 | 1 | St. Louis Blues | Louis Armstrong | T-802.458.253-5 |
| 2 | Yellow Dog Blues | Louis Armstrong | — |
| 3 | Loveless Love | Louis Armstrong | — |
| 4 | Aunt Hagar’s Blues | Louis Armstrong | — |
| 5 | Long Gone (From the Bowlin’ Green) | Louis Armstrong | T-914.726.479-7 |
| 6 | The Memphis Blues (or Mister Crump) | Louis Armstrong | — |
| 7 | Beale Street Blues | Louis Armstrong | T-801.402.890-2 |
| 8 | Ole Miss Blues | Louis Armstrong | T-318.708.649-9 |
| 9 | Chantez les bas (Sing ’Em Low) | Louis Armstrong | T-070.024.423-0 |
| 10 | Hesitating Blues | Louis Armstrong | — |
| 11 | Atlanta Blues (Make Me One Pallet on Your Floor) | Louis Armstrong | — |
| 12 | George Avakian’s Interview With W.C. Handy | Louis Armstrong | — |
| 13 | Loveless Love (rehearsal sequence) | Louis Armstrong | — |
| 14 | Hesitating Blues (rehearsal sequence) | Louis Armstrong | — |
| 15 | Alligator Story | Louis Armstrong | — |
| 16 | Long Gone (From the Bowlin’ Green) (rehearsal sequence) | Louis Armstrong | — |
| 2-1 | East of the Sun (West of the Moon) | Sarah Vaughan | T-070.049.047-6 |
| 2-2 | Nice Work If You Can Get It | Sarah Vaughan | T-010.433.838-6 |
| 2-3 | Come Rain or Come Shine | Sarah Vaughan | T-070.025.551-1 |
| 2-4 | Mean to Me | Sarah Vaughan | T-070.108.794-6 |
| 2-5 | It Might as Well Be Spring | Sarah Vaughan | T-070.907.117-9 |
| 2-6 | Can’t Get Out of This Mood | Sarah Vaughan | T-070.023.896-5 |
| 2-7 | Goodnight My Love | Sarah Vaughan | T-070.064.914-4 |
| 2-8 | Ain’t Misbehavin’ | Sarah Vaughan | T-071.056.299-4 |
| 2-9 | Pinky | Sarah Vaughan | T-070.165.861-8 |
| 2-10 | The Nearness of You | Sarah Vaughan | T-010.433.548-9 |
| 2-11 | Spring Will Be a Little Late This Year | Sarah Vaughan | T-070.137.437-9 |
| 2-12 | Ooh, What’cha Doin’ to Me | Sarah Vaughan | — |
| 2-13 | It’s All in the Mind | Sarah Vaughan | T-904.038.146-2 |
| 2-14 | The Nearness of You (alternate take) | Sarah Vaughan | T-010.433.548-9 |
| 2-15 | Ain’t Misbehavin’ (alternate take) | Sarah Vaughan | T-071.056.299-4 |
| 2-16 | Goodnight My Love (alternate take) | Sarah Vaughan | T-070.064.914-4 |
| 2-17 | Can’t Get Out of This Mood (alternate take) | Sarah Vaughan | T-070.023.896-5 |
| 2-18 | It Might as Well Be Spring (alternate take) | Sarah Vaughan | T-070.907.117-9 |
| 2-19 | Mean to Me (alternate take) | Sarah Vaughan | T-070.108.794-6 |
| 2-20 | Come Rain or Come Shine (alternate take) | Sarah Vaughan | T-070.025.551-1 |
| 2-21 | East of the Sun (West of the Moon) (alternate take) | Sarah Vaughan | T-070.049.047-6 |
| 2-22 | Pause Track | Sarah Vaughan | — |
| 3-1 | Infra‐Rae | The Jazz Messengers | T-700.030.091-6 |
| 3-2 | Nica’s Dream | The Jazz Messengers | T-070.152.411-9 |
| 3-3 | It’s You or No One | The Jazz Messengers | T-070.907.460-1 |
| 3-4 | Ecaroh | The Jazz Messengers | T-070.049.120-8 |
| 3-5 | Carol’s Interlude | Art Blakey & The Jazz Messengers | T-700.004.835-3 |
| 3-6 | The End of a Love Affair | The Jazz Messengers | T-070.262.227-2 |
| 3-7 | Hank’s Symphony | The Jazz Messengers | T-700.019.362-6 |
| 3-8 | Weird‐O | Art Blakey & The Jazz Messengers | — |
| 3-9 | Ill Wind | Art Blakey | T-070.905.643-8 |
| 3-10 | Late Show | Art Blakey | — |
| 3-11 | Deciphering the Message | Art Blakey & The Jazz Messengers | — |
| 3-12 | Carol’s Interlude (alternate take) | Art Blakey | T-700.004.835-3 |
| 4-1 | I’m a Fool to Want You | Billie Holiday | T-070.903.671-4 |
| 4-2 | For Heaven’s Sake | Billie Holiday | T-302.688.135-2 |
| 4-3 | You Don’t Know What Love Is | Billie Holiday | T-010.838.393-2 |
| 4-4 | I Get Along Without You Very Well | Billie Holiday | T-010.434.119-6 |
| 4-5 | For All We Know | Billie Holiday | T-070.055.121-8 |
| 4-6 | Violets for Your Furs | Billie Holiday | T-070.195.483-7 |
| 4-7 | You’ve Changed | Billie Holiday | T-070.211.456-4 |
| 4-8 | It’s Easy to Remember | Billie Holiday | T-070.907.619-6 |
| 4-9 | But Beautiful | Billie Holiday | T-070.012.870-6 |
| 4-10 | Glad to Be Unhappy | Billie Holiday | T-070.064.331-7 |
| 4-11 | I’ll Be Around | Billie Holiday | T-070.918.968-3 |
| 4-12 | The End of a Love Affair (mono) | Billie Holiday | T-070.262.227-2 |
| 4-14 | I’m a Fool to Want You (alternate take 2) | Billie Holiday | T-070.903.671-4 |
| 4-15 | The End of a Love Affair: The Audio Story | Billie Holiday | — |
| 4-16 | The End of a Love Affair | Billie Holiday | T-070.262.227-2 |
| 4-17 | [silence] | Billie Holiday | — |
| 5-1 | So What | Miles Davis | T-073.092.797-5 |
| 5-2 | Freddie Freeloader | Miles Davis | T-073.092.747-5 |
| 5-3 | Blue in Green | Miles Davis | T-073.092.724-8 |
| 5-4 | All Blues | Miles Davis | T-039.266.451-5 |
| 5-5 | Flamenco Sketches | Miles Davis | T-073.092.744-2 |
| 5-6 | Flamenco Sketches (Alternate take) | Miles Davis | T-073.092.744-2 |
| 6-1 | Blue Rondo à la Turk | The Dave Brubeck Quartet | T-700.004.033-7 |
| 6-2 | Strange Meadow Lark | The Dave Brubeck Quartet | T-010.171.019-3 |
| 6-3 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 |
| 6-4 | Three to Get Ready | The Dave Brubeck Quartet | T-700.004.074-6 |
| 6-5 | Kathy’s Waltz | The Dave Brubeck Quartet | — |
| 6-6 | Everybody’s Jumpin’ | The Dave Brubeck Quartet | — |
| 6-7 | Pick Up Sticks | The Dave Brubeck Quartet | — |
| 7-1 | Battle Royal | Duke Ellington, Count Basie | T-917.615.064-4 |
| 7-2 | To You | Duke Ellington, Count Basie | T-070.928.949-5 |
| 7-3 | Take the “A” Train | Duke Ellington, Count Basie | T-070.177.920-5 |
| 7-4 | Corner Pocket (Until I Met You) | Duke Ellington, Count Basie | T-070.026.027-0 |
| 7-5 | Wild Man (Wild Man Moore) | Duke Ellington, Count Basie | T-917.615.508-1 |
| 7-6 | Segue in C | Duke Ellington, Count Basie | T-700.061.450-8 |
| 7-7 | B D B | Duke Ellington, Count Basie | T-070.013.117-4 |
| 7-8 | Jumpin’ at the Woodside | Duke Ellington, Count Basie | T-070.088.753-1 |
| 7-9 | One More Once | Duke Ellington, Count Basie | T-070.159.270-2 |
| 7-10 | Take the “A” Train (The Count Departs) (rehearsal & alternate takes) | Duke Ellington, Count Basie | T-070.177.920-5 |
| 7-11 | Jumpin’ at the Woodside (alternate take) | Duke Ellington, Count Basie | T-070.088.753-1 |
| 7-12 | B D B (alternate take) | Duke Ellington, Count Basie | T-070.013.117-4 |
| 7-13 | Blues in Hoss’ Flat (Blues in Frankie’s Flat) | Duke Ellington, Count Basie | T-070.011.940-9 |
| 7-14 | Wild Man (Wild Man Moore) (alternate take) | Duke Ellington, Count Basie | T-917.615.508-1 |
| 7-15 | Battle Royal (rehearsal & alternate takes) | Duke Ellington, Count Basie | T-917.615.064-4 |
| 7-16 | [silence] | Duke Ellington, Count Basie | T-070.112.555-4 |
| 8-1 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-2 | Night & Day | Helen Merrill | T-070.152.461-9 |
| 8-3 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-4 | Everything Happens to Me | Helen Merrill | T-070.049.834-5 |
| 8-5 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-6 | Autumn in New York | Helen Merrill | T-070.882.142-4 |
| 8-7 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-8 | Why Don’t You Do Right | Helen Merrill | T-071.192.612-3 |
| 8-9 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-10 | You Don’t Know What Love Is | Helen Merrill | T-070.282.210-3 |
| 8-11 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-12 | These Foolish Things | Helen Merrill | T-900.163.042-8 |
| 8-13 | [spoken lyrics in Italian] | Helen Merrill | T-070.882.094-3 |
| 8-14 | April in Paris | Helen Merrill | T-070.882.094-3 |
| 8-15 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-16 | I’ve Got You Under My Skin | Helen Merrill | T-070.907.808-9 |
| 8-17 | [spoken lyrics in Italian] | Helen Merrill | T-071.070.380-2 |
| 8-18 | Solitude | Helen Merrill | T-071.070.380-2 |
| 8-19 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-20 | Willow Weep for Me | Helen Merrill | T-070.200.285-4 |
| 8-21 | [spoken lyrics in Italian] | Helen Merrill | — |
| 8-22 | When Your Lover Has Gone | Helen Merrill | T-070.199.316-9 |
| 9-1 | Dizzy Moods | Charles Mingus | T-700.009.696-0 |
| 9-2 | Ysabel’s Table Dance | Charlie Mingus | T-070.940.944-8 |
| 9-3 | Tijuana Gift Shop | Charles Mingus | T-700.072.659-2 |
| 9-4 | Los Mariachis (The Street Musicians) | Charles Mingus | T-700.042.262-0 |
| 9-5 | Flamingo | Charles Mingus | T-070.892.551-2 |
| 9-6 | A Colloquial Dream (Scenes in the City) | Charles Mingus | — |
| 10-1 | Well, You Needn’t | Chet Baker | T-700.078.455-6 |
| 10-2 | These Foolish Things | Chet Baker | T-900.163.042-8 |
| 10-3 | Barbados | Chet Baker | T-070.880.744-6 |
| 10-4 | Star Eyes | Chet Baker | T-071.189.289-5 |
| 10-5 | Over the Rainbow | Chet Baker | T-070.159.949-6 |
| 10-6 | Pent-Up House | Chet Baker | T-070.242.869-0 |
| 10-7 | Ballata in forma di blues | Chet Baker | T-005.011.926-0 |
| 10-8 | Blues in the Closet | Chet Baker | — |
| 10-9 | Chetty's Lullaby | Chet Baker | T-072.312.499-9 |
| 10-10 | So che ti perderò | Chet Baker | T-903.129.290-7 |
| 10-11 | Motivo su raggio di luna | Chet Baker | T-927.517.780-5 |
| 10-12 | Il mio domani | Chet Baker | — |
| 11-1 | Monk’s Dream | Thelonious Monk Quartet | T-700.044.713-4 |
| 11-2 | Body and Soul | The Thelonious Monk Quartet | T-070.012.014-4 |
| 11-3 | Bright Mississippi | The Thelonious Monk Quartet | T-070.235.450-4 |
| 11-4 | Five Spot Blues | The Thelonious Monk Quartet | T-700.003.038-8 |
| 11-5 | Ba‐lue Bolivar Ba‐lues‐Are | The Thelonious Monk Quartet | T-700.001.048-2 |
| 11-6 | Just a Gigolo | Thelonious Monk | T-070.088.858-9 |
| 11-7 | Bye‐Ya | Thelonious Monk Quartet | T-906.252.866-9 |
| 11-8 | Sweet and Lovely | The Thelonious Monk Quartet | T-070.138.671-1 |
| 11-9 | Monk’s Dream (take 3) | Thelonious Monk Quartet | T-700.044.713-4 |
| 11-10 | Body and Soul (take 1) | Thelonious Monk Quartet | T-070.012.014-4 |
| 11-11 | Bright Mississippi (take 3) | Thelonious Monk Quartet | T-070.235.450-4 |
| 11-12 | Blue Bolivar Blues (take 1) | Thelonious Monk Quartet | T-700.001.048-2 |
| 12-1 | Yesterdays | Sonny Rollins, Coleman Hawkins | T-070.210.198-1 |
| 12-2 | All the Things You Are | Sonny Rollins, Coleman Hawkins | T-070.000.803-2 |
| 12-3 | Summertime | Sonny Rollins, Coleman Hawkins | T-800.364.991-1 |
| 12-4 | Just Friends | Sonny Rollins, Coleman Hawkins | T-070.089.012-5 |
| 12-5 | Lover Man | Sonny Rollins, Coleman Hawkins | T-070.268.668-7 |
| 12-6 | At McKie’s | Sonny Rollins, Coleman Hawkins | — |
| 13-1 | Poinciana (The Song of the Tree) | Martial Solal | T-070.166.154-2 |
| 13-2 | Clouds (Nuages) | Martial Solal | — |
| 13-3 | Suite pour une frise | Martial Solal | — |
| 13-4 | Stella by Starlight | Martial Solal | T-070.137.735-6 |
| 13-5 | What Is This Thing Called Love | Martial Solal | T-070.198.566-1 |
| 13-6 | 'round Midnight | Martial Solal | T-070.002.363-7 |
| 13-7 | Boplicity | Martial Solal | T-070.233.104-1 |
| 13-8 | All God's Chillun Got Rhythm | Martial Solal | T-070.000.674-1 |
| 13-9 | Fine and Dandy | Martial Solal | T-070.054.578-3 |
| 13-10 | I Got Rhythm (take 1) | Martial Solal | T-802.476.657-3 |
| 13-11 | I Got Rhythm (take 2) | Martial Solal | — |
| 13-12 | I Got Rhythm (take 3) | Martial Solal | — |
| 14-1 | All the Things You Are | Paul Desmond, Gerry Mulligan | T-070.000.803-2 |
| 14-2 | Stardust | Paul Desmond, Gerry Mulligan | T-031.563.049-9 |
| 14-3 | Two of a Mind | Paul Desmond, Gerry Mulligan | — |
| 14-4 | Blight of the Fumble Bee | Paul Desmond, Gerry Mulligan | — |
| 14-5 | The Way You Look Tonight | Paul Desmond, Gerry Mulligan | T-070.197.723-2 |
| 14-6 | Out of Nowhere | Paul Desmond, Gerry Mulligan | T-010.460.556-2 |
| 14-7 | Easy Living | Paul Desmond, Gerry Mulligan | T-070.049.098-7 |
| 14-8 | All the Things You Are (alternate take) | Paul Desmond, Gerry Mulligan | T-070.000.803-2 |
| 14-9 | The Way You Look Tonight (alternate take) | Paul Desmond, Gerry Mulligan | T-070.197.723-2 |
| 14-10 | Untitled Blues Waltz | Paul Desmond, Gerry Mulligan | — |
| 14-11 | Untitled Blues Waltz (breakdown) | Paul Desmond, Gerry Mulligan | — |
| 15-1 | Seven Come Eleven | The Benny Goodman Quartet | T-070.941.744-6 |
| 15-2 | Say It Isn't So | The Benny Goodman Quartet | T-070.134.310-3 |
| 15-3 | I've Found a New Baby | The Benny Goodman Quartet | T-070.266.574-4 |
| 15-4 | Somebody Loves Me | The Benny Goodman Quartet | T-011.606.516-7 |
| 15-5 | Who Cares? | The Benny Goodman Quartet | T-010.437.288-4 |
| 15-6 | Runnin' Wild | The Benny Goodman Quartet | T-070.127.479-4 |
| 15-7 | I Got It Bad (and That Ain't Good) | The Benny Goodman Quartet | T-070.902.941-3 |
| 15-8 | Dearest | The Benny Goodman Quartet | T-070.038.629-3 |
| 15-9 | I'll Get by (as Long as I Have You) | The Benny Goodman Quartet | T-070.905.537-7 |
| 15-10 | Four Once More | The Benny Goodman Quartet | T-010.167.265-4 |
| 16-1 | Clockwise | George Benson | T-700.005.964-5 |
| 16-2 | Summertime | The George Benson Quartet, Dorothy Heyward | T-800.364.991-1 |
| 16-3 | Ain’t That Peculiar | The George Benson Quartet | T-070.003.226-3 |
| 16-4 | Jaguar | The George Benson Quartet | T-700.031.791-1 |
| 16-5 | Willow Weep for Me | The George Benson Quartet | T-070.200.285-4 |
| 16-6 | A Foggy Day | The George Benson Quartet | T-010.434.159-4 |
| 16-7 | Hello Birdie | The George Benson Quartet | T-700.021.194-1 |
| 16-8 | Bullfight | The George Benson Quartet | T-700.004.188-5 |
| 16-9 | Stormy Weather | The George Benson Quartet | T-070.137.905-6 |
| 16-10 | Eternally | The George Benson Quartet | T-700.012.380-0 |
| 16-11 | Myna Bird Blues | The George Benson Quartet | T-700.044.032-6 |
| 16-12 | J.H. Bossa Nova | The George Benson Quartet | T-072.463.777-7 |
| 16-13 | Clockwise (alternate take) | The George Benson Quartet | T-700.005.964-5 |
| 16-15 | Sideman (album version) | Dr. Lonnie Smith, George Benson | — |
| 16-16 | Minor Chant | George Benson, Dr. Lonnie Smith | T-700.044.036-0 |
| 17-1 | Do I Move You? | Nina Simone | T-070.889.684-7 |
| 17-2 | Day and Night | Nina Simone | T-801.898.422-1 |
| 17-3 | In the Dark | Nina Simone | T-911.431.307-4 |
| 17-4 | Real Real | Nina Simone | T-070.922.215-0 |
| 17-5 | My Man’s Gone Now | Nina Simone | T-070.111.191-2 |
| 17-6 | Backlash Blues | Nina Simone | T-070.884.294-7 |
| 17-7 | I Want a Little Sugar in My Bowl | Nina Simone | — |
| 17-8 | Buck | Nina Simone | — |
| 17-9 | Since I Fell for You | Nina Simone | T-070.135.541-0 |
| 17-10 | The House of the Rising Sun | Nina Simone | T-010.434.468-4 |
| 17-11 | Blues for Mama | Nina Simone | T-071.074.984-0 |
| 17-13 | Whatever I Am (You Made Me) | Nina Simone | T-700.078.804-7 |
| 18-1 | Tea for Two | Art Tatum | T-070.178.141-0 |
| 18-2 | St. Louis Blues | Art Tatum | T-802.458.253-5 |
| 18-3 | Tiger Rag | Art Tatum | — |
| 18-4 | Sophisticated Lady | Art Tatum | T-071.070.417-8 |
| 18-5 | How High the Moon | Art Tatum | T-070.074.622-0 |
| 18-6 | Humoresque | Art Tatum | — |
| 18-7 | Someone to Watch Over Me | Art Tatum | T-010.436.010-2 |
| 18-8 | Yesterdays | Art Tatum | T-070.210.198-1 |
| 18-9 | I Know That You Know | Art Tatum | T-800.311.600-6 |
| 18-10 | Willow Weep for Me | Art Tatum | T-070.200.285-4 |
| 18-11 | Tatum Pole Boogie | Art Tatum | — |
| 18-12 | The Kerry Dance | Art Tatum | — |
| 18-13 | The Man I Love | Art Tatum | T-011.191.232-3 |
| 19-1 | I’ll Remember April | Erroll Garner | T-070.905.593-5 |
| 19-2 | Teach Me Tonight | Erroll Garner | T-070.928.659-8 |
| 19-3 | Mambo Carmel | Erroll Garner | T-070.108.019-4 |
| 19-4 | Autumn Leaves | Erroll Garner | T-070.002.297-4 |
| 19-5 | It’s All Right With Me | Erroll Garner | T-072.106.554-8 |
| 19-6 | Red Top | Erroll Garner | T-070.880.806-3 |
| 19-7 | April in Paris | Erroll Garner | T-070.882.094-3 |
| 19-8 | They Can’t Take That Away From Me | Erroll Garner | T-010.433.575-2 |
| 19-9 | How Could You Do a Thing Like That to Me | Erroll Garner | T-070.074.560-3 |
| 19-10 | Where or When | Erroll Garner | T-070.199.430-0 |
| 19-11 | Erroll’s Theme | Erroll Garner | T-070.049.542-6 |
| 20-1 | Chameleon | Herbie Hancock | T-070.028.290-1 |
| 20-2 | Watermelon Man | Herbie Hancock | T-700.077.621-8 |
| 20-3 | Sly | Herbie Hancock | T-700.064.153-4 |
| 20-4 | Vein Melter | Herbie Hancock | T-904.240.140-1 |
| 21-1 | Double Rainbow | Stan Getz, João Gilberto | T-071.979.273-0 |
| 21-2 | Águas de março (Waters of March) | Stan Getz, João Gilberto | T-070.247.690-1 |
| 21-3 | Ligia | Stan Getz, João Gilberto | T-071.000.736-5 |
| 21-4 | Falsa bahiana | Stan Getz, João Gilberto | — |
| 21-5 | Retrato em branco e preto (Picture in White and Black) | Stan Getz, João Gilberto | T-900.766.756-3 |
| 21-6 | Izaura (You Know I Just Shouldn’t Stay) | Stan Getz, João Gilberto | — |
| 21-7 | Eu vim da Bahia | Stan Getz, João Gilberto | T-900.780.073-9 |
| 21-8 | João Marcello | Stan Getz, João Gilberto | — |
| 21-9 | É preciso perdoar | Stan Getz, João Gilberto | — |
| 21-10 | Just One of Those Things | Stan Getz, João Gilberto | T-070.089.096-5 |
| 21-11 | Eu vim da Bahia (alternate take) | Stan Getz | T-900.780.073-9 |
| 21-12 | É preciso perdoar (alternate take) | Stan Getz | — |
| 21-13 | Just One of Those Things (alternate take) | Stan Getz | T-071.887.812-6 |
| 22-1 | Donna Lee | Jaco Pastorius | T-010.433.645-9 |
| 22-2 | Come On, Come Over | Jaco Pastorius | T-071.077.875-8 |
| 22-4 | Kuru / Speak Like a Child | Jaco Pastorius | — |
| 22-5 | Portrait of Tracy | Jaco Pastorius | — |
| 22-6 | Opus Pocus | Jaco Pastorius | — |
| 22-7 | Okonkolé y trompa | Jaco Pastorius | T-070.272.626-8 |
| 22-8 | (Used to Be a) Cha‐Cha | Jaco Pastorius | T-031.894.342-8 |
| 22-10 | (Used to Be a) Cha‐Cha (alternate take) | Jaco Pastorius | T-031.894.342-8 |
| 22-11 | 6/4 Jam | Jaco Pastorius | T-071.189.644-4 |
| 23-1 | Birdland | Weather Report | T-700.002.457-9 |
| 23-2 | A Remark You Made | Weather Report | T-700.057.335-5 |
| 23-3 | Teen Town | Weather Report | T-070.184.586-4 |
| 23-4 | Harlequin | Weather Report | T-700.019.777-5 |
| 23-5 | Rumba Mama | Weather Report | T-700.059.474-3 |
| 23-6 | Palladium | Weather Report | T-700.052.297-6 |
| 23-7 | The Juggler | Weather Report | T-700.033.104-6 |
| 23-8 | Havona | Weather Report | T-070.076.878-0 |
| 24-1 | Caravan | Wynton Marsalis | T-072.607.137-9 |
| 24-2 | April in Paris | Wynton Marsalis | T-070.882.094-3 |
| 24-3 | Cherokee | Wynton Marsalis | T-010.433.944-7 |
| 24-4 | Goodbye | Wynton Marsalis | T-070.264.104-0 |
| 24-5 | New Orleans | Wynton Marsalis | T-070.152.286-2 |
| 24-6 | Soon All Will Know | Wynton Marsalis | — |
| 24-7 | Foggy Day | Wynton Marsalis | T-070.054.990-1 |
| 24-8 | The Song Is You | Wynton Marsalis | T-070.136.839-9 |
| 24-9 | Memories of You | Wynton Marsalis | T-070.108.975-9 |
| 24-10 | In the Afterglow | Wynton Marsalis | — |
| 24-11 | Autumn Leaves | Wynton Marsalis | T-070.002.297-4 |
| 25-1 | Lester Leaps In | Charlie Parker | T-070.095.363-4 |
| 25-2 | I Can’t Believe That You’re in Love With Me | Charlie Parker | T-071.063.735-6 |
| 25-3 | Laura | Charlie Parker | T-070.095.128-5 |
| 25-4 | All of Me | Charlie Parker | T-070.000.748-2 |
| 25-5 | This Time the Dream’s on Me | Charlie Parker | T-070.179.854-0 |
| 25-6 | Ko Ko | Charlie Parker | T-071.000.644-2 |
| 25-7 | Cool Blues | Charlie Parker | — |
| 25-8 | April in Paris | Charlie Parker | T-070.882.094-3 |
| 25-9 | Now’s the Time | Charlie Parker | T-070.242.588-4 |
| 25-10 | Ornithology | Charlie Parker | T-070.242.790-4 |
| 25-11 | Parker’s Mood | Charlie Parker | T-070.939.820-8 |
