UPC · Release
The Perfect Jazz Collection II
Various Artists
886978765826
261 tracksReleased 2010-01-01Columbia
Last verified:
886978765826 is the Universal Product Code (UPC barcode) for the release “The Perfect Jazz Collection II” by Various Artists, released 2010-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 261 tracks, each with its own ISRC. Tracks include DEU240601277, DEU241408530, USSM10009146.
Format
8Number system
86978Manufacturer
76582Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
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Credit Chain
UPCThe Perfect Jazz Collection II
ISRC153 recordings
ISWC166 works
IPI32 songwriters
Track List (261)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Skin Deep | Duke Ellington and His Orchestra | — | |
| 2 | The Mooche | Duke Ellington and His Orchestra | T-071.066.536-3 | |
| 3 | Take the “A” Train | Duke Ellington and His Orchestra | T-070.177.920-5 | |
| 4 | A Tone Parallel to Harlem (The Harlem Suite) | Duke Ellington & His Orchestra | — | |
| 5 | Perdido | Duke Ellington and His Orchestra | T-072.279.636-2 | |
| 6 | The Controversial Suite, Part 1: Before My Time | Duke Ellington & His Orchestra | — | |
| 7 | The Controversial Suite | Later (from ''Hi-Fi Ellington Uptown'' - 1956) | — | ||
| 8 | The Liberian Suite | I Like The Sunrise (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9 | The Liberian Suite | Dance No. 1 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 10 | The Liberian Suite | Dance No. 2 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 11 | The Liberian Suite | Dance No. 3 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 12 | The Liberian Suite | Dance No. 4 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 13 | The Liberian Suite | Dance No. 5 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 2-1 | Balcony Rock | The Dave Brubeck Quartet | — | |
| 2-2 | Out of Nowhere | — | ||
| 2-3 | Le Souk | The Dave Brubeck Quartet | — | |
| 2-4 | Take the “A” Train | The Dave Brubeck Quartet | T-070.177.920-5 | |
| 2-5 | The Song Is You | — | ||
| 2-6 | Don’t Worry ’Bout Me | The Dave Brubeck Quartet | T-071.059.783-3 | |
| 2-7 | I Want to Be Happy | — | ||
| 3-1 | Honeysuckle Rose | Louis Armstrong | T-070.074.170-3 | |
| 3-2 | Blue Turning Grey Over You | Louis Armstrong | T-070.011.836-0 | |
| 3-3 | I’m Crazy ’Bout My Baby | Louis Armstrong | — | |
| 3-4 | Squeeze Me | Louis Armstrong, Louis Armstrong and His Hot Five | T-070.275.716-1 | |
| 3-5 | Keepin’ Out of Mischief Now | Louis Armstrong | T-070.092.372-3 | |
| 3-6 | All That Meat and No Potatoes | Louis Armstrong | T-070.000.792-6 | |
| 3-7 | I've Got a Feeling I'm Falling | Louis Armstrong | T-070.907.754-2 | |
| 3-8 | (What Did I Do to Be So) Black and Blue | Louis Armstrong | T-071.056.398-6 | |
| 3-9 | Ain't Misbehavin' | — | ||
| 3-15 | (What Did I Do to Be So) Black and Blue? | Louis Armstrong & His Orchestra | T-071.056.398-6 | |
| 3-16 | Ain't Misbehavin' | — | ||
| 3-17 | Blue, Turning Grey Over You | Louis Armstrong & His Orchestra | T-070.011.836-0 | |
| 3-18 | Keepin' Out of Mischief Now | Louis Armstrong & His Orchestra | T-070.092.372-3 | |
| 3-19 | Sweet Savannah Sue | Louis Armstrong & His Orchestra | T-071.070.530-8 | |
| 3-20 | That Rhythm Man | Louis Armstrong & His Orchestra | T-071.189.795-8 | |
| 4-1 | ’Round Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 4-2 | Ah‐Leu‐Cha | Miles Davis Quintet | T-010.320.310-6 | |
| 4-3 | All of You | Miles Davis Quintet | T-072.103.950-4 | |
| 4-4 | Bye Bye Blackbird | Miles Davis Quintet | T-070.013.021-7 | |
| 4-5 | Tadd’s Delight | Miles Davis Quintet | — | |
| 4-6 | Dear Old Stockholm | Miles Davis Quintet | T-900.312.305-5 | |
| 4-7 | Two Bass Hit | Miles Davis Quintet | — | |
| 4-8 | Little Melonae | Miles Davis Quintet | — | |
| 4-9 | Budo | Miles Davis Quintet | T-070.880.948-6 | |
| 4-10 | Sweet Sue, Just You | Miles Davis Quintet | T-070.138.798-5 | |
| 5-1 | Wild Man Blues | — | ||
| 5-2 | Rosetta | — | ||
| 5-3 | Fine and Mellow | — | ||
| 5-4 | Blues | — | ||
| 5-5 | I Left My Baby | — | ||
| 5-6 | The Train and the River | — | ||
| 5-7 | Nervous | — | ||
| 5-8 | Dickie's Dream | — | ||
| 5-9 | Wild Man Blues | — | ||
| 6-1 | Better Git It in Your Soul | Charles Mingus | T-700.002.156-9 | |
| 6-2 | Goodbye Pork Pie Hat | Charles Mingus | T-070.234.335-8 | |
| 6-3 | Boogie Stop Shuffle | Charles Mingus | T-042.098.537-0 | |
| 6-4 | Self-Portrait in Three Colors | Charles Mingus | T-070.243.425-0 | |
| 6-5 | Open Letter to Duke | Charles Mingus | T-700.051.385-1 | |
| 6-6 | Bird Calls | Charles Mingus | T-700.002.445-5 | |
| 6-7 | Fables of Faubus | Charles Mingus | T-700.013.056-5 | |
| 6-8 | Pussy Cat Dues | Charles Mingus | T-700.055.819-2 | |
| 6-9 | Jelly Roll | Charles Mingus | T-700.032.129-1 | |
| 6-10 | Pedal Point Blues | Charles Mingus | T-700.107.362-9 | |
| 6-11 | GG Train | Charles Mingus | — | |
| 6-12 | Girl of My Dreams | Charles Mingus | T-071.061.980-9 | |
| 7-1 | My Funny Valentine | Paul Desmond | T-070.110.849-7 | |
| 7-2 | Desmond Blue | Paul Desmond | — | |
| 7-3 | Then I'll Be Tired of You | Paul Desmond | T-070.179.038-6 | |
| 7-4 | I’ve Got You Under My Skin | Paul Desmond | T-070.907.808-9 | |
| 7-5 | Late Lament | Paul Desmond | — | |
| 7-6 | I Should Care | Paul Desmond | T-070.904.338-8 | |
| 7-7 | Like Someone in Love | Paul Desmond | T-070.095.943-8 | |
| 7-8 | Ill Wind | Paul Desmond | T-070.905.643-8 | |
| 7-9 | Body and Soul | Paul Desmond | T-070.012.014-4 | |
| 7-10 | Autumn Leaves | Paul Desmond | T-070.002.297-4 | |
| 7-11 | Imagination | Paul Desmond | T-070.905.974-4 | |
| 7-12 | Advise and Consent | — | ||
| 7-13 | Autumn Leaves (Take 1) | — | ||
| 7-14 | Autumn Leaves (Take 3) | — | ||
| 7-15 | Imagination (Take 4) | — | ||
| 7-16 | Advise and Consent (take 4) | Paul Desmond | — | |
| 8-1 | Without a Song | Sonny Rollins | T-070.200.572-8 | |
| 8-2 | Where Are You | Sonny Rollins | T-070.199.342-1 | |
| 8-3 | John S. | Sonny Rollins | T-904.654.723-3 | |
| 8-4 | The Bridge | Sonny Rollins | T-070.235.393-2 | |
| 8-5 | God Bless the Child | Sonny Rollins | T-070.234.259-3 | |
| 8-6 | You Do Something to Me | Sonny Rollins | T-070.210.524-5 | |
| 9-1 | You Made Me Love You | Aretha Franklin | T-900.763.314-9 | |
| 9-2 | I Told You So | Aretha Franklin | — | |
| 9-3 | Rock‐a‐Bye Your Baby With a Dixie Melody | Aretha Franklin | T-914.873.600-9 | |
| 9-4 | Nobody Like You | Aretha Franklin | T-700.048.823-5 | |
| 9-5 | Exactly Like You | Aretha Franklin | T-070.891.452-6 | |
| 9-6 | It’s So Heartbreakin’ | Aretha Franklin | T-900.757.862-3 | |
| 9-7 | Rough Lover | Aretha Franklin | — | |
| 9-8 | Blue Holiday | Aretha Franklin | T-700.002.911-0 | |
| 9-9 | Just for You | Aretha Franklin | — | |
| 9-10 | That Lucky Old Sun | Aretha Franklin | T-070.178.675-5 | |
| 9-11 | I Surrender, Dear | Aretha Franklin | T-071.063.844-0 | |
| 9-12 | Ac‐Cent‐Tchu‐Ate the Positive | Aretha Franklin | T-070.000.128-0 | |
| 9-13 | Introduction to Hard Times | Aretha Franklin | T-070.201.312-4 | |
| 9-14 | Hard Times (No One Knows Better Than I) (take 2) | Aretha Franklin | T-070.918.661-7 | |
| 9-15 | When They Ask About You | Aretha Franklin | T-070.199.185-6 | |
| 9-16 | Operation Heartbreak | Aretha Franklin | T-070.160.148-0 | |
| 9-18 | Rough Lover | Aretha Franklin | — | |
| 9-19 | Kissin’ by the Mistletoe | Aretha Franklin | T-070.092.763-4 | |
| 10-1 | It Be's That Way Sometime | — | ||
| 10-2 | The Look of Love | Nina Simone | T-070.098.571-2 | |
| 10-3 | Go to Hell | — | ||
| 10-4 | Love O'Love | — | ||
| 10-5 | Cherish | — | ||
| 10-6 | I Wish I Knew How It Would Feel to Be Free | Nina Simone | T-071.597.262-5 | |
| 10-7 | Turn Me On | Nina Simone | T-700.074.891-6 | |
| 10-8 | Turning Point | — | ||
| 10-9 | Some Say | — | ||
| 10-10 | Consummation | — | ||
| 11-1 | Thelonious (Take 1) | — | ||
| 11-2 | Ugly Beauty (Take 5) | — | ||
| 11-3 | Raise Four | — | ||
| 11-4 | Boo Boo's Birthday (Take 11) | — | ||
| 11-5 | Easy Street | Thelonious Monk | T-070.233.863-3 | |
| 11-6 | Green Chimneys | — | ||
| 11-7 | In Walked Bud | — | ||
| 11-8 | Ugly Beauty (Bonus tracks not on original LP) | — | ||
| 11-9 | Boo Boo's Birthday (Bonus tracks not on original LP) | — | ||
| 11-10 | Thelonious (Bonus tracks not on original LP) | — | ||
| 12-1 | Straight Life | Freddie Hubbard | — | |
| 12-2 | Mr. Clean | Freddie Hubbard | — | |
| 12-3 | Here’s That Rainy Day | Freddie Hubbard | T-906.020.265-5 | |
| 13-1 | So What | George Benson | T-073.092.797-5 | |
| 13-2 | The Gentle Rain | George Benson | T-070.881.550-2 | |
| 13-3 | All Clear | George Benson | T-700.000.365-8 | |
| 13-4 | Ode to a Kudu | George Benson | T-071.202.431-1 | |
| 13-5 | Somewhere in the East | George Benson | T-700.065.334-1 | |
| 13-6 | All Clear (alternate take) | George Benson | T-700.000.365-8 | |
| 13-7 | Ode to a Kudu (alternate take) | George Benson | T-071.202.431-1 | |
| 13-8 | Somewhere in the East (alternate take) | George Benson | T-700.065.334-1 | |
| 14-1 | Birds of Fire | Mahavishnu Orchestra | T-031.594.579-9 | |
| 14-2 | Miles Beyond | Mahavishnu Orchestra | T-031.594.579-9 | |
| 14-3 | Celestial Terrestrial Commuters | Mahavishnu Orchestra | T-903.709.208-3 | |
| 14-4 | Sapphire Bullets of Pure Love | Mahavishnu Orchestra | — | |
| 14-5 | Thousand Island Park | Mahavishnu Orchestra | T-903.708.164-4 | |
| 14-6 | Hope | Mahavishnu Orchestra | T-903.717.448-4 | |
| 14-7 | One Word | Mahavishnu Orchestra | T-903.711.341-0 | |
| 14-8 | Sanctuary | Mahavishnu Orchestra | T-903.722.251-8 | |
| 14-9 | Open Country Joy | Mahavishnu Orchestra | T-031.594.579-9 | |
| 14-10 | Resolution | Mahavishnu Orchestra | T-903.702.122-0 | |
| 15-1 | I Come From Jamaica | — | ||
| 15-2 | Ida Red | — | ||
| 15-3 | Walkin' | — | ||
| 15-4 | A Night in Tunisia | — | ||
| 15-5 | Donna Lee | — | ||
| 16-1 | Autumn Leaves | — | ||
| 16-2 | She Was Too Good to Me | — | ||
| 16-3 | Funk in Deep Freeze | — | ||
| 16-4 | Tangerine | — | ||
| 16-5 | With A Song In My Heart | — | ||
| 16-6 | What'll I Do | — | ||
| 16-7 | It's You or No One | — | ||
| 16-8 | My Future Just Passed (Bonus track not on original LP) | — | ||
| 17-1 | Line for Lyons | — | ||
| 17-2 | For an Unfinished Woman | — | ||
| 17-3 | My Funny Valentine | Paul Desmond | T-070.110.849-7 | |
| 17-4 | Song for Strayhorn | — | ||
| 17-5 | It's Sandy at the Beach | — | ||
| 17-6 | Bernie's Tune | — | ||
| 17-7 | K-4 Pacific | — | ||
| 17-8 | There Will Never Be Another You | — | ||
| 18-1 | Ponta de Areia | Wayne Shorter, Milton Nascimento | T-070.119.027-3 | |
| 18-2 | Beauty and the Beast | Wayne Shorter | T-070.232.946-1 | |
| 18-3 | Tarde | — | ||
| 18-4 | Miracle of the Fishes | — | ||
| 18-5 | Diana | — | ||
| 18-6 | From the Lonely Afternoons | — | ||
| 18-7 | Ana Maria | — | ||
| 18-8 | Lilia | — | ||
| 18-9 | Joanna's Theme | — | ||
| 19-1 | You’d Be So Nice to Come Home To | Jim Hall | T-070.211.122-5 | |
| 19-2 | Two’s Blues | Jim Hall | T-071.230.120-6 | |
| 19-3 | The Answer Is Yes | Jim Hall | — | |
| 19-4 | Concierto de Aranjuez | Jim Hall | T-041.489.061-1 | |
| 19-5 | Rock Skippin’ | Jim Hall | T-070.126.957-9 | |
| 19-6 | Unfinished Business | Jim Hall | T-906.832.699-8 | |
| 19-7 | You’d Be So Nice to Come Home To (alternate take) | Jim Hall | T-070.049.110-6 | |
| 19-8 | The Answer Is Yes (alternate take) | Jim Hall | — | |
| 19-9 | Rock Skippin’ (alternate take) | Jim Hall | T-070.126.957-9 | |
| 20-1 | Medieval Overture | Return to Forever | T-904.321.074-8 | |
| 20-2 | Sorceress | Return to Forever | T-700.065.668-0 | |
| 20-3 | The Romantic Warrior | Return to Forever | T-904.321.216-4 | |
| 20-4 | Majestic Dance | Return to Forever | T-070.113.944-7 | |
| 20-5 | The Magician | Return to Forever | — | |
| 20-6 | Duel of the Jester and the Tyrant, Parts I & II | Return to Forever | T-904.320.938-7 | |
| 21-1 | School Days | Stanley Clarke | T-070.940.145-5 | |
| 21-2 | Quiet Afternoon | Stanley Clarke | T-070.222.056-1 | |
| 21-3 | The Dancer | Stanley Clarke | T-700.008.442-6 | |
| 21-4 | Desert Song | Stanley Clarke | T-070.247.105-3 | |
| 21-5 | Hot Fun | Stanley Clarke | T-700.023.111-0 | |
| 21-6 | Kiss and Say Goodbye | The Manhattans | T-070.241.497-8 | |
| 22-1 | Black Market | — | ||
| 22-2 | Teen Town | — | ||
| 22-3 | A Remark You Made | — | ||
| 22-4 | Slang | — | ||
| 22-5 | In a Silent Way | — | ||
| 22-6 | Birdland | — | ||
| 22-7 | Thanks for the Memory | — | ||
| 22-8 | Badia/Boogie Woogie Waltz Medley | — | ||
| 22-9 | 8:30 | — | ||
| 22-10 | Brown Street | — | ||
| 22-11 | The Orphan | — | ||
| 22-12 | Sightseeing | — | ||
| 23-1 | Round Midnight | Herbie Hancock | T-070.002.363-7 | |
| 23-2 | Body and Soul | — | ||
| 23-3 | Berangere's Nightmare | — | ||
| 23-4 | Fair Weather | — | ||
| 23-5 | Una Noche Con Francis | — | ||
| 23-6 | The Peacocks | — | ||
| 23-7 | How Long Has This Been Going On? | — | ||
| 23-8 | Rhythm-A-Ning | — | ||
| 23-9 | Still Time | — | ||
| 23-10 | Minuit Aux Champs-Elysees | — | ||
| 23-11 | Chan's Song | — | ||
| 23-12 | 'round Midnight (live) | — | ||
| 24-1 | Get it Straight | — | ||
| 24-2 | Dear Ruby | — | ||
| 24-3 | It's Over Now | — | ||
| 24-4 | Monkery's the Blues | — | ||
| 24-5 | You Know Who | — | ||
| 24-6 | Little Butterfly | — | ||
| 24-7 | Listen to Monk | — | ||
| 24-8 | How I Wish | — | ||
| 24-9 | Man, That Was a Dream | — | ||
| 24-10 | 'Round Midnight | Carmen McRae | T-070.002.363-7 | |
| 24-11 | Still We Dream | — | ||
| 24-12 | Suddenly | — | ||
| 24-13 | Looking Back | — | ||
| 24-14 | Suddenly (studio recording) | — | ||
| 24-15 | Get It Straight | — | ||
| 24-16 | 'round Midnight (alternate take) | — | ||
| 24-17 | Listen to Monk (alternate take) | — | ||
| 24-18 | Man, That Was a Dream (alternate take) | — | ||
| 25-1 | In the Court of King Oliver | Wynton Marsalis | — | |
| 25-2 | Never Let Me Go | Wynton Marsalis | T-070.152.198-3 | |
| 25-3 | Street of Dreams | Wynton Marsalis | T-070.138.029-1 | |
| 25-4 | Where or When | Wynton Marsalis | T-070.199.430-0 | |
| 25-5 | Bona and Paul | Wynton Marsalis | — | |
| 25-6 | The Seductress | Wynton Marsalis | — | |
| 25-7 | A Sleepin’ Bee | Wynton Marsalis | T-070.135.945-6 | |
| 25-8 | Big Butter and Egg Man | Wynton Marsalis | — | |
| 25-9 | The Very Thought of You | Wynton Marsalis | T-010.012.898-0 | |
| 25-10 | I Cover the Waterfront | Wynton Marsalis | T-070.902.587-5 | |
| 25-11 | How Are Things in Glocca Morra | Wynton Marsalis | T-070.074.503-4 | |
| 25-12 | My Romance | Wynton Marsalis | T-070.111.334-9 | |
| 25-13 | Everything Happens to Me | Wynton Marsalis | T-070.049.834-5 | |
| 25-14 | Flamingo | Wynton Marsalis | T-070.892.551-2 | |
| 25-15 | You’re My Everything | Wynton Marsalis | T-070.211.354-9 | |
| 25-16 | Skylark | Wynton Marsalis | T-070.135.891-9 | |
| 25-17 | It’s Easy to Remember | Wynton Marsalis | T-070.907.619-6 | |
| 25-18 | Taking a Chance on Love | Wynton Marsalis | T-070.177.955-6 | |
| 25-19 | I Gotta Right to Sing the Blues | Wynton Marsalis | T-070.902.982-2 | |
| 25-20 | In the Wee Small Hours of the Morning | Wynton Marsalis | T-070.906.493-6 | |
| 25-21 | It’s Too Late Now | Wynton Marsalis | T-070.180.792-2 |
Skin Deep
Duke Ellington and His Orchestra
—
A Tone Parallel to Harlem (The Harlem Suite)
Duke Ellington & His Orchestra
—
The Controversial Suite, Part 1: Before My Time
Duke Ellington & His Orchestra
—
The Controversial Suite | Later (from ''Hi-Fi Ellington Uptown'' - 1956)
—
The Liberian Suite | I Like The Sunrise (from ''Liberian Suite - Harlem Suite'' - 1956)
—
The Liberian Suite | Dance No. 1 (from ''Liberian Suite - Harlem Suite'' - 1956)
—
The Liberian Suite | Dance No. 2 (from ''Liberian Suite - Harlem Suite'' - 1956)
—
The Liberian Suite | Dance No. 3 (from ''Liberian Suite - Harlem Suite'' - 1956)
—
The Liberian Suite | Dance No. 4 (from ''Liberian Suite - Harlem Suite'' - 1956)
—
The Liberian Suite | Dance No. 5 (from ''Liberian Suite - Harlem Suite'' - 1956)
—
Balcony Rock
The Dave Brubeck Quartet
—
Out of Nowhere
—
Le Souk
The Dave Brubeck Quartet
—
The Song Is You
—
I Want to Be Happy
—
I’m Crazy ’Bout My Baby
Louis Armstrong
—
Ain't Misbehavin'
—
Ain't Misbehavin'
—
Tadd’s Delight
Miles Davis Quintet
—
Two Bass Hit
Miles Davis Quintet
—
Little Melonae
Miles Davis Quintet
—
Wild Man Blues
—
Rosetta
—
Fine and Mellow
—
Blues
—
I Left My Baby
—
The Train and the River
—
Nervous
—
Dickie's Dream
—
Wild Man Blues
—
GG Train
Charles Mingus
—
Desmond Blue
Paul Desmond
—
Late Lament
Paul Desmond
—
Advise and Consent
—
Autumn Leaves (Take 1)
—
Autumn Leaves (Take 3)
—
Imagination (Take 4)
—
Advise and Consent (take 4)
Paul Desmond
—
I Told You So
Aretha Franklin
—
Rough Lover
Aretha Franklin
—
Just for You
Aretha Franklin
—
Rough Lover
Aretha Franklin
—
It Be's That Way Sometime
—
Go to Hell
—
Love O'Love
—
Cherish
—
Turning Point
—
Some Say
—
Consummation
—
Thelonious (Take 1)
—
Ugly Beauty (Take 5)
—
Raise Four
—
Boo Boo's Birthday (Take 11)
—
Green Chimneys
—
In Walked Bud
—
Ugly Beauty (Bonus tracks not on original LP)
—
Boo Boo's Birthday (Bonus tracks not on original LP)
—
Thelonious (Bonus tracks not on original LP)
—
Straight Life
Freddie Hubbard
—
Mr. Clean
Freddie Hubbard
—
Sapphire Bullets of Pure Love
Mahavishnu Orchestra
—
I Come From Jamaica
—
Ida Red
—
Walkin'
—
A Night in Tunisia
—
Donna Lee
—
Autumn Leaves
—
She Was Too Good to Me
—
Funk in Deep Freeze
—
Tangerine
—
With A Song In My Heart
—
What'll I Do
—
It's You or No One
—
My Future Just Passed (Bonus track not on original LP)
—
Line for Lyons
—
For an Unfinished Woman
—
Song for Strayhorn
—
It's Sandy at the Beach
—
Bernie's Tune
—
K-4 Pacific
—
There Will Never Be Another You
—
Tarde
—
Miracle of the Fishes
—
Diana
—
From the Lonely Afternoons
—
Ana Maria
—
Lilia
—
Joanna's Theme
—
The Answer Is Yes
Jim Hall
—
The Answer Is Yes (alternate take)
Jim Hall
—
The Magician
Return to Forever
—
Black Market
—
Teen Town
—
A Remark You Made
—
Slang
—
In a Silent Way
—
Birdland
—
Thanks for the Memory
—
Badia/Boogie Woogie Waltz Medley
—
8:30
—
Brown Street
—
The Orphan
—
Sightseeing
—
Body and Soul
—
Berangere's Nightmare
—
Fair Weather
—
Una Noche Con Francis
—
The Peacocks
—
How Long Has This Been Going On?
—
Rhythm-A-Ning
—
Still Time
—
Minuit Aux Champs-Elysees
—
Chan's Song
—
'round Midnight (live)
—
Get it Straight
—
Dear Ruby
—
It's Over Now
—
Monkery's the Blues
—
You Know Who
—
Little Butterfly
—
Listen to Monk
—
How I Wish
—
Man, That Was a Dream
—
Still We Dream
—
Suddenly
—
Looking Back
—
Suddenly (studio recording)
—
Get It Straight
—
'round Midnight (alternate take)
—
Listen to Monk (alternate take)
—
Man, That Was a Dream (alternate take)
—
In the Court of King Oliver
Wynton Marsalis
—
Bona and Paul
Wynton Marsalis
—
The Seductress
Wynton Marsalis
—
Big Butter and Egg Man
Wynton Marsalis
—
Additional database matches (21)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Squeeze Me | Louis Armstrong and His Hot Five | T-070.275.716-1 |
| I Surrender, Dear | Aretha Franklin | T-071.063.844-0 |
| I Told You So | Aretha Franklin | T-072.899.924-3 |
| Rough Lover | Aretha Franklin | — |
| Just for You | Aretha Franklin | — |
| I Told You So | Aretha Franklin | — |
| It’s So Heartbreakin’ | Aretha Franklin | — |
| Rough Lover | Aretha Franklin | — |
| Just for You | Aretha Franklin | — |
| Black and Blue | Louis Armstrong | T-071.056.398-6 |
| Just for You | Aretha Franklin | — |
| Rough Lover | Aretha Franklin | — |
| Just for You | Aretha Franklin | — |
| Desmond Blue | Paul Desmond | — |
| Late Lament | Paul Desmond | — |
| Skin Deep | Duke Ellington and His Orchestra | — |
| Little Melonae | Miles Davis Quintet | — |
| Two Bass Hit | Miles Davis Quintet | — |
| Tadd’s Delight | Miles Davis Quintet | T-070.159.751-4 |
| Better Git in Your Soul | Charles Mingus | T-700.002.156-9 |
| I Told You So | Aretha Franklin | T-072.899.924-3 |
Louis Armstrong and His Hot Five
Aretha Franklin
Aretha Franklin
Rough Lover
Aretha Franklin
—
Just for You
Aretha Franklin
—
I Told You So
Aretha Franklin
—
It’s So Heartbreakin’
Aretha Franklin
—
Rough Lover
Aretha Franklin
—
Just for You
Aretha Franklin
—
Louis Armstrong
Just for You
Aretha Franklin
—
Rough Lover
Aretha Franklin
—
Just for You
Aretha Franklin
—
Desmond Blue
Paul Desmond
—
Late Lament
Paul Desmond
—
Skin Deep
Duke Ellington and His Orchestra
—
Little Melonae
Miles Davis Quintet
—
Two Bass Hit
Miles Davis Quintet
—
Miles Davis Quintet
Charles Mingus
Aretha Franklin
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.012.898-0T-010.320.310-6T-010.012.898-0T-010.162.797-7T-010.320.310-6T-010.433.365-4T-010.433.645-9T-010.460.556-2T-010.517.422-8T-011.410.891-6
+156 more
T-031.594.579-9T-031.594.579-9T-031.877.593-7T-039.007.217-9T-042.098.537-0T-042.098.537-0T-070.000.128-0T-070.000.792-6T-070.002.297-4T-070.002.363-7T-070.011.836-0T-070.012.014-4T-070.013.021-7T-070.049.834-5T-070.074.170-3T-070.074.503-4T-070.092.372-3T-070.092.763-4T-070.095.943-8T-070.098.571-2T-070.110.849-7T-070.111.334-9T-070.119.027-3T-070.135.891-9T-070.135.945-6T-070.138.029-1T-070.138.798-5T-070.152.198-3T-070.160.148-0T-070.177.920-5T-070.177.955-6T-070.178.675-5T-070.179.038-6T-070.180.792-2T-070.199.185-6T-070.199.342-1T-070.199.430-0T-070.200.572-8T-070.210.524-5T-070.211.122-5T-070.211.354-9T-070.233.863-3T-070.234.259-3T-070.234.335-8T-070.241.497-8T-070.243.425-0T-070.275.716-1T-070.880.948-6T-070.881.550-2T-070.891.452-6T-070.892.551-2T-070.902.587-5T-070.902.982-2T-070.904.338-8T-070.905.643-8T-070.906.493-6T-070.907.619-6T-070.907.754-2T-070.907.808-9T-070.918.661-7T-070.000.128-0T-070.000.792-6T-070.002.297-4T-070.002.363-7T-070.011.836-0T-070.012.014-4T-070.013.021-7T-070.038.940-7T-070.049.834-5T-070.072.889-7T-070.074.170-3T-070.074.503-4T-070.074.639-9T-070.092.372-3T-070.092.763-4T-070.095.943-8T-070.098.571-2T-070.110.849-7T-070.110.850-0T-070.111.334-9T-070.116.745-4T-070.119.027-3T-070.127.208-3T-070.127.285-6T-070.135.891-9T-070.135.945-6T-070.136.839-9T-070.138.029-1T-070.138.798-5T-070.152.198-3T-070.159.853-9T-070.160.148-0T-070.177.920-5T-070.177.955-6T-070.178.675-5T-070.179.038-6T-070.179.299-5T-070.180.792-2T-071.056.398-6T-071.059.783-3T-071.061.980-9T-071.063.844-0T-071.066.536-3T-071.070.530-8T-071.189.795-8T-071.202.431-1T-071.597.262-5T-072.103.950-4T-072.279.636-2T-073.092.797-5T-700.000.365-8T-700.002.156-9T-700.002.445-5T-700.002.911-0T-700.032.129-1T-700.048.823-5T-700.051.385-1T-700.065.334-1T-700.074.891-6T-900.312.305-5T-900.763.314-9T-903.709.208-3T-904.320.938-7T-906.020.265-5T-914.873.600-9T-031.594.579-9T-041.489.061-1T-070.049.110-6T-070.113.944-7T-070.126.957-9T-070.159.751-4T-070.201.312-4T-070.222.056-1T-070.232.946-1T-070.235.393-2T-070.247.105-3T-070.905.974-4T-070.940.145-5T-071.230.120-6T-072.899.924-3T-700.008.442-6T-700.013.056-5T-700.023.111-0T-700.055.819-2T-700.065.668-0T-700.107.362-9T-900.757.862-3T-903.702.122-0T-903.708.164-4T-903.711.341-0T-903.717.448-4T-903.722.251-8T-904.321.074-8T-904.321.216-4T-904.654.723-3T-906.832.699-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006304918700000000783873810000000079741506000000008078316400000000809692760000000081014850000000008123297000000000812813260000000084142866000000009310882X
+29 more
00000001066215190000000108160904000000010875409100000001089937970000000109110810000000011008345000000001101980710000000110215599000000011021617X000000011036792000000001108326260000000114462300000000011447611200000001146793310000000114802934000000011580814X0000000116808520000000011939060900000001194860610000000119544858000000012024912700000001203145660000000121232204000000012142420600000001214899150000000121494319000000012337049100000003685712830000000462778475
Identifier Graph
People also ask
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What is UPC 886978765826?
886978765826 is a Universal Product Code (UPC) assigned to The Perfect Jazz Collection II by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 261 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm