UPC · Album
The Essential Clash
The Clash
Last verified:
886977707629 is the Universal Product Code (UPC barcode) for the release “The Essential Clash” by The Clash, released 2010-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBARL1200670, GBARL1200671, GBARL1200680.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (92)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Should I Stay or Should I Go | The Clash | GBARL1200670 |
| Rock the Casbah | The Clash | GBARL1200671 |
| London Calling | The Clash | GBARL1200680 |
| Jimmy Jazz | The Clash | GBARL1200682 |
| Rudie Can’t Fail | The Clash | GBARL1200684 |
| Lost in the Supermarket | The Clash | GBARL1200687 |
| Clampdown | The Clash | GBARL1200688 |
| The Guns of Brixton | The Clash | GBARL1200689 |
| Train in Vain | The Clash | GBARL1200698 |
| Janie Jones | The Clash | GBARL1200699 |
| I’m So Bored With the U.S.A. | The Clash | GBARL1200701 |
| Hate & War | The Clash | GBARL1200703 |
| London’s Burning | The Clash | GBARL1200706 |
| Career Opportunities | The Clash | GBARL1200707 |
| Cheat | The Clash | GBARL1200708 |
| Police & Thieves | The Clash | GBARL1200710 |
| Garageland | The Clash | GBARL1200712 |
| Safe European Home | The Clash | GBARL1200713 |
| English Civil War | The Clash | GBARL1200714 |
| Tommy Gun | The Clash | GBARL1200715 |
| Julie’s Been Working for the Drug Squad | The Clash | GBARL1200716 |
| Stay Free | The Clash | GBARL1200720 |
| The Magnificent Seven | The Clash | GBARL1200723 |
| (White Man) In Hammersmith Palais | The Clash | GBARL1201013 |
| Bankrobber | The Clash | GBARL1201014 |
| I Fought the Law | The Clash | GBARL1201017 |
| Complete Control | The Clash | GBARL1201018 |
| White Riot | The Clash | GBARL1202521 |
| 1977 | The Clash | GBARL1202522 |
| London’s Burning | The Clash | GBARL1202525 |
| (White Man) In Hammersmith Palais | The Clash | GBARL1202530 |
| I Fought the Law | The Clash | GBARL1202535 |
| Groovy Times | The Clash | GBARL1202536 |
| Stop the World | The Clash | GBARL1202544 |
| Bankrobber | The Clash | GBARL1202570 |
| I Fought the Law (live) | The Clash | GBARL1300630 |
| Groovy Times | The Clash | GBBBN0009135 |
| London Calling | The Clash | GBBBN0400804 |
| Complete Control | The Clash | GBBBN7702002 |
| (White Man) In Hammersmith Palais | The Clash | GBBBN7802002 |
| Tommy Gun | The Clash | GBBBN7802003 |
| English Civil War | The Clash | GBBBN7802004 |
| Clash City Rockers | The Clash | GBBBN7802034 |
| Safe European Home | The Clash | GBBBN7802035 |
| Julie’s Been Working for the Drug Squad | The Clash | GBBBN7802036 |
| Stay Free | The Clash | GBBBN7802040 |
| The Guns of Brixton | The Clash | GBBBN7900010 |
| Clampdown | The Clash | GBBBN7900012 |
| I Fought the Law | The Clash | GBBBN7902001 |
| London Calling | The Clash | GBBBN7902002 |
| Train in Vain | The Clash | GBBBN7902003 |
| Jimmy Jazz | The Clash | GBBBN7902019 |
| Rudie Can’t Fail | The Clash | GBBBN7902021 |
| Lost in the Supermarket | The Clash | GBBBN7902024 |
| Bankrobber | The Clash | GBBBN8002001 |
| The Magnificent Seven | The Clash | GBBBN8002004 |
| Should I Stay or Should I Go | The Clash | GBBBN8200005 |
| Rock the Casbah | The Clash | GBBBN8200023 |
| Rock the Casbah | The Clash | GBBBN8202023 |
| London’s Burning | The Clash | GBBBN9902144 |
| Janie Jones | The Clash | GBBBN9902145 |
| Police & Thieves | The Clash | GBBBN9902147 |
| Career Opportunities | The Clash | GBBBN9902148 |
| 1977 | The Clash | GBBBN9902161 |
| Cheat | The Clash | GBBBN9902164 |
| Groovy Times | The Clash | GBBBN9902172 |
| Stop the World | The Clash | GBBBN9902180 |
| Garageland | The Clash | GBBBN9902187 |
| Hate & War | The Clash | GBBBN9902188 |
| I’m So Bored With the U.S.A. | The Clash | GBBBN9902190 |
| Capital Radio One | The Clash | GBBBN9902193 |
| I Fought the Law | The Clash | GBBBN9902206 |
| Clash City Rockers | The Clash | GBBBN9902451 |
| Complete Control | The Clash | GBBBN9902453 |
| English Civil War | The Clash | GBBBN9902455 |
| The Guns of Brixton | The Clash | GBBBN9902456 |
| Julie’s Been Working for the Drug Squad | The Clash | GBBBN9902458 |
| London Calling | The Clash | GBBBN9902460 |
| Rock the Casbah | The Clash | GBBBN9902463 |
| Safe European Home | The Clash | GBBBN9902466 |
| Should I Stay or Should I Go | The Clash | GBBBN9902467 |
| Stay Free | The Clash | GBBBN9902469 |
| Tommy Gun | The Clash | GBBBN9902474 |
| White Riot | The Clash | GBBBN9902476 |
| (White Man) In Hammersmith Palais | The Clash | GBBBN9902478 |
| I Fought the Law | The Clash | GBBBN9902483 |
| Tommy Gun | The Clash | GBBNN7802003 |
| English Civil War | The Clash | GBBNN7802004 |
| Safe European Home | The Clash | GBBNN7802035 |
| Julie’s Been Working for the Drug Squad | The Clash | GBBNN7802036 |
| Stay Free | The Clash | GBBNN7802040 |
| Janie Jones | The Clash | USSM19920609 |
What other identifiers does this connect to?
Musical Works (ISWC)
+38 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 886977707629?
886977707629 is a Universal Product Code (UPC) assigned to The Essential Clash by The Clash. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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