UPC · Release
Roger Waters
Last verified:
The UPC for “The Collection” by Roger Waters is 886977633324. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Columbia. This release contains 122 tracks, each with its own ISRC. Tracks include USSM18400825, USSM18400826, USSM18400815.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 4:30 AM (Apparently They Were Travelling Abroad) | Roger Waters | — | |
| 2 | 4:33 AM (Running Shoes) | Roger Waters | — | |
| 3 | 4:37 AM (Arabs With Knives and West German Skies) | Roger Waters | — | |
| 4 | 4:39 AM (For the First Time Today, Part 2) | Roger Waters | — | |
| 5 | 4:41 AM (Sexual Revolution) | Roger Waters | — | |
| 6 | 4:47 AM (The Remains of Our Love) | Roger Waters | — | |
| 7 | 4:50 AM (Go Fishing) | Roger Waters | — | |
| 8 | 4:56 AM (For the First Time Today, Part 1) | Roger Waters | — | |
| 9 | 4:58 AM (Dunroamin, Duncarin, Dunlivin) | Roger Waters | — | |
| 10 | 5:01 AM (The Pros and Cons of Hitch Hiking, Part 10) | Roger Waters | — | |
| 11 | 5:06 AM (Every Stranger’s Eyes) | Roger Waters | — | |
| 12 | 5:11 AM (The Moment of Clarity) | Roger Waters | — | |
| 2-1 | Radio Waves | Roger Waters | — | |
| 2-2 | Who Needs Information | Roger Waters | — | |
| 2-3 | Me or Him | Roger Waters | — | |
| 2-4 | The Powers That Be | Roger Waters | — | |
| 2-5 | Sunset Strip | Roger Waters | — | |
| 2-6 | Home | Roger Waters | T-010.479.902-1 | |
| 2-7 | Four Minutes | Roger Waters | — | |
| 2-8 | The Tide Is Turning | Roger Waters | — | |
| 3-1 | The Ballad of Bill Hubbard | Roger Waters | — | |
| 3-2 | What God Wants, Part I | Roger Waters | T-010.089.730-0 | |
| 3-3 | Perfect Sense, Part I | Roger Waters | — | |
| 3-4 | Perfect Sense, Part II | Roger Waters | — | |
| 3-5 | The Bravery of Being Out of Range | Roger Waters | — | |
| 3-6 | Late Home Tonight, Part I | Roger Waters | T-314.748.438-2 | |
| 3-7 | Late Home Tonight, Part II | Roger Waters | — | |
| 3-8 | Too Much Rope | Roger Waters | — | |
| 3-9 | What God Wants, Part II | Roger Waters | — | |
| 3-10 | What God Wants, Part III | Roger Waters | T-011.441.112-9 | |
| 3-11 | Watching TV | Roger Waters | — | |
| 3-12 | Three Wishes | Roger Waters | — | |
| 3-13 | It’s a Miracle | Roger Waters | — | |
| 3-14 | Amused to Death | Roger Waters | — | |
| 4-1 | The Gathering Storm | — | ||
| 4-2 | Overture | — | ||
| 4-3 | Act 1: Scene 1: A Garden in Vienna 1765 | — | ||
| 4-4 | Act 1: Scene 1: Madame Antoine, Madame Antoine | — | ||
| 4-5 | Act 1: Scene 2: Kings, Sticks and Birds | — | ||
| 4-6 | Act 1: Scene 2: Honest Bird, Simple Bird | — | ||
| 4-7 | Act 1: Scene 2: I Want to Be King | — | ||
| 4-8 | Act 1: Scene 2: Let Us Break All the Shields | — | ||
| 4-9 | Act 1: Scene 3: The Grievances of the People | — | ||
| 4-10 | Act 1: Scene 4: France in Disarray | — | ||
| 4-11 | Act 1: Scene 4: To Laugh Is to Know How to Live | — | ||
| 4-12 | Act 1: Scene 4: Slavers, Landlords, Bigots at Your Door | — | ||
| 4-13 | Act 1: Scene 5: The Fall of the Bastille | — | ||
| 4-14 | Act 1: Scene 5: To Freeze in the Dead of Night | — | ||
| 4-15 | Act 1: Scene 5: So to the Streets in the Pouring Rain | — | ||
| 4-16 | Act 2: Scene 1: Dances and Marches | — | ||
| 4-17 | Act 2: Scene 1: Now Hear Ye! | — | ||
| 4-18 | Act 2: Scene 1: Flushed With Wine | — | ||
| 4-19 | Act 2: Scene 2: The Letter | — | ||
| 4-20 | Act 2: Scene 2: My Dear Cousin Bourbon of Spain | — | ||
| 4-21 | Act 2: Scene 2: The Ship of State Is All at Sea | — | ||
| 4-22 | Act 2: Scene 3: Silver, Sugar and Indigo | — | ||
| 4-23 | Act 2: Scene 3: To the Windward Isles | — | ||
| 4-24 | Act 2: Scene 4: The Papal Edict | — | ||
| 4-25 | Act 2: Scene 4: In Paris There’s a Rumble Under the Ground | — | ||
| 5-1 | Act 3: Scene 1: The Fugitive King | — | ||
| 5-2 | Act 3: Scene 1: But the Marquis of Boulli Has a Trump Card Up His Sleeve | — | ||
| 5-3 | Act 3: Scene 1: To Take Your Hat Off | — | ||
| 5-4 | Act 3: Scene 1: The Echoes Never Fade From That Fusillade | — | ||
| 5-5 | Act 3: Scene 2: The Commune de Paris | — | ||
| 5-6 | Act 3: Scene 2: Vive la Commune de Paris | — | ||
| 5-7 | Act 3: Scene 2: The National Assembly Is Confused | — | ||
| 5-8 | Act 3: Scene 3: The Execution of Louis Capet | — | ||
| 5-9 | Act 3: Scene 3: Adieu Louis for You It’s Over | — | ||
| 5-10 | Act 3: Scene 4: Marie Antoinette - The Last Night on Earth | — | ||
| 5-11 | Act 3: Scene 4: Adieu My Good and Tender Sister | — | ||
| 5-12 | Act 3: Scene 5: Liberty | — | ||
| 5-13 | Act 3: Scene 5: And in the Bushes Where They Survive | — | ||
| 6-1 | In the Flesh | Roger Waters | T-011.289.181-2 | |
| 6-2 | The Happiest Days of Our Lives | Roger Waters | T-011.289.180-1 | |
| 6-3 | Another Brick in the Wall, Part 2 | Roger Waters | T-011.047.798-9 | |
| 6-4 | Mother | Roger Waters | T-011.289.183-4 | |
| 6-5 | Get Your Filthy Hands Off My Desert | Roger Waters | — | |
| 6-6 | Southampton Dock | Roger Waters | T-011.284.596-1 | |
| 6-7 | Pigs on the Wing, Part 1 | Roger Waters | T-010.466.074-3 | |
| 6-8 | Dogs | Roger Waters | T-010.466.466-5 | |
| 6-9 | Welcome to the Machine | Roger Waters | T-010.462.113-7 | |
| 6-10 | Wish You Were Here | Roger Waters | T-010.461.800-9 | |
| 6-11 | Shine On You Crazy Diamond (Parts 1–8) | Roger Waters | T-011.090.573-1 | |
| 6-12 | Set the Controls for the Heart of the Sun | Roger Waters | T-010.134.572-5 | |
| 7-1 | Breathe (In the Air) | Roger Waters | T-010.173.540-3 | |
| 7-2 | Time | Roger Waters | T-010.455.103-2 | |
| 7-3 | Money | Roger Waters | T-010.454.576-7 | |
| 7-4 | The Pros and Cons of Hitch Hiking, Part 11 (AKA 5:06 AM – Every Stranger’s Eyes) | Roger Waters | T-010.304.682-7 | |
| 7-5 | Perfect Sense (Parts I and II) | Roger Waters | T-971.079.235-1 | |
| 7-6 | The Bravery of Being Out of Range | Roger Waters | — | |
| 7-7 | It’s a Miracle | Roger Waters | — | |
| 7-8 | Amused to Death | Roger Waters | — | |
| 7-9 | Brain Damage | Roger Waters | T-900.013.936-6 | |
| 7-10 | Eclipse | Roger Waters | T-010.454.304-5 | |
| 7-11 | Comfortably Numb | Roger Waters | T-011.289.191-4 | |
| 7-12 | Each Small Candle | Roger Waters | — | |
| 8-1 | Opening Credits | — | ||
| 8-2 | In the Flesh | — | ||
| 8-3 | The Happiest Days of Our Lives | — | ||
| 8-4 | Another Brick in the Wall, Part 2 | — | ||
| 8-5 | Mother | — | ||
| 8-6 | Get Your Filthy Hands Off My Desert | — | ||
| 8-7 | Southampton Dock | — | ||
| 8-8 | Pigs on the Wing, Part 1 | — | ||
| 8-9 | Dogs | — | ||
| 8-10 | Welcome to the Machine | — | ||
| 8-11 | Wish You Were Here | — | ||
| 8-12 | Shine On You Crazy Diamond, Parts 1-8 | — | ||
| 8-13 | Set the Controls for the Heart of the Sun | — | ||
| 8-14 | Breathe (In the Air) | — | ||
| 8-15 | Time | — | ||
| 8-16 | Money | — | ||
| 8-17 | The Pros and Cons of Hitch Hiking, Part 11 | — | ||
| 8-18 | Perfect Sense, Parts I & II | — | ||
| 8-19 | The Bravery of Being Out of Range | — | ||
| 8-20 | It’s a Miracle | — | ||
| 8-21 | Amused to Death | — | ||
| 8-22 | Brain Damage | — | ||
| 8-23 | Eclipse | — | ||
| 8-24 | Comfortably Numb | — | ||
| 8-25 | Each Small Candle | — | ||
| 8-26 | Closing Credits | — |
Identifier Graph
886977633324 is a Universal Product Code (UPC) assigned to The Collection by Roger Waters. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 122 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Who Needs Information | Roger Waters | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Collection” by Roger Waters is 886977633324. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Columbia. This release contains 122 tracks, each with its own ISRC. Tracks include USSM18400825, USSM18400826, USSM18400815.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 4:30 AM (Apparently They Were Travelling Abroad) | Roger Waters | — | |
| 2 | 4:33 AM (Running Shoes) | Roger Waters | — | |
| 3 | 4:37 AM (Arabs With Knives and West German Skies) | Roger Waters | — | |
| 4 | 4:39 AM (For the First Time Today, Part 2) | Roger Waters | — | |
| 5 | 4:41 AM (Sexual Revolution) | Roger Waters | — | |
| 6 | 4:47 AM (The Remains of Our Love) | Roger Waters | — | |
| 7 | 4:50 AM (Go Fishing) | Roger Waters | — | |
| 8 | 4:56 AM (For the First Time Today, Part 1) | Roger Waters | — | |
| 9 | 4:58 AM (Dunroamin, Duncarin, Dunlivin) | Roger Waters | — | |
| 10 | 5:01 AM (The Pros and Cons of Hitch Hiking, Part 10) | Roger Waters | — | |
| 11 | 5:06 AM (Every Stranger’s Eyes) | Roger Waters | — | |
| 12 | 5:11 AM (The Moment of Clarity) | Roger Waters | — | |
| 2-1 | Radio Waves | Roger Waters | — | |
| 2-2 | Who Needs Information | Roger Waters | — | |
| 2-3 | Me or Him | Roger Waters | — | |
| 2-4 | The Powers That Be | Roger Waters | — | |
| 2-5 | Sunset Strip | Roger Waters | — | |
| 2-6 | Home | Roger Waters | T-010.479.902-1 | |
| 2-7 | Four Minutes | Roger Waters | — | |
| 2-8 | The Tide Is Turning | Roger Waters | — | |
| 3-1 | The Ballad of Bill Hubbard | Roger Waters | — | |
| 3-2 | What God Wants, Part I | Roger Waters | T-010.089.730-0 | |
| 3-3 | Perfect Sense, Part I | Roger Waters | — | |
| 3-4 | Perfect Sense, Part II | Roger Waters | — | |
| 3-5 | The Bravery of Being Out of Range | Roger Waters | — | |
| 3-6 | Late Home Tonight, Part I | Roger Waters | T-314.748.438-2 | |
| 3-7 | Late Home Tonight, Part II | Roger Waters | — | |
| 3-8 | Too Much Rope | Roger Waters | — | |
| 3-9 | What God Wants, Part II | Roger Waters | — | |
| 3-10 | What God Wants, Part III | Roger Waters | T-011.441.112-9 | |
| 3-11 | Watching TV | Roger Waters | — | |
| 3-12 | Three Wishes | Roger Waters | — | |
| 3-13 | It’s a Miracle | Roger Waters | — | |
| 3-14 | Amused to Death | Roger Waters | — | |
| 4-1 | The Gathering Storm | — | ||
| 4-2 | Overture | — | ||
| 4-3 | Act 1: Scene 1: A Garden in Vienna 1765 | — | ||
| 4-4 | Act 1: Scene 1: Madame Antoine, Madame Antoine | — | ||
| 4-5 | Act 1: Scene 2: Kings, Sticks and Birds | — | ||
| 4-6 | Act 1: Scene 2: Honest Bird, Simple Bird | — | ||
| 4-7 | Act 1: Scene 2: I Want to Be King | — | ||
| 4-8 | Act 1: Scene 2: Let Us Break All the Shields | — | ||
| 4-9 | Act 1: Scene 3: The Grievances of the People | — | ||
| 4-10 | Act 1: Scene 4: France in Disarray | — | ||
| 4-11 | Act 1: Scene 4: To Laugh Is to Know How to Live | — | ||
| 4-12 | Act 1: Scene 4: Slavers, Landlords, Bigots at Your Door | — | ||
| 4-13 | Act 1: Scene 5: The Fall of the Bastille | — | ||
| 4-14 | Act 1: Scene 5: To Freeze in the Dead of Night | — | ||
| 4-15 | Act 1: Scene 5: So to the Streets in the Pouring Rain | — | ||
| 4-16 | Act 2: Scene 1: Dances and Marches | — | ||
| 4-17 | Act 2: Scene 1: Now Hear Ye! | — | ||
| 4-18 | Act 2: Scene 1: Flushed With Wine | — | ||
| 4-19 | Act 2: Scene 2: The Letter | — | ||
| 4-20 | Act 2: Scene 2: My Dear Cousin Bourbon of Spain | — | ||
| 4-21 | Act 2: Scene 2: The Ship of State Is All at Sea | — | ||
| 4-22 | Act 2: Scene 3: Silver, Sugar and Indigo | — | ||
| 4-23 | Act 2: Scene 3: To the Windward Isles | — | ||
| 4-24 | Act 2: Scene 4: The Papal Edict | — | ||
| 4-25 | Act 2: Scene 4: In Paris There’s a Rumble Under the Ground | — | ||
| 5-1 | Act 3: Scene 1: The Fugitive King | — | ||
| 5-2 | Act 3: Scene 1: But the Marquis of Boulli Has a Trump Card Up His Sleeve | — | ||
| 5-3 | Act 3: Scene 1: To Take Your Hat Off | — | ||
| 5-4 | Act 3: Scene 1: The Echoes Never Fade From That Fusillade | — | ||
| 5-5 | Act 3: Scene 2: The Commune de Paris | — | ||
| 5-6 | Act 3: Scene 2: Vive la Commune de Paris | — | ||
| 5-7 | Act 3: Scene 2: The National Assembly Is Confused | — | ||
| 5-8 | Act 3: Scene 3: The Execution of Louis Capet | — | ||
| 5-9 | Act 3: Scene 3: Adieu Louis for You It’s Over | — | ||
| 5-10 | Act 3: Scene 4: Marie Antoinette - The Last Night on Earth | — | ||
| 5-11 | Act 3: Scene 4: Adieu My Good and Tender Sister | — | ||
| 5-12 | Act 3: Scene 5: Liberty | — | ||
| 5-13 | Act 3: Scene 5: And in the Bushes Where They Survive | — | ||
| 6-1 | In the Flesh | Roger Waters | T-011.289.181-2 | |
| 6-2 | The Happiest Days of Our Lives | Roger Waters | T-011.289.180-1 | |
| 6-3 | Another Brick in the Wall, Part 2 | Roger Waters | T-011.047.798-9 | |
| 6-4 | Mother | Roger Waters | T-011.289.183-4 | |
| 6-5 | Get Your Filthy Hands Off My Desert | Roger Waters | — | |
| 6-6 | Southampton Dock | Roger Waters | T-011.284.596-1 | |
| 6-7 | Pigs on the Wing, Part 1 | Roger Waters | T-010.466.074-3 | |
| 6-8 | Dogs | Roger Waters | T-010.466.466-5 | |
| 6-9 | Welcome to the Machine | Roger Waters | T-010.462.113-7 | |
| 6-10 | Wish You Were Here | Roger Waters | T-010.461.800-9 | |
| 6-11 | Shine On You Crazy Diamond (Parts 1–8) | Roger Waters | T-011.090.573-1 | |
| 6-12 | Set the Controls for the Heart of the Sun | Roger Waters | T-010.134.572-5 | |
| 7-1 | Breathe (In the Air) | Roger Waters | T-010.173.540-3 | |
| 7-2 | Time | Roger Waters | T-010.455.103-2 | |
| 7-3 | Money | Roger Waters | T-010.454.576-7 | |
| 7-4 | The Pros and Cons of Hitch Hiking, Part 11 (AKA 5:06 AM – Every Stranger’s Eyes) | Roger Waters | T-010.304.682-7 | |
| 7-5 | Perfect Sense (Parts I and II) | Roger Waters | T-971.079.235-1 | |
| 7-6 | The Bravery of Being Out of Range | Roger Waters | — | |
| 7-7 | It’s a Miracle | Roger Waters | — | |
| 7-8 | Amused to Death | Roger Waters | — | |
| 7-9 | Brain Damage | Roger Waters | T-900.013.936-6 | |
| 7-10 | Eclipse | Roger Waters | T-010.454.304-5 | |
| 7-11 | Comfortably Numb | Roger Waters | T-011.289.191-4 | |
| 7-12 | Each Small Candle | Roger Waters | — | |
| 8-1 | Opening Credits | — | ||
| 8-2 | In the Flesh | — | ||
| 8-3 | The Happiest Days of Our Lives | — | ||
| 8-4 | Another Brick in the Wall, Part 2 | — | ||
| 8-5 | Mother | — | ||
| 8-6 | Get Your Filthy Hands Off My Desert | — | ||
| 8-7 | Southampton Dock | — | ||
| 8-8 | Pigs on the Wing, Part 1 | — | ||
| 8-9 | Dogs | — | ||
| 8-10 | Welcome to the Machine | — | ||
| 8-11 | Wish You Were Here | — | ||
| 8-12 | Shine On You Crazy Diamond, Parts 1-8 | — | ||
| 8-13 | Set the Controls for the Heart of the Sun | — | ||
| 8-14 | Breathe (In the Air) | — | ||
| 8-15 | Time | — | ||
| 8-16 | Money | — | ||
| 8-17 | The Pros and Cons of Hitch Hiking, Part 11 | — | ||
| 8-18 | Perfect Sense, Parts I & II | — | ||
| 8-19 | The Bravery of Being Out of Range | — | ||
| 8-20 | It’s a Miracle | — | ||
| 8-21 | Amused to Death | — | ||
| 8-22 | Brain Damage | — | ||
| 8-23 | Eclipse | — | ||
| 8-24 | Comfortably Numb | — | ||
| 8-25 | Each Small Candle | — | ||
| 8-26 | Closing Credits | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Who Needs Information | Roger Waters | — |
