UPC · Release
Tango: An Anthology
Various Artists
Last verified:
886979033429 is the Universal Product Code (UPC barcode) for the release “Tango: An Anthology” by Various Artists, released 2011-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 212 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (212)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Viejo rincón | — | ||
| 2 | Dios momo | — | ||
| 3 | Cardos | — | ||
| 4 | Tierrita | — | ||
| 5 | Ctv | — | ||
| 6 | El pibe | — | ||
| 7 | Criolla linda | — | ||
| 8 | Rezongona | — | ||
| 9 | Arrabal | — | ||
| 10 | Amor y celos | — | ||
| 11 | El aeroplano | — | ||
| 12 | Perdoname | — | ||
| 13 | Uruguaya | — | ||
| 14 | No llores más | — | ||
| 15 | Orillas del Plata | — | ||
| 2-1 | Gajito de cedrón | — | ||
| 2-2 | Mano a mano | — | ||
| 2-3 | Siga el corso | — | ||
| 2-4 | Duelo criollo | — | ||
| 2-5 | Malevaje | — | ||
| 2-6 | Anclao en París | — | ||
| 2-7 | Cantando | — | ||
| 2-8 | Milonga sentimental | — | ||
| 2-9 | Besos brujos | — | ||
| 2-10 | Madreselva | — | ||
| 2-11 | Recostao en un farol | — | ||
| 2-12 | Tinieblas | — | ||
| 2-13 | Mi refugio | — | ||
| 2-14 | Santa Paula | — | ||
| 2-15 | Un placer | — | ||
| 3-1 | Recuerdo | — | ||
| 3-2 | Quejas de bandoneón | — | ||
| 3-3 | Flores negras | — | ||
| 3-4 | Mala junta | — | ||
| 3-5 | Gallo ciego | — | ||
| 3-6 | Boedo | — | ||
| 3-7 | Agua florida | — | ||
| 3-8 | Milagrosa virgencita | — | ||
| 3-9 | Cosas viejas | — | ||
| 3-10 | Tierra querida | — | ||
| 3-11 | Chiclana | — | ||
| 3-12 | Un lamento | — | ||
| 3-13 | Milonga de mis amores | — | ||
| 3-14 | Milonga compadre | — | ||
| 3-15 | Vieja amiga | — | ||
| 4-1 | La viruta | — | ||
| 4-2 | El incendio | — | ||
| 4-3 | Independiente Club | — | ||
| 4-4 | Puro apronte | — | ||
| 4-5 | Orlando Goñi | — | ||
| 4-6 | Racing Club | — | ||
| 4-7 | Pichuco | — | ||
| 4-9 | La beba | — | ||
| 4-10 | Mariposita | — | ||
| 4-11 | El entrerriano | — | ||
| 4-12 | Julián | — | ||
| 4-13 | Concierto en la luna | — | ||
| 4-14 | Ojos negros | — | ||
| 4-15 | Lluvia de estrellas | — | ||
| 5-1 | Canaro en París | — | ||
| 5-2 | El rey del compás | — | ||
| 5-3 | Chiqué | — | ||
| 5-4 | La puñalada | — | ||
| 5-5 | La cumparsita | — | ||
| 5-6 | El pollo Ricardo | — | ||
| 5-7 | Esta noche me emborracho | — | ||
| 5-8 | El porteñito | — | ||
| 5-9 | Adiós muchachos | — | ||
| 5-10 | MI serenata | — | ||
| 5-11 | El distinguido ciudadano | — | ||
| 5-12 | A media luz | — | ||
| 5-13 | Bajo un cielo de estrellas | — | ||
| 5-14 | Sentimiento gaucho | — | ||
| 5-15 | Azabache | — | ||
| 6-1 | Tinta roja | — | ||
| 6-2 | Malena | — | ||
| 6-3 | Barrio de tango | — | ||
| 6-4 | Uno | — | ||
| 6-5 | Tres amigos | — | ||
| 6-6 | María | — | ||
| 6-7 | Cornetín | — | ||
| 6-8 | Tristeza marina | — | ||
| 6-9 | Verdemar | — | ||
| 6-10 | Muchacho | — | ||
| 6-11 | Tres esquinas | — | ||
| 6-12 | Esquinas porteñas | — | ||
| 6-13 | Muñeca brava | — | ||
| 6-14 | Así se baila el tango | — | ||
| 6-15 | Moneda de cobre | — | ||
| 7-1 | Bien milonga | — | ||
| 7-2 | Si sos brujo | — | ||
| 7-3 | La yumba | — | ||
| 7-4 | N.N. | — | ||
| 7-6 | La bordona | — | ||
| 7-7 | A la gran muñeca | — | ||
| 7-8 | Milonguero viejo | — | ||
| 7-9 | Bahía Blanca | — | ||
| 7-10 | El simpático | — | ||
| 7-11 | A María Rosa | — | ||
| 7-12 | Muy suave | — | ||
| 7-13 | El internado | — | ||
| 7-14 | El Marne | — | ||
| 7-15 | El irresistible | — | ||
| 8-2 | La clavada | — | ||
| 8-3 | Don Agustín Bardi | — | ||
| 8-4 | La llamo silbando | — | ||
| 8-6 | Del 1 al 5 | — | ||
| 8-7 | El andariego | — | ||
| 8-8 | Camandulaje | — | ||
| 8-9 | El engobbiao | — | ||
| 8-10 | Sensiblero | — | ||
| 8-11 | Tema otoñal | — | ||
| 8-12 | Danzarín | — | ||
| 8-13 | Inspiración | — | ||
| 8-14 | Escalas en azul | — | ||
| 8-15 | Aromas | — | ||
| 9-1 | Audacia | — | ||
| 9-2 | Margot | — | ||
| 9-3 | Cuando me entrés a fallar | — | ||
| 9-4 | Yira, yira | — | ||
| 9-5 | Carmín | — | ||
| 9-6 | Patio mío | — | ||
| 9-7 | Bandoneón arrabalero | — | ||
| 9-8 | MI vieja viola | — | ||
| 9-9 | Ventanita de arrabal | — | ||
| 9-10 | La cantina | — | ||
| 9-11 | Medianoche | — | ||
| 9-12 | Amarras | — | ||
| 9-13 | Bettinoti | — | ||
| 9-14 | Milonguita | — | ||
| 9-15 | Será una noche | — | ||
| 10-1 | Vida mía | — | ||
| 10-2 | Taquito militar | — | ||
| 10-3 | Gran Hotel Victoria | — | ||
| 10-4 | Tango del eco | — | ||
| 10-5 | La loca de amor | — | ||
| 10-6 | El abrojito | — | ||
| 10-7 | A Orlando Goñi | — | ||
| 10-8 | Payadora | — | ||
| 10-10 | Colorao colorao | — | ||
| 10-11 | Temblando | — | ||
| 10-12 | El baqueano | — | ||
| 10-13 | Guardia vieja | — | ||
| 10-14 | Amurado | — | ||
| 10-15 | Romance de barrio | — | ||
| 11-1 | Adiós Nonino | — | ||
| 11-2 | Triunfal | — | ||
| 11-3 | Muerte del ángel | — | ||
| 11-4 | Revirado | — | ||
| 11-5 | Buenos Aires hora cero | — | ||
| 11-6 | Verano porteño | — | ||
| 11-7 | Contrapunteando | — | ||
| 11-8 | Gente | — | ||
| 11-9 | Policromía | — | ||
| 11-10 | Tema concertante | — | ||
| 11-11 | Universo | — | ||
| 11-12 | Espejismo armónico | — | ||
| 11-13 | Simple | — | ||
| 11-14 | Furtiva | — | ||
| 11-15 | Tango para la calle empedrada | — | ||
| 12-2 | Nunca tuvo novio | — | ||
| 12-3 | El último café | — | ||
| 12-4 | Nada | — | ||
| 12-5 | El firulete | — | ||
| 12-6 | Cambalache | — | ||
| 12-7 | Afiches | — | ||
| 12-8 | Chau... No va más...! | — | ||
| 12-9 | Naranjo en flor | — | ||
| 12-10 | Valsecito amigo | — | ||
| 12-11 | Buenos Aires conoce | — | ||
| 12-12 | A quién le puede importar | — | ||
| 12-13 | Rondando tu esquina | — | ||
| 12-14 | Te llaman malevo | — | ||
| 12-15 | Hasta el último tren | — | ||
| 13-1 | Balada para un loco | — | ||
| 13-2 | Garúa | — | ||
| 13-3 | Chiquilín de Bachín | — | ||
| 13-4 | El gordo triste | — | ||
| 13-6 | La última curda | — | ||
| 13-8 | Monte criollo | — | ||
| 13-9 | Serenata gaucha | — | ||
| 13-10 | Milonga de los fortines | — | ||
| 13-11 | Intriga y pasión | — | ||
| 13-12 | Me besó y se fue | — | ||
| 13-14 | Pelele | — | ||
| 13-15 | Color de rosa | — | ||
| 14-1 | Sentimental Buenos Aires | — | ||
| 14-2 | Rezongo triste | — | ||
| 14-3 | El patio de la morocha | — | ||
| 14-4 | Luna y misterio | — | ||
| 14-5 | Meridional | — | ||
| 14-6 | Seguime si podés | — | ||
| 14-7 | Mi amigo cholo | — | ||
| 14-8 | Y después qué | — | ||
| 14-9 | Mi hermano Pepe | — | ||
| 14-10 | Don Juan | — | ||
| 14-11 | El esquinazo | — | ||
| 14-14 | Capricho otoñal | — | ||
| 14-15 | Catire | — | ||
| 15-1 | Caserón de tejas | — | ||
| 15-2 | La canción de Buenos Aires | — | ||
| 15-3 | Por la vuelta | — | ||
| 15-5 | Rebeldía | — | ||
| 15-6 | No me esperes esta noche | — | ||
| 15-7 | Arrabalero | — | ||
| 15-8 | Entre sueños | — | ||
| 15-10 | Pero yo sé | — | ||
| 15-11 | Ninguna | — | ||
| 15-12 | Qué te importa que te llore | — | ||
| 15-13 | El buen augurio | — | ||
| 15-14 | Grafitti de las almas | — | ||
| 15-15 | Volver con sol | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 886979033429?
886979033429 is a Universal Product Code (UPC) assigned to Tango: An Anthology by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 212 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm