con moto | — | ||
| 99-3 | Trio no. 2, D. 929/op. 100: 3. Scherzando: Allegro moderato | — | ||
| 99-4 | Trio no. 2, D. 929/op. 100: 4. Allegro moderato | — | ||
| 99-5 | Trio no. 2 in C, op. 87: 1. Allegro | — | ||
| 99-6 | Trio no. 2 in C, op. 87: 2. Andante con moto | — | ||
| 99-7 | Trio no. 2 in C, op. 87: 3. Scherzo: Presto | — | ||
| 99-8 | Trio no. 2 in C, op. 87: 4. Finale: Allegro giocoso | — | ||
| 100-1 | Sonata no. 3 in C minor: 1. Allegro molto ed appassionato | — | ||
| 100-2 | Sonata no. 3 in C minor: 2. Allegretto espressivo alla Romanza; Allegro molto; Tempo I | — | ||
| 100-3 | Sonata no. 3 in C minor: 3. Allegro animato | — | ||
| 100-4 | Sonata no. 1 in G, op. 78: 1. Vivace ma non troppo | — | ||
| 100-5 | Sonata no. 1 in G, op. 78: 2. Adagio | — | ||
| 100-6 | Sonata no. 1 in G, op. 78: 3. Allegro molto moderato | — | ||
| 100-7 | Etude no. 10 no. 5 in E-Flat "alla saltarella" | — | ||
| 100-8 | Eugene Onegin: Lensky's Aria | — | ||
| 100-9 | La Tambourin | — | ||
| 100-10 | Sonata for Flute and Harpsichord in E-flat, S. 1031: 1. Sicilienne | — | ||
| 100-11 | Sonata for Flute and Harpsichord in E-flat, S. 1031: 2. Valencia | — | ||
| 100-12 | Sonata for Flute and Harpsichord in E-flat, S. 1031: 3. Zapateado | — | ||
| 101-1 | Violin Concerto in D, op. 77: 1. Allegro | — | ||
| 101-2 | Violin Concerto in D, op. 77: 2. Andante | — | ||
| 101-3 | Violin Concerto in D, op. 77: 3. Vivace non troppo | — | ||
| 101-4 | Poeme, op. 25 | — | ||
| 101-5 | Scottish Fantasy, op. 46: 1. Introduction: Grave; Adagio cantabile | — | ||
| 101-6 | Scottish Fantasy, op. 46: 2. Allegro | — | ||
| 101-7 | Scottish Fantasy, op. 46: 3. Andante sostenuto | — | ||
| 101-8 | Scottish Fantasy, op. 46: 4. Finale: Allegro guerriero | — | ||
| 102-1 | Piano Quintet in A, op. 81: 1. Allegro ma non tanto | — | ||
| 102-2 | Piano Quintet in A, op. 81: 2. Dumka: Andante con moto | — | ||
| 102-3 | Piano Quintet in A, op. 81: 3. Scherzo (Furiant): Molto vivace | — | ||
| 102-4 | Piano Quintet in A, op. 81: 4. Finale: Allegro | — | ||
| 102-5 | Romantic Fantasy for Violin, Viola, and Orchestra: 1. Nocturne | — | ||
| 102-6 | Romantic Fantasy for Violin, Viola, and Orchestra: 2. Scherzino | — | ||
| 102-7 | Romantic Fantasy for Violin, Viola, and Orchestra: 3. Sonata: Allegro, tempo giusto | — | ||
| 102-8 | Divertimento no. 2 for Violin and Viola, op. 37 no. 2 | — | ||
| 103-1 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | — | ||
| 103-2 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | — | ||
| 103-3 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 3. Scherzo: Allegro; Trio | — | ||
| 103-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 4. Finale: Allegro; Presto | — | ||
| 103-5 | Violin Sonatina in G minor, D. 408: 1. Allegro giusto | — | ||
| 103-6 | Violin Sonatina in G minor, D. 408: 2. Andante | — | ||
| 103-7 | Violin Sonatina in G minor, D. 408: 3. Menuetto: Allegro vivace | — | ||
| 103-8 | Violin Sonatina in G minor, D. 408: 4. Allegro moderato | — | ||
| 103-9 | Chaconne from Partita no. 2 in D minor, BWV 1004 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: II. Andante | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-902.045.688-6 |
| Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — |
| Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
886977005022 is a Universal Product Code (UPC) assigned to The Complete Album Collection by Jascha Heifetz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 902 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
886977005022 is the Universal Product Code (UPC barcode) for the release “The Complete Album Collection” by Jascha Heifetz, released 2011-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 902 tracks, each with its own ISRC. Tracks include HKI190008701, HKI190008702, HKI190008703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata no. 1 in D, op. 12 no. 1: 1. Allegro con brio | — | ||
| 2 | Sonata no. 1 in D, op. 12 no. 1: 2. Tema: Andante con moto | — | ||
| 3 | Sonata no. 1 in D, op. 12 no. 1: 3. Variation I | — | ||
| 4 | Sonata no. 1 in D, op. 12 no. 1: 4. Variation II | — | ||
| 5 | Sonata no. 1 in D, op. 12 no. 1: 5. Variation III | — | ||
| 6 | Sonata no. 1 in D, op. 12 no. 1: 6. Variation IV | — | ||
| 7 | Sonata no. 1 in D, op. 12 no. 1: 7. Rondo: Allegro | — | ||
| 8 | Sonata no. 2 in A, op. 12 no. 2: 1. Allegro vivace | — | ||
| 9 | Sonata no. 2 in A, op. 12 no. 2: 2. Andante piu tosto allegretto | — | ||
| 10 | Sonata no. 2 in A, op. 12 no. 2: 3. Allegro piacevole | — | ||
| 2-1 | Sonata no. 5 in F, op. 24 "Spring": 1. Allegro | — | ||
| 2-2 | Sonata no. 5 in F, op. 24 "Spring": 2. Adagio molto espressivo | — | ||
| 2-3 | Sonata no. 5 in F, op. 24 "Spring": 3. Scherzo: Allegro molto | — | ||
| 2-4 | Sonata no. 5 in F, op. 24 "Spring": 4. Trio | — | ||
| 2-5 | Sonata no. 5 in F, op. 24 "Spring": 5. Rondo: allegro ma non troppo | — | ||
| 2-6 | Sonata in C, K. 296: 1. Allegro vivace | — | ||
| 2-7 | Sonata in C, K. 296: 2. Andante sostenuto | — | ||
| 2-8 | Sonata in C, K. 296: 3. Rondo: Allegro | — | ||
| 3-1 | Concerto for Two Violins in D minor, BWV 1043: 1. Vivace | — | ||
| 3-2 | Concerto for Two Violins in D minor, BWV 1043: 2. Largo ma non tanto | — | ||
| 3-3 | Concerto for Two Violins in D minor, BWV 1043: 3. Allegro | — | ||
| 3-4 | Violin Concerto no. 4 in D, K. 218: 1. Allegro | — | ||
| 3-5 | Violin Concerto no. 4 in D, K. 218: 2. Andante cantabile | — | ||
| 3-6 | Violin Concerto no. 4 in D, K. 218: 3. Rondeau: Andante grazioso; Allegro ma non troppo | — | ||
| 4-1 | Violin Concerto In B minor, op. 61: 1. Allegro | — | ||
| 4-2 | Violin Concerto In B minor, op. 61: 2. Andante | — | ||
| 4-3 | Violin Concerto In B minor, op. 61: 3. Allegro molto | — | ||
| 5-1 | Violin Concerto in D, op. 35: 1. Allegro moderato | — | ||
| 5-2 | Violin Concerto in D, op. 35: 2. Canzonetta: Andante | — | ||
| 5-3 | Violin Concerto in D, op. 35: 3. Allegro vivacissimo | — | ||
| 6-1 | Violin Concerto no. 2 in G minor, op. 63: 1. Allegro moderato | — | ||
| 6-2 | Violin Concerto no. 2 in G minor, op. 63: 2. Andante assai | — | ||
| 6-3 | Violin Concerto no. 2 in G minor, op. 63: 3. Allegro ben marcato | — | ||
| 7-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 8-1 | Concerto for Violin and Cello in A minor, op. 102: 1. Allegro | — | ||
| 8-2 | Concerto for Violin and Cello in A minor, op. 102: 2. Andante | — | ||
| 8-3 | Concerto for Violin and Cello in A minor, op. 102: 3. Vivace non troppo | — | ||
| 9-1 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 1. Allegro moderato | — | ||
| 9-2 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 2. Andante un poco mosso | — | ||
| 9-3 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 3. Scherzo: Allegro | — | ||
| 9-4 | Piano Trio no. 1 in B-flat, op. 99 (D. 898): 4. Rondo: Allegro vivace | — | ||
| 10-1 | Piano Trio in B-flat, op. 97: 1. Allegro moderato | — | ||
| 10-2 | Piano Trio in B-flat, op. 97: 2. Scherzo: Allegro | — | ||
| 10-3 | Piano Trio in B-flat, op. 97: 3. Andante cantabile ma pero con moto | — | ||
| 10-4 | Piano Trio in B-flat, op. 97: 4. Allegro moderato | — | ||
| 11-1 | Divertimento in E-flat, K. 563: 1. Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 11-2 | Divertimento in E-flat, K. 563: 2. Adagio | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-071.179.565-1 | |
| 11-3 | Divertimento in E-flat, K. 563: 3. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.774.400-9 | |
| 11-4 | Divertimento in E-flat, K. 563: 4. Andante | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.128.688-4 | |
| 11-5 | Divertimento in E-flat, K. 563: 5. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-931.717.066-4 | |
| 11-6 | Divertimento in E-flat, K. 563: 6. Rondo: Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 12-1 | Piano Trio in B, op. 8: 1. Allegro con brio | — | ||
| 12-2 | Piano Trio in B, op. 8: 2. Scherzo: Allegro molto -- Meno allegro | — | ||
| 12-3 | Piano Trio in B, op. 8: 3. Adagio | — | ||
| 12-4 | Piano Trio in B, op. 8: 4. Allegro | — | ||
| 13-1 | Piano Trio in A minor: 1. Modere | — | ||
| 13-2 | Piano Trio in A minor: 2. Pantuom - Assez vif | — | ||
| 13-3 | Piano Trio in A minor: 3. Passacaille - Tres large | — | ||
| 13-4 | Piano Trio in A minor: 4. Final - Anime | — | ||
| 13-5 | Piano Trio in D minor, op. 49: 1. Molto allegro e agitato | — | ||
| 13-6 | Piano Trio in D minor, op. 49: 2. Andante con moto tranquillo | — | ||
| 13-7 | Piano Trio in D minor, op. 49: 3. Scherzo: Leggiero e vivace | — | ||
| 13-8 | Piano Trio in D minor, op. 49: 4. Finale: Allegro assai appassionato | — | ||
| 14-1 | Piano Trio in A minor, op. 50: 1. Pezzo elegiaco: Moderato assai | — | ||
| 14-2 | Piano Trio in A minor, op. 50: 2. A. Tema con Variazioni: Andante con moto | — | ||
| 14-3 | Piano Trio in A minor, op. 50: 3. Variation I | — | ||
| 14-4 | Piano Trio in A minor, op. 50: 4. Variation II: Piu mosso | — | ||
| 14-5 | Piano Trio in A minor, op. 50: 5. Variation III: Scherzando: Allegro moderato | — | ||
| 14-6 | Piano Trio in A minor, op. 50: 6. Variation IV: L'istesso tempo | — | ||
| 14-7 | Piano Trio in A minor, op. 50: 7. Variation V: L'istesso tempo | — | ||
| 14-8 | Piano Trio in A minor, op. 50: 8. Variation VI: Tempo di valse | — | ||
| 14-9 | Piano Trio in A minor, op. 50: 9. Variation VII: Allegro moderato | — | ||
| 14-10 | Piano Trio in A minor, op. 50: 10. Variation VIII: Fuga: Allegro moderato | — | ||
| 14-11 | Piano Trio in A minor, op. 50: 11. Variation IX: Andante flebile, ma non tanto | — | ||
| 14-12 | Piano Trio in A minor, op. 50: 12. Variation X: Tempo di Mazurka | — | ||
| 14-13 | Piano Trio in A minor, op. 50: 13. Variation XI: Moderato | — | ||
| 14-14 | Piano Trio in A minor, op. 50: 14. Variation Finale e Coda: Allegro risoluto con fuoco | — | ||
| 15-1 | Violin Concerto in B minor: 1. Andante tranquillo | — | ||
| 15-2 | Violin Concerto in B minor: 2. Presto capriccioso alla Napolitana | — | ||
| 15-3 | Violin Concerto in B minor: 3. Vivace | — | ||
| 15-4 | Violin Concerto no. 5 in A minor, op. 37: 1. Allegro non troppo | — | ||
| 15-5 | Violin Concerto no. 5 in A minor, op. 37: 2. Adagio | — | ||
| 15-6 | Violin Concerto no. 5 in A minor, op. 37: 3. Allegro con fuoco | — | ||
| 16-1 | Ariettes oubliees: No. 2. Il pleure dans mon coeur | — | ||
| 16-2 | English Suite no. 6, BWV 811: Gavottes I and II | — | ||
| 16-3 | El amor brujo: No. 2. Pantomime | — | ||
| 16-4 | Piano Trio in D minor, op. 49: Scherzo | — | ||
| 16-5 | Violin Concerto in A minor, op. 54: Tempo di valse | — | ||
| 16-6 | Cantos d'España: No. 14. Cantilene asturienne | — | ||
| 16-7 | Saudades do Brasil: No. 7. Corcovado | — | ||
| 16-8 | German Dances, WoO 8: No. 6. Folk Dance | — | ||
| 16-9 | Tango | — | ||
| 16-10 | Alt Wien (Triakontameron no. 11) | Jascha Heifetz, Emanuel Bay | — | |
| 16-11 | Songs Without Words, op. 19: No. 1. Sweet Remembrance | — | ||
| 16-12 | La plus que lente | Jascha Heifetz, Emanuel Bay | T-306.482.600-8 | |
| 16-13 | Ave Maria, D. 839 | Jascha Heifetz, Emanuel Bay | — | |
| 16-14 | On Wings of Song, op. 34 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 16-15 | Divertimento no. 17, K. 334: Minuet | — | ||
| 17-1 | Sonata in B minor: 1. Moderato | — | ||
| 17-2 | Sonata in B minor: 2. Andante espressivo | — | ||
| 17-3 | Sonata in B minor: 3. Passacaglia: Allegro moderato ma energico | — | ||
| 17-4 | Sonata no. 3 in G minor: 1. Allegro vivo | — | ||
| 17-5 | Sonata no. 3 in G minor: 2. Intermede: Fantasque et leger | — | ||
| 17-6 | Sonata no. 3 in G minor: 3. Finale: Tres anime | — | ||
| 18-1 | Violin Concerto in D, op. 77: 1. Allegro non troppo | — | ||
| 18-2 | Violin Concerto in D, op. 77: 2. Adagio | — | ||
| 18-3 | Violin Concerto in D, op. 77: 3. Allegro giocoso, ma non troppo vivace | — | ||
| 19-1 | Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel: Allegro moderato | — | ||
| 19-2 | Violin Concerto no. 1 in G minor, op. 26: 2. Adagio | — | ||
| 19-3 | Violin Concerto no. 1 in G minor, op. 26: 3. Finale: Allegro energico | — | ||
| 19-4 | Sonata no. 1 in D minor, op. 75: 1. Allegro agitato | — | ||
| 19-5 | Sonata no. 1 in D minor, op. 75: 2. Adagio | — | ||
| 19-6 | Sonata no. 1 in D minor, op. 75: 3. Allegretto moderato | — | ||
| 19-7 | Sonata no. 1 in D minor, op. 75: 4. | — | ||
| 20-1 | Sonata no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto; Presto | — | ||
| 20-2 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Andante with Variations | — | ||
| 20-3 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation I | — | ||
| 20-4 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation II | — | ||
| 20-5 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation III | — | ||
| 20-6 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation IV | — | ||
| 20-7 | Sonata no. 9 in A, op. 47 "Kreutzer": 3. Presto | — | ||
| 21-1 | Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto; Adagio | — | ||
| 21-2 | Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio | — | ||
| 21-3 | Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di menuetto; Allegro | — | ||
| 21-4 | Romance no. 1 in G, op. 40 | — | ||
| 21-5 | Romance no. 2 in F, op. 50 | — | ||
| 22-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 22-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 22-3 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 22-4 | Concerto for Violin, Piano & String Quartet in D, op. 21: 1. Decide; Calme; Anime | — | ||
| 22-5 | Concerto for Violin, Piano & String Quartet in D, op. 21: 2. Sicilienne: Pas vite | — | ||
| 22-6 | Concerto for Violin, Piano & String Quartet in D, op. 21: 3. Grave | — | ||
| 22-7 | Concerto for Violin, Piano & String Quartet in D, op. 21: 4. Tres anime | — | ||
| 23-1 | Violin Concerto in E minor, op. 64: 1. Allegro molto appassionato | — | ||
| 23-2 | Violin Concerto in E minor, op. 64: 2. Andante | — | ||
| 23-3 | Violin Concerto in E minor, op. 64: 3. Allegretto non troppo; Allegro molto vivace | — | ||
| 23-4 | Scottish Fantasy: 1. Introduction: Grave; Adagio cantabile | — | ||
| 23-5 | Scottish Fantasy: 2. Allegro | — | ||
| 23-6 | Scottish Fantasy: 3. Andante sostenuto | — | ||
| 23-7 | Scottish Fantasy: 4. Finale: Allegro guerriero | — | ||
| 24-1 | Poeme, op. 25 | — | ||
| 24-2 | Violin Concerto in E minor: 1. Allegro molto | — | ||
| 24-3 | Violin Concerto in E minor: 2. Adagio | — | ||
| 24-4 | Violin Concerto in E minor: 3. Cadenza; Allegro subito | — | ||
| 25-1 | Sonata for Violin and Piano in A: 1. Allegro ben moderato | — | ||
| 25-2 | Sonata for Violin and Piano in A: 2. Allegro | — | ||
| 25-3 | Sonata for Violin and Piano in A: 3. Recitativo-Fantasia | — | ||
| 25-4 | Sonata for Violin and Piano in A: 4. Allegro poco mosso | — | ||
| 25-5 | Sonata in E-flat, op. 18: 1. Allegro, ma non troppo | — | ||
| 25-6 | Sonata in E-flat, op. 18: 2. Improvisation: Andante cantabile | — | ||
| 25-7 | Sonata in E-flat, op. 18: 3. Finale: Andante; Allegro | — | ||
| 26-1 | Violin Concerto in D, op. 35: 1. Moderato nobile | — | ||
| 26-2 | Violin Concerto in D, op. 35: 2. Romance | — | ||
| 26-3 | Violin Concerto in D, op. 35: 3. Finale: Allegro assai vivace | — | ||
| 26-4 | Symphonie espagnole, op. 21: 1. Allegro non troppo | — | ||
| 26-5 | Symphonie espagnole, op. 21: 2. Scherzando: Allegro molto | — | ||
| 26-6 | Symphonie espagnole, op. 21: 3. Andante | — | ||
| 26-7 | Symphonie espagnole, op. 21: 4. Rondo: Allegro | — | ||
| 27-1 | Divertimento in E-flat, K. 563: 1. Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 27-2 | Divertimento in E-flat, K. 563: 2. Adagio | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-071.179.565-1 | |
| 27-3 | Divertimento in E-flat, K. 563: 3. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.774.400-9 | |
| 27-4 | Divertimento in E-flat, K. 563: 4. Andante | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-902.128.688-4 | |
| 27-5 | Divertimento in E-flat, K. 563: 5. Menuetto: Allegretto | Jascha Heifetz, William Primrose, Emanuel Feuermann | T-931.717.066-4 | |
| 27-6 | Divertimento in E-flat, K. 563: 6. Rondo: Allegro | Jascha Heifetz, William Primrose, Emanuel Feuermann | — | |
| 27-7 | Duo no. 2 in B-flat, K. 424: 1. Adagio; Allegro | — | ||
| 27-8 | Duo no. 2 in B-flat, K. 424: 2. Andante cantabile | — | ||
| 27-9 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Theme | — | ||
| 27-10 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation I | — | ||
| 27-11 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation II | — | ||
| 27-12 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation III | — | ||
| 27-13 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation IV | — | ||
| 27-14 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation V | — | ||
| 27-15 | Duo no. 2 in B-flat, K. 424: 3. Andante con variazioni: Variation VI | — | ||
| 27-16 | Duo no. 2 in B-flat, K. 424: Allegro | — | ||
| 27-17 | Harpsichord Suite no. 7 in G minor | — | ||
| 28-1 | Sonata no. 4 in A minor, op. 23: 1. Presto | — | ||
| 28-2 | Sonata no. 4 in A minor, op. 23: 2. Andante scherzoso, piu allegretto | — | ||
| 28-3 | Sonata no. 4 in A minor, op. 23: 3. Allegro molto | — | ||
| 28-4 | Sonata no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | — | ||
| 28-5 | Sonata no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | — | ||
| 28-6 | Sonata no. 7 in C minor, op. 30 no. 2: 3. Scherzo: Allegro | — | ||
| 28-7 | Sonata no. 7 in C minor, op. 30 no. 2: 4. Trio | — | ||
| 28-8 | Sonata no. 7 in C minor, op. 30 no. 2: 5. Finale: Allegro; Presto | — | ||
| 29-1 | Concerto no. 1 in A minor, BWV 1041: 1. Allegro | — | ||
| 29-2 | Concerto no. 1 in A minor, BWV 1041: 2. Andante | — | ||
| 29-3 | Concerto no. 1 in A minor, BWV 1041: 3. Allegro assai | — | ||
| 29-4 | Concerto no. 2 in E, BWV 1042: 1. Allegro | — | ||
| 29-5 | Concerto no. 2 in E, BWV 1042: 2. Adagio | — | ||
| 29-6 | Concerto no. 2 in E, BWV 1042: 3. Allegro assai | — | ||
| 30-1 | Sonata no. 1: 1. Agitato | — | ||
| 30-2 | Sonata no. 1: 2. Molto quieto | — | ||
| 30-3 | Sonata no. 1: 3. Moderato | — | ||
| 30-4 | Sonata in E, op. 1 no. 15: 1. Adagio cantabile | — | ||
| 30-5 | Sonata in E, op. 1 no. 15: 2. Allegro | — | ||
| 30-6 | Sonata in E, op. 1 no. 15: 3. Largo | — | ||
| 30-7 | Sonata in E, op. 1 no. 15: 4. Allegro non troppo | — | ||
| 30-8 | Sonatina in G minor, D. 408, op. 137 no. 3: 1. Allegro giusto | — | ||
| 30-9 | Sonatina in G minor, D. 408, op. 137 no. 3: 2. Andante | — | ||
| 30-10 | Sonatina in G minor, D. 408, op. 137 no. 3: 3. Menuetto: Allegro vivace | — | ||
| 30-11 | Sonatina in G minor, D. 408, op. 137 no. 3: 4. Allegro moderato | — | ||
| 31-1 | Serenade in C, op. 10: 1. Marcia | — | ||
| 31-2 | Serenade in C, op. 10: 2. Romanza | — | ||
| 31-3 | Serenade in C, op. 10: 3. Scherzo | — | ||
| 31-4 | Serenade in C, op. 10: 4. Tema con variazioni | — | ||
| 31-5 | Serenade in C, op. 10: 5. Rondo (Finale) | — | ||
| 31-6 | Violin Concerto, op. 47: I. Moderately | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 31-7 | Violin Concerto, op. 47: II. With simplicity and warmth | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 31-8 | Violin Concerto, op. 47: III. Lively and with good humor | Jascha Heifetz, San Francisco Symphony, Pierre Monteux | — | |
| 32-1 | Violin Concerto in D, op. 35: 1. Allegro moderato | — | ||
| 32-2 | Violin Concerto in D, op. 35: 2. Canzonetta: Andante | — | ||
| 32-3 | Violin Concerto in D, op. 35: 3. Allegro vivacissimo | — | ||
| 32-4 | Suite in A minor, op. 10: 1. Presto | — | ||
| 32-5 | Suite in A minor, op. 10: 2. Adagio | — | ||
| 32-6 | Suite in A minor, op. 10: 3. Tempo giusto | — | ||
| 32-7 | Tzigane (Rapsodie de concert) | — | ||
| 33-1 | Sonata no. 3 in E-flat, op. 12 no. 3: 1. Allegro con spirito | — | ||
| 33-2 | Sonata no. 3 in E-flat, op. 12 no. 3: 2. Adagio con molta espressione | — | ||
| 33-3 | Sonata no. 3 in E-flat, op. 12 no. 3: 3. Rondo: Allegro molto | — | ||
| 33-4 | Sonata no. 6 in A, op. 30 no. 1: 1. Allegro | — | ||
| 33-5 | Sonata no. 6 in A, op. 30 no. 1: 2. Adagio molto espressivo | — | ||
| 33-6 | Sonata no. 6 in A, op. 30 no. 1: 3. Tema: Allegretto With Variations | — | ||
| 33-7 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation I | — | ||
| 33-8 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation II | — | ||
| 33-9 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation III | — | ||
| 33-10 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation IV | — | ||
| 33-11 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation V | — | ||
| 33-12 | Sonata no. 6 in A, op. 30 no. 1: 3. Variation VI: Allegro ma non tanto | — | ||
| 34-1 | Sonata no. 8 in G, op. 30 no. 3: 1. Allegro assai | — | ||
| 34-2 | Sonata no. 8 in G, op. 30 no. 3: 2. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 34-3 | Sonata no. 8 in G, op. 30 no. 3: 3. Allegro vivace | — | ||
| 34-4 | Sonata no. 10 in G, op. 96: 1. Allegro moderato | — | ||
| 34-5 | Sonata no. 10 in G, op. 96: 2. Adagio espressivo | — | ||
| 34-6 | Sonata no. 10 in G, op. 96: 3. Scherzo: Allegro | — | ||
| 34-7 | Sonata no. 10 in G, op. 96: 4. Poco allegretto | — | ||
| 35-1 | Violin Concerto no. 2 in D minor, op. 44: 1. Adagio ma non troppo | — | ||
| 35-2 | Violin Concerto no. 2 in D minor, op. 44: 2. Allegro moderato | — | ||
| 35-3 | Violin Concerto no. 2 in D minor, op. 44: 3. Finale: Allegro molto | — | ||
| 35-4 | Violin Concerto no. 2, op. 22: 1. Allegro moderato | — | ||
| 35-5 | Violin Concerto no. 2, op. 22: 2. Romanze: Andante non troppo | — | ||
| 35-6 | Violin Concerto no. 2, op. 22: 3. Allegro con fuoco; Allegro moderato (a la zingara) | — | ||
| 36-1 | Sonata in B-flat, K. 378: 1. Allegro moderato | — | ||
| 36-2 | Sonata in B-flat, K. 378: 2. Andantino sostenuto e cantabile | — | ||
| 36-3 | Sonata in B-flat, K. 378: 3. Rondo: Allegro | — | ||
| 36-4 | Sonata in B-flat, K. 454: 1. Largo; Allegro | — | ||
| 36-5 | Sonata in B-flat, K. 454: 2. Andante | — | ||
| 36-6 | Sonata in B-flat, K. 454: 3. Rondo: Allegretto | — | ||
| 37-1 | Sonata no. 1 in G minor, BWV 1001: 1. Adagio | — | ||
| 37-2 | Sonata no. 1 in G minor, BWV 1001: 2. Fugue: Allegro | — | ||
| 37-3 | Sonata no. 1 in G minor, BWV 1001: 3. Siciliano | — | ||
| 37-4 | Sonata no. 1 in G minor, BWV 1001: 4. Presto | — | ||
| 37-5 | Partita no. 2 in D minor, BWV 1004: 1. Allemande | — | ||
| 37-6 | Partita no. 2 in D minor, BWV 1004: 2. Courante | — | ||
| 37-7 | Partita no. 2 in D minor, BWV 1004: 3. Sarabande | — | ||
| 37-8 | Partita no. 2 in D minor, BWV 1004: 4. Gigue | — | ||
| 37-9 | Partita no. 2 in D minor, BWV 1004: 5. Chaconne | — | ||
| 38-1 | Violin Concerto, op. 24: 1. Allegro non troppo ma passionato | — | ||
| 38-2 | Violin Concerto, op. 24: 2. Lento cantabile | — | ||
| 38-3 | Violin Concerto, op. 24: 3. Allegro vivace | — | ||
| 38-4 | Violin Concerto no. 8 in A minor, op. 47: 1. Allegro molto | — | ||
| 38-5 | Violin Concerto no. 8 in A minor, op. 47: 2. Adagio; Andante | — | ||
| 38-6 | Violin Concerto no. 8 in A minor, op. 47: 3. Allegro moderato | — | ||
| 38-7 | Serenade melancolique, op. 26 | — | ||
| 39-1 | Violin Concerto no. 2, op. 66 "I profeti": 1. Grave e meditative "Isaiah" | — | ||
| 39-2 | Violin Concerto no. 2, op. 66 "I profeti": 2. Espressivo e dolente "Jeremiah" | — | ||
| 39-3 | Violin Concerto no. 2, op. 66 "I profeti": 3. Fiero e impetuoso (ma sostenuto e ben marcato il ritmo) "Elijah" | — | ||
| 39-4 | Sonata in E-flat, op. 18: 1. Allegro, ma non troppo | — | ||
| 39-5 | Sonata in E-flat, op. 18: 2. Improvisation: Andante cantabile | — | ||
| 39-6 | Sonata in E-flat, op. 18: 3. Finale: Andante; Allegro | — | ||
| 40-1 | Chaconne in G minor | — | ||
| 40-2 | The Lark | — | ||
| 40-3 | Sonata no. 1 in A, op. 13: 1. Allegro molto | — | ||
| 40-4 | Sonata no. 1 in A, op. 13: 2. Andante | — | ||
| 40-5 | Sonata no. 1 in A, op. 13: 3. Allegro vivo | — | ||
| 40-6 | Sonata no. 1 in A, op. 13: 4. Allegro quasi presto | — | ||
| 41-1 | Sonata no. 2 "Poeme mystique": 1. Andante moderato | — | ||
| 41-2 | Sonata no. 2 "Poeme mystique": 2. Animato | — | ||
| 41-3 | Sonata no. 2 "Poeme mystique": 3. Tempo I; Animato; Moderato | — | ||
| 41-4 | Sonata no. 2 "Poeme mystique": 4. L'istesso tempo (ma un poco lento) | — | ||
| 41-5 | Sonata no. 2 "Poeme mystique": 5. Moderato assai "Credo in unum Deum!..." | — | ||
| 41-6 | Sonata no. 2 "Poeme mystique": 6. Piu lento "Gloria in excelsis Deo" | — | ||
| 41-7 | Sonata no. 2 "Poeme mystique": 7. Animato; Moderato; Allegro moderato; Tempo iniziale | — | ||
| 41-8 | Sonata no. 2 "Poeme mystique": 8. Molto quieto | — | ||
| 41-9 | Sonata no. 2 in G, op. 13: 1. Lento doloroso; Allegro vivace | — | ||
| 41-10 | Sonata no. 2 in G, op. 13: 2. Allegretto tranquillo | — | ||
| 41-11 | Sonata no. 2 in G, op. 13: 3. Allegro animato | — | ||
| 42-1 | Sonata no. 2 in A minor, BWV 1003: 1. Grave | — | ||
| 42-2 | Sonata no. 2 in A minor, BWV 1003: 2. Fugue | — | ||
| 42-3 | Sonata no. 2 in A minor, BWV 1003: 3. Andante | — | ||
| 42-4 | Sonata no. 2 in A minor, BWV 1003: 4. Allegro | — | ||
| 42-5 | Partita no. 3 in E, BWV 1006: 1. Preludio | — | ||
| 42-6 | Partita no. 3 in E, BWV 1006: 2. Loure | — | ||
| 42-7 | Partita no. 3 in E, BWV 1006: 3. Gavotte en Rondeau | — | ||
| 42-8 | Partita no. 3 in E, BWV 1006: 4. Menuet I | — | ||
| 42-9 | Partita no. 3 in E, BWV 1006: 5. Menuet II | — | ||
| 42-10 | Partita no. 3 in E, BWV 1006: 6. Bouree | — | ||
| 42-11 | Partita no. 3 in E, BWV 1006: 7. Gigue | — | ||
| 43-1 | Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.378.608-5 | |
| 43-2 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.381.014-2 | |
| 43-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-304.375.756-4 | |
| 44-1 | Sinfonia Concertante in E-flat major, KV. 364: I. Allegro maestoso | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-913.521.687-4 | |
| 44-2 | Sinfonia concertante in E-flat, K. 364: 2. Andante | — | ||
| 44-3 | Sinfonia Concertante in E-flat major, KV. 364: III. Presto | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | — | |
| 44-4 | Romantic Fantasy: 1. Nocturne | — | ||
| 44-5 | Romantic Fantasy: 2. Scherzino | — | ||
| 44-6 | Romantic Fantasy: 3. Sonata: Allegro, tempo giusto | — | ||
| 45-1 | Trio in G, op. 9 no. 1: 1. Adagio; Allegro con brio | — | ||
| 45-2 | Trio in G, op. 9 no. 1: 2. Adagio ma non tanto e cantabile | — | ||
| 45-3 | Trio in G, op. 9 no. 1: 3. Scherzo: Allegro | — | ||
| 45-4 | Trio in G, op. 9 no. 1: 4. Presto | — | ||
| 45-5 | Trio in C minor, op. 9 no. 3: 1. Allegro con spirito | — | ||
| 45-6 | Trio in C minor, op. 9 no. 3: 2. Adagio con espressione | — | ||
| 45-7 | Trio in C minor, op. 9 no. 3: 3. Scherzo: Allegro molto e vivace | — | ||
| 45-8 | Trio in C minor, op. 9 no. 3: 4. Finale: Presto | — | ||
| 46-1 | Trio in E-flat, op. 3: 1. Allegro con brio | — | ||
| 46-2 | Trio in E-flat, op. 3: 2. Andante | — | ||
| 46-3 | Trio in E-flat, op. 3: 3. Menuetto: Allegretto | — | ||
| 46-4 | Trio in E-flat, op. 3: 4. Adagio | — | ||
| 46-5 | Trio in E-flat, op. 3: 5. Menuetto: Moderato | — | ||
| 46-6 | Trio in E-flat, op. 3: 6. Finale: Allegro | — | ||
| 47-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 47-2 | Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 47-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — | |
| 48-1 | I. ALLEGRO MOLTO APPASSIONATO | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-2 | VIOLIN CONCERTO IN E MINOR, OP. 64: II. ANDANTE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-3 | VIOLIN CONCERTO IN E MINOR, OP. 64: ALLEGRETTO NON TROPPO - ALLEGRO MOLTO VIVACE | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 48-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 49-1 | Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-031.682.208-8 | |
| 49-2 | Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — | |
| 49-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | T-306.482.598-1 | |
| 50-1 | Sonata no. 3 in C, BWV 1005: 1. Adagio | — | ||
| 50-2 | Sonata no. 3 in C, BWV 1005: 2. Fugue: Alla breve | — | ||
| 50-3 | Sonata no. 3 in C, BWV 1005: 3. Largo | — | ||
| 50-4 | Sonata no. 3 in C, BWV 1005: 4. Allegro assai | — | ||
| 50-5 | Partita no. 1 in B minor, BWV 1002: 1. Allemande | — | ||
| 50-6 | Partita no. 1 in B minor, BWV 1002: 2. Double | — | ||
| 50-7 | Partita no. 1 in B minor, BWV 1002: 3. Courante | — | ||
| 50-8 | Partita no. 1 in B minor, BWV 1002: 4. Double | — | ||
| 50-9 | Partita no. 1 in B minor, BWV 1002: 5. Sarabande | — | ||
| 50-10 | Partita no. 1 in B minor, BWV 1002: 6. Double | — | ||
| 50-11 | Partita no. 1 in B minor, BWV 1002: 7. Bourree | — | ||
| 50-12 | Partita no. 1 in B minor, BWV 1002: 8. Double | — | ||
| 51-1 | Hungarian Dance no. 11 in D minor | — | ||
| 51-2 | Hungarian Dance no. 17 in F minor | — | ||
| 51-3 | Hungarian Dance no. 20 in D minor | — | ||
| 51-4 | A Song Sonata: 1. Belligerent | — | ||
| 51-5 | A Song Sonata: 2. Slow and Lonely | — | ||
| 51-6 | A Song Sonata: 3. Madly Dancing | — | ||
| 51-7 | Cod Liver 'Ile | — | ||
| 51-8 | Sabre Dance (from Gayaneh) | Jascha Heifetz, Brooks Smith | — | |
| 51-9 | Caprice no. 13 in B-flat | — | ||
| 51-10 | Caprice no. 20 in D | — | ||
| 51-11 | Serenata napoletana, op. 4 no. 2 | — | ||
| 51-12 | Banjo and Fiddle | Jascha Heifetz, Emanuel Bay | T-071.057.174-6 | |
| 51-13 | Firebird Suite: Berceuse | — | ||
| 51-14 | Sonatine in F-sharp: Menuet | — | ||
| 51-15 | Danse fantastique, op. 5 no. 2 | — | ||
| 51-16 | La fille aux cheveux de lin (Preludes, Livre I, no. 8) | — | ||
| 51-17 | Hora Staccato | Emanuel Bay, Jascha Heifetz | T-300.517.625-6 | |
| 51-18 | Havanaise, op. 83: 1. Allegro e lusinghiero | — | ||
| 51-19 | Havanaise, op. 83: 2. Allegro | — | ||
| 51-20 | Havanaise, op. 83: 3. Allegro mo non troppo | — | ||
| 52-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — | |
| 52-2 | Violin Concerto in D Minor, op. 47: 2. Adagio di molto | — | ||
| 52-3 | Violin Concerto in D Minor, op. 47: 3. Allegro ma non tanto | — | ||
| 53-1 | Serenade, op. 8 (Trio in D): 1. Marcia: Allegro | — | ||
| 53-2 | Serenade, op. 8 (Trio in D): 2. Adagio | — | ||
| 53-3 | Serenade, op. 8 (Trio in D): 3. Menuetto: Allegretto | — | ||
| 53-4 | Serenade, op. 8 (Trio in D): 4. Adagio; Scherzo: Allegro molto | — | ||
| 53-5 | Serenade, op. 8 (Trio in D): 5. Allegretto alla polacca | — | ||
| 53-6 | Serenade, op. 8 (Trio in D): 6. Andante quasi allegretto (Variationen) | — | ||
| 53-7 | Serenade, op. 8 (Trio in D): 7. Allegro | — | ||
| 53-8 | Serenade, op. 8 (Trio in D): 8. Marcia: Allegro | — | ||
| 53-9 | Duo, op. 7: 1. Allegro serioso, non troppo | — | ||
| 53-10 | Duo, op. 7: 2. Adagio | — | ||
| 53-11 | Duo, op. 7: 3. Maestoso e largamente, ma non troppo lento; Presto | — | ||
| 54-1 | Trio in D, op. 9 no. 2: 1. Allegretto | — | ||
| 54-2 | Trio in D, op. 9 no. 2: 2. Andante quasi allegretto | — | ||
| 54-3 | Trio in D, op. 9 no. 2: 3. Menuetto: Allegro | — | ||
| 54-4 | Trio in D, op. 9 no. 2: 4. Rondo: Allegro | — | ||
| 54-5 | Sinfonia no. 4 in D minor, BWV 790 | — | ||
| 54-6 | Sinfonia no. 9 F minor, BWV 795 | — | ||
| 54-7 | Sinfonia no. 3 in D, BWV 789 | — | ||
| 54-8 | Trio no. 2 in B-flat, D. 581: 1. Allegro moderato | — | ||
| 54-9 | Trio no. 2 in B-flat, D. 581: 2. Andante | — | ||
| 54-10 | Trio no. 2 in B-flat, D. 581: 3. Menuetto | — | ||
| 54-11 | Trio no. 2 in B-flat, D. 581: 4. Rondo | — | ||
| 55-1 | Concerto for Violin and Cello in A minor, op. 102: I. Allegro | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-905.049.604-3 | |
| 55-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | T-917.685.925-9 | |
| 55-3 | Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo | Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | — | |
| 56-1 | Sonata no. 9 in A, op. 47 "Kreutzer": 1. Adagio sostenuto; Presto | — | ||
| 56-2 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Tema: Andante | — | ||
| 56-3 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation I | — | ||
| 56-4 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation II | — | ||
| 56-5 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation III | — | ||
| 56-6 | Sonata no. 9 in A, op. 47 "Kreutzer": 2. Variation IV | — | ||
| 56-7 | Sonata no. 9 in A, op. 47 "Kreutzer": 3. Presto | — | ||
| 56-8 | Concerto for Two Violins in D minor, BWV 1043: I. Vivace | Erick Friedman, Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 56-9 | Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto | Jascha Heifetz, Erick Friedman, New Symphony Orchestra of London, Sir Malcolm Sargent | T-106.677.153-5 | |
| 56-10 | Concerto in D minor for Two Violins, BWV 1043: 3. Allegro | — | ||
| 57-1 | Violin Concerto no. 5 in A minor: I. Allegro non troppo | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-031.682.208-8 | |
| 57-2 | Violin Concerto no. 5 in A minor: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-3 | Violin Concerto no. 5 in A minor: III. Allegro con fuoco | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-4 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-5 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-6 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 57-7 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 58-1 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 58-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | T-050.459.341-2 | |
| 58-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 58-4 | Violin Concerto no. 4 in D, K. 218: 1. Allegro | — | ||
| 58-5 | Violin Concerto no. 4 in D, K. 218: 2. Andante cantabile | — | ||
| 58-6 | Violin Concerto no. 4 in D, K. 218: 3. Rondeau: Andante grazioso; Allegro ma non troppo | — | ||
| 59-1 | Quintet in C, D. 956, op. 163: 1. Allegro ma non troppo | — | ||
| 59-2 | Quintet in C, D. 956, op. 163: 2. Adagio | — | ||
| 59-3 | Quintet in C, D. 956, op. 163: 3. Scherzo: Presto; Trio: Andante sostenuto | — | ||
| 59-4 | Quintet in C, D. 956, op. 163: 4. Allegretto | — | ||
| 60-1 | Quintet in F minor: 1. Molto moderato quasi lento; Allegro | — | ||
| 60-2 | Quintet in F minor: 2. Lento, con molto sentimento | — | ||
| 60-3 | Quintet in F minor: 3. Allegro non troppo, ma con fuoco | — | ||
| 60-4 | Sextet in G, op. 36: 1. Allegro non troppo | — | ||
| 60-5 | Sextet in G, op. 36: 2. Scherzo: Allegro non troppo | — | ||
| 60-6 | Sextet in G, op. 36: 3. Poco adagio | — | ||
| 60-7 | Sextet in G, op. 36: 4. Poco allegro | — | ||
| 61-1 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-2 | Violin Concerto in A minor, op. 82: II. Andante sostenuto | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-3 | Violin Concerto in A minor, op. 82: III. Tempo I | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-4 | Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — | |
| 61-5 | Sinfonia concertante in E-flat, K. 364: 1. Allegro maestoso | — | ||
| 61-6 | Sinfonia Concertante in E-flat major, KV. 364: II. Andante | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | T-010.194.421-1 | |
| 61-7 | Sinfonia Concertante in E-flat major, KV. 364: III. Presto | Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | — | |
| 62-1 | Octet in E-flat, op. 20: 1. Allegro moderato ma con fuoco | — | ||
| 62-2 | Octet in E-flat, op. 20: 2. Andante | — | ||
| 62-3 | Octet in E-flat, op. 20: 3. Scherzo: Allegro leggierissimo | — | ||
| 62-4 | Octet in E-flat, op. 20: 4. Presto | — | ||
| 62-5 | Quintet in G minor, K. 516: 1. Allegro | — | ||
| 62-6 | Quintet in G minor, K. 516: 2. Menuetto: Allegretto | — | ||
| 62-7 | Quintet in G minor, K. 516: 3. Adagio ma non troppo | — | ||
| 62-8 | Quintet in G minor, K. 516: 4. Adagio; Allegro | — | ||
| 63-1 | Trio in E-flat, op. 1 no. 1: 1. Allegro | — | ||
| 63-2 | Trio in E-flat, op. 1 no. 1: 2. Adagio cantabile | — | ||
| 63-3 | Trio in E-flat, op. 1 no. 1: 3. Scherzo: Allegro assai | — | ||
| 63-4 | Trio in E-flat, op. 1 no. 1: 4. Finale: Presto | — | ||
| 63-5 | Divertimento for Cello and Orchestra | — | ||
| 63-6 | Sinfonia concertante, op. 29: Tema con variazioni : Tema | — | ||
| 63-7 | Sinfonia concertante, op. 29: Variation I | — | ||
| 63-8 | Sinfonia concertante, op. 29: Variation II | — | ||
| 63-9 | Sinfonia concertante, op. 29: Variation III | — | ||
| 63-10 | Sinfonia concertante, op. 29: Variation IV | — | ||
| 63-11 | Sinfonia concertante, op. 29: Variation V | — | ||
| 63-12 | Sinfonia concertante, op. 29: Variation VI | — | ||
| 63-13 | Sinfonia concertante, op. 29: Variation VII | — | ||
| 64-1 | Preludes: I. Allegro ben ritmato e deciso | Jascha Heifetz, Brooks Smith | T-070.126.537-3 | |
| 64-2 | Preludes: II. Andante con moto e poco rubato | Jascha Heifetz, Brooks Smith | T-070.126.537-3 | |
| 64-3 | Preludes: III. Allegro ben ritmato e deciso | Jascha Heifetz, Brooks Smith | T-070.126.537-3 | |
| 64-4 | Porgy and Bess: Summertime | Jascha Heifetz, Brooks Smith | T-910.978.509-3 | |
| 64-5 | Porgy and Bess: A Woman Is a Sometime Thing | Jascha Heifetz, Brooks Smith | T-901.121.953-7 | |
| 64-6 | Porgy and Bess: My Man’s Gone Now | Jascha Heifetz, Brooks Smith | T-070.024.203-0 | |
| 64-7 | Porgy and Bess: It Ain’t Necessarily So | Jascha Heifetz, Brooks Smith | T-900.757.862-3 | |
| 64-8 | Porgy and Bess: Bess, You Is My Woman | Jascha Heifetz, Brooks Smith | T-900.082.355-2 | |
| 64-9 | Porgy and Bess: Tempo di Blues | Jascha Heifetz, Brooks Smith | T-070.178.366-5 | |
| 64-10 | Chansons de Bilitis: No. 2. La chevelure | — | ||
| 64-11 | Children's Corner: No. 6. Golliwogg's Cakewalk | — | ||
| 64-12 | Beau soir | — | ||
| 64-13 | Valses nobles et sentimentales: No. 6. Vif | — | ||
| 64-14 | Valses nobles et sentimentales: No. 7. Moins vif, | — | ||
| 64-15 | Mouvements perpetuels | — | ||
| 64-16 | Le Carnaval des Animaux: Le cygne | — | ||
| 64-17 | Histoires: No. 2. Le petit ane blanc | — | ||
| 65-1 | Trio no. 1 in D minor, op. 32: 1. Allegro moderato | — | ||
| 65-2 | Trio no. 1 in D minor, op. 32: 2. Scherzo: Allegro molto | — | ||
| 65-3 | Trio no. 1 in D minor, op. 32: 3. Elegia: Adagio | — | ||
| 65-4 | Trio no. 1 in D minor, op. 32: 4. Finale: Allegro non troppo | — | ||
| 65-5 | Concerto in B-flat, RV 547: 1. Allegro moderato | — | ||
| 65-6 | Concerto in B-flat, RV 547: 2. Andante | — | ||
| 65-7 | Concerto in B-flat, RV 547: 3. Allegro molto | — | ||
| 65-8 | Duo for Violin and Cello: 1. Preludium: Andante moderato | — | ||
| 65-9 | Duo for Violin and Cello: 2. Rondo: Allegro con brio | — | ||
| 66-1 | Sonata no. 1, op. 2: 1. Molto moderato | — | ||
| 66-2 | Sonata no. 1, op. 2: 2. Allegro furioso | — | ||
| 66-3 | Sonata no. 1, op. 2: 3. Quasi fantasia | — | ||
| 66-4 | Sonata in G minor, op. 1: 1. Allegro | — | ||
| 66-5 | Sonata in G minor, op. 1: 2. Andante | — | ||
| 66-6 | Sonata in G minor, op. 1: 3. Presto | — | ||
| 67-1 | Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto | — | ||
| 67-2 | Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio | — | ||
| 67-3 | Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di Menuetto; Allegro | — | ||
| 67-4 | Piano Trio no. 1, op. 35: 1. Prelude and Fuge: Lento; Andante | — | ||
| 67-5 | Piano Trio no. 1, op. 35: 2. Theme: Andante | — | ||
| 67-6 | Piano Trio no. 1, op. 35: 2. Variation I: Allegro moderato | — | ||
| 67-7 | Piano Trio no. 1, op. 35: 2. Variation II: Andantino mosso | — | ||
| 67-8 | Piano Trio no. 1, op. 35: 2. Variation III: Moderato | — | ||
| 67-9 | Piano Trio no. 1, op. 35: 2. Variation IV: Allegro | — | ||
| 67-10 | Piano Trio no. 1, op. 35: 2. Variation V: Andantino | — | ||
| 67-11 | Piano Trio no. 1, op. 35: 3. Sonata: Allegro | — | ||
| 68-1 | Sonata no. 1 in D minor, op. 75: 1. Allegro agitato | — | ||
| 68-2 | Sonata no. 1 in D minor, op. 75: 2. Adagio | — | ||
| 68-3 | Sonata no. 1 in D minor, op. 75: 3. Allegretto moderato | — | ||
| 68-4 | Sonata no. 1 in D minor, op. 75: 4. Allegro molto | — | ||
| 68-5 | Nocturne (from Belshazzar's Feast) | — | ||
| 68-6 | Capriccio-Valse in E Major, op. 7 (Remastered) | Jascha Heifetz | — | |
| 68-7 | Daisies, op. 38 no. 3 | Jascha Heifetz, Brooks Smith | — | |
| 68-8 | Oriental Sketch, op. 2 no. 2 | Jascha Heifetz, Brooks Smith | — | |
| 68-9 | Nana (Berceuse) (Seven Popular Spanish Songs no. 5) | — | ||
| 68-10 | Jota (Seven Popular Spanish Songs no. 4) | — | ||
| 69-1 | Quintet in A, op. 81: 1. Allegro ma non tanto | — | ||
| 69-2 | Quintet in A, op. 81: 2. Dumka: Andante con moto | — | ||
| 69-3 | Quintet in A, op. 81: 3. Scherzo (Furiant): Molto vivace | — | ||
| 69-4 | Quintet in A, op. 81: 4. Finale: Allegro | — | ||
| 69-5 | Trio in C: 1. Allegretto vivo | — | ||
| 69-6 | Trio in C: 2. Scherzo: Vivo | — | ||
| 69-7 | Trio in C: 3. Andante | — | ||
| 69-8 | Trio in C: 4. Rondo: Vivo | — | ||
| 70-1 | Piano Quartet in C minor, op. 60: 1. Allegro ma non troppo | — | ||
| 70-2 | Piano Quartet in C minor, op. 60: 2. Scherzo: Allegro | — | ||
| 70-3 | Piano Quartet in C minor, op. 60: 3. Andante | — | ||
| 70-4 | Piano Quartet in C minor, op. 60: 4. Finale: Allegro | — | ||
| 70-5 | Sonata in D: 1. Allegretto spiritoso | — | ||
| 70-6 | Sonata in D: 2. Vivace | — | ||
| 70-7 | Sonata in D: 3. Grave | — | ||
| 70-8 | Sonata in D: 4. Allegro assai | — | ||
| 70-9 | Divertimento, op. 37 no. 2 (arr. by Piatigorsky): 1. Flott und lustig | — | ||
| 70-10 | Divertimento, op. 37 no. 2 (arr. by Piatigorsky): 2. Adagio | — | ||
| 70-11 | Divertimento, op. 37 no. 2 (arr. by Piatigorsky): 3. Vivace molto | — | ||
| 71-1 | Quintet in C, K. 515: 1. Allegro | — | ||
| 71-2 | Quintet in C, K. 515: 2. Andante | — | ||
| 71-3 | Quintet in C, K. 515: 3. Menuetto: Allegretto | — | ||
| 71-4 | Quintet in C, K. 515: 4. Allegro | — | ||
| 71-5 | Trio no. 2 in C minor, op. 66: 1. Allegro energico e con fuoco | — | ||
| 71-6 | Trio no. 2 in C minor, op. 66: 2. Andante espressivo | — | ||
| 71-7 | Trio no. 2 in C minor, op. 66: 3. Scherzo: Molto allegro, quasi presto | — | ||
| 71-8 | Trio no. 2 in C minor, op. 66: 4. Finale: Allegro appassionato | — | ||
| 72-1 | Double Quartet in D minor, op. 65: 1. Allegro | — | ||
| 72-2 | Double Quartet in D minor, op. 65: 2. Scherzo: Vivace | — | ||
| 72-3 | Double Quartet in D minor, op. 65: 3. Larghetto | — | ||
| 72-4 | Double Quartet in D minor, op. 65: 4. Finale: Allegro molto | — | ||
| 72-5 | Trio in E minor, op. 90 "Dumky": 1. Dumka I : Lento maestoso; Allegro quasi doppio movimento | — | ||
| 72-6 | Trio in E minor, op. 90 "Dumky": 1. Lento maestoso; Allegro | — | ||
| 72-7 | Trio in E minor, op. 90 "Dumky": 2. Dumka II : Poco adagio; Vivace non troppo | — | ||
| 72-8 | Trio in E minor, op. 90 "Dumky":2. Poco adagio | — | ||
| 72-9 | Trio in E minor, op. 90 "Dumky": 2. Vivace | — | ||
| 72-10 | Trio in E minor, op. 90 "Dumky": 3. Dumka III : Andante | — | ||
| 72-11 | Trio in E minor, op. 90 "Dumky": 3. Vivace non troppo | — | ||
| 72-12 | Trio in E minor, op. 90 "Dumky": 3. Andante | — | ||
| 72-13 | Trio in E minor, op. 90 "Dumky": 4. Dumka IV : Andante moderato | — | ||
| 72-14 | Trio in E minor, op. 90 "Dumky": 4. Allegretto scherzando | — | ||
| 72-15 | Trio in E minor, op. 90 "Dumky": 5. Dumka V : Allegro | — | ||
| 72-16 | Trio in E minor, op. 90 "Dumky": 6. Dumka VI : Lento maestoso | — | ||
| 72-17 | Trio in E minor, op. 90 "Dumky": 6. Vivace | — | ||
| 73-1 | Partita no. 2 in D minor, BWV 1004: Chaconne | — | ||
| 73-2 | Serenade in D, K. 250 "Haffner": Rondo | — | ||
| 73-3 | March (from "The Love for Three Oranges") | Jascha Heifetz, Brooks Smith | — | |
| 73-4 | Preludes: Livre I, no. 8: La fille aux cheveux de lin | — | ||
| 73-5 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 73-6 | Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 73-7 | Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 73-8 | Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 73-9 | Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — | |
| 74-1 | Fantasie in C, D. 934: 1. Andante molto | — | ||
| 74-2 | Fantasie in C, D. 934: 2. Allegretto | — | ||
| 74-3 | Fantasie in C, D. 934: 3. Andantino; Tempo I | — | ||
| 74-4 | Fantasie in C, D. 934: 4. Allegro vivace; Allegretto; Presto | — | ||
| 74-5 | Serenade melancolique, op. 26 | — | ||
| 74-6 | Serenade in C, op. 48: Waltz | — | ||
| 74-7 | Souvenir de Florence, op. 70: 1. Allegro con spirito | — | ||
| 74-8 | Souvenir de Florence, op. 70: 2. Adagio cantabile e con moto | — | ||
| 74-9 | Souvenir de Florence, op. 70: 3. Allegretto moderato | — | ||
| 74-10 | Souvenir de Florence, op. 70: 4. Allegro vivace | — | ||
| 75-1 | Zigeunerweisen, op. 20: 1. Moderato | — | ||
| 75-2 | Zigeunerweisen, op. 20: 2. Lento | — | ||
| 75-3 | Zigeunerweisen, op. 20: 3. Un poco piu lento | — | ||
| 75-4 | Zigeunerweisen, op. 20: 4. Allegro molto vivace | — | ||
| 75-5 | Havanaise, op. 83: 1. Allegro e lusinghiero | — | ||
| 75-6 | Havanaise, op. 83: 2. Allegro | — | ||
| 75-7 | Havanaise, op. 83: 3. Allegro mo non troppo | — | ||
| 75-8 | Introduction and Rondo Capriccioso, op. 28: 1. Andante | — | ||
| 75-9 | Introduction and Rondo Capriccioso, op. 28: 2. Allegro ma non troppo | — | ||
| 75-10 | Introduction and Rondo Capriccioso, op. 28: 3. Piu allegro | — | ||
| 75-11 | Poeme, op. 25 | — | ||
| 75-12 | Hungarian Dance no. 7 | — | ||
| 75-13 | "Carmen" Fantasie | — | ||
| 76-1 | Scherzo-tarantelle, op. 16 | Jascha Heifetz, Emanuel Bay | — | |
| 76-2 | Ave Maria, D. 839 | Jascha Heifetz, Emanuel Bay | — | |
| 76-3 | Valse bluette (Air de ballet no. 2) | Jascha Heifetz, Emanuel Bay | T-909.999.756-5 | |
| 76-4 | On Wings of Song, op. 34 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 76-5 | Presto in B-flat major | Jascha Heifetz, Emanuel Bay | — | |
| 76-6 | La plus que lente | Jascha Heifetz, Emanuel Bay | T-306.482.600-8 | |
| 76-7 | Hora Staccato | Emanuel Bay, Jascha Heifetz | T-300.517.625-6 | |
| 76-8 | Zapateado, op. 23 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 76-9 | Estrellita | Jascha Heifetz, Emanuel Bay | — | |
| 76-10 | Vocalise, op. 34 no. 14 | Jascha Heifetz, Emanuel Bay | — | |
| 76-11 | Banjo and Fiddle | Jascha Heifetz, Emanuel Bay | T-071.057.174-6 | |
| 76-12 | Hebrew Melody, op. 33 | Jascha Heifetz, Emanuel Bay | — | |
| 76-13 | Alt Wien (Triakontameron no. 11) | Jascha Heifetz, Emanuel Bay | — | |
| 76-14 | Sabre Dance (from Gayaneh) | Jascha Heifetz, Brooks Smith | — | |
| 77-1 | March (from "The Love for Three Oranges") | Jascha Heifetz, Brooks Smith | — | |
| 77-2 | Porgy and Bess: Bess, You Is My Woman | Jascha Heifetz, Brooks Smith | T-900.082.355-2 | |
| 77-3 | Children's Corner: No. 6. Golliwogg's Cakewalk | — | ||
| 77-4 | Preludes: Livre I, no. 8: La fille aux cheveux de lin | — | ||
| 77-5 | Daisies, op. 38 no. 3 | Jascha Heifetz, Brooks Smith | — | |
| 77-6 | Nana (Berceuse) (Seven Popular Spanish Songs no. 5) | — | ||
| 77-7 | Jota (Seven Popular Spanish Songs no. 4) | — | ||
| 77-8 | Mouvements perpetuels | — | ||
| 77-9 | Porgy and Bess: It Ain’t Necessarily So | Jascha Heifetz, Brooks Smith | T-900.757.862-3 | |
| 77-10 | Serenade in D, K. 250 "Haffner" | — | ||
| 77-11 | Le Carnaval des Animaux: Le cygne | — | ||
| 77-12 | Capriccio-Valse in E Major, op. 7 (Remastered) | Jascha Heifetz | — | |
| 77-13 | Porgy and Bess: Summertime | Jascha Heifetz, Brooks Smith | T-910.978.509-3 | |
| 77-14 | Porgy and Bess: A Woman Is a Sometime Thing | Jascha Heifetz, Brooks Smith | T-901.121.953-7 | |
| 77-15 | Garden Scene (from "Much Ado About Nothing") | Jascha Heifetz, Brooks Smith | — | |
| 77-16 | Serenade in C, op. 48: Waltz | — | ||
| 77-17 | Heifetz on Music | — | ||
| 78-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 78-4 | Zigeunerweisen, op. 20: 1. Moderato | — | ||
| 78-5 | Zigeunerweisen, op. 20: 2. Lento | — | ||
| 78-6 | Zigeunerweisen, op. 20: 3. Un poco piu lento | — | ||
| 78-7 | Zigeunerweisen, op. 20: 4. Allegro molto vivace | — | ||
| 78-8 | Havanaise, op. 83: 1. Allegretto e lusinghiero | — | ||
| 78-9 | Havanaise, op. 83: 2. Allegro | — | ||
| 78-10 | Havanaise, op. 83: 3. Allegro ma non troppo | — | ||
| 78-11 | Violin Concerto in B minor: 1. Andante tranquillo | — | ||
| 78-12 | Violin Concerto in B minor: 2. Presto capriccioso alla napolitana | — | ||
| 78-13 | Violin Concerto in B minor: 3. Vivace | — | ||
| 79-1 | Gavotte, op. 32 no. 3 | — | ||
| 79-2 | March in F minor, op. 12 no. 1 | — | ||
| 79-3 | Etude-tableau in A minor, op. 39 no. 2 | — | ||
| 79-4 | Daisies, op. 38 no. 3 | — | ||
| 79-5 | Oriental Sketch, op. 2 no. 2 | — | ||
| 79-6 | Tango (Songs of Shakespeare, Book VIII, no. 3: Two Maids Wooing a Man) | — | ||
| 79-7 | Valses nobles et sentimentales: No. 6. Vif | — | ||
| 79-8 | Valses nobles et sentimentales: No. 7. Moins vif | — | ||
| 79-9 | Fairy Tale in B-flat minor, op. 20 no. 1 | — | ||
| 79-10 | Chansons de Bilitis: No. 2. La chevelure | — | ||
| 79-11 | Mediterranean | — | ||
| 79-12 | Danza de la gitana: No. 4. Sonatina | — | ||
| 79-13 | Nocturne in E minor, op. 72 no. 1 | — | ||
| 79-14 | Sea Murmurs (Deux etudes d'ondes) | — | ||
| 79-15 | Tsar Saltan: The Flight of the Bumblebee | — | ||
| 79-16 | Predules: Livre I, no. 8. La fille aux cheveux de lin | — | ||
| 79-17 | Much Ado About Nothing, op. 11: Holzapfel und Schlehwein (March) | — | ||
| 79-18 | Romanza andaluza, op. 22 no. 1 | — | ||
| 79-19 | Sonata in D, op. 53, D. 850: Rondo | — | ||
| 79-20 | Seven Popular Spanish Songs: No. 4. Jota | — | ||
| 79-21 | Much Ado About Nothing, op. 11: Garden Scene | — | ||
| 79-22 | Five Pieces for Violin and Piano: No. 3. Mouvement perpetuel | — | ||
| 80-1 | Sonata no. 3 in D minor, op. 108: 1. Allegro | — | ||
| 80-2 | Sonata no. 3 in D minor, op. 108: 2. Adagio | — | ||
| 80-3 | Sonata no. 3 in D minor, op. 108: 3. Un poco presto e con sentimento | — | ||
| 80-4 | Sonata no. 3 in D minor, op. 108: 4. Presto agitato | — | ||
| 80-5 | Polonaise brillante no. 1 in D, op. 4 | — | ||
| 80-6 | Sonata in D, op. 1 no. 13: 1. Largo maestoso | — | ||
| 80-7 | Sonata in D, op. 1 no. 13: 2. Allegro | — | ||
| 80-8 | Sonata in D, op. 1 no. 13: 3. Larghetto | — | ||
| 80-9 | Sonata in D, op. 1 no. 13: 4. Allegro con brio | — | ||
| 81-1 | Ave Maria (Ellens Gesang III, D. 839) | — | ||
| 81-2 | Air de ballet: No. 2. Valse bluette | — | ||
| 81-3 | The Ruins of Athens, op. 113: No. 3. Chorus of Dervishes | — | ||
| 81-4 | La Capricieuse, op. 17 (Morecau de genre) | — | ||
| 81-5 | Scherzo-Tarantelle, op. 16 | — | ||
| 81-6 | Hebrew Melody, op. 33 | — | ||
| 81-7 | Scherzo fantastique, op. 25: La ronde des lutins | — | ||
| 81-8 | The Ruins of Athens, op. 113: No. 4. Turkish March | — | ||
| 81-9 | Meditation, op. 32 | — | ||
| 81-10 | Danza espanola no. 1: Malaguena, op. 21 no. 1 | — | ||
| 81-11 | Violin Concerto no. 2, op. 22: Romance | — | ||
| 81-12 | Moto perpetuo, op. 11 | — | ||
| 81-13 | Sicilienne et Rigaudon (In the style of Francoeur) | — | ||
| 81-14 | Introduction and Tarantelle, op. 43 | — | ||
| 82-1 | Guitarre, op. 45 no. 2 | — | ||
| 82-2 | Nocturne in E-flat, op. 9 no. 2 | — | ||
| 82-3 | Minuet (In the Style of Porpora) | — | ||
| 82-4 | Caprice no. 20 in D | — | ||
| 82-5 | On Wings of Song, op. 34 no. 2 | — | ||
| 82-6 | Danza espanola no. 6: Zapateado, op. 23 no. 2 | — | ||
| 82-7 | Souvenir d'un lieu cher, op. 42: No. 2. Scherzo | — | ||
| 82-8 | Serenade, op. 48: No. 2. Valse | — | ||
| 82-9 | Slavonic Dance, op. 46 no. 2 (arr. in G minor) | — | ||
| 82-10 | Myrthen, op. 25: No. 1. Widmung | — | ||
| 82-11 | Zigeunerweisen, op. 20 | — | ||
| 83-1 | Symphonie espagnole, op. 21: Andante | — | ||
| 83-2 | Divertimento no. 17, K. 334: Minuet | — | ||
| 83-3 | Serenade, op. 4 | — | ||
| 83-4 | Serenade, K. 250 "Haffner": Rondo | — | ||
| 83-5 | Caprice no. 13 in B-flat | — | ||
| 83-6 | Violin Concerto in E minor, op. 64: Finale. Allegro molto vivace | — | ||
| 83-7 | Slavonic Dance, op. 72 no. 8 (arr. in G) | — | ||
| 83-8 | Berceuse, op. 28 no. 3 | — | ||
| 83-9 | Raymonda, op. 57: No. 6. Valse | — | ||
| 83-10 | Violin Concerto in D, op. 35: Canzonetta | — | ||
| 83-11 | Violin Concerto in A minor, op. 28: Andante | — | ||
| 83-12 | Impression no. 8: Waltz in D | — | ||
| 83-13 | Hungarian Dance no. 1 in G minor | — | ||
| 84-1 | Serenade melancolique, op. 26 | — | ||
| 84-2 | Quartet, op. 64 no. 5 "The Lark": Vivace | — | ||
| 84-3 | Hebrew Lullaby, op. 35 no. 2 | — | ||
| 84-4 | Danzas espanolas, op. 37: No. 5. Andaluza | — | ||
| 84-5 | Raymonda, op. 57: No. 4. Grand Adagio | — | ||
| 84-6 | Slavonic Dance in E minor, op. 72 no. 2 | — | ||
| 84-7 | Nocturne, op. 27 no. 2 (arr. in D) | — | ||
| 84-8 | Hebrew Dance, op. 35 no. 1 | — | ||
| 84-9 | Stimmung, op. 32 no. 1 | — | ||
| 84-10 | Nocturne in F | — | ||
| 84-11 | The Gentle Maiden | — | ||
| 84-12 | Cortege | — | ||
| 84-13 | Habanera, op. 21 no. 2 | — | ||
| 84-14 | Havanaise, op. 83 | — | ||
| 84-15 | "Carmen" Fantasy, op. 25 | — | ||
| 85-1 | La plus que lente | — | ||
| 85-2 | Menuets I & II (from Partita no. 3, BWV 1006) | — | ||
| 85-3 | Les petits moulins a vent, XVII, no. 2 | — | ||
| 85-4 | Preludes: Livre 1, no. 8: La fille aux cheveux de lin | — | ||
| 85-5 | Scherzo-Impromptu (Moods, op. 73 no. 2) | — | ||
| 85-6 | Hebrew Melody, op. 33 | — | ||
| 85-7 | Rondo (from Sonata in D, D. 850, op. 53) | — | ||
| 85-8 | Ave Maria, D. 839 | — | ||
| 85-9 | Zapateado, op. 23 no. 2 (Danza espanola no. 6) | — | ||
| 85-10 | Estrellita | — | ||
| 85-11 | Jota (Seven Popular Songs no. 4) | — | ||
| 85-12 | Puck (Lyric Pieces, op. 71 no. 3) | — | ||
| 85-13 | On Wings of Song, op. 34 no. 2 | — | ||
| 85-14 | Sonata in C minor, op. 45: 2. Allegro espressivo alla Romanza | — | ||
| 85-15 | Valse bluette (Air de ballet no. 2) | — | ||
| 86-1 | Rondo in E-flat, op. 11 "Rondo favori" | — | ||
| 86-2 | Sea Murmurs (Deux etudes d'ondes) | — | ||
| 86-3 | Tsar Saltan: The Flight of the Bumblebee | — | ||
| 86-4 | Impromptu in G, D. 899/op. 90 no. 3 | — | ||
| 86-5 | Sarabande (from English Suite no. 3, BWV 808) | — | ||
| 86-6 | Alt Wien (Triakontameron no. 11) | — | ||
| 86-7 | Holzapfel und Schlehwein (March) (from Much Ado About Nothing, op. 11) | — | ||
| 86-8 | Tzigane (Rapsodie de concert) | — | ||
| 86-9 | Largo in C minor | — | ||
| 86-10 | Sevilla, sevillanas (Suite espanola no. 3, op. 47) | — | ||
| 86-11 | Prelude (from L'enfant prodigue) | — | ||
| 86-12 | Gypsy Andante (Ruralia hungarica no. 6, op. 32a) | — | ||
| 86-13 | La capricieuse, op. 17 | — | ||
| 86-14 | Sumare (Saudades do Brasil no. 9) | — | ||
| 86-15 | Sonata in A, op. 2 no. 2, RV 31: Preludio | — | ||
| 86-16 | Sonata in A, op. 2 no. 2, RV 31: Capriccio | — | ||
| 86-17 | Sonata in A, op. 2 no. 2, RV 31: Corrente | — | ||
| 86-18 | Sonata in A, op. 2 no. 2, RV 31: Recitativo | — | ||
| 86-19 | Sonata in A, op. 2 no. 2, RV 31: Giga | — | ||
| 87-1 | Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto | — | ||
| 87-2 | Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio | — | ||
| 87-3 | Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di menuetto - Allegro | — | ||
| 87-4 | Caprice no. 13 in B-flat | — | ||
| 87-5 | Gavotte I (from English Suite no. 3, BWV 808) | — | ||
| 87-6 | Gavotte II (from English Suite no. 3, BWV 808) | — | ||
| 87-7 | Caprice no. 24 in A minor | — | ||
| 87-8 | Stimmungsbilder, op. 9 no. 2 "An einsamer Quelle" | Jascha Heifetz, Arpád Sándor | — | |
| 87-9 | Guitarre, op. 45 no. 2 | — | ||
| 87-10 | Alt-Wien, op. 30 no. 1: Valse | Jascha Heifetz, Arpád Sándor | — | |
| 87-11 | Scherzo-Tarantelle in G minor, op. 16 | Jascha Heifetz, Arpád Sándor | — | |
| 88-1 | Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 88-2 | Violin Concerto in A minor, op. 82: 2. Andante sostenuto | — | ||
| 88-3 | Violin Concerto in A minor, op. 82: 3. Tempo I | — | ||
| 88-4 | Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 88-5 | Meditation, op. 32 | — | ||
| 88-6 | Caprice no. 20 in D | — | ||
| 88-7 | Sonata in E-flat, op. 18: 1. Allegro, ma non troppo | — | ||
| 88-8 | Sonata in E-flat, op. 18: 2. Improvisation: Andante cantabile | — | ||
| 88-9 | Sonata in E-flat, op. 18: 3. Finale: Andante - Allegro | — | ||
| 89-1 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 89-2 | Violin Concerto no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 89-3 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — | |
| 89-4 | Polonaise brillante no. 1 in D, op. 4 | — | ||
| 89-5 | Violin Concerto no. 4 in D minor, op. 31: 1. Andante; Moderato | — | ||
| 89-6 | Violin Concerto no. 4 in D minor, op. 31: 2. Adagio religioso | — | ||
| 89-7 | Violin Concerto no. 4 in D minor, op. 31: 3. Scherzo: Vivace | — | ||
| 89-8 | Violin Concerto no. 4 in D minor, op. 31: 4. Finale marziale: Andante - Allegro | — | ||
| 89-9 | Mouvement perpetuel | — | ||
| 90-1 | Hora Staccato | — | ||
| 90-2 | Krol Roger: Chant de Roxane | — | ||
| 90-3 | Tallahasse Suite: Air et Danse negre | — | ||
| 90-4 | Tallahasse Suite: Bygone Memories | — | ||
| 90-5 | Tallahasse Suite: After Sundown | — | ||
| 90-6 | La vida breve: Danza española no. 1 | — | ||
| 90-7 | La ronde des lutins (Scherzo fantastique, op. 25) | — | ||
| 90-8 | Sonata no. 1 in G minor, BWV 1001: 1. Adagio | — | ||
| 90-9 | Sonata no. 1 in G minor, BWV 1001: 2. Fugue: Allegro | — | ||
| 90-10 | Sonata no. 1 in G minor, BWV 1001: 3. Siciliano | — | ||
| 90-11 | Sonata no. 1 in G minor, BWV 1001: 4. Presto | — | ||
| 90-12 | Partita no. 2 in D minor, BWV 1004: 1. Allemande | — | ||
| 90-13 | Partita no. 2 in D minor, BWV 1004: 2. Courante | — | ||
| 90-14 | Partita no. 2 in D minor, BWV 1004: 3. Sarabande | — | ||
| 90-15 | Partita no. 2 in D minor, BWV 1004: 4. Gigue | — | ||
| 90-16 | Partita no. 2 in D minor, BWV 1004: 5. Chaconne | — | ||
| 91-1 | Sonata no. 3 in C, BWV 1005: 1. Adagio | — | ||
| 91-2 | Sonata no. 3 in C, BWV 1005: 2. Fugue | — | ||
| 91-3 | Sonata no. 3 in C, BWV 1005: 3. Largo | — | ||
| 91-4 | Sonata no. 3 in C, BWV 1005: 4. Allegro assai | Jascha Heifetz | T-310.061.637-9 | |
| 91-5 | Sonata no. 2 in G, op. 13: 1. Lento doloroso; Allegro vivace | — | ||
| 91-6 | Sonata no. 2 in G, op. 13: 2. Allegretto tranquillo | — | ||
| 91-7 | Sonata no. 2 in G, op. 13: 3. Allegro animato | — | ||
| 92-1 | Sonata no. 1 in A, op. 13: 1. Allegro molto | — | ||
| 92-2 | Sonata no. 1 in A, op. 13: 2. Andante | — | ||
| 92-3 | Sonata no. 1 in A, op. 13: 3. Allegro vivo | — | ||
| 92-4 | Sonata no. 1 in A, op. 13: 4. Allegro quasi presto | — | ||
| 92-5 | Sonata no. 2 in A, op. 100: 1. Allegro amabile | — | ||
| 92-6 | Sonata no. 2 in A, op. 100: 2. Andante tranquillo; Vivace | — | ||
| 92-7 | Sonata no. 2 in A, op. 100: 3. Allegretto grazioso | — | ||
| 92-8 | Introduction & Rondo Capriccioso, op. 28: 1. Andante | — | ||
| 92-9 | Introduction & Rondo Capriccioso, op. 28: 2. Allegro ma non troppo | — | ||
| 92-10 | Introduction & Rondo Capriccioso, op. 28: 3. Piu allegro | — | ||
| 93-1 | Sonata in A: I. Allegretto ben moderato | Jascha Heifetz, Brooks Smith | — | |
| 93-2 | Sonata in A: II. Allegro | Jascha Heifetz, Brooks Smith | — | |
| 93-3 | Sonata in A: III. Recitativo-Fantasia: Ben moderato | Jascha Heifetz, Brooks Smith | — | |
| 93-4 | Sonata in A: IV. Allegretto poco mosso | Jascha Heifetz, Brooks Smith | — | |
| 93-5 | Sonata in E-flat, op. 18: I. Allegro ma non troppo | Jascha Heifetz, Brooks Smith | — | |
| 93-6 | Sonata in E-flat, op. 18: II. Improvisation: Andante cantabile | Jascha Heifetz, Brooks Smith | — | |
| 93-7 | Sonata in E-flat, op. 18: III. Finale: Allegro | Jascha Heifetz, Brooks Smith | — | |
| 94-1 | Partita no. 3 in E, BWV 1006: I. Preludio | Jascha Heifetz | T-041.917.934-2 | |
| 94-2 | Partita no. 3 in E, BWV 1006: II. Loure | Jascha Heifetz | T-310.071.810-9 | |
| 94-3 | Partita no. 3 in E, BWV 1006: VII. Gigue | Jascha Heifetz | — | |
| 94-4 | Baal Shem (Three Pictures of Chassidic Life): No. 2. Nigun (Improvisation) | Jascha Heifetz, Brooks Smith | T-070.009.928-0 | |
| 94-5 | La plus que lente | Jascha Heifetz, Brooks Smith | T-050.351.801-1 | |
| 94-6 | Etude-tableau in E-flat, op. 33 no. 4 | Jascha Heifetz, Brooks Smith | — | |
| 94-7 | Seven Popular Spanish Songs: No. 5. Nana (Berceuse) | Jascha Heifetz, Brooks Smith | — | |
| 94-8 | La chasse (In the Style of Cartier) | Jascha Heifetz, Brooks Smith | — | |
| 94-9 | Tzigane (Rapsodie de concert) | Jascha Heifetz, Brooks Smith | — | |
| 94-10 | Sea Murmurs (Deux études d'ondes) | Jascha Heifetz, Brooks Smith | — | |
| 95-1 | Trio in F minor, op. 65: 1. Allegro ma non troppo | — | ||
| 95-2 | Trio in F minor, op. 65: 2. Allegretto grazioso | — | ||
| 95-3 | Trio in F minor, op. 65: 3. Poco adagio | — | ||
| 95-4 | Trio in F minor, op. 65: 4. Finale: Allegro con brio | — | ||
| 95-5 | Suite italienne: 1. Introduzione | — | ||
| 95-6 | Suite italienne: 2. Serenata | — | ||
| 95-7 | Suite italienne: 3. Aria | — | ||
| 95-8 | Suite italienne: 4. Tarantella | — | ||
| 95-9 | Suite italienne: 5. Gavotta | — | ||
| 95-10 | Suite italienne: 6. Minuetto e Finale | — | ||
| 95-11 | Prelude, op. 39 no. 1 | — | ||
| 95-12 | Passacaglia no. 6 in G minor (Harpsichord Suite no. 7) | — | ||
| 96-1 | Sonata in B-flat, K. 378: 1. Allegro moderato | — | ||
| 96-2 | Sonata in B-flat, K. 378: 2. Andantino sostenuto e cantabile | — | ||
| 96-3 | Sonata in B-flat, K. 378: 3. Allegro | — | ||
| 96-4 | Sonata in B-flat, K. 454: 1. Largo; Allegro | — | ||
| 96-5 | Sonata in B-flat, K. 454: 2. Andante | — | ||
| 96-6 | Sonata in B-flat, K. 454: 3. Rondo: Allegro | — | ||
| 97-1 | Sonata no. 3 in E-flat, op. 12: 1. Allegro con spirito | — | ||
| 97-2 | Sonata no. 3 in E-flat, op. 12: 2. Adagio con molta espressione | — | ||
| 97-3 | Sonata no. 3 in E-flat, op. 12: 3. Rondo: Allegro molto | — | ||
| 97-4 | Sonata no. 8 in G, op. 30 no. 3: 1. Allegro assai | — | ||
| 97-5 | Sonata no. 8 in G, op. 30 no. 3: 2. Tempo di menuetto, ma molto moderato e grazioso | — | ||
| 97-6 | Sonata no. 8 in G, op. 30 no. 3: 3. Allegro vivace | — | ||
| 98-1 | Quintet no. 2 in G, op. 111: 1. Allegro non troppo, ma con brio | — | ||
| 98-2 | Quintet no. 2 in G, op. 111: 2. Adagio | — | ||
| 98-3 | Quintet no. 2 in G, op. 111: 3. Un poco allegretto | — | ||
| 98-4 | Quintet no. 2 in G, op. 111: 4. Vivace ma non troppo presto | — | ||
| 98-5 | Trio in E-flat, op. 70 no. 2: 1. Poco sostenuto; Allegro ma non troppo | — | ||
| 98-6 | Trio in E-flat, op. 70 no. 2: 2. Allegretto | — | ||
| 98-7 | Trio in E-flat, op. 70 no. 2: 3. Allegretto ma non troppo | — | ||
| 98-8 | Trio in E-flat, op. 70 no. 2: 4. Finale: Allegro | — | ||
| 99-1 | Trio no. 2, D. 929/op. 100: 1. Allegro | — | ||
| 99-2 | Trio no. 2, D. 929/op. 100: 2. Andante con moto | — | ||
| 99-3 | Trio no. 2, D. 929/op. 100: 3. Scherzando: Allegro moderato | — | ||
| 99-4 | Trio no. 2, D. 929/op. 100: 4. Allegro moderato | — | ||
| 99-5 | Trio no. 2 in C, op. 87: 1. Allegro | — | ||
| 99-6 | Trio no. 2 in C, op. 87: 2. Andante con moto | — | ||
| 99-7 | Trio no. 2 in C, op. 87: 3. Scherzo: Presto | — | ||
| 99-8 | Trio no. 2 in C, op. 87: 4. Finale: Allegro giocoso | — | ||
| 100-1 | Sonata no. 3 in C minor: 1. Allegro molto ed appassionato | — | ||
| 100-2 | Sonata no. 3 in C minor: 2. Allegretto espressivo alla Romanza; Allegro molto; Tempo I | — | ||
| 100-3 | Sonata no. 3 in C minor: 3. Allegro animato | — | ||
| 100-4 | Sonata no. 1 in G, op. 78: 1. Vivace ma non troppo | — | ||
| 100-5 | Sonata no. 1 in G, op. 78: 2. Adagio | — | ||
| 100-6 | Sonata no. 1 in G, op. 78: 3. Allegro molto moderato | — | ||
| 100-7 | Etude no. 10 no. 5 in E-Flat "alla saltarella" | — | ||
| 100-8 | Eugene Onegin: Lensky's Aria | — | ||
| 100-9 | La Tambourin | — | ||
| 100-10 | Sonata for Flute and Harpsichord in E-flat, S. 1031: 1. Sicilienne | — | ||
| 100-11 | Sonata for Flute and Harpsichord in E-flat, S. 1031: 2. Valencia | — | ||
| 100-12 | Sonata for Flute and Harpsichord in E-flat, S. 1031: 3. Zapateado | — | ||
| 101-1 | Violin Concerto in D, op. 77: 1. Allegro | — | ||
| 101-2 | Violin Concerto in D, op. 77: 2. Andante | — | ||
| 101-3 | Violin Concerto in D, op. 77: 3. Vivace non troppo | — | ||
| 101-4 | Poeme, op. 25 | — | ||
| 101-5 | Scottish Fantasy, op. 46: 1. Introduction: Grave; Adagio cantabile | — | ||
| 101-6 | Scottish Fantasy, op. 46: 2. Allegro | — | ||
| 101-7 | Scottish Fantasy, op. 46: 3. Andante sostenuto | — | ||
| 101-8 | Scottish Fantasy, op. 46: 4. Finale: Allegro guerriero | — | ||
| 102-1 | Piano Quintet in A, op. 81: 1. Allegro ma non tanto | — | ||
| 102-2 | Piano Quintet in A, op. 81: 2. Dumka: Andante con moto | — | ||
| 102-3 | Piano Quintet in A, op. 81: 3. Scherzo (Furiant): Molto vivace | — | ||
| 102-4 | Piano Quintet in A, op. 81: 4. Finale: Allegro | — | ||
| 102-5 | Romantic Fantasy for Violin, Viola, and Orchestra: 1. Nocturne | — | ||
| 102-6 | Romantic Fantasy for Violin, Viola, and Orchestra: 2. Scherzino | — | ||
| 102-7 | Romantic Fantasy for Violin, Viola, and Orchestra: 3. Sonata: Allegro, tempo giusto | — | ||
| 102-8 | Divertimento no. 2 for Violin and Viola, op. 37 no. 2 | — | ||
| 103-1 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | — | ||
| 103-2 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | — | ||
| 103-3 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 3. Scherzo: Allegro; Trio | — | ||
| 103-4 | Violin Sonata no. 7 in C minor, op. 30 no. 2: 4. Finale: Allegro; Presto | — | ||
| 103-5 | Violin Sonatina in G minor, D. 408: 1. Allegro giusto | — | ||
| 103-6 | Violin Sonatina in G minor, D. 408: 2. Andante | — | ||
| 103-7 | Violin Sonatina in G minor, D. 408: 3. Menuetto: Allegro vivace | — | ||
| 103-8 | Violin Sonatina in G minor, D. 408: 4. Allegro moderato | — | ||
| 103-9 | Chaconne from Partita no. 2 in D minor, BWV 1004 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in A minor, op. 82: I. Moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in A minor, op. 82: IV. Animando | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 61: I. Allegro, ma non troppo | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: II. Larghetto | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: II. Andante | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Jascha Heifetz, Boston Symphony Orchestra, Charles Munch | — |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: II. Adagio | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | T-902.045.688-6 |
| Violin Concerto in D major, op. 35: I. Allegro. Moderato | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Jascha Heifetz, Chicago Symphony Orchestra, Fritz Reiner | — |
| Scottish Fantasy in E-flat major, op. 46: I. Introduction (Grave, Adagio cantabile) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: II. Allegro | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Scottish Fantasy in E-flat major, op. 46: IV. Finale (Allegro guerriero) | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, Chicago Symphony Orchestra, Walter Hendl | — |
| Violin Concerto in A minor, op. 82: IV. Allegro | Jascha Heifetz, RCA Victor Symphony Orchestra, Walter Hendl | — |
