UPC · Release
Bernstein Conducts Bernstein
Leonard Bernstein, New York Philharmonic
886978808622
115 tracksReleased 2011-01-01Sony Classical
Last verified:
886978808622 is the Universal Product Code (UPC barcode) for the release “Bernstein Conducts Bernstein” by Leonard Bernstein, New York Philharmonic, released 2011-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 115 tracks, each with its own ISRC. Tracks include GBGQH0801085, GBGQH0801086, GBGQH0801087.
Format
8Number system
86978Manufacturer
80862Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBernstein Conducts Bernstein
ISRC53 recordings
ISWC9 works
IPI2 songwriters
Track List (115)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture to Candide: Allegro molto con brio | — | ||
| 2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 5 | Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto) | — | ||
| 6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 11 | Symphonic Suite (From the Film "On The Waterfront"): Andante (with dignity) - Presto barbaro Presto barbaro | — | ||
| 12 | Symphonic Suite (From the Film "On The Waterfront"): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 13 | Symphonic Suite (From the Film "On The Waterfront"): Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento | — | ||
| 14 | Symphonic Suite (From the Film "On The Waterfront"): Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso | — | ||
| 15 | Symphonic Suite (From the Film "On The Waterfront"): Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso | — | ||
| 16 | Symphonic Suite (From the Film "On The Waterfront"): A tempo | — | ||
| 17 | Fancy Free Ballet: I. Enter Three Sailors | — | ||
| 18 | Fancy Free Ballet: II. Scene at the Bar | — | ||
| 19 | Fancy Free Ballet: III. Enter Two Girls | — | ||
| 20 | Fancy Free Ballet: IV. Pas de deux | — | ||
| 21 | Fancy Free Ballet: V. Competition Scene | — | ||
| 22 | Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop) | — | ||
| 23 | Fancy Free Ballet: Variation II (Waltz) | — | ||
| 24 | Fancy Free Ballet: Variation III (Danzon) | — | ||
| 25 | Fancy Free Ballet: VII. Finale | — | ||
| 26 | Prelude, Fugue & Riffs: I. Prelude | — | ||
| 27 | Prelude, Fugue & Riffs: II. Fugue | — | ||
| 28 | Prelude, Fugue & Riffs: III. Riffs | — | ||
| 2-1 | Dybbuk (Complete Ballet): Part I: The Community | — | ||
| 2-2 | Dybbuk (Complete Ballet): The Fathers | — | ||
| 2-3 | Dybbuk (Complete Ballet): Witnesses of Birth | — | ||
| 2-4 | Dybbuk (Complete Ballet): The Children | — | ||
| 2-5 | Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations | — | ||
| 2-6 | Dybbuk (Complete Ballet): Part III: Witnesses of Death | — | ||
| 2-7 | Dybbuk (Complete Ballet): Leah | — | ||
| 2-8 | Dybbuk (Complete Ballet): Possession | — | ||
| 2-9 | Dybbuk (Complete Ballet): Exorcism | — | ||
| 2-10 | Dybbuk (Complete Ballet): The Community | — | ||
| 2-11 | Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato) | — | ||
| 2-12 | Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto) | — | ||
| 2-13 | Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto) | — | ||
| 2-14 | Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: IV. Agathon (Adagio | — | ||
| 2-15 | Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace) | — | ||
| 3-1 | Symphony No. 1 "Jeremiah": I. Prophecy | — | ||
| 3-2 | Symphony No. 1 "Jeremiah": II. Profanation | — | ||
| 3-3 | Symphony No. 1 "Jeremiah": III. Lamentation | — | ||
| 3-4 | On the Town: The Great Lover | — | ||
| 3-5 | On the Town: Lonely Town. Pas de deux | — | ||
| 3-6 | On the Town: Times Square, 1944 | — | ||
| 3-7 | Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-8 | Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-9 | Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14 | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-10 | Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-11 | Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 3-12 | Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto | Philippe Entremont, New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-2 | Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-3 | Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-4 | Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | — | |
| 4-5 | Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4) | John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-902.471.486-1 | |
| 4-6 | Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1) | Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein | T-070.119.642-0 | |
| 4-7 | I Hate Music: No. 1, My Name Is Barbara | — | ||
| 4-8 | I Hate Music: No. 2, Jupiter Has Seven Moons | — | ||
| 4-9 | I Hate Music: No. 3, I Hate Music! | — | ||
| 4-10 | I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song) | — | ||
| 4-11 | I Hate Music: No. 5, I'm a Person Too | — | ||
| 4-12 | La bonne cuisine (Four Recipes): No. 1, Plum Pudding | — | ||
| 4-13 | La bonne cuisine (Four Recipes): No. 2, Queues de boeuf | — | ||
| 4-14 | La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis | — | ||
| 4-15 | La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse | — | ||
| 5-1 | Trouble in Tahiti - An Opera in Seven Scenes: Prelude | — | ||
| 5-2 | Trouble in Tahiti - An Opera in Seven Scenes: Scene I: "How could you say the thing that you did" | — | ||
| 5-3 | Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!" | — | ||
| 5-4 | Trouble in Tahiti - An Opera in Seven Scenes: Scene III: "I was standing in a garden!" | — | ||
| 5-5 | Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me" | — | ||
| 5-6 | Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me" | — | ||
| 5-7 | Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day" | — | ||
| 5-8 | Trouble in Tahiti - An Opera in Seven Scenes: Scene V:"There's a law" | — | ||
| 5-9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein | — | |
| 5-10 | Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa:"There's a law that a man has to pay for what he gets" | — | ||
| 5-11 | Trouble in Tahiti - An Opera in Seven Scenes: Scene VII:"Evenin' shadows are spreadin' softly" | — | ||
| 5-12 | Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio | — | ||
| 5-13 | Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto | — | ||
| 6-1 | Mass: I. Devotions before Mass: 1. Antiphon: Kyrie eleison | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-2 | Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | — | |
| 6-3 | Mass: I. Devotions before Mass: 3. Responsory: Alleluia | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-4 | Mass: II. First Introit (Rondo): 1. Prefatory Prayers | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-5 | Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-6 | Mass: III. Second Introit: 1. In nomine Patris | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-7 | Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-8 | Mass: III. Second Introit: 3. Epiphany | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-9 | Mass: IV. Confession: 1. Confiteor | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-10 | Mass: IV. Confession: 2. Trope: "I Don't Know" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | — | |
| 6-11 | Mass: IV. Confession: 3. Trope: "Easy" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-12 | Mass: V. Meditation No. 1 | Leonard Bernstein | T-071.067.939-2 | |
| 6-13 | Mass: VI. Gloria: 1. Gloria tibi | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-14 | Mass: VI. Gloria: 2. Gloria in excelsis | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-15 | Mass: VI. Gloria: 3. Trope: "Half of the People | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-16 | Mass: VI. Gloria: 4. Trope: "Thank You" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-17 | Mass: VII. Meditation No. 2 | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-18 | Mass: VIII. Epistle: "The Word of the Lord" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 6-19 | Mass: IX. Gospel-Sermon: "God Said" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-1 | Mass: X. Credo: 1. Credo in unum Deum | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-2 | Mass: X. Credo: 2. Trope: "Non Credo" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-3 | Mass: X. Credo: 3. Trope: "Hurry" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-4 | Mass: X. Credo: 4. Trope: "World Without End" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-5 | Mass: X. Credo: 5. Trope: "I Believe In God" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-6 | Mass: XI. Meditation No. 3: (De profundis, part 1) | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-7 | Mass: XII. Offertory: (De profundis, part 2) | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-8 | Mass: XIII. The Lord's Prayer: 1. Our Father | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-9 | Mass: XIII. The Lord's Prayer: 2. Trope: "I Go On" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-10 | Mass: XIV. Sanctus: "Holy! Holy! Holy!..." | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-11 | Mass: XV. Agnus Dei | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-12 | Mass: XVI. Fraction: "Things Get Broken" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 | |
| 7-13 | Mass: XVII. Pax: Communion: "Secret Songs" | The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein | T-071.067.939-2 |
Overture to Candide: Allegro molto con brio
—
Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto)
—
Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro
New York Philharmonic, Leonard Bernstein
—
Symphonic Dances from “West Side Story”: IX. Finale. Adagio
New York Philharmonic, Leonard Bernstein
—
Symphonic Suite (From the Film "On The Waterfront"): Andante (with dignity) - Presto barbaro Presto barbaro
—
Symphonic Suite (From the Film "On The Waterfront"): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
—
Symphonic Suite (From the Film "On The Waterfront"): Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
—
Symphonic Suite (From the Film "On The Waterfront"): Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso
—
Symphonic Suite (From the Film "On The Waterfront"): Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso
—
Symphonic Suite (From the Film "On The Waterfront"): A tempo
—
Fancy Free Ballet: I. Enter Three Sailors
—
Fancy Free Ballet: II. Scene at the Bar
—
Fancy Free Ballet: III. Enter Two Girls
—
Fancy Free Ballet: IV. Pas de deux
—
Fancy Free Ballet: V. Competition Scene
—
Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop)
—
Fancy Free Ballet: Variation II (Waltz)
—
Fancy Free Ballet: Variation III (Danzon)
—
Fancy Free Ballet: VII. Finale
—
Prelude, Fugue & Riffs: I. Prelude
—
Prelude, Fugue & Riffs: II. Fugue
—
Prelude, Fugue & Riffs: III. Riffs
—
Dybbuk (Complete Ballet): Part I: The Community
—
Dybbuk (Complete Ballet): The Fathers
—
Dybbuk (Complete Ballet): Witnesses of Birth
—
Dybbuk (Complete Ballet): The Children
—
Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations
—
Dybbuk (Complete Ballet): Part III: Witnesses of Death
—
Dybbuk (Complete Ballet): Leah
—
Dybbuk (Complete Ballet): Possession
—
Dybbuk (Complete Ballet): Exorcism
—
Dybbuk (Complete Ballet): The Community
—
Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato)
—
Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto)
—
Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto)
—
Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: IV. Agathon (Adagio
—
Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace)
—
Symphony No. 1 "Jeremiah": I. Prophecy
—
Symphony No. 1 "Jeremiah": II. Profanation
—
Symphony No. 1 "Jeremiah": III. Lamentation
—
On the Town: The Great Lover
—
On the Town: Lonely Town. Pas de deux
—
On the Town: Times Square, 1944
—
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
I Hate Music: No. 1, My Name Is Barbara
—
I Hate Music: No. 2, Jupiter Has Seven Moons
—
I Hate Music: No. 3, I Hate Music!
—
I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song)
—
I Hate Music: No. 5, I'm a Person Too
—
La bonne cuisine (Four Recipes): No. 1, Plum Pudding
—
La bonne cuisine (Four Recipes): No. 2, Queues de boeuf
—
La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis
—
La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse
—
Trouble in Tahiti - An Opera in Seven Scenes: Prelude
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene I: "How could you say the thing that you did"
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!"
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene III: "I was standing in a garden!"
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
—
Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day"
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene V:"There's a law"
—
Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio)
Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa:"There's a law that a man has to pay for what he gets"
—
Trouble in Tahiti - An Opera in Seven Scenes: Scene VII:"Evenin' shadows are spreadin' softly"
—
Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio
—
Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto
—
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song"
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
—
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
Mass: IV. Confession: 2. Trope: "I Don't Know"
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
—
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
Additional database matches (9)
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
New York Philharmonic, Leonard Bernstein
The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 886978808622?
886978808622 is a Universal Product Code (UPC) assigned to Bernstein Conducts Bernstein by Leonard Bernstein, New York Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 115 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm