UPC · Release
Arturo Toscanini
Last verified:
The UPC for “The Complete RCA Collection” by Arturo Toscanini is 886979163126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: RCA Red Seal. This release contains 1000 tracks, each with its own ISRC. Tracks include USBC19801746, USBC19801747, USBC19801748.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio | — | ||
| 4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto | — | ||
| 5 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | — | ||
| 6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 8 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | — | ||
| 2-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 2-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 2-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | — | ||
| 2-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 2-5 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | — | ||
| 2-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 2-7 | Symphony no. 2 in D major, op. 36: III. Scherzo – Trio | — | ||
| 2-8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 2-9 | Egmont Overture op. 84 | — | ||
| 3-1 | Symphony no. 6 in F major, op. 68 "Pastorale": I. Happy Feelings Aroused on Arriving in the Country. Allegro ma non troppo | — | ||
| 3-2 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Scene by the brook. Andante molto mosso | — | ||
| 3-3 | Symphony no. 6 in F major, op. 68 "Pastorale": III. Peasants' Merrymaking. Allegro | — | ||
| 3-4 | Symphony no. 6 in F major, op. 68 "Pastorale": IV. Thunderstorm. Allegro | — | ||
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastorale": V. Shepherds' Song: Joyous Thanksgiving After The Storm. Allegretto | — | ||
| 3-6 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-7 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-8 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-9 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 4-9 | Leonore Overture no. 3, op. 72a | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Final Chorus from Schiller's Ode "To Joy". Presto - Allegro assai - Recitativo: "O Freunde, nicht diese Töne" - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato | — | ||
| 6-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 6-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 6-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 6-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio | — | ||
| 6-5 | Akademische Festouvertüre, op. 80 | — | ||
| 6-6 | Hungarian Dances: no. 1 in G minor | — | ||
| 6-7 | Hungarian Dances: no. 17 in F-sharp minor | — | ||
| 6-8 | Hungarian Dances: no. 20 in E minor | — | ||
| 6-9 | Hungarian Dances: no. 21 in E minor | — | ||
| 7-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-902.764.002-4 | |
| 7-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-329.366.758-6 | |
| 7-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | NBC Symphony Orchestra, Arturo Toscanini | T-327.681.352-2 | |
| 7-5 | Variationen über ein Thema von Haydn, op. 56a: Chorale St. Antoni. Andante | — | ||
| 7-6 | Variationen über ein Thema von Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 7-7 | Variationen über ein Thema von Haydn, op. 56a: Variation II. Più vivace | — | ||
| 7-8 | Variationen über ein Thema von Haydn, op. 56a: Variation III. Con moto | — | ||
| 7-9 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 7-10 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Vivace | — | ||
| 7-11 | Variationen über ein Thema von Haydn, op. 56a: Variation VI. Vivace | — | ||
| 7-12 | Variationen über ein Thema von Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 7-13 | Variationen über ein Thema von Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 7-14 | Variationen über ein Thema von Haydn, op. 56a: Finale. Andante | — | ||
| 7-15 | Tragische Ouvertüre, op. 81 | — | ||
| 8-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 8-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 8-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 8-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 8-5 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro | — | ||
| 8-6 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante | — | ||
| 8-7 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-5 | Liebeslieder-Walzer, op.52: Rede, Mädchen, allzu liebes | — | ||
| 9-6 | Liebeslieder-Walzer, op.52: Am Gesteine rauscht die Flut | — | ||
| 9-7 | Liebeslieder-Walzer, op.52: O die Frauen | — | ||
| 9-8 | Liebeslieder-Walzer, op.52: Wie des Abends schöne Röte | — | ||
| 9-9 | Liebeslieder-Walzer, op.52: Die grüne Hopfenranke | — | ||
| 9-10 | Liebeslieder-Walzer, op.52: Ein kleiner, hübscher Vogel | — | ||
| 9-11 | Liebeslieder-Walzer, op.52: Wohl schön bewandt war es | — | ||
| 9-12 | Liebeslieder-Walzer, op.52: Wenn so lind dein Auge mir | — | ||
| 9-13 | Liebeslieder-Walzer, op.52: Am Donaustrande | — | ||
| 9-14 | Liebeslieder-Walzer, op.52: O wie sanft die Quelle | — | ||
| 9-15 | Liebeslieder-Walzer, op.52: Nein, es ist nicht auszukommen | — | ||
| 9-16 | Liebeslieder-Walzer, op.52: Schlosser auf | — | ||
| 9-17 | Liebeslieder-Walzer, op.52: Vögelein durchrauscht die Luft | — | ||
| 9-18 | Liebeslieder-Walzer, op.52: Sieh, wie ist die Welle klar | — | ||
| 9-19 | Liebeslieder-Walzer, op.52: Nachtigall, sie singt so schön | — | ||
| 9-20 | Liebeslieder-Walzer, op.52: Ein dunkler Schacht ist Liebe | — | ||
| 9-21 | Liebeslieder-Walzer, op.52: Nicht wandle, mein Licht | — | ||
| 9-22 | Liebeslieder-Walzer, op.52: Es bebet das Gesträuche | — | ||
| 9-23 | Gesang der Parzen, op. 89 | — | ||
| 10-1 | Le nozze di Figaro: Overture | — | ||
| 10-2 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 10-3 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 10-4 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto – Trio | — | ||
| 10-5 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 10-6 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: I. Allegro | — | ||
| 10-7 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: II. Andante ma adagio | — | ||
| 10-8 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: III. Rondeau. Tempo di menuetto | — | ||
| 10-9 | Divertimento no. 15 in B-flat major, K. 287: I. Allegro | — | ||
| 10-10 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Theme. Andante grazioso | — | ||
| 10-11 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation I | — | ||
| 10-12 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation II | — | ||
| 10-13 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation III | — | ||
| 10-14 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation IV | — | ||
| 10-15 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation V | — | ||
| 10-16 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation VI | — | ||
| 10-17 | Divertimento no. 15 in B-flat major, K. 287: III. Menuetto | — | ||
| 10-18 | Divertimento no. 15 in B-flat major, K. 287: IV. Adagio | — | ||
| 10-19 | Divertimento no. 15 in B-flat major, K. 287: V. Andante – Allegro molto | — | ||
| 11-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | — | ||
| 11-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 11-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto – Trio | — | ||
| 11-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 11-5 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | — | ||
| 11-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 11-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto – Trio | — | ||
| 11-8 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | — | ||
| 11-9 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-10 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-11 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto – Trio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-12 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-1 | Symphony no. 88 in G major: I. Adagio – Allegro | — | ||
| 12-2 | Symphony no. 88 in G major: II. Largo | — | ||
| 12-3 | Symphony no. 88 in G major: III. Menuetto. Allegretto – Trio | — | ||
| 12-4 | Symphony no. 88 in G major: IV. Finale. Allegro con spirito | — | ||
| 12-5 | Symphony no. 94 in G major "Surprise": I. Adagio – Vivace assai | — | ||
| 12-6 | Symphony no. 94 in G major "Surprise": II. Andante | — | ||
| 12-7 | Symphony no. 94 in G major "Surprise": III. Menuetto. Allegro molto – Trio | — | ||
| 12-8 | Symphony no. 94 in G major "Surprise": IV. Finale. Allegro di molto | — | ||
| 12-9 | Symphony no. 98 in B-flat major: I. Adagio – Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-10 | Symphony no. 98 in B-flat major: II. Adagio cantabile | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-11 | Symphony no. 98 in B-flat major: III. Menuetto. Allegro – Trio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-12 | Symphony no. 98 in B-flat major: IV. Finale. Presto | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-1 | Symphony no. 101 in D major "Clock": I. Adagio – Presto | — | ||
| 13-2 | Symphony no. 101 in D major "Clock": II. Andante | — | ||
| 13-3 | Symphony no. 101 in D major "Clock": III. Menuetto. Allegretto – Trio | — | ||
| 13-4 | Symphony no. 101 in D major "Clock": IV. Finale. Vivace | — | ||
| 13-5 | Symphony no. 99 in E-flat major: I. Adagio – Vivace assai | — | ||
| 13-6 | Symphony no. 99 in E-flat major: II. Adagio | — | ||
| 13-7 | Symphony no. 99 in E-flat major: III. Menuetto. Allegretto – Trio | — | ||
| 13-8 | Symphony no. 99 in E-flat major: IV. Finale. Vivace | — | ||
| 13-9 | Sinfonia Concertante in B-flat major, Hob. I:105: I. Allegro | — | ||
| 13-10 | Sinfonia Concertante in B-flat major, Hob. I:105: II. Andante | — | ||
| 13-11 | Sinfonia Concertante in B-flat major, Hob. I:105: III. Allegro con spirito | — | ||
| 14-1 | Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato | — | ||
| 14-2 | Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto | — | ||
| 14-3 | Symphony no. 9 in C major, D 944 "The Great": I. Andante – Allegro ma non troppo | — | ||
| 14-4 | Symphony no. 9 in C major, D 944 "The Great": II. Andante con moto | — | ||
| 14-5 | Symphony no. 9 in C major, D 944 "The Great": III. Scherzo. Allegro vivace | — | ||
| 14-6 | Symphony no. 9 in C major, D 944 "The Great": IV. Allegro vivace | — | ||
| 15-1 | Symphony no. 5 in B-flat major, D 485: I. Allegro | — | ||
| 15-2 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | — | ||
| 15-3 | Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto – Trio | — | ||
| 15-4 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | — | ||
| 15-5 | Symphony no. 9 in C major, D 944 "The Great": I. Andante – Allegro ma non troppo | — | ||
| 15-6 | Symphony no. 9 in C major, D 944 "The Great": II. Andante con moto | — | ||
| 15-7 | Symphony no. 9 in C major, D 944 "The Great": III. Scherzo. Allegro vivace | — | ||
| 15-8 | Symphony no. 9 in C major, D 944 "The Great": IV. Allegro vivace | — | ||
| 16-1 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo. Sehr mäßig | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-3 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-6 | Manfred Overture, op. 115 | — | ||
| 16-7 | Euryanthe: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-8 | Der Freischütz: Overture | — | ||
| 16-9 | Oberon: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 17-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | — | ||
| 17-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | — | ||
| 17-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | — | ||
| 17-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto | — | ||
| 17-5 | Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante – Allegro con fuoco | — | ||
| 17-6 | Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace | — | ||
| 17-7 | Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante | — | ||
| 17-8 | Symphony no. 5 in D minor, op. 107 "Reformation": IV. Chorale: "Ein' feste Burg ist unser Gott" – Andante con moto – Allegro vivace – Allegro maestoso | — | ||
| 17-9 | A Midsummer Night's Dream, op. 21: Scherzo | — | ||
| 17-10 | Octet in E-flat major, op. 20: Scherzo | — | ||
| 18-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-5 | The Nutcracker - Suite, op. 71a: Miniature Overture | — | ||
| 18-6 | The Nutcracker - Suite, op. 71a: March | — | ||
| 18-7 | The Nutcracker - Suite, op. 71a: Dance of the Sugar-Plum Fairy | — | ||
| 18-8 | The Nutcracker - Suite, op. 71a: Trepak | — | ||
| 18-9 | The Nutcracker - Suite, op. 71a: Arabian Dance | — | ||
| 18-10 | The Nutcracker - Suite, op. 71a: Chinese Dance | — | ||
| 18-11 | The Nutcracker - Suite, op. 71a: Dance of the Flutes | — | ||
| 18-12 | The Nutcracker - Suite, op. 71a: Waltz of the Flowers | — | ||
| 19-1 | Manfred Symphony, op. 58: I. Lento lugubre | — | ||
| 19-2 | Manfred Symphony, op. 58: II. Vivace con spirito | — | ||
| 19-3 | Manfred Symphony, op. 58: III. Andante con moto | — | ||
| 19-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | — | ||
| 19-5 | Romeo and Juliet | — | ||
| 20-1 | Symphony in D minor: I. Lento – Allegro non troppo | — | ||
| 20-2 | Symphony in D minor: II. Allegretto | — | ||
| 20-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 20-4 | Symphony no. 3 in C minor, op. 78 "Organ": Part 1: I. Adagio – Allegro moderato | — | ||
| 20-5 | Symphony no. 3 in C minor, op. 78 "Organ": Part 1: II. Poco adagio | — | ||
| 20-6 | Symphony no. 3 in C minor, op. 78 "Organ": Part 2: III. Allegro moderato – Presto | — | ||
| 20-7 | Symphony no. 3 in C minor, op. 78 "Organ": Part 2: IV. Maestoso – Allegro | — | ||
| 21-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 21-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | — | ||
| 21-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | — | ||
| 21-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | — | ||
| 21-5 | Pohjola's Daughter, op. 49 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 21-6 | The Swan of Tuonela | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 21-7 | Finlandia, op. 26 | — | ||
| 22-1 | Symphony no. 7, op. 60 "Leningrad": I. Allegretto | — | ||
| 22-2 | Symphony no. 7, op. 60 "Leningrad": II. Moderato poco allegretto | — | ||
| 22-3 | Symphony no. 7, op. 60 "Leningrad": III. Adagio | — | ||
| 22-4 | Symphony no. 7, op. 60 "Leningrad": IV. Allegro non troppo | — | ||
| 23-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 23-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 23-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio | — | ||
| 23-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto | — | ||
| 23-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 23-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 23-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 23-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 24-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto | — | ||
| 24-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | — | ||
| 24-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace | — | ||
| 24-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 24-5 | Háry János — Concert Suite: Prelude: The Fairy Tale Begins | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-6 | Háry János — Concert Suite: Viennese Musical Clock | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-7 | Háry János — Concert Suite: Song | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-8 | Háry János — Concert Suite: The Battle and Defeat of Napoleon | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-9 | Háry János — Concert Suite: Intermezzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-10 | Háry János — Concert Suite: Entrance of the Emperor and His Court | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-11 | The Moldau (Vltava) | — | ||
| 25-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 25-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 25-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 25-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 25-5 | Septet in E-flat major, op. 20: I. Adagio – Allegro con brio | — | ||
| 25-6 | Septet in E-flat major, op. 20: II. Adagio cantabile | — | ||
| 25-7 | Septet in E-flat major, op. 20: III. Tempo di Menuetto | — | ||
| 25-8 | Septet in E-flat major, op. 20: IV. Theme and Variations: Theme. Andante | — | ||
| 25-9 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation I | — | ||
| 25-10 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation II | — | ||
| 25-11 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation III | — | ||
| 25-12 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation IV | — | ||
| 25-13 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation V | — | ||
| 25-14 | Septet in E-flat major, op. 20: V. Scherzo. Allegro molto vivace | — | ||
| 25-15 | Septet in E-flat major, op. 20: VI. Andante con moto alla marcia | — | ||
| 25-16 | Egmont Overture, op. 84 | — | ||
| 26-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 26-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 26-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 26-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio | — | ||
| 26-5 | Serenade no. 2 in A major, op. 16: I. Allegro moderato | — | ||
| 26-6 | Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace | — | ||
| 26-7 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 26-8 | Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto | — | ||
| 26-9 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 27-1 | Symphony in D major: I. Largo – Allegro | — | ||
| 27-2 | Symphony in D major: II. Larghetto cantabile | — | ||
| 27-3 | Symphony in D major: III. Menuetto. Allegro non tanto | — | ||
| 27-4 | Symphony in D major: IV. Allegro assai | — | ||
| 27-5 | Ali-Baba: Overture | — | ||
| 27-6 | Anacréon: Overture | — | ||
| 27-7 | Médée: Overture | — | ||
| 27-8 | Il matrimonio segreto: Overture | — | ||
| 27-9 | Il matrimonio per raggiro: Overture | — | ||
| 28-1 | Symphony no. 1 in D major, op. 25 "Classical": I. Allegro con brio | — | ||
| 28-2 | Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto | — | ||
| 28-3 | Symphony no. 1 in D major, op. 25 "Classical": III. Gavotte. Non troppo allegro | — | ||
| 28-4 | Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace | — | ||
| 28-5 | Symphony no. 1 in F minor, op. 10: I. Allegretto | — | ||
| 28-6 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 28-7 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 28-8 | Symphony no. 1 in F minor, op. 10: IV. Lento – Allegro molto | — | ||
| 28-9 | Kamarinskaya | — | ||
| 28-10 | Kikimora, op. 63 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 28-11 | Pétrouchka: Tableau I : Fête populaire de la semaine grasse: Vivace | — | ||
| 28-12 | Pétrouchka: Tableau I : Fête populaire de la semaine grasse: Le tour de passe-passe | — | ||
| 28-13 | Pétrouchka: Tableau I : Fête populaire de la semaine grasse: Danse russe | — | ||
| 28-14 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Poco più mosso | — | ||
| 28-15 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse des nourrices | — | ||
| 28-16 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse du paysan et de l'ours | — | ||
| 28-17 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse des Tziganes | — | ||
| 28-18 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse des cochers | — | ||
| 28-19 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Les Déguisés | — | ||
| 29-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 29-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 29-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio | — | ||
| 29-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto | — | ||
| 29-5 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | — | ||
| 29-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 29-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto – Trio | — | ||
| 29-8 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | — | ||
| 30-1 | Don Quixote, op. 35: Introduction | — | ||
| 30-2 | Don Quixote, op. 35: Theme: Don Quixote, the Kight of the Sorrowful Countenance | — | ||
| 30-3 | Don Quixote, op. 35: Variation I: The Adventure with the Windmills | — | ||
| 30-4 | Don Quixote, op. 35: Variation II: The Battle with the Sheep | — | ||
| 30-5 | Don Quixote, op. 35: Variation III: Dialogue of Knight and Squire | — | ||
| 30-6 | Don Quixote, op. 35: Variation IV: The Adventure with the Penitents | — | ||
| 30-7 | Don Quixote, op. 35: Variation V: The Knight's Vigil | — | ||
| 30-8 | Don Quixote, op. 35: Variation VI: The False Dulcinea | — | ||
| 30-9 | Don Quixote, op. 35: Variation VII: The Ride Through the Air | — | ||
| 30-10 | Don Quixote, op. 35: Variation VIII: The Adventure of the Enchanted Boat | — | ||
| 30-11 | Don Quixote, op. 35: Variation IX: The Combat with the Two Magicians | — | ||
| 30-12 | Don Quixote, op. 35: Variation X: The Defeat of Don Quixote by the Knight of the White Moon | — | ||
| 30-13 | Don Quixote, op. 35: Finale: The Death of Don Quixote | — | ||
| 30-14 | Tod und Verklärung, op. 24: Largo: Happy Memories of Childhood | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 30-15 | Tod und Verklärung, op. 24: Allegro molto agitato: Life and Death Battle | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 30-16 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve: Dreams of the Dying — Death | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 30-17 | Tod und Verklärung, op. 24: Moderato: Transfiguration | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 31-1 | Don Juan, op. 20 | NBC Symphony Orchestra, Arturo Toscanini | T-801.916.776-2 | |
| 31-2 | Till Eulenspiegels lustige Streiche, op. 28: Der Schelm wird vorgestellt | — | ||
| 31-3 | Till Eulenspiegels lustige Streiche, op. 28: Tills Streiche | — | ||
| 31-4 | Till Eulenspiegels lustige Streiche, op. 28: Tills Prozess | — | ||
| 31-5 | Till Eulenspiegels lustige Streiche, op. 28: Urteil und Hinrichtung | — | ||
| 31-6 | Till Eulenspiegels lustige Streiche, op. 28: Epilog | — | ||
| 31-7 | Salome: Tanz der sieben Schleier | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 31-8 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | — | ||
| 31-9 | Siegfried Idyll | — | ||
| 32-1 | Pines of Rome: The Pines of the Villa Borghese | — | ||
| 32-2 | Pines of Rome: Pines near a Catacomb | — | ||
| 32-3 | Pines of Rome: The Pines of the Janiculum | — | ||
| 32-4 | Pines of Rome: The Pines of the Appian Way | — | ||
| 32-5 | Fountains of Rome: The Fountain of Valle Giulia at Dawn | — | ||
| 32-6 | Fountains of Rome: The Triton Fountain at Morning | — | ||
| 32-7 | Fountains of Rome: The Fountain of Trevi at Midday | — | ||
| 32-8 | Fountains of Rome: The Villa Medici Fountain at Sunset | — | ||
| 32-9 | Roman Festivals: Circuses | — | ||
| 32-10 | Roman Festivals: The Jubilee | — | ||
| 32-11 | Roman Festivals: The October Festival | — | ||
| 32-12 | Roman Festivals: Epiphany | — | ||
| 33-1 | Harold en Italie, op. 16 : Harold aux montagnes | — | ||
| 33-2 | Harold en Italie, op. 16 : Marche des pèlerins | — | ||
| 33-3 | Harold en Italie, op. 16 : Sérénade | — | ||
| 33-4 | Harold en Italie, op. 16 : Orgie des brigands | — | ||
| 33-5 | Roméo et Juliette, op. 17 : Part II: Roméo seul | — | ||
| 33-6 | Roméo et Juliette, op. 17 : Part II: Tristesse | — | ||
| 33-7 | Roméo et Juliette, op. 17 : Part II: Bruits lointains de concert et de bal | — | ||
| 33-8 | Roméo et Juliette, op. 17 : Part II: Grande fête chez Capulet | — | ||
| 33-9 | Roméo et Juliette, op. 17 : Part II: Nuit sereine & Scène d'amour | — | ||
| 34-1 | Roméo et Juliette, op. 17 : 1re partie. Introduction. Prologue | — | ||
| 34-2 | Roméo et Juliette, op. 17 : 1re partie « D’anciennes haines endormies » | — | ||
| 34-3 | Roméo et Juliette, op. 17 : 1re partie « Premiers transports que nul n’oublie ! » | — | ||
| 34-4 | Roméo et Juliette, op. 17 : 1re partie « Bientôt de Roméo la pâle rêverie » | — | ||
| 34-5 | Roméo et Juliette, op. 17 : 2e partie. Roméo seul | — | ||
| 34-6 | Roméo et Juliette, op. 17 : 2e partie. Tristesse | — | ||
| 34-7 | Roméo et Juliette, op. 17 : 2e partie. Bruits lointains de concert de bal | — | ||
| 34-8 | Roméo et Juliette, op. 17 : 2e partie. Grande fête chez Capulet | — | ||
| 34-9 | Roméo et Juliette, op. 17 : 2e partie. Nuit sereine | — | ||
| 34-10 | Roméo et Juliette, op. 17 : 2e partie. Scène d’amour | — | ||
| 34-11 | Roméo et Juliette, op. 17 : 2e partie. Scherzo: La reine Mab | — | ||
| 35-1 | Roméo et Juliette, op. 17 : 3e partie. Convoi funèbre de Juliette | — | ||
| 35-2 | Roméo et Juliette, op. 17 : 3e partie. Roméo au tombeau des Capulets | — | ||
| 35-3 | Roméo et Juliette, op. 17 : 3e partie. Invocation | — | ||
| 35-4 | Roméo et Juliette, op. 17 : 3e partie. Réveil de Juliette | — | ||
| 35-5 | Roméo et Juliette, op. 17 : 3e partie. Mort des deux amants | — | ||
| 35-6 | Roméo et Juliette, op. 17 : 3e partie « Quoi ! Roméo de retour ! » | — | ||
| 35-7 | Roméo et Juliette, op. 17 : 3e partie « Je vais dévoiler le mystère » | — | ||
| 35-8 | Roméo et Juliette, op. 17 : 3e partie « Pauvres enfants que je pleure » | — | ||
| 35-9 | Roméo et Juliette, op. 17 : 3e partie « Jurez donc par l’auguste symbole » | — | ||
| 35-10 | L’Arlésienne (from Suites nos. 1 & 2): Prélude | — | ||
| 35-11 | L’Arlésienne (from Suites nos. 1 & 2): Menuet | — | ||
| 35-12 | L’Arlésienne (from Suites nos. 1 & 2): Adagietto | — | ||
| 35-13 | L’Arlésienne (from Suites nos. 1 & 2): Pastorale | — | ||
| 35-14 | L’Arlésienne (from Suites nos. 1 & 2): Carillon | — | ||
| 35-15 | Carmen Suite | — | ||
| 36-1 | Pictures at an Exhibition: Promenade | — | ||
| 36-2 | Pictures at an Exhibition: I. The Gnome | — | ||
| 36-3 | Pictures at an Exhibition: Promenade | — | ||
| 36-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 36-5 | Pictures at an Exhibition: Promenade | — | ||
| 36-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 36-7 | Pictures at an Exhibition: IV. Bydło | — | ||
| 36-8 | Pictures at an Exhibition: Promenade | — | ||
| 36-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 36-10 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 36-11 | Pictures at an Exhibition: VII. The Market at Limoges | — | ||
| 36-12 | Pictures at an Exhibition: VIII. Catacombs (Sepulcrum romanum) | — | ||
| 36-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 36-14 | Pictures at an Exhibition: IX. The Hut on Chicken's Legs | — | ||
| 36-15 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 36-16 | Variations on an Original Theme, op. 36 "Enigma": Theme (Enigma). Andante | — | ||
| 36-17 | Variations on an Original Theme, op. 36 "Enigma": Variation I (C.A.E.). L'istesso tempo | — | ||
| 36-18 | Variations on an Original Theme, op. 36 "Enigma": Variation II (H.D.S-P.). Allegro | — | ||
| 36-19 | Variations on an Original Theme, op. 36 "Enigma": Variation III (R.B.T). Allegretto | — | ||
| 36-20 | Variations on an Original Theme, op. 36 "Enigma": Variation IV (W.M.B.). Allegro di molto | — | ||
| 36-21 | Variations on an Original Theme, op. 36 "Enigma": Variation V (R.P.A.). Moderato | — | ||
| 36-22 | Variations on an Original Theme, op. 36 "Enigma": Variation VI (Ysobel). Andantino | — | ||
| 36-23 | Variations on an Original Theme, op. 36 "Enigma": Variation VII (Troyte). Presto | — | ||
| 36-24 | Variations on an Original Theme, op. 36 "Enigma": Variation VIII (W.N.). Allegretto | — | ||
| 36-25 | Variations on an Original Theme, op. 36 "Enigma": Variation IX (Nimrod). Adagio | — | ||
| 36-26 | Variations on an Original Theme, op. 36 "Enigma": Variation X (Dorabella). Intermezzo. Allegretto | — | ||
| 36-27 | Variations on an Original Theme, op. 36 "Enigma": Variation XI (G.R.S.). Allegro di molto | — | ||
| 36-28 | Variations on an Original Theme, op. 36 "Enigma": Variation XII (B.G.N.). Andante | — | ||
| 36-29 | Variations on an Original Theme, op. 36 "Enigma": Variation XIII (***). Romanza. Moderato | — | ||
| 36-30 | Variations on an Original Theme, op. 36 "Enigma": Variation XIV (E.D.U.). Finale. Allegro | — | ||
| 37-1 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-2 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-3 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-4 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-5 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-6 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-7 | Octet for Strings in E-flat major, op. 20: I. Allegro moderato ma con fuoco | — | ||
| 37-8 | Octet for Strings in E-flat major, op. 20: II. Andante | — | ||
| 37-9 | Octet for Strings in E-flat major, op. 20: III. Scherzo. Allegro leggierissimo | — | ||
| 37-10 | Octet for Strings in E-flat major, op. 20: IV. Presto | — | ||
| 38-1 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 38-2 | La Mer: II. Jeux des vagues | — | ||
| 38-3 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 38-4 | Prélude à l'après-midi d'un faune | — | ||
| 38-5 | Ibéria (Images pour orchestre II): I. Par les rues et par les chemins | — | ||
| 38-6 | Ibéria (Images pour orchestre II): II. Les parfums de la nuit | — | ||
| 38-7 | Ibéria (Images pour orchestre II): III. Le matin d'un jour de fête | — | ||
| 38-8 | Nocturnes: I. Nuages | — | ||
| 38-9 | Nocturnes: II. Fêtes | — | ||
| 39-1 | An American in Paris | — | ||
| 39-2 | El Capitan | — | ||
| 39-3 | Grand Canyon Suite: I. Sunrise | — | ||
| 39-4 | Grand Canyon Suite: II. Painted Desert | — | ||
| 39-5 | Grand Canyon Suite: III. On the Trail | — | ||
| 39-6 | Grand Canyon Suite: IV. Sunset | — | ||
| 39-7 | Grand Canyon Suite: V. Cloudburst | — | ||
| 39-8 | Adagio for Strings, op. 11 | NBC Symphony Orchestra, Arturo Toscanini | T-070.000.199-5 | |
| 39-9 | The Stars and Stripes Forever | — | ||
| 39-10 | The Star-Spangled Banner | — | ||
| 40-1 | Daphnis et Chloé, suite n° 2 : Lever du jour | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-2 | Daphnis et Chloé, suite n° 2 : Pantomime | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-3 | Daphnis et Chloé, suite n° 2 : Danse générale | NBC Symphony Orchestra, Arturo Toscanini | T-004.014.574-1 | |
| 40-4 | L’Apprenti sorcier : Scherzo | NBC Symphony Orchestra, Arturo Toscanini | T-003.005.584-5 | |
| 40-5 | Danse macabre, op. 40 | NBC Symphony Orchestra, Arturo Toscanini | T-703.135.794-7 | |
| 40-6 | Le Carnaval romain, Ouverture, op. 9 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-7 | Psyché, poème symphonique : n° 4 Psyché et Éros | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-8 | Roméo et Juliette, op. 17: Scherzo. La reine Mab | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-9 | La Damnation de Faust: Rákóczy March | NBC Symphony Orchestra, Arturo Toscanini | T-902.808.289-5 | |
| 40-10 | Mignon: Ouverture | NBC Symphony Orchestra, Arturo Toscanini | T-310.771.053-8 | |
| 41-1 | Les Patineurs — Valse, op. 183 | — | ||
| 41-2 | Kindersymphonie: I. Allegro | — | ||
| 41-3 | Kindersymphonie: II. Minuetto | — | ||
| 41-4 | Kindersymphonie: III. Allegro | — | ||
| 41-5 | Tritsch-Tratsch Polka, op. 214 | — | ||
| 41-6 | An der schönen, blauen Donau, op. 314 | — | ||
| 41-7 | Dichter und Bauer: Overture | — | ||
| 41-8 | La Gioconda: Danza delle ore | — | ||
| 41-9 | Moto perpetuo, op. 11 | — | ||
| 41-10 | Orchestra Suite no. 3 in D major, BWV 1068: Air | — | ||
| 41-11 | Aufforderung zum Tanz, op. 65 | BBC Symphony Orchestra, Arturo Toscanini | — | |
| 41-12 | Jota aragonesa (Spanish Overture no. 1) | — | ||
| 42-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 42-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 42-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 42-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 42-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 42-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 43-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 43-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 43-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 43-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 43-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 43-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 44-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 44-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 44-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 44-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 44-5 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 44-6 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice | — | ||
| 44-7 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 45-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 45-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice | — | ||
| 45-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 45-4 | Pictures at an Exhibition: Promenade | — | ||
| 45-5 | Pictures at an Exhibition: I. The Gnome | — | ||
| 45-6 | Pictures at an Exhibition: Promenade | — | ||
| 45-7 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 45-8 | Pictures at an Exhibition: Promenade | — | ||
| 45-9 | Pictures at an Exhibition: III. Tuileries | — | ||
| 45-10 | Pictures at an Exhibition: IV. Bydło | — | ||
| 45-11 | Pictures at an Exhibition: Promenade | — | ||
| 45-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 45-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 45-14 | Pictures at an Exhibition: VII. The Market at Limoges | — | ||
| 45-15 | Pictures at an Exhibition: VIII. Catacombs (Sepulcrum romanum) | — | ||
| 45-16 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 45-17 | Pictures at an Exhibition: IX. The Hut on Chicken's Legs | — | ||
| 45-18 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 46-1 | Leonore Overture no. 3, op. 72a | — | ||
| 46-2 | Die Weihe des Hauses, op. 124: Overture | — | ||
| 46-3 | Coriolan, op. 62: Overture | — | ||
| 46-4 | Egmont, op. 84: Overture | — | ||
| 46-5 | Die Geschöpfe des Prometheus, op. 43: Overture | — | ||
| 46-6 | Leonore Overture no. 2, op. 72b | — | ||
| 46-7 | String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 46-8 | String Quartet no. 16 in F major, op. 135: II. Vivace | — | ||
| 47-1 | Iphigénie en Aulide: Overture | — | ||
| 47-2 | Orfeo ed Euridice: Act II: Scene 1: Orchestral Interlude: Chi mai dell'Erebo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-3 | Orfeo ed Euridice: Act II: Scene 1: Dance of a Fury | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-4 | Orfeo ed Euridice: Act II: Scene 1: Chi mai dell'Erebo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-5 | Orfeo ed Euridice: Act II: Scene 1: Deh! placatevi con me! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-6 | Orfeo ed Euridice: Act II: Scene 1: Misero giovane! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-7 | Orfeo ed Euridice: Act II: Scene 1: Mille pene, ombre sdegnose | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-8 | Orfeo ed Euridice: Act II: Scene 1: Ah! quale incognito, affeto flebile | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-9 | Orfeo ed Euridice: Act II: Scene 1: Men tiranne, ah, voi sareste | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-10 | Orfeo ed Euridice: Act II: Scene 1: Ah! quale incognito, affeto flebile | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-11 | Orfeo ed Euridice: Act II: Scene 1: Dance of the Furies | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-12 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Air | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-13 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Melody | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-14 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Air | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-15 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Questo asilo ameno e grato | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-16 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Dance of the Heroes and Heroines | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-17 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Che puro ciel! Che chiaro sol! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-18 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Vieni ai regni del riposo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-19 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Dance of the Heroes | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-20 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: O voi, ombre felici | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-21 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Torna, o bella, al tuo consorte | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-22 | Dance of the Blessed Spirits | — | ||
| 47-23 | Fidelio: Abscheulicher! Wo eilst du hin? | — | ||
| 48-1 | L'italiana in Algeri: Overture | — | ||
| 48-2 | Il signor Bruschino: Overture | — | ||
| 48-3 | Il barbiere di Siviglia: Overture | — | ||
| 48-4 | La Cenerentola: Overture | — | ||
| 48-5 | La gazza ladra: Overture | — | ||
| 48-6 | Le Siège de Corinthe: Overture | — | ||
| 48-7 | Semiramide: Overture | — | ||
| 48-8 | Guillaume Tell: Overture | — | ||
| 49-1 | Lohengrin: Prelude Act I | — | ||
| 49-2 | Lohengrin: Prelude Act III | — | ||
| 49-3 | Die Meistersinger von Nürnberg: Act I: Prelude | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 49-4 | Die Meistersinger von Nürnberg: Prelude Act III | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 49-5 | Parsifal: Prelude Act I | — | ||
| 49-6 | Parsifal: Karfreitagszauber | — | ||
| 49-7 | Eine Faust-Ouvertüre | — | ||
| 50-1 | Tannhäuser: Ouvertüre — Bacchanal (Venusberg) | — | ||
| 50-2 | Lohengrin: Prelude Act I | — | ||
| 50-3 | Tristan und Isolde: Liebestod | — | ||
| 50-4 | Die Walküre: Walkürenritt | — | ||
| 50-5 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | — | ||
| 50-6 | Götterdämmerung: Siegfrieds Tod und Trauermarsch | — | ||
| 51-1 | Don Giovanni: Overture | — | ||
| 51-2 | Don Pasquale: Overture | — | ||
| 51-3 | Guillaume Tell: Act I: Passo a sei | — | ||
| 51-4 | La Wally: Act IV: Prelude | — | ||
| 51-5 | Loreley: Act III: Danza delle ondine | — | ||
| 51-6 | Manon Lescaut: Act III: Intermezzo | — | ||
| 51-7 | Luisa Miller: Overture | — | ||
| 51-8 | La Traviata: Act I: Prelude | — | ||
| 51-9 | La Traviata: Act III: Prelude | — | ||
| 51-10 | I Vespri siciliani: Overture | — | ||
| 51-11 | La forza del destino: Overture | — | ||
| 51-12 | Otello: Act III: Ballet Music | — | ||
| 52-1 | Zampa: Overture | — | ||
| 52-2 | Hänsel und Gretel: Overture | — | ||
| 52-3 | Colas Breugnon: Overture | — | ||
| 52-4 | Die Zauberflöte: Overture | — | ||
| 52-5 | Guillaume Tell: Overture | — | ||
| 52-6 | The Bartered Bride: Overture | — | ||
| 52-7 | Mignon: Overture | — | ||
| 52-8 | La forza del destino: Overture | — | ||
| 52-9 | Der Freischütz: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-1 | Die Walküre: Act I: Scene 3: Ein Schwert verhieß mir der Vater | Helen Traubel, Lauritz Melchior, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-2 | Die Walküre: Act I: Scene 3: Der Männer Sippe | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-3 | Die Walküre: Act I: Scene 3: Winterstürme wichen dem Wonnemond | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-4 | Die Walküre: Act I: Scene 3: Du bist der Lenz | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-5 | Die Walküre: Act I: Scene 3: Ein Minnetraum | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-6 | Die Walküre: Act I: Scene 3: Siegmund heiß ich | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-7 | Die Walküre: Walkürenritt | — | ||
| 53-8 | Siegfried Idyll | NBC Symphony Orchestra, Arturo Toscanini | T-917.531.075-5 | |
| 53-9 | Tristan und Isolde: Prelude | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-10 | Tristan und Isolde: Liebestod | — | ||
| 54-1 | Siegfried: Waldweben | — | ||
| 54-2 | Götterdämmerung: Morgendämmerung. Duet Brünnhilde — Siegfried | — | ||
| 54-3 | Götterdämmerung: Zu neuen Taten, teurer Helde | — | ||
| 54-4 | Götterdämmerung: Willst du mir Minne schenken | — | ||
| 54-5 | Götterdämmerung: O heilige Götter! | — | ||
| 54-6 | Götterdämmerung: Siegfrieds Rheinfahrt | — | ||
| 54-7 | Götterdämmerung: Siegfrieds Tod und Trauermarsch. Brünnhildes Schlussgesang | — | ||
| 54-8 | Götterdämmerung: Starke Scheite schichtet mir dort | — | ||
| 54-9 | Götterdämmerung: Wie Sonne lauter strahlt mir sein Licht | — | ||
| 54-10 | Götterdämmerung: Mein Erbe nun nehm' ich zu eigen | — | ||
| 54-11 | Götterdämmerung: Fliegt heim, ihr Raben! | — | ||
| 54-12 | Götterdämmerung: Grane, mein Roß, sei mir gregüßt! | — | ||
| 55-1 | Fidelio: Overture | — | ||
| 55-2 | Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein | — | ||
| 55-3 | Fidelio: Act I: O wär ich schon mit dir vereint | — | ||
| 55-4 | Fidelio: Act I: Mir ist so wunderbar | — | ||
| 55-5 | Fidelio: Act I: Hat man nicht auch Gold beineben | — | ||
| 55-6 | Fidelio: Act I: Gut, Söhnchen, gut | — | ||
| 55-7 | Fidelio: Act I: March | — | ||
| 55-8 | Fidelio: Act I: Ha! welch ein Augenblick! | — | ||
| 55-9 | Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile! | — | ||
| 55-10 | Fidelio: Act I: Abscheulicher! Wo eilst du hin? | — | ||
| 55-11 | Fidelio: Act I: O welche Lust in freier Luft | — | ||
| 55-12 | Fidelio: Act I: Nun sprecht, wie ging's? | — | ||
| 55-13 | Fidelio: Act I: Wir müssen gleich zu Werke schreiten | — | ||
| 55-14 | Fidelio: Act I: Ach, Vater, eilt! | — | ||
| 55-15 | Fidelio: Act I: Verwegner Alter, welche Rechte | — | ||
| 55-16 | Fidelio: Act I: Leb wohl, du warmes Sonnenlicht | — | ||
| 56-1 | Fidelio: Act II: Scene 1: Gott! welch Dunkel hier! | — | ||
| 56-2 | Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen | — | ||
| 56-3 | Fidelio: Act II: Scene 1: Wie kalt ist es | — | ||
| 56-4 | Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben! | — | ||
| 56-5 | Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten | — | ||
| 56-6 | Fidelio: Act II: Scene 1: Er sterbe! | — | ||
| 56-7 | Fidelio: Act II: Scene 1: Ach! Du bist gerettet! | — | ||
| 56-8 | Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde! | — | ||
| 56-9 | Fidelio: Act II: Scene 1: O namenlose Freude! | — | ||
| 56-10 | Leonore Overture no. 3 | — | ||
| 56-11 | Fidelio: Act II: Scene 2: Heil sei dem Tag! | — | ||
| 56-12 | Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille | — | ||
| 56-13 | Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab | — | ||
| 56-14 | Fidelio: Act II: Scene 2: Wer ein solches Weib errungen | — | ||
| 57-1 | La bohème: Atto I. “Questo Mar Rosso” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-2 | La bohème: Atto I. “Nei cieli bigi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-3 | La bohème: Atto I. “Già dell’Apocalisse appariscono i segni” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-4 | La bohème: Atto I. “Pensier profondo!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-5 | La bohème: Atto I. “Legna! — Sigari! — Bordò!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-6 | La bohème: Atto I. “Si può? — Chi è là? — Benoît!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-7 | La bohème: Atto I. “Timido in gioventù” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-8 | La bohème: Atto I. “Chi è là — Scusi. — Una donna!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-9 | La bohème: Atto I. “Oh! sventata!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-10 | La bohème: Atto I. “Che gelida manina” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-11 | La bohème: Atto I. “Mi chiamano Mimì” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-12 | La bohème: Atto I. “Ehi! Rodolfo!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-13 | La bohème: Atto I. “O soave fanciulla” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-14 | La bohème: Atto II. “Aranci, ninnoli!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-15 | La bohème: Atto II. “Questa è Mimì” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-16 | La bohème: Atto II. “Una cuffietta a pizzi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-17 | La bohème: Atto II. “Oh! — Essa! — Musetta!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-18 | La bohème: Atto II. “Quando men vo” (Musetta’s Waltz Song) | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-19 | La bohème: Atto II. “Gioventù mia — Sciogli, slaccia!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-20 | La bohème: Atto II. “Caro! — Fuori il danaro!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-1 | La bohème: Atto III. “Ohè, là, le guardie! Aprite!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-2 | La bohème: Atto III. “Chi nel ber trovò il piacer” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-3 | La bohème: Atto III. “Sa dirmi, scusi, qual’ è l’osteria” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-4 | La bohème: Atto III. “O buon Marcello, aiuto!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-5 | La bohème: Atto III. “Marcello, finalmente!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-6 | La bohème: Atto III. “Mimì è una civetta” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-7 | La bohème: Atto III. “Addio, senza rancor!” (Mimi’s Farewell) | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-8 | La bohème: Atto III. “Che facevi, che dicevi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-9 | La bohème: Atto IV. “In un coupé?” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-10 | La bohème: Atto IV. “O Mimì, tu più non torni” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-11 | La bohème: Atto IV. “Eccoci. — Ebben?” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-12 | La bohème: Atto IV. “Vezzosa damigella” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-13 | La bohème: Atto IV. The Duel | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-14 | La bohème: Atto IV. “C’è Mimì che mi seque e che sta male” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-15 | La bohème: Atto IV. “Vecchia zimarra, senti” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-16 | La bohème: Atto IV. “Sono andanti? Fingevo di dormire” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-17 | La bohème: Atto IV. “Che ha detto il medico” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 59-1 | Aida: Atto I: Prelude | — | ||
| 59-2 | Aida: Atto I: Sì: corre voce che l'Etiope | — | ||
| 59-3 | Aida: Atto I: Se quel guerrier ... Celeste Aida | — | ||
| 59-4 | Aida: Atto I: Quale insolita gioia nel tuo sguardo! | — | ||
| 59-5 | Aida: Atto I: Dessa! | — | ||
| 59-6 | Aida: Atto I: Ohimé! Di guerre fremere | — | ||
| 59-7 | Aida: Atto I: Alta cagion v'aduna | — | ||
| 59-8 | Aida: Atto I: Il sacro suolo dell'Egitto è invaso | — | ||
| 59-9 | Aida: Atto I: Su! Del Nilo al sacro lido | — | ||
| 59-10 | Aida: Atto I: Ritorna vincitor! | — | ||
| 59-11 | Aida: Atto I: Possente Fthà! | — | ||
| 59-12 | Aida: Atto I: Sacred Dance of the Priestesses | — | ||
| 59-13 | Aida: Atto I: Mortal, dilet to ai numi | — | ||
| 59-14 | Aida: Atto I: Nume, custode e vindice | — | ||
| 60-1 | Aida: Atto II: Chi mai fra gl'inni e i plausi | — | ||
| 60-2 | Aida: Atto II: Dance of the Moorish Slaves | — | ||
| 60-3 | Aida: Atto II: Vieni: sul crin ti piovano | — | ||
| 60-4 | Aida: Atto II: Silenzio! Aida verso noi s'avanza | — | ||
| 60-5 | Aida: Atto II: Pietà ti prenda del mio dolor | — | ||
| 60-6 | Aida: Atto II: Su! Del Nilo al lacro lido | — | ||
| 60-7 | Aida: Atto II: Gloria all'Egitto, ad Iside | — | ||
| 60-8 | Aida: Atto II: March & Ballet | — | ||
| 60-9 | Aida: Atto II: Vieni, o guerriero vindice | — | ||
| 60-10 | Aida: Atto II: Salvator della patria | — | ||
| 60-11 | Aida: Atto II: Concedi in pria | — | ||
| 60-12 | Aida: Atto II: Che veggo! Egli? Mio padre | — | ||
| 60-13 | Aida: Atto II: Quest'assisa ch'io vesto vi dica | — | ||
| 60-14 | Aida: Atto II: Ma tu, re, tu, signore possente | — | ||
| 60-15 | Aida: Atto II: O re, pei sacri numi | — | ||
| 60-16 | Aida: Atto II: Gloria all'Egitto, ad Iside | — | ||
| 60-17 | Aida: Atto II: Fa' cor: della tua patria | — | ||
| 61-1 | Aida: Atto III: O tu, che sei d'Osiride | — | ||
| 61-2 | Aida: Atto III: Vieni d'Iside al tempio | — | ||
| 61-3 | Aida: Atto III: Qui Radamès verrà! | — | ||
| 61-4 | Aida: Atto III: O patria mia | — | ||
| 61-5 | Aida: Atto III: Ciel! Mio padre! | — | ||
| 61-6 | Aida: Atto III: Rivedrai le foreste imbalsamate | — | ||
| 61-7 | Aida: Atto III: In armi ora si desta il popol nostro | — | ||
| 61-8 | Aida: Atto III: Padre! A costoro schiava non sono | — | ||
| 61-9 | Aida: Atto III: Pur ti riveggo, mia dolce Aida | — | ||
| 61-10 | Aida: Atto III: Nel fiero anelito di nuova guerra | — | ||
| 61-11 | Aida: Atto III: Fuggiam gli ardori inospiti | — | ||
| 61-12 | Aida: Atto III: Aida! — Tu non m'ami | — | ||
| 61-13 | Aida: Atto III: Ah no! Fuggiamo! | — | ||
| 61-14 | Aida: Atto III: Ma, dimmi | — | ||
| 61-15 | Aida: Atto III: Traditor | — | ||
| 61-16 | Aida: Atto IV: L'aborrita rivale a me sfuggia | — | ||
| 61-17 | Aida: Atto IV: Io l'amo, io l'amo sempre! | — | ||
| 61-18 | Aida: Atto IV: Già i sacerdoti adunansi | — | ||
| 61-19 | Aida: Atto IV: Ah! Du dêi vivere! | — | ||
| 61-20 | Aida: Atto IV: Chi ti salva, sciagurato | — | ||
| 61-21 | Aida: Atto IV: Ohimé! Morir mi sento | — | ||
| 61-22 | Aida: Atto IV: Spirto del nume, sovra noi discendi! | — | ||
| 61-23 | Aida: Atto IV: Radamès! Radamès! Radamès! | — | ||
| 61-24 | Aida: Atto IV: A lui vivo la tomba! | — | ||
| 61-25 | Aida: Atto IV: La fatal pietra sovra me si chiuse | — | ||
| 61-26 | Aida: Atto IV: Presago il core della tua condanna | — | ||
| 61-27 | Aida: Atto IV: Vedi? Di morte l'angelo | — | ||
| 61-28 | Aida: Atto IV: O terra, addio | — | ||
| 62-1 | Falstaff: Atto I, scena 1. “Falstaff!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-2 | Falstaff: Atto I, scena 1. “Ssss. Sei polli: sei scellini” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-3 | Falstaff: Atto I, scena 1. “So che se andiam” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-4 | Falstaff: Atto I, scena 1. “V'è noto un tal” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-5 | Falstaff: Atto I, scena 1. “L'onore! Ladri!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-6 | Falstaff: Atto I, scena 1. “Ma, per tornare a voi” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-7 | Falstaff: Atto I, scena 2. “Alice – Meg” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-8 | Falstaff: Atto I, scena 2. “Fulgida Alice! Amor t'offro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-9 | Falstaff: Atto I, scena 2. “Quell'otre! quel tino!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-10 | Falstaff: Atto I, scena 2. “È un ribaldo, un furbo, un ladro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-11 | Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-12 | Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-13 | Falstaff: Atto I, scena 2. “Torno all'assalto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-14 | Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-15 | Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-16 | Falstaff: Atto I, scena 2. “Qui più non si vagoli” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-17 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-18 | Falstaff: Atto II, scena 1. “Alice è mia!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-19 | Falstaff: Atto II, scena 1. “Padron; di là c'è un certo Mastro Fontana” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-20 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-21 | Falstaff: Atto II, scena 1. “Io l'amo e lei non m'ama” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-22 | Falstaff: Atto II, scena 1. “Il diavolo se lo porti all'inferno” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-23 | Falstaff: Atto II, scena 1. “È sogno? o realtà?” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-24 | Falstaff: Atto II, scena 1. “Eccomi quà” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill, per una tassa” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-2 | Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-3 | Falstaff: Atto II, scena 2. “Nannetta, e tu non ridi?” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-4 | Falstaff: Atto II, scena 2. “Gaie comari di Windsor!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-5 | Falstaff: Atto II, scena 2. “Alfin t'ho colto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-6 | Falstaff: Atto II, scena 2. “Quand'ero paggio” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-7 | Falstaff: Atto II, scena 2. “Mia signora!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-8 | Falstaff: Atto II, scena 2. “Il diavolo cavalca” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-9 | Falstaff: Atto II, scena 2. “Vien qua” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-10 | Falstaff: Atto II, scena 2. “Al ladro!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-11 | Falstaff: Atto II, scena 2. “Se t'agguanto!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-12 | Falstaff: Atto II, scena 2. “Ned! Will! Tom! Isaac!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-13 | Falstaff: Atto III, scena 1. “Ehi! Taverniere!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-14 | Falstaff: Atto III, scena 1. “Reverenza” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-15 | Falstaff: Atto III, scena 1. “Legge” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-16 | Falstaff: Atto III, scena 1. “Quando il rintocco” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-17 | Falstaff: Atto III, scena 1. “Provvedi le lanterne” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-18 | Falstaff: Atto III, scena 2. “Dal labbro il canto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-19 | Falstaff: Atto III, scena 2. “Nossignore!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-20 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-21 | Falstaff: Atto III, scena 2. “Odo un soave passo!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-22 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-23 | Falstaff: Atto III, scena 2. “Sul fil d'un soffio estesio” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-24 | Falstaff: Atto III, scena 2. “Alto là! – Chi va là? | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-25 | Falstaff: Atto III, scena 2. “Ruzzola, ruzzola | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-26 | Falstaff: Atto III, scena 2. “Naso vermiglio! | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-27 | Falstaff: Atto III, scena 2. “Cavaliero – Reverenza | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-28 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-29 | Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah! | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-30 | Falstaff: Atto III, scena 2. “Tutto nel mondo è burla | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-1 | Otello: Atto I. “Una vela!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.034-6 | |
| 64-2 | Otello: Atto I. “Esultate!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.085-7 | |
| 64-3 | Otello: Atto I. “Fuoco di gioia!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-4 | Otello: Atto I. “Roderigo, beviam!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-5 | Otello: Atto I. “Inaffia l'ugola!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-6 | Otello: Atto I. “Capitano, v'attende” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-7 | Otello: Atto I. “Olà! che avvien?” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-8 | Otello: Atto I. “Già nella notte” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-9 | Otello: Atto I. “Quando narravi” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-10 | Otello: Atto I. “Venga la morte!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-11 | Otello: Atto II. “Non ti crucciar” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-12 | Otello: Atto II. “Credo in un Dio crudel” (Iago's Credo) | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-13 | Otello: Atto II. “Eccola” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-14 | Otello: Atto II. “Ciò m'accora” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-15 | Otello: Atto II. “Dove guardi splendono” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-16 | Otello: Atto II. “D'un uom che geme” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-17 | Otello: Atto II. “Desdemona rea!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-18 | Otello: Atto II. “Ora e per sempre addio” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-19 | Otello: Atto II. “Era la notte” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-20 | Otello: Atto II. “Sì, pel ciel” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-1 | Otello: Atto III. Introduction | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-2 | Otello: Atto III. “La vedetta del porto” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-3 | Otello: Atto III. “Dio ti giocondi, o sposo” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-4 | Otello: Atto III. “Dio! mi potevi scagliar” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-5 | Otello: Atto III. “Vieni, l'aula è deserta” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-6 | Otello: Atto III. “Questa è una ragna” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-7 | Otello: Atto III. “Como la ucciderò?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-8 | Otello: Atto III. “Viva il Leon di San Marco!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.040-4 | |
| 65-9 | Otello: Atto III. “A terra!... sì... nel livido fango” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-10 | Otello: Atto IV. “Era più calmo?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-11 | Otello: Atto IV. “Mia madre aveva una povera ancella” (Willow Song) | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-12 | Otello: Atto IV. “Ave Maria” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-13 | Otello: Atto IV. “Chi è là?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-14 | Otello: Atto IV. “Calma come la tomba” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-15 | Otello: Atto IV. “Niun mi tema” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 66-1 | Un ballo in maschera: Preludio | — | ||
| 66-2 | Un ballo in maschera: Atto I, scena 1. “Posa in pace, a' bei sogni ristora” | — | ||
| 66-3 | Un ballo in maschera: Atto I, scena 1. “Libero è il varco a voi” | — | ||
| 66-4 | Un ballo in maschera: Atto I, scena 1. “Alla vita che t'arride” | — | ||
| 66-5 | Un ballo in maschera: Atto I, scena 1. “Il primo giudice” | — | ||
| 66-6 | Un ballo in maschera: Atto I, scena 1. “Volta la terrea fronte alle stelle” | — | ||
| 66-7 | Un ballo in maschera: Atto I, scena 1. “Signori, oggi d'Ulrica” | — | ||
| 66-8 | Un ballo in maschera: Atto I, scena 1. “Ogni cura si doni al diletto” | — | ||
| 66-9 | Un ballo in maschera: Atto I, scena 2. “Zitti! L'incanto non dèssi turbare” | — | ||
| 66-10 | Un ballo in maschera: Atto I, scena 2. “Re dell'abisso, affrettati” | — | ||
| 66-11 | Un ballo in maschera: Atto I, scena 2. “Su, fatemi largo” | — | ||
| 66-12 | Un ballo in maschera: Atto I, scena 2. “Si batte! — Che veggo!” | — | ||
| 66-13 | Un ballo in maschera: Atto I, scena 2. “Della città all'occaso” | — | ||
| 66-14 | Un ballo in maschera: Atto I, scena 2. “Su, profetessa, monta il treppiè” | — | ||
| 66-15 | Un ballo in maschera: Atto I, scena 2. “Di' tu se fedele” | — | ||
| 66-16 | Un ballo in maschera: Atto I, scena 2. “Chi voi siate, l'audace parola” | — | ||
| 66-17 | Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia” | — | ||
| 66-18 | Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio” | — | ||
| 66-19 | Un ballo in maschera: Atto I, scena 2. “Ma la sventura è cosa” | — | ||
| 66-20 | Un ballo in maschera: Atto II. Preludio | — | ||
| 66-21 | Un ballo in maschera: Atto II. “Ecco l'orrido campo” | — | ||
| 66-22 | Un ballo in maschera: Atto II. “Ma dall'arido stelo divulsa” | — | ||
| 66-23 | Un ballo in maschera: Atto II. “Teco io sto” | — | ||
| 67-1 | Un ballo in maschera: Atto II. “Ahimé! S'appressa alcun!” | — | ||
| 67-2 | Un ballo in maschera: Atto II. “Odi tu come fremono cupi” | — | ||
| 67-3 | Un ballo in maschera: Atto II. “Seguitemi — Mio Dio!” | — | ||
| 67-4 | Un ballo in maschera: Atto II. “Ve', se di notte, qui colla sposa” | — | ||
| 67-5 | Un ballo in maschera: Atto III, scena 1. “A tal colpa è nulla il pianto” | — | ||
| 67-6 | Un ballo in maschera: Atto III, scena 1. “Morrò, ma prima in grazia” | — | ||
| 67-7 | Un ballo in maschera: Atto III, scena 1. “Alzati! Là, tuo figlio” | — | ||
| 67-8 | Un ballo in maschera: Atto III, scena 1. “Eri tu” | — | ||
| 67-9 | Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite!” | — | ||
| 67-10 | Un ballo in maschera: Atto III, scena 1. “Dunque l'onta di tutti sol una” | — | ||
| 67-11 | Un ballo in maschera: Atto III, scena 1. “Qual è dunque l'eletto?” | — | ||
| 67-12 | Un ballo in maschera: Atto III, scena 1. “Il messaggio entri” | — | ||
| 67-13 | Un ballo in maschera: Atto III, scena 1. “Ah! di che fulgor” | — | ||
| 67-14 | Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse” | — | ||
| 67-15 | Un ballo in maschera: Atto III, scena 2. “Ma se m'è forza perderti” | — | ||
| 67-16 | Un ballo in maschera: Atto III, scena 2. “Ah! dessa è là” | — | ||
| 67-17 | Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze (1)” | — | ||
| 67-18 | Un ballo in maschera: Atto III, scena 2. “Alto de' nostri è questo” | — | ||
| 67-19 | Un ballo in maschera: Atto III, scena 2. “Saper vorreste” | — | ||
| 67-20 | Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze (2)” | — | ||
| 67-21 | Un ballo in maschera: Atto III, scena 2. “So che tu sai distinguere” | — | ||
| 67-22 | Un ballo in maschera: Atto III, scena 2. “Ah! Perché qui! Fuggite!” | — | ||
| 67-23 | Un ballo in maschera: Atto III, scena 2. “E tu ricevi il mio!” | — | ||
| 67-24 | Un ballo in maschera: Atto III, scena 2. “No, no, lasciatelo” | — | ||
| 68-1 | La Traviata: Act I: Prelude | — | ||
| 68-2 | La Traviata: Act I: Dell'invito trascorsa e già l'ora | — | ||
| 68-3 | La Traviata: Act I: Libiamo ne' lieti calici (Brindisi) | — | ||
| 68-4 | La Traviata: Act I: Che è ciò (Waltz Duet) | — | ||
| 68-5 | La Traviata: Act I: Un dì felice, eterea | — | ||
| 68-6 | La Traviata: Act I: Ebben? Che diavol fate? | — | ||
| 68-7 | La Traviata: Act I: Si ridesta in ciel l'aurora | — | ||
| 68-8 | La Traviata: Act I: È strano, è strano! ... Ah, fors'è lui | — | ||
| 68-9 | La Traviata: Act I: Follie! Follie! Delirio vano | — | ||
| 68-10 | La Traviata: Act I: Sempre libera | — | ||
| 68-11 | La Traviata: Act II: Scene 1: Lunge da lei ... De' miei bollenti spiriti | — | ||
| 68-12 | La Traviata: Act II: Scene 1: Annina, donde vieni? | — | ||
| 68-13 | La Traviata: Act II: Scene 1: Alfredo? — Per Parigi or or partiva | — | ||
| 68-14 | La Traviata: Act II: Scene 1: Pura siccome un angelo | — | ||
| 68-15 | La Traviata: Act II: Scene 1: Non sapete quale affetto | — | ||
| 68-16 | La Traviata: Act II: Scene 1: Ah, dite alle giovine | — | ||
| 68-17 | La Traviata: Act II: Scene 1: Morrò! Morrò! | — | ||
| 68-18 | La Traviata: Act II: Scene 1: Dammi tu forza, o cielo! | — | ||
| 68-19 | La Traviata: Act II: Scene 1: Ah, vive sol quel core all'amor mio! | — | ||
| 68-20 | La Traviata: Act II: Scene 1: Di Provenza | — | ||
| 68-21 | La Traviata: Act II: Scene 1: Ne rispondi | — | ||
| 69-1 | La Traviata: Act II: Scene 2: Avrem lieta di maschere la notte | — | ||
| 69-2 | La Traviata: Act II: Scene 2: Noi siamo zingarelle | — | ||
| 69-3 | La Traviata: Act II: Scene 2: Di Madride noi siam mattadori | — | ||
| 69-4 | La Traviata: Act II: Scene 2: Alfredo! Voi? | — | ||
| 69-5 | La Traviata: Act II: Scene 2: Invitato a qui seguirmi | — | ||
| 69-6 | La Traviata: Act II: Scene 2: Ogni suo aver tal femmina | — | ||
| 69-7 | La Traviata: Act II: Scene 2: Di sprezzo degno sé stesso rende | — | ||
| 69-8 | La Traviata: Act II: Scene 3: Prelude | — | ||
| 69-9 | La Traviata: Act II: Scene 3: Annina? — Comandate? | — | ||
| 69-10 | La Traviata: Act II: Scene 3: Teneste la promesa... | — | ||
| 69-11 | La Traviata: Act II: Scene 3: Addio del passato | — | ||
| 69-12 | La Traviata: Act II: Scene 3: Largo al quadrupede | — | ||
| 69-13 | La Traviata: Act II: Scene 3: Signora — Che t'accadde? | — | ||
| 69-14 | La Traviata: Act II: Scene 3: Parigi, o cara | — | ||
| 69-15 | La Traviata: Act II: Scene 3: Ah, non più | — | ||
| 69-16 | La Traviata: Act II: Scene 3: Ah, gran Dio, morir sì giovane | — | ||
| 69-17 | La Traviata: Act II: Scene 3: Ah, Violetta! — Voi, signor! | — | ||
| 69-18 | La Traviata: Act II: Scene 3: Prendi, quest'è l'immagine | — | ||
| 69-19 | La Traviata: Act II: Scene 3: È strano! | — | ||
| 70-1 | Missa solemnis, op. 123: Kyrie | — | ||
| 70-2 | Missa solemnis, op. 123: Gloria | — | ||
| 70-3 | Missa solemnis, op. 123: Credo | — | ||
| 70-4 | Missa solemnis, op. 123: Sanctus | — | ||
| 70-5 | Missa solemnis, op. 123: Agnus Dei | — | ||
| 71-1 | Requiem Mass no. 1 in C minor: Introitus et Kyrie | — | ||
| 71-2 | Requiem Mass no. 1 in C minor: Graduale | — | ||
| 71-3 | Requiem Mass no. 1 in C minor: Dies irae | — | ||
| 71-4 | Requiem Mass no. 1 in C minor: Offertorium | — | ||
| 71-5 | Requiem Mass no. 1 in C minor: Sanctus | — | ||
| 71-6 | Requiem Mass no. 1 in C minor: Pie Jesu | — | ||
| 71-7 | Requiem Mass no. 1 in C minor: Agnus Dei | — | ||
| 72-1 | Mefistofele: Prologue: Ave, Signor degli angeli | — | ||
| 72-2 | Mefistofele: Prologue: Ave, Signor. Perdona | — | ||
| 72-3 | Mefistofele: Prologue: T'è noto Faust? | — | ||
| 72-4 | Mefistofele: Prologue: Siam nimbi volanti | — | ||
| 72-5 | Mefistofele: Prologue: Salve, Regina! | — | ||
| 72-6 | I Lombardi: Act III — Trio: Introduction | — | ||
| 72-7 | I Lombardi: Act III — Trio: Qui posa il fianco | — | ||
| 72-8 | Rigoletto: Act IV: E l’ami? | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-9 | Rigoletto: Act IV: La donna è mobile | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | T-912.866.624-0 | |
| 72-10 | Rigoletto: Act IV: Un dì, se ben rammentomi | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-11 | Rigoletto: Act IV: Bella figlia dell’amore (Quartet) | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-12 | Rigoletto: Act IV: M’odi! Ritorna a casa | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-13 | Rigoletto: Act IV: È amabile in vero cotal giovinotto! | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Nicola Moscona, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-14 | Rigoletto: Act IV: Della vendetta alfin | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-15 | Rigoletto: Act IV: Chi è mai? | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-16 | Rigoletto: Act IV: V’ho ingannato | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-17 | Rigoletto: Act IV: Lassû in cielo | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 73-1 | Messa da Requiem: Requiem & Kyrie | — | ||
| 73-2 | Messa da Requiem: Dies irae: Dies irae | — | ||
| 73-3 | Messa da Requiem: Dies irae: Tuba mirum | — | ||
| 73-4 | Messa da Requiem: Dies irae: Mors tupebit | — | ||
| 73-5 | Messa da Requiem: Dies irae: Liber scriptus | — | ||
| 73-6 | Messa da Requiem: Dies irae: Quid sum miser | — | ||
| 73-7 | Messa da Requiem: Dies irae: Rex tremendae | — | ||
| 73-8 | Messa da Requiem: Dies irae: Recordare | — | ||
| 73-9 | Messa da Requiem: Dies irae: Ingemisco | — | ||
| 73-10 | Messa da Requiem: Dies irae: Confutatis | — | ||
| 73-11 | Messa da Requiem: Dies irae: Lacrymosa | — | ||
| 73-12 | Messa da Requiem: Offertorio: Domine Jesu Christe | — | ||
| 73-13 | Messa da Requiem: Offertorio: Hostias | — | ||
| 73-14 | Messa da Requiem: Sanctus | — | ||
| 73-15 | Messa da Requiem: Agnus Dei | — | ||
| 73-16 | Messa da Requiem: Lux aeterna | — | ||
| 73-17 | Messa da Requiem: Libera me: Libera me, Domine | — | ||
| 73-18 | Messa da Requiem: Libera me: Dies irae | — | ||
| 73-19 | Messa da Requiem: Libera me: Libera me, Domine | — | ||
| 74-1 | Te Deum (Quattro pezzi sacri no. 4) | — | ||
| 74-2 | Nabucco: Va, pensiero, sull'ali dorate | — | ||
| 74-3 | Luisa Miller: Quando le sere al placido | — | ||
| 74-4 | Inno delle nazioni | — | ||
| 75-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 75-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 75-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | — | ||
| 75-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 75-5 | Symphony no. 101 in D major "Clock": I. Adagio – Presto | — | ||
| 75-6 | Symphony no. 101 in D major "Clock": II. Andante | — | ||
| 75-7 | Symphony no. 101 in D major "Clock": III. Menuetto. Allegretto – Trio | — | ||
| 75-8 | Symphony no. 101 in D major "Clock": IV. Finale. Vivace | — | ||
| 75-9 | A Midsummer Night's Dream, op. 21: Scherzo | — | ||
| 76-1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 76-2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 76-3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto – Trio | — | ||
| 76-4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 76-5 | A Midsummer Night's Dream, op. 21: Scherzo | — | ||
| 76-6 | A Midsummer Night's Dream, op. 21: Nocturne | — | ||
| 76-7 | Variationen über ein Thema von Haydn, op. 56a: Chorale St. Antoni. Andante | — | ||
| 76-8 | Variationen über ein Thema von Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 76-9 | Variationen über ein Thema von Haydn, op. 56a: Variation II. Più vivace | — | ||
| 76-10 | Variationen über ein Thema von Haydn, op. 56a: Variation III. Con moto | — | ||
| 76-11 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 76-12 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Vivace | — | ||
| 76-13 | Variationen über ein Thema von Haydn, op. 56a: Variation VI. Vivace | — | ||
| 76-14 | Variationen über ein Thema von Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 76-15 | Variationen über ein Thema von Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 76-16 | Variationen über ein Thema von Haydn, op. 56a: Finale. Andante | — | ||
| 76-17 | Siegfried Idyll | — | ||
| 76-18 | L'apprenti sorcier | — | ||
| 77-1 | Orfeo ed Euridice: Atto II, scena 2. Dance of the Blessed Spirits | — | ||
| 77-2 | Il barbiere di Siviglia: Overture | — | ||
| 77-3 | L'italiana in Algeri: Overture | Arturo Toscanini | T-301.972.539-0 | |
| 77-4 | Semiramide: Overture | Arturo Toscanini | — | |
| 77-5 | La traviata: Atto I: Prelude | — | ||
| 77-6 | La traviata: Atto III: Prelude | — | ||
| 77-7 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | Arturo Toscanini | — | |
| 77-8 | Lohengrin: Prelude Act I | Arturo Toscanini | — | |
| 77-9 | Lohengrin: Prelude Act III | — | ||
| 78-1 | La Mer: De l'aube à midi sur la mer | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-2 | La Mer: Jeux des vagues | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-3 | La Mer: Dialogue du vent et de la mer | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-4 | Ibéria (Images pour orchestre II): Par les rues et par les chemins | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-5 | Ibéria (Images pour orchestre II): Les parfums de la nuit | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-6 | Ibéria (Images pour orchestre II): Le matin d'un jour de fête | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-7 | Feste romane: Circenses | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 78-8 | Feste romane: Il giubileo | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 78-9 | Feste romane: L'Ottobrata | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 78-10 | Feste romane: La Befana | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 79-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio – Allegro non troppo | — | ||
| 79-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 79-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 79-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso | — | ||
| 79-5 | Tod und Verklärung, op. 24: Largo: Glückliche Erinnerungen an die Kindheit | — | ||
| 79-6 | Tod und Verklärung, op. 24: Allegro molto agitato: Todeskampf | — | ||
| 79-7 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve: Träume des Sterbenden — Tod | — | ||
| 79-8 | Tod und Verklärung, op. 24: Moderato: Verklärung | — | ||
| 80-1 | Symphony No. 9, D944 "Die Große/The Great": I. Andante; I. Allegro ma non troppo | The Philadelphia Orchestra, Arturo Toscanini | T-031.682.208-8 | |
| 80-2 | Symphony No. 9, D944 "Die Große/The Great": II. Andante con moto | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 80-3 | Symphony No. 9, D944 "Die Große/The Great": III. Scherzo: Allegro vivace | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 80-4 | Symphony No. 9, D944 "Die Große/The Great": IV. Allegro vivace | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 81-1 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture | — | ||
| 81-2 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo | — | ||
| 81-3 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne | — | ||
| 81-4 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Song with Chorus | — | ||
| 81-5 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March | — | ||
| 81-6 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo | — | ||
| 81-8 | Roméo et Juliette, op. 17: Scherzo: La reine Mab | — |
Identifier Graph
886979163126 is a Universal Product Code (UPC) assigned to The Complete RCA Collection by Arturo Toscanini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete RCA Collection” by Arturo Toscanini is 886979163126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: RCA Red Seal. This release contains 1000 tracks, each with its own ISRC. Tracks include USBC19801746, USBC19801747, USBC19801748.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio | — | ||
| 4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto | — | ||
| 5 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | — | ||
| 6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 8 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | — | ||
| 2-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 2-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 2-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | — | ||
| 2-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 2-5 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | — | ||
| 2-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 2-7 | Symphony no. 2 in D major, op. 36: III. Scherzo – Trio | — | ||
| 2-8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 2-9 | Egmont Overture op. 84 | — | ||
| 3-1 | Symphony no. 6 in F major, op. 68 "Pastorale": I. Happy Feelings Aroused on Arriving in the Country. Allegro ma non troppo | — | ||
| 3-2 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Scene by the brook. Andante molto mosso | — | ||
| 3-3 | Symphony no. 6 in F major, op. 68 "Pastorale": III. Peasants' Merrymaking. Allegro | — | ||
| 3-4 | Symphony no. 6 in F major, op. 68 "Pastorale": IV. Thunderstorm. Allegro | — | ||
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastorale": V. Shepherds' Song: Joyous Thanksgiving After The Storm. Allegretto | — | ||
| 3-6 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-7 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-8 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-9 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 4-9 | Leonore Overture no. 3, op. 72a | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Final Chorus from Schiller's Ode "To Joy". Presto - Allegro assai - Recitativo: "O Freunde, nicht diese Töne" - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato | — | ||
| 6-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 6-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 6-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 6-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio | — | ||
| 6-5 | Akademische Festouvertüre, op. 80 | — | ||
| 6-6 | Hungarian Dances: no. 1 in G minor | — | ||
| 6-7 | Hungarian Dances: no. 17 in F-sharp minor | — | ||
| 6-8 | Hungarian Dances: no. 20 in E minor | — | ||
| 6-9 | Hungarian Dances: no. 21 in E minor | — | ||
| 7-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-902.764.002-4 | |
| 7-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-329.366.758-6 | |
| 7-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | NBC Symphony Orchestra, Arturo Toscanini | T-327.681.352-2 | |
| 7-5 | Variationen über ein Thema von Haydn, op. 56a: Chorale St. Antoni. Andante | — | ||
| 7-6 | Variationen über ein Thema von Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 7-7 | Variationen über ein Thema von Haydn, op. 56a: Variation II. Più vivace | — | ||
| 7-8 | Variationen über ein Thema von Haydn, op. 56a: Variation III. Con moto | — | ||
| 7-9 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 7-10 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Vivace | — | ||
| 7-11 | Variationen über ein Thema von Haydn, op. 56a: Variation VI. Vivace | — | ||
| 7-12 | Variationen über ein Thema von Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 7-13 | Variationen über ein Thema von Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 7-14 | Variationen über ein Thema von Haydn, op. 56a: Finale. Andante | — | ||
| 7-15 | Tragische Ouvertüre, op. 81 | — | ||
| 8-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 8-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 8-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | — | ||
| 8-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 8-5 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro | — | ||
| 8-6 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante | — | ||
| 8-7 | Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-5 | Liebeslieder-Walzer, op.52: Rede, Mädchen, allzu liebes | — | ||
| 9-6 | Liebeslieder-Walzer, op.52: Am Gesteine rauscht die Flut | — | ||
| 9-7 | Liebeslieder-Walzer, op.52: O die Frauen | — | ||
| 9-8 | Liebeslieder-Walzer, op.52: Wie des Abends schöne Röte | — | ||
| 9-9 | Liebeslieder-Walzer, op.52: Die grüne Hopfenranke | — | ||
| 9-10 | Liebeslieder-Walzer, op.52: Ein kleiner, hübscher Vogel | — | ||
| 9-11 | Liebeslieder-Walzer, op.52: Wohl schön bewandt war es | — | ||
| 9-12 | Liebeslieder-Walzer, op.52: Wenn so lind dein Auge mir | — | ||
| 9-13 | Liebeslieder-Walzer, op.52: Am Donaustrande | — | ||
| 9-14 | Liebeslieder-Walzer, op.52: O wie sanft die Quelle | — | ||
| 9-15 | Liebeslieder-Walzer, op.52: Nein, es ist nicht auszukommen | — | ||
| 9-16 | Liebeslieder-Walzer, op.52: Schlosser auf | — | ||
| 9-17 | Liebeslieder-Walzer, op.52: Vögelein durchrauscht die Luft | — | ||
| 9-18 | Liebeslieder-Walzer, op.52: Sieh, wie ist die Welle klar | — | ||
| 9-19 | Liebeslieder-Walzer, op.52: Nachtigall, sie singt so schön | — | ||
| 9-20 | Liebeslieder-Walzer, op.52: Ein dunkler Schacht ist Liebe | — | ||
| 9-21 | Liebeslieder-Walzer, op.52: Nicht wandle, mein Licht | — | ||
| 9-22 | Liebeslieder-Walzer, op.52: Es bebet das Gesträuche | — | ||
| 9-23 | Gesang der Parzen, op. 89 | — | ||
| 10-1 | Le nozze di Figaro: Overture | — | ||
| 10-2 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 10-3 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 10-4 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto – Trio | — | ||
| 10-5 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 10-6 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: I. Allegro | — | ||
| 10-7 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: II. Andante ma adagio | — | ||
| 10-8 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: III. Rondeau. Tempo di menuetto | — | ||
| 10-9 | Divertimento no. 15 in B-flat major, K. 287: I. Allegro | — | ||
| 10-10 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Theme. Andante grazioso | — | ||
| 10-11 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation I | — | ||
| 10-12 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation II | — | ||
| 10-13 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation III | — | ||
| 10-14 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation IV | — | ||
| 10-15 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation V | — | ||
| 10-16 | Divertimento no. 15 in B-flat major, K. 287: II. Theme and Variations: Variation VI | — | ||
| 10-17 | Divertimento no. 15 in B-flat major, K. 287: III. Menuetto | — | ||
| 10-18 | Divertimento no. 15 in B-flat major, K. 287: IV. Adagio | — | ||
| 10-19 | Divertimento no. 15 in B-flat major, K. 287: V. Andante – Allegro molto | — | ||
| 11-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | — | ||
| 11-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 11-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto – Trio | — | ||
| 11-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 11-5 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | — | ||
| 11-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 11-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto – Trio | — | ||
| 11-8 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | — | ||
| 11-9 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-10 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-11 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto – Trio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-12 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-1 | Symphony no. 88 in G major: I. Adagio – Allegro | — | ||
| 12-2 | Symphony no. 88 in G major: II. Largo | — | ||
| 12-3 | Symphony no. 88 in G major: III. Menuetto. Allegretto – Trio | — | ||
| 12-4 | Symphony no. 88 in G major: IV. Finale. Allegro con spirito | — | ||
| 12-5 | Symphony no. 94 in G major "Surprise": I. Adagio – Vivace assai | — | ||
| 12-6 | Symphony no. 94 in G major "Surprise": II. Andante | — | ||
| 12-7 | Symphony no. 94 in G major "Surprise": III. Menuetto. Allegro molto – Trio | — | ||
| 12-8 | Symphony no. 94 in G major "Surprise": IV. Finale. Allegro di molto | — | ||
| 12-9 | Symphony no. 98 in B-flat major: I. Adagio – Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-10 | Symphony no. 98 in B-flat major: II. Adagio cantabile | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-11 | Symphony no. 98 in B-flat major: III. Menuetto. Allegro – Trio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-12 | Symphony no. 98 in B-flat major: IV. Finale. Presto | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-1 | Symphony no. 101 in D major "Clock": I. Adagio – Presto | — | ||
| 13-2 | Symphony no. 101 in D major "Clock": II. Andante | — | ||
| 13-3 | Symphony no. 101 in D major "Clock": III. Menuetto. Allegretto – Trio | — | ||
| 13-4 | Symphony no. 101 in D major "Clock": IV. Finale. Vivace | — | ||
| 13-5 | Symphony no. 99 in E-flat major: I. Adagio – Vivace assai | — | ||
| 13-6 | Symphony no. 99 in E-flat major: II. Adagio | — | ||
| 13-7 | Symphony no. 99 in E-flat major: III. Menuetto. Allegretto – Trio | — | ||
| 13-8 | Symphony no. 99 in E-flat major: IV. Finale. Vivace | — | ||
| 13-9 | Sinfonia Concertante in B-flat major, Hob. I:105: I. Allegro | — | ||
| 13-10 | Sinfonia Concertante in B-flat major, Hob. I:105: II. Andante | — | ||
| 13-11 | Sinfonia Concertante in B-flat major, Hob. I:105: III. Allegro con spirito | — | ||
| 14-1 | Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato | — | ||
| 14-2 | Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto | — | ||
| 14-3 | Symphony no. 9 in C major, D 944 "The Great": I. Andante – Allegro ma non troppo | — | ||
| 14-4 | Symphony no. 9 in C major, D 944 "The Great": II. Andante con moto | — | ||
| 14-5 | Symphony no. 9 in C major, D 944 "The Great": III. Scherzo. Allegro vivace | — | ||
| 14-6 | Symphony no. 9 in C major, D 944 "The Great": IV. Allegro vivace | — | ||
| 15-1 | Symphony no. 5 in B-flat major, D 485: I. Allegro | — | ||
| 15-2 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | — | ||
| 15-3 | Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto – Trio | — | ||
| 15-4 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | — | ||
| 15-5 | Symphony no. 9 in C major, D 944 "The Great": I. Andante – Allegro ma non troppo | — | ||
| 15-6 | Symphony no. 9 in C major, D 944 "The Great": II. Andante con moto | — | ||
| 15-7 | Symphony no. 9 in C major, D 944 "The Great": III. Scherzo. Allegro vivace | — | ||
| 15-8 | Symphony no. 9 in C major, D 944 "The Great": IV. Allegro vivace | — | ||
| 16-1 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo. Sehr mäßig | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-3 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-6 | Manfred Overture, op. 115 | — | ||
| 16-7 | Euryanthe: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-8 | Der Freischütz: Overture | — | ||
| 16-9 | Oberon: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 17-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | — | ||
| 17-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | — | ||
| 17-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | — | ||
| 17-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto | — | ||
| 17-5 | Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante – Allegro con fuoco | — | ||
| 17-6 | Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace | — | ||
| 17-7 | Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante | — | ||
| 17-8 | Symphony no. 5 in D minor, op. 107 "Reformation": IV. Chorale: "Ein' feste Burg ist unser Gott" – Andante con moto – Allegro vivace – Allegro maestoso | — | ||
| 17-9 | A Midsummer Night's Dream, op. 21: Scherzo | — | ||
| 17-10 | Octet in E-flat major, op. 20: Scherzo | — | ||
| 18-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-5 | The Nutcracker - Suite, op. 71a: Miniature Overture | — | ||
| 18-6 | The Nutcracker - Suite, op. 71a: March | — | ||
| 18-7 | The Nutcracker - Suite, op. 71a: Dance of the Sugar-Plum Fairy | — | ||
| 18-8 | The Nutcracker - Suite, op. 71a: Trepak | — | ||
| 18-9 | The Nutcracker - Suite, op. 71a: Arabian Dance | — | ||
| 18-10 | The Nutcracker - Suite, op. 71a: Chinese Dance | — | ||
| 18-11 | The Nutcracker - Suite, op. 71a: Dance of the Flutes | — | ||
| 18-12 | The Nutcracker - Suite, op. 71a: Waltz of the Flowers | — | ||
| 19-1 | Manfred Symphony, op. 58: I. Lento lugubre | — | ||
| 19-2 | Manfred Symphony, op. 58: II. Vivace con spirito | — | ||
| 19-3 | Manfred Symphony, op. 58: III. Andante con moto | — | ||
| 19-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | — | ||
| 19-5 | Romeo and Juliet | — | ||
| 20-1 | Symphony in D minor: I. Lento – Allegro non troppo | — | ||
| 20-2 | Symphony in D minor: II. Allegretto | — | ||
| 20-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 20-4 | Symphony no. 3 in C minor, op. 78 "Organ": Part 1: I. Adagio – Allegro moderato | — | ||
| 20-5 | Symphony no. 3 in C minor, op. 78 "Organ": Part 1: II. Poco adagio | — | ||
| 20-6 | Symphony no. 3 in C minor, op. 78 "Organ": Part 2: III. Allegro moderato – Presto | — | ||
| 20-7 | Symphony no. 3 in C minor, op. 78 "Organ": Part 2: IV. Maestoso – Allegro | — | ||
| 21-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 21-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | — | ||
| 21-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | — | ||
| 21-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | — | ||
| 21-5 | Pohjola's Daughter, op. 49 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 21-6 | The Swan of Tuonela | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 21-7 | Finlandia, op. 26 | — | ||
| 22-1 | Symphony no. 7, op. 60 "Leningrad": I. Allegretto | — | ||
| 22-2 | Symphony no. 7, op. 60 "Leningrad": II. Moderato poco allegretto | — | ||
| 22-3 | Symphony no. 7, op. 60 "Leningrad": III. Adagio | — | ||
| 22-4 | Symphony no. 7, op. 60 "Leningrad": IV. Allegro non troppo | — | ||
| 23-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 23-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 23-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio | — | ||
| 23-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto | — | ||
| 23-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 23-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 23-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 23-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 24-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto | — | ||
| 24-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | — | ||
| 24-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace | — | ||
| 24-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 24-5 | Háry János — Concert Suite: Prelude: The Fairy Tale Begins | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-6 | Háry János — Concert Suite: Viennese Musical Clock | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-7 | Háry János — Concert Suite: Song | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-8 | Háry János — Concert Suite: The Battle and Defeat of Napoleon | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-9 | Háry János — Concert Suite: Intermezzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-10 | Háry János — Concert Suite: Entrance of the Emperor and His Court | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 24-11 | The Moldau (Vltava) | — | ||
| 25-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 25-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 25-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 25-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 25-5 | Septet in E-flat major, op. 20: I. Adagio – Allegro con brio | — | ||
| 25-6 | Septet in E-flat major, op. 20: II. Adagio cantabile | — | ||
| 25-7 | Septet in E-flat major, op. 20: III. Tempo di Menuetto | — | ||
| 25-8 | Septet in E-flat major, op. 20: IV. Theme and Variations: Theme. Andante | — | ||
| 25-9 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation I | — | ||
| 25-10 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation II | — | ||
| 25-11 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation III | — | ||
| 25-12 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation IV | — | ||
| 25-13 | Septet in E-flat major, op. 20: IV. Theme and Variations: Variation V | — | ||
| 25-14 | Septet in E-flat major, op. 20: V. Scherzo. Allegro molto vivace | — | ||
| 25-15 | Septet in E-flat major, op. 20: VI. Andante con moto alla marcia | — | ||
| 25-16 | Egmont Overture, op. 84 | — | ||
| 26-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 26-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 26-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 26-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio | — | ||
| 26-5 | Serenade no. 2 in A major, op. 16: I. Allegro moderato | — | ||
| 26-6 | Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace | — | ||
| 26-7 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 26-8 | Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto | — | ||
| 26-9 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 27-1 | Symphony in D major: I. Largo – Allegro | — | ||
| 27-2 | Symphony in D major: II. Larghetto cantabile | — | ||
| 27-3 | Symphony in D major: III. Menuetto. Allegro non tanto | — | ||
| 27-4 | Symphony in D major: IV. Allegro assai | — | ||
| 27-5 | Ali-Baba: Overture | — | ||
| 27-6 | Anacréon: Overture | — | ||
| 27-7 | Médée: Overture | — | ||
| 27-8 | Il matrimonio segreto: Overture | — | ||
| 27-9 | Il matrimonio per raggiro: Overture | — | ||
| 28-1 | Symphony no. 1 in D major, op. 25 "Classical": I. Allegro con brio | — | ||
| 28-2 | Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto | — | ||
| 28-3 | Symphony no. 1 in D major, op. 25 "Classical": III. Gavotte. Non troppo allegro | — | ||
| 28-4 | Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace | — | ||
| 28-5 | Symphony no. 1 in F minor, op. 10: I. Allegretto | — | ||
| 28-6 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 28-7 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 28-8 | Symphony no. 1 in F minor, op. 10: IV. Lento – Allegro molto | — | ||
| 28-9 | Kamarinskaya | — | ||
| 28-10 | Kikimora, op. 63 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 28-11 | Pétrouchka: Tableau I : Fête populaire de la semaine grasse: Vivace | — | ||
| 28-12 | Pétrouchka: Tableau I : Fête populaire de la semaine grasse: Le tour de passe-passe | — | ||
| 28-13 | Pétrouchka: Tableau I : Fête populaire de la semaine grasse: Danse russe | — | ||
| 28-14 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Poco più mosso | — | ||
| 28-15 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse des nourrices | — | ||
| 28-16 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse du paysan et de l'ours | — | ||
| 28-17 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse des Tziganes | — | ||
| 28-18 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Danse des cochers | — | ||
| 28-19 | Pétrouchka: Tableau IV : Fête populaire de la semaine grasse: Les Déguisés | — | ||
| 29-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 29-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 29-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio | — | ||
| 29-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto | — | ||
| 29-5 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | — | ||
| 29-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 29-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto – Trio | — | ||
| 29-8 | Symphony no. 40 in G minor, K. 550: IV. Finale. Allegro assai | — | ||
| 30-1 | Don Quixote, op. 35: Introduction | — | ||
| 30-2 | Don Quixote, op. 35: Theme: Don Quixote, the Kight of the Sorrowful Countenance | — | ||
| 30-3 | Don Quixote, op. 35: Variation I: The Adventure with the Windmills | — | ||
| 30-4 | Don Quixote, op. 35: Variation II: The Battle with the Sheep | — | ||
| 30-5 | Don Quixote, op. 35: Variation III: Dialogue of Knight and Squire | — | ||
| 30-6 | Don Quixote, op. 35: Variation IV: The Adventure with the Penitents | — | ||
| 30-7 | Don Quixote, op. 35: Variation V: The Knight's Vigil | — | ||
| 30-8 | Don Quixote, op. 35: Variation VI: The False Dulcinea | — | ||
| 30-9 | Don Quixote, op. 35: Variation VII: The Ride Through the Air | — | ||
| 30-10 | Don Quixote, op. 35: Variation VIII: The Adventure of the Enchanted Boat | — | ||
| 30-11 | Don Quixote, op. 35: Variation IX: The Combat with the Two Magicians | — | ||
| 30-12 | Don Quixote, op. 35: Variation X: The Defeat of Don Quixote by the Knight of the White Moon | — | ||
| 30-13 | Don Quixote, op. 35: Finale: The Death of Don Quixote | — | ||
| 30-14 | Tod und Verklärung, op. 24: Largo: Happy Memories of Childhood | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 30-15 | Tod und Verklärung, op. 24: Allegro molto agitato: Life and Death Battle | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 30-16 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve: Dreams of the Dying — Death | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 30-17 | Tod und Verklärung, op. 24: Moderato: Transfiguration | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 31-1 | Don Juan, op. 20 | NBC Symphony Orchestra, Arturo Toscanini | T-801.916.776-2 | |
| 31-2 | Till Eulenspiegels lustige Streiche, op. 28: Der Schelm wird vorgestellt | — | ||
| 31-3 | Till Eulenspiegels lustige Streiche, op. 28: Tills Streiche | — | ||
| 31-4 | Till Eulenspiegels lustige Streiche, op. 28: Tills Prozess | — | ||
| 31-5 | Till Eulenspiegels lustige Streiche, op. 28: Urteil und Hinrichtung | — | ||
| 31-6 | Till Eulenspiegels lustige Streiche, op. 28: Epilog | — | ||
| 31-7 | Salome: Tanz der sieben Schleier | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 31-8 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | — | ||
| 31-9 | Siegfried Idyll | — | ||
| 32-1 | Pines of Rome: The Pines of the Villa Borghese | — | ||
| 32-2 | Pines of Rome: Pines near a Catacomb | — | ||
| 32-3 | Pines of Rome: The Pines of the Janiculum | — | ||
| 32-4 | Pines of Rome: The Pines of the Appian Way | — | ||
| 32-5 | Fountains of Rome: The Fountain of Valle Giulia at Dawn | — | ||
| 32-6 | Fountains of Rome: The Triton Fountain at Morning | — | ||
| 32-7 | Fountains of Rome: The Fountain of Trevi at Midday | — | ||
| 32-8 | Fountains of Rome: The Villa Medici Fountain at Sunset | — | ||
| 32-9 | Roman Festivals: Circuses | — | ||
| 32-10 | Roman Festivals: The Jubilee | — | ||
| 32-11 | Roman Festivals: The October Festival | — | ||
| 32-12 | Roman Festivals: Epiphany | — | ||
| 33-1 | Harold en Italie, op. 16 : Harold aux montagnes | — | ||
| 33-2 | Harold en Italie, op. 16 : Marche des pèlerins | — | ||
| 33-3 | Harold en Italie, op. 16 : Sérénade | — | ||
| 33-4 | Harold en Italie, op. 16 : Orgie des brigands | — | ||
| 33-5 | Roméo et Juliette, op. 17 : Part II: Roméo seul | — | ||
| 33-6 | Roméo et Juliette, op. 17 : Part II: Tristesse | — | ||
| 33-7 | Roméo et Juliette, op. 17 : Part II: Bruits lointains de concert et de bal | — | ||
| 33-8 | Roméo et Juliette, op. 17 : Part II: Grande fête chez Capulet | — | ||
| 33-9 | Roméo et Juliette, op. 17 : Part II: Nuit sereine & Scène d'amour | — | ||
| 34-1 | Roméo et Juliette, op. 17 : 1re partie. Introduction. Prologue | — | ||
| 34-2 | Roméo et Juliette, op. 17 : 1re partie « D’anciennes haines endormies » | — | ||
| 34-3 | Roméo et Juliette, op. 17 : 1re partie « Premiers transports que nul n’oublie ! » | — | ||
| 34-4 | Roméo et Juliette, op. 17 : 1re partie « Bientôt de Roméo la pâle rêverie » | — | ||
| 34-5 | Roméo et Juliette, op. 17 : 2e partie. Roméo seul | — | ||
| 34-6 | Roméo et Juliette, op. 17 : 2e partie. Tristesse | — | ||
| 34-7 | Roméo et Juliette, op. 17 : 2e partie. Bruits lointains de concert de bal | — | ||
| 34-8 | Roméo et Juliette, op. 17 : 2e partie. Grande fête chez Capulet | — | ||
| 34-9 | Roméo et Juliette, op. 17 : 2e partie. Nuit sereine | — | ||
| 34-10 | Roméo et Juliette, op. 17 : 2e partie. Scène d’amour | — | ||
| 34-11 | Roméo et Juliette, op. 17 : 2e partie. Scherzo: La reine Mab | — | ||
| 35-1 | Roméo et Juliette, op. 17 : 3e partie. Convoi funèbre de Juliette | — | ||
| 35-2 | Roméo et Juliette, op. 17 : 3e partie. Roméo au tombeau des Capulets | — | ||
| 35-3 | Roméo et Juliette, op. 17 : 3e partie. Invocation | — | ||
| 35-4 | Roméo et Juliette, op. 17 : 3e partie. Réveil de Juliette | — | ||
| 35-5 | Roméo et Juliette, op. 17 : 3e partie. Mort des deux amants | — | ||
| 35-6 | Roméo et Juliette, op. 17 : 3e partie « Quoi ! Roméo de retour ! » | — | ||
| 35-7 | Roméo et Juliette, op. 17 : 3e partie « Je vais dévoiler le mystère » | — | ||
| 35-8 | Roméo et Juliette, op. 17 : 3e partie « Pauvres enfants que je pleure » | — | ||
| 35-9 | Roméo et Juliette, op. 17 : 3e partie « Jurez donc par l’auguste symbole » | — | ||
| 35-10 | L’Arlésienne (from Suites nos. 1 & 2): Prélude | — | ||
| 35-11 | L’Arlésienne (from Suites nos. 1 & 2): Menuet | — | ||
| 35-12 | L’Arlésienne (from Suites nos. 1 & 2): Adagietto | — | ||
| 35-13 | L’Arlésienne (from Suites nos. 1 & 2): Pastorale | — | ||
| 35-14 | L’Arlésienne (from Suites nos. 1 & 2): Carillon | — | ||
| 35-15 | Carmen Suite | — | ||
| 36-1 | Pictures at an Exhibition: Promenade | — | ||
| 36-2 | Pictures at an Exhibition: I. The Gnome | — | ||
| 36-3 | Pictures at an Exhibition: Promenade | — | ||
| 36-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 36-5 | Pictures at an Exhibition: Promenade | — | ||
| 36-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 36-7 | Pictures at an Exhibition: IV. Bydło | — | ||
| 36-8 | Pictures at an Exhibition: Promenade | — | ||
| 36-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 36-10 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 36-11 | Pictures at an Exhibition: VII. The Market at Limoges | — | ||
| 36-12 | Pictures at an Exhibition: VIII. Catacombs (Sepulcrum romanum) | — | ||
| 36-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 36-14 | Pictures at an Exhibition: IX. The Hut on Chicken's Legs | — | ||
| 36-15 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 36-16 | Variations on an Original Theme, op. 36 "Enigma": Theme (Enigma). Andante | — | ||
| 36-17 | Variations on an Original Theme, op. 36 "Enigma": Variation I (C.A.E.). L'istesso tempo | — | ||
| 36-18 | Variations on an Original Theme, op. 36 "Enigma": Variation II (H.D.S-P.). Allegro | — | ||
| 36-19 | Variations on an Original Theme, op. 36 "Enigma": Variation III (R.B.T). Allegretto | — | ||
| 36-20 | Variations on an Original Theme, op. 36 "Enigma": Variation IV (W.M.B.). Allegro di molto | — | ||
| 36-21 | Variations on an Original Theme, op. 36 "Enigma": Variation V (R.P.A.). Moderato | — | ||
| 36-22 | Variations on an Original Theme, op. 36 "Enigma": Variation VI (Ysobel). Andantino | — | ||
| 36-23 | Variations on an Original Theme, op. 36 "Enigma": Variation VII (Troyte). Presto | — | ||
| 36-24 | Variations on an Original Theme, op. 36 "Enigma": Variation VIII (W.N.). Allegretto | — | ||
| 36-25 | Variations on an Original Theme, op. 36 "Enigma": Variation IX (Nimrod). Adagio | — | ||
| 36-26 | Variations on an Original Theme, op. 36 "Enigma": Variation X (Dorabella). Intermezzo. Allegretto | — | ||
| 36-27 | Variations on an Original Theme, op. 36 "Enigma": Variation XI (G.R.S.). Allegro di molto | — | ||
| 36-28 | Variations on an Original Theme, op. 36 "Enigma": Variation XII (B.G.N.). Andante | — | ||
| 36-29 | Variations on an Original Theme, op. 36 "Enigma": Variation XIII (***). Romanza. Moderato | — | ||
| 36-30 | Variations on an Original Theme, op. 36 "Enigma": Variation XIV (E.D.U.). Finale. Allegro | — | ||
| 37-1 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-2 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-3 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-4 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-5 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-6 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 37-7 | Octet for Strings in E-flat major, op. 20: I. Allegro moderato ma con fuoco | — | ||
| 37-8 | Octet for Strings in E-flat major, op. 20: II. Andante | — | ||
| 37-9 | Octet for Strings in E-flat major, op. 20: III. Scherzo. Allegro leggierissimo | — | ||
| 37-10 | Octet for Strings in E-flat major, op. 20: IV. Presto | — | ||
| 38-1 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 38-2 | La Mer: II. Jeux des vagues | — | ||
| 38-3 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 38-4 | Prélude à l'après-midi d'un faune | — | ||
| 38-5 | Ibéria (Images pour orchestre II): I. Par les rues et par les chemins | — | ||
| 38-6 | Ibéria (Images pour orchestre II): II. Les parfums de la nuit | — | ||
| 38-7 | Ibéria (Images pour orchestre II): III. Le matin d'un jour de fête | — | ||
| 38-8 | Nocturnes: I. Nuages | — | ||
| 38-9 | Nocturnes: II. Fêtes | — | ||
| 39-1 | An American in Paris | — | ||
| 39-2 | El Capitan | — | ||
| 39-3 | Grand Canyon Suite: I. Sunrise | — | ||
| 39-4 | Grand Canyon Suite: II. Painted Desert | — | ||
| 39-5 | Grand Canyon Suite: III. On the Trail | — | ||
| 39-6 | Grand Canyon Suite: IV. Sunset | — | ||
| 39-7 | Grand Canyon Suite: V. Cloudburst | — | ||
| 39-8 | Adagio for Strings, op. 11 | NBC Symphony Orchestra, Arturo Toscanini | T-070.000.199-5 | |
| 39-9 | The Stars and Stripes Forever | — | ||
| 39-10 | The Star-Spangled Banner | — | ||
| 40-1 | Daphnis et Chloé, suite n° 2 : Lever du jour | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-2 | Daphnis et Chloé, suite n° 2 : Pantomime | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-3 | Daphnis et Chloé, suite n° 2 : Danse générale | NBC Symphony Orchestra, Arturo Toscanini | T-004.014.574-1 | |
| 40-4 | L’Apprenti sorcier : Scherzo | NBC Symphony Orchestra, Arturo Toscanini | T-003.005.584-5 | |
| 40-5 | Danse macabre, op. 40 | NBC Symphony Orchestra, Arturo Toscanini | T-703.135.794-7 | |
| 40-6 | Le Carnaval romain, Ouverture, op. 9 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-7 | Psyché, poème symphonique : n° 4 Psyché et Éros | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-8 | Roméo et Juliette, op. 17: Scherzo. La reine Mab | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 40-9 | La Damnation de Faust: Rákóczy March | NBC Symphony Orchestra, Arturo Toscanini | T-902.808.289-5 | |
| 40-10 | Mignon: Ouverture | NBC Symphony Orchestra, Arturo Toscanini | T-310.771.053-8 | |
| 41-1 | Les Patineurs — Valse, op. 183 | — | ||
| 41-2 | Kindersymphonie: I. Allegro | — | ||
| 41-3 | Kindersymphonie: II. Minuetto | — | ||
| 41-4 | Kindersymphonie: III. Allegro | — | ||
| 41-5 | Tritsch-Tratsch Polka, op. 214 | — | ||
| 41-6 | An der schönen, blauen Donau, op. 314 | — | ||
| 41-7 | Dichter und Bauer: Overture | — | ||
| 41-8 | La Gioconda: Danza delle ore | — | ||
| 41-9 | Moto perpetuo, op. 11 | — | ||
| 41-10 | Orchestra Suite no. 3 in D major, BWV 1068: Air | — | ||
| 41-11 | Aufforderung zum Tanz, op. 65 | BBC Symphony Orchestra, Arturo Toscanini | — | |
| 41-12 | Jota aragonesa (Spanish Overture no. 1) | — | ||
| 42-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 42-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 42-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Jascha Heifetz, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 42-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 42-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 42-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 43-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 43-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 43-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 43-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 43-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 43-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 44-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 44-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 44-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 44-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 44-5 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 44-6 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice | — | ||
| 44-7 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 45-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 45-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice | — | ||
| 45-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 45-4 | Pictures at an Exhibition: Promenade | — | ||
| 45-5 | Pictures at an Exhibition: I. The Gnome | — | ||
| 45-6 | Pictures at an Exhibition: Promenade | — | ||
| 45-7 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 45-8 | Pictures at an Exhibition: Promenade | — | ||
| 45-9 | Pictures at an Exhibition: III. Tuileries | — | ||
| 45-10 | Pictures at an Exhibition: IV. Bydło | — | ||
| 45-11 | Pictures at an Exhibition: Promenade | — | ||
| 45-12 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 45-13 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 45-14 | Pictures at an Exhibition: VII. The Market at Limoges | — | ||
| 45-15 | Pictures at an Exhibition: VIII. Catacombs (Sepulcrum romanum) | — | ||
| 45-16 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 45-17 | Pictures at an Exhibition: IX. The Hut on Chicken's Legs | — | ||
| 45-18 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 46-1 | Leonore Overture no. 3, op. 72a | — | ||
| 46-2 | Die Weihe des Hauses, op. 124: Overture | — | ||
| 46-3 | Coriolan, op. 62: Overture | — | ||
| 46-4 | Egmont, op. 84: Overture | — | ||
| 46-5 | Die Geschöpfe des Prometheus, op. 43: Overture | — | ||
| 46-6 | Leonore Overture no. 2, op. 72b | — | ||
| 46-7 | String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 46-8 | String Quartet no. 16 in F major, op. 135: II. Vivace | — | ||
| 47-1 | Iphigénie en Aulide: Overture | — | ||
| 47-2 | Orfeo ed Euridice: Act II: Scene 1: Orchestral Interlude: Chi mai dell'Erebo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-3 | Orfeo ed Euridice: Act II: Scene 1: Dance of a Fury | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-4 | Orfeo ed Euridice: Act II: Scene 1: Chi mai dell'Erebo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-5 | Orfeo ed Euridice: Act II: Scene 1: Deh! placatevi con me! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-6 | Orfeo ed Euridice: Act II: Scene 1: Misero giovane! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-7 | Orfeo ed Euridice: Act II: Scene 1: Mille pene, ombre sdegnose | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-8 | Orfeo ed Euridice: Act II: Scene 1: Ah! quale incognito, affeto flebile | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-9 | Orfeo ed Euridice: Act II: Scene 1: Men tiranne, ah, voi sareste | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-10 | Orfeo ed Euridice: Act II: Scene 1: Ah! quale incognito, affeto flebile | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-11 | Orfeo ed Euridice: Act II: Scene 1: Dance of the Furies | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-12 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Air | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-13 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Melody | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-14 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Air | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-15 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Questo asilo ameno e grato | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-16 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Dance of the Heroes and Heroines | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-17 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Che puro ciel! Che chiaro sol! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-18 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Vieni ai regni del riposo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-19 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Dance of the Heroes | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-20 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: O voi, ombre felici | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-21 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Torna, o bella, al tuo consorte | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 47-22 | Dance of the Blessed Spirits | — | ||
| 47-23 | Fidelio: Abscheulicher! Wo eilst du hin? | — | ||
| 48-1 | L'italiana in Algeri: Overture | — | ||
| 48-2 | Il signor Bruschino: Overture | — | ||
| 48-3 | Il barbiere di Siviglia: Overture | — | ||
| 48-4 | La Cenerentola: Overture | — | ||
| 48-5 | La gazza ladra: Overture | — | ||
| 48-6 | Le Siège de Corinthe: Overture | — | ||
| 48-7 | Semiramide: Overture | — | ||
| 48-8 | Guillaume Tell: Overture | — | ||
| 49-1 | Lohengrin: Prelude Act I | — | ||
| 49-2 | Lohengrin: Prelude Act III | — | ||
| 49-3 | Die Meistersinger von Nürnberg: Act I: Prelude | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 49-4 | Die Meistersinger von Nürnberg: Prelude Act III | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 49-5 | Parsifal: Prelude Act I | — | ||
| 49-6 | Parsifal: Karfreitagszauber | — | ||
| 49-7 | Eine Faust-Ouvertüre | — | ||
| 50-1 | Tannhäuser: Ouvertüre — Bacchanal (Venusberg) | — | ||
| 50-2 | Lohengrin: Prelude Act I | — | ||
| 50-3 | Tristan und Isolde: Liebestod | — | ||
| 50-4 | Die Walküre: Walkürenritt | — | ||
| 50-5 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | — | ||
| 50-6 | Götterdämmerung: Siegfrieds Tod und Trauermarsch | — | ||
| 51-1 | Don Giovanni: Overture | — | ||
| 51-2 | Don Pasquale: Overture | — | ||
| 51-3 | Guillaume Tell: Act I: Passo a sei | — | ||
| 51-4 | La Wally: Act IV: Prelude | — | ||
| 51-5 | Loreley: Act III: Danza delle ondine | — | ||
| 51-6 | Manon Lescaut: Act III: Intermezzo | — | ||
| 51-7 | Luisa Miller: Overture | — | ||
| 51-8 | La Traviata: Act I: Prelude | — | ||
| 51-9 | La Traviata: Act III: Prelude | — | ||
| 51-10 | I Vespri siciliani: Overture | — | ||
| 51-11 | La forza del destino: Overture | — | ||
| 51-12 | Otello: Act III: Ballet Music | — | ||
| 52-1 | Zampa: Overture | — | ||
| 52-2 | Hänsel und Gretel: Overture | — | ||
| 52-3 | Colas Breugnon: Overture | — | ||
| 52-4 | Die Zauberflöte: Overture | — | ||
| 52-5 | Guillaume Tell: Overture | — | ||
| 52-6 | The Bartered Bride: Overture | — | ||
| 52-7 | Mignon: Overture | — | ||
| 52-8 | La forza del destino: Overture | — | ||
| 52-9 | Der Freischütz: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-1 | Die Walküre: Act I: Scene 3: Ein Schwert verhieß mir der Vater | Helen Traubel, Lauritz Melchior, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-2 | Die Walküre: Act I: Scene 3: Der Männer Sippe | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-3 | Die Walküre: Act I: Scene 3: Winterstürme wichen dem Wonnemond | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-4 | Die Walküre: Act I: Scene 3: Du bist der Lenz | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-5 | Die Walküre: Act I: Scene 3: Ein Minnetraum | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-6 | Die Walküre: Act I: Scene 3: Siegmund heiß ich | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-7 | Die Walküre: Walkürenritt | — | ||
| 53-8 | Siegfried Idyll | NBC Symphony Orchestra, Arturo Toscanini | T-917.531.075-5 | |
| 53-9 | Tristan und Isolde: Prelude | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 53-10 | Tristan und Isolde: Liebestod | — | ||
| 54-1 | Siegfried: Waldweben | — | ||
| 54-2 | Götterdämmerung: Morgendämmerung. Duet Brünnhilde — Siegfried | — | ||
| 54-3 | Götterdämmerung: Zu neuen Taten, teurer Helde | — | ||
| 54-4 | Götterdämmerung: Willst du mir Minne schenken | — | ||
| 54-5 | Götterdämmerung: O heilige Götter! | — | ||
| 54-6 | Götterdämmerung: Siegfrieds Rheinfahrt | — | ||
| 54-7 | Götterdämmerung: Siegfrieds Tod und Trauermarsch. Brünnhildes Schlussgesang | — | ||
| 54-8 | Götterdämmerung: Starke Scheite schichtet mir dort | — | ||
| 54-9 | Götterdämmerung: Wie Sonne lauter strahlt mir sein Licht | — | ||
| 54-10 | Götterdämmerung: Mein Erbe nun nehm' ich zu eigen | — | ||
| 54-11 | Götterdämmerung: Fliegt heim, ihr Raben! | — | ||
| 54-12 | Götterdämmerung: Grane, mein Roß, sei mir gregüßt! | — | ||
| 55-1 | Fidelio: Overture | — | ||
| 55-2 | Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein | — | ||
| 55-3 | Fidelio: Act I: O wär ich schon mit dir vereint | — | ||
| 55-4 | Fidelio: Act I: Mir ist so wunderbar | — | ||
| 55-5 | Fidelio: Act I: Hat man nicht auch Gold beineben | — | ||
| 55-6 | Fidelio: Act I: Gut, Söhnchen, gut | — | ||
| 55-7 | Fidelio: Act I: March | — | ||
| 55-8 | Fidelio: Act I: Ha! welch ein Augenblick! | — | ||
| 55-9 | Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile! | — | ||
| 55-10 | Fidelio: Act I: Abscheulicher! Wo eilst du hin? | — | ||
| 55-11 | Fidelio: Act I: O welche Lust in freier Luft | — | ||
| 55-12 | Fidelio: Act I: Nun sprecht, wie ging's? | — | ||
| 55-13 | Fidelio: Act I: Wir müssen gleich zu Werke schreiten | — | ||
| 55-14 | Fidelio: Act I: Ach, Vater, eilt! | — | ||
| 55-15 | Fidelio: Act I: Verwegner Alter, welche Rechte | — | ||
| 55-16 | Fidelio: Act I: Leb wohl, du warmes Sonnenlicht | — | ||
| 56-1 | Fidelio: Act II: Scene 1: Gott! welch Dunkel hier! | — | ||
| 56-2 | Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen | — | ||
| 56-3 | Fidelio: Act II: Scene 1: Wie kalt ist es | — | ||
| 56-4 | Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben! | — | ||
| 56-5 | Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten | — | ||
| 56-6 | Fidelio: Act II: Scene 1: Er sterbe! | — | ||
| 56-7 | Fidelio: Act II: Scene 1: Ach! Du bist gerettet! | — | ||
| 56-8 | Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde! | — | ||
| 56-9 | Fidelio: Act II: Scene 1: O namenlose Freude! | — | ||
| 56-10 | Leonore Overture no. 3 | — | ||
| 56-11 | Fidelio: Act II: Scene 2: Heil sei dem Tag! | — | ||
| 56-12 | Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille | — | ||
| 56-13 | Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab | — | ||
| 56-14 | Fidelio: Act II: Scene 2: Wer ein solches Weib errungen | — | ||
| 57-1 | La bohème: Atto I. “Questo Mar Rosso” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-2 | La bohème: Atto I. “Nei cieli bigi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-3 | La bohème: Atto I. “Già dell’Apocalisse appariscono i segni” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-4 | La bohème: Atto I. “Pensier profondo!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-5 | La bohème: Atto I. “Legna! — Sigari! — Bordò!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-6 | La bohème: Atto I. “Si può? — Chi è là? — Benoît!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-7 | La bohème: Atto I. “Timido in gioventù” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-8 | La bohème: Atto I. “Chi è là — Scusi. — Una donna!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-9 | La bohème: Atto I. “Oh! sventata!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-10 | La bohème: Atto I. “Che gelida manina” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-11 | La bohème: Atto I. “Mi chiamano Mimì” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-12 | La bohème: Atto I. “Ehi! Rodolfo!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-13 | La bohème: Atto I. “O soave fanciulla” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-14 | La bohème: Atto II. “Aranci, ninnoli!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-15 | La bohème: Atto II. “Questa è Mimì” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-16 | La bohème: Atto II. “Una cuffietta a pizzi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-17 | La bohème: Atto II. “Oh! — Essa! — Musetta!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-18 | La bohème: Atto II. “Quando men vo” (Musetta’s Waltz Song) | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-19 | La bohème: Atto II. “Gioventù mia — Sciogli, slaccia!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 57-20 | La bohème: Atto II. “Caro! — Fuori il danaro!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-1 | La bohème: Atto III. “Ohè, là, le guardie! Aprite!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-2 | La bohème: Atto III. “Chi nel ber trovò il piacer” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-3 | La bohème: Atto III. “Sa dirmi, scusi, qual’ è l’osteria” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-4 | La bohème: Atto III. “O buon Marcello, aiuto!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-5 | La bohème: Atto III. “Marcello, finalmente!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-6 | La bohème: Atto III. “Mimì è una civetta” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-7 | La bohème: Atto III. “Addio, senza rancor!” (Mimi’s Farewell) | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-8 | La bohème: Atto III. “Che facevi, che dicevi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-9 | La bohème: Atto IV. “In un coupé?” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-10 | La bohème: Atto IV. “O Mimì, tu più non torni” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-11 | La bohème: Atto IV. “Eccoci. — Ebben?” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-12 | La bohème: Atto IV. “Vezzosa damigella” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-13 | La bohème: Atto IV. The Duel | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-14 | La bohème: Atto IV. “C’è Mimì che mi seque e che sta male” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-15 | La bohème: Atto IV. “Vecchia zimarra, senti” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-16 | La bohème: Atto IV. “Sono andanti? Fingevo di dormire” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 58-17 | La bohème: Atto IV. “Che ha detto il medico” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 59-1 | Aida: Atto I: Prelude | — | ||
| 59-2 | Aida: Atto I: Sì: corre voce che l'Etiope | — | ||
| 59-3 | Aida: Atto I: Se quel guerrier ... Celeste Aida | — | ||
| 59-4 | Aida: Atto I: Quale insolita gioia nel tuo sguardo! | — | ||
| 59-5 | Aida: Atto I: Dessa! | — | ||
| 59-6 | Aida: Atto I: Ohimé! Di guerre fremere | — | ||
| 59-7 | Aida: Atto I: Alta cagion v'aduna | — | ||
| 59-8 | Aida: Atto I: Il sacro suolo dell'Egitto è invaso | — | ||
| 59-9 | Aida: Atto I: Su! Del Nilo al sacro lido | — | ||
| 59-10 | Aida: Atto I: Ritorna vincitor! | — | ||
| 59-11 | Aida: Atto I: Possente Fthà! | — | ||
| 59-12 | Aida: Atto I: Sacred Dance of the Priestesses | — | ||
| 59-13 | Aida: Atto I: Mortal, dilet to ai numi | — | ||
| 59-14 | Aida: Atto I: Nume, custode e vindice | — | ||
| 60-1 | Aida: Atto II: Chi mai fra gl'inni e i plausi | — | ||
| 60-2 | Aida: Atto II: Dance of the Moorish Slaves | — | ||
| 60-3 | Aida: Atto II: Vieni: sul crin ti piovano | — | ||
| 60-4 | Aida: Atto II: Silenzio! Aida verso noi s'avanza | — | ||
| 60-5 | Aida: Atto II: Pietà ti prenda del mio dolor | — | ||
| 60-6 | Aida: Atto II: Su! Del Nilo al lacro lido | — | ||
| 60-7 | Aida: Atto II: Gloria all'Egitto, ad Iside | — | ||
| 60-8 | Aida: Atto II: March & Ballet | — | ||
| 60-9 | Aida: Atto II: Vieni, o guerriero vindice | — | ||
| 60-10 | Aida: Atto II: Salvator della patria | — | ||
| 60-11 | Aida: Atto II: Concedi in pria | — | ||
| 60-12 | Aida: Atto II: Che veggo! Egli? Mio padre | — | ||
| 60-13 | Aida: Atto II: Quest'assisa ch'io vesto vi dica | — | ||
| 60-14 | Aida: Atto II: Ma tu, re, tu, signore possente | — | ||
| 60-15 | Aida: Atto II: O re, pei sacri numi | — | ||
| 60-16 | Aida: Atto II: Gloria all'Egitto, ad Iside | — | ||
| 60-17 | Aida: Atto II: Fa' cor: della tua patria | — | ||
| 61-1 | Aida: Atto III: O tu, che sei d'Osiride | — | ||
| 61-2 | Aida: Atto III: Vieni d'Iside al tempio | — | ||
| 61-3 | Aida: Atto III: Qui Radamès verrà! | — | ||
| 61-4 | Aida: Atto III: O patria mia | — | ||
| 61-5 | Aida: Atto III: Ciel! Mio padre! | — | ||
| 61-6 | Aida: Atto III: Rivedrai le foreste imbalsamate | — | ||
| 61-7 | Aida: Atto III: In armi ora si desta il popol nostro | — | ||
| 61-8 | Aida: Atto III: Padre! A costoro schiava non sono | — | ||
| 61-9 | Aida: Atto III: Pur ti riveggo, mia dolce Aida | — | ||
| 61-10 | Aida: Atto III: Nel fiero anelito di nuova guerra | — | ||
| 61-11 | Aida: Atto III: Fuggiam gli ardori inospiti | — | ||
| 61-12 | Aida: Atto III: Aida! — Tu non m'ami | — | ||
| 61-13 | Aida: Atto III: Ah no! Fuggiamo! | — | ||
| 61-14 | Aida: Atto III: Ma, dimmi | — | ||
| 61-15 | Aida: Atto III: Traditor | — | ||
| 61-16 | Aida: Atto IV: L'aborrita rivale a me sfuggia | — | ||
| 61-17 | Aida: Atto IV: Io l'amo, io l'amo sempre! | — | ||
| 61-18 | Aida: Atto IV: Già i sacerdoti adunansi | — | ||
| 61-19 | Aida: Atto IV: Ah! Du dêi vivere! | — | ||
| 61-20 | Aida: Atto IV: Chi ti salva, sciagurato | — | ||
| 61-21 | Aida: Atto IV: Ohimé! Morir mi sento | — | ||
| 61-22 | Aida: Atto IV: Spirto del nume, sovra noi discendi! | — | ||
| 61-23 | Aida: Atto IV: Radamès! Radamès! Radamès! | — | ||
| 61-24 | Aida: Atto IV: A lui vivo la tomba! | — | ||
| 61-25 | Aida: Atto IV: La fatal pietra sovra me si chiuse | — | ||
| 61-26 | Aida: Atto IV: Presago il core della tua condanna | — | ||
| 61-27 | Aida: Atto IV: Vedi? Di morte l'angelo | — | ||
| 61-28 | Aida: Atto IV: O terra, addio | — | ||
| 62-1 | Falstaff: Atto I, scena 1. “Falstaff!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-2 | Falstaff: Atto I, scena 1. “Ssss. Sei polli: sei scellini” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-3 | Falstaff: Atto I, scena 1. “So che se andiam” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-4 | Falstaff: Atto I, scena 1. “V'è noto un tal” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-5 | Falstaff: Atto I, scena 1. “L'onore! Ladri!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-6 | Falstaff: Atto I, scena 1. “Ma, per tornare a voi” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-7 | Falstaff: Atto I, scena 2. “Alice – Meg” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-8 | Falstaff: Atto I, scena 2. “Fulgida Alice! Amor t'offro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-9 | Falstaff: Atto I, scena 2. “Quell'otre! quel tino!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-10 | Falstaff: Atto I, scena 2. “È un ribaldo, un furbo, un ladro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-11 | Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-12 | Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-13 | Falstaff: Atto I, scena 2. “Torno all'assalto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-14 | Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-15 | Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-16 | Falstaff: Atto I, scena 2. “Qui più non si vagoli” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-17 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-18 | Falstaff: Atto II, scena 1. “Alice è mia!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-19 | Falstaff: Atto II, scena 1. “Padron; di là c'è un certo Mastro Fontana” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-20 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-21 | Falstaff: Atto II, scena 1. “Io l'amo e lei non m'ama” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-22 | Falstaff: Atto II, scena 1. “Il diavolo se lo porti all'inferno” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-23 | Falstaff: Atto II, scena 1. “È sogno? o realtà?” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 62-24 | Falstaff: Atto II, scena 1. “Eccomi quà” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill, per una tassa” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-2 | Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-3 | Falstaff: Atto II, scena 2. “Nannetta, e tu non ridi?” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-4 | Falstaff: Atto II, scena 2. “Gaie comari di Windsor!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-5 | Falstaff: Atto II, scena 2. “Alfin t'ho colto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-6 | Falstaff: Atto II, scena 2. “Quand'ero paggio” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-7 | Falstaff: Atto II, scena 2. “Mia signora!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-8 | Falstaff: Atto II, scena 2. “Il diavolo cavalca” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-9 | Falstaff: Atto II, scena 2. “Vien qua” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-10 | Falstaff: Atto II, scena 2. “Al ladro!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-11 | Falstaff: Atto II, scena 2. “Se t'agguanto!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-12 | Falstaff: Atto II, scena 2. “Ned! Will! Tom! Isaac!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-13 | Falstaff: Atto III, scena 1. “Ehi! Taverniere!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-14 | Falstaff: Atto III, scena 1. “Reverenza” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-15 | Falstaff: Atto III, scena 1. “Legge” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-16 | Falstaff: Atto III, scena 1. “Quando il rintocco” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-17 | Falstaff: Atto III, scena 1. “Provvedi le lanterne” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-18 | Falstaff: Atto III, scena 2. “Dal labbro il canto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-19 | Falstaff: Atto III, scena 2. “Nossignore!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-20 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-21 | Falstaff: Atto III, scena 2. “Odo un soave passo!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-22 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-23 | Falstaff: Atto III, scena 2. “Sul fil d'un soffio estesio” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-24 | Falstaff: Atto III, scena 2. “Alto là! – Chi va là? | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-25 | Falstaff: Atto III, scena 2. “Ruzzola, ruzzola | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-26 | Falstaff: Atto III, scena 2. “Naso vermiglio! | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-27 | Falstaff: Atto III, scena 2. “Cavaliero – Reverenza | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-28 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-29 | Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah! | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 63-30 | Falstaff: Atto III, scena 2. “Tutto nel mondo è burla | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-1 | Otello: Atto I. “Una vela!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.034-6 | |
| 64-2 | Otello: Atto I. “Esultate!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.085-7 | |
| 64-3 | Otello: Atto I. “Fuoco di gioia!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-4 | Otello: Atto I. “Roderigo, beviam!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-5 | Otello: Atto I. “Inaffia l'ugola!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-6 | Otello: Atto I. “Capitano, v'attende” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-7 | Otello: Atto I. “Olà! che avvien?” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-8 | Otello: Atto I. “Già nella notte” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-9 | Otello: Atto I. “Quando narravi” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-10 | Otello: Atto I. “Venga la morte!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-11 | Otello: Atto II. “Non ti crucciar” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-12 | Otello: Atto II. “Credo in un Dio crudel” (Iago's Credo) | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-13 | Otello: Atto II. “Eccola” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-14 | Otello: Atto II. “Ciò m'accora” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-15 | Otello: Atto II. “Dove guardi splendono” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-16 | Otello: Atto II. “D'un uom che geme” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-17 | Otello: Atto II. “Desdemona rea!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-18 | Otello: Atto II. “Ora e per sempre addio” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-19 | Otello: Atto II. “Era la notte” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 64-20 | Otello: Atto II. “Sì, pel ciel” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-1 | Otello: Atto III. Introduction | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-2 | Otello: Atto III. “La vedetta del porto” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-3 | Otello: Atto III. “Dio ti giocondi, o sposo” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-4 | Otello: Atto III. “Dio! mi potevi scagliar” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-5 | Otello: Atto III. “Vieni, l'aula è deserta” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-6 | Otello: Atto III. “Questa è una ragna” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-7 | Otello: Atto III. “Como la ucciderò?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-8 | Otello: Atto III. “Viva il Leon di San Marco!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.040-4 | |
| 65-9 | Otello: Atto III. “A terra!... sì... nel livido fango” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-10 | Otello: Atto IV. “Era più calmo?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-11 | Otello: Atto IV. “Mia madre aveva una povera ancella” (Willow Song) | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-12 | Otello: Atto IV. “Ave Maria” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-13 | Otello: Atto IV. “Chi è là?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-14 | Otello: Atto IV. “Calma come la tomba” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 65-15 | Otello: Atto IV. “Niun mi tema” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 66-1 | Un ballo in maschera: Preludio | — | ||
| 66-2 | Un ballo in maschera: Atto I, scena 1. “Posa in pace, a' bei sogni ristora” | — | ||
| 66-3 | Un ballo in maschera: Atto I, scena 1. “Libero è il varco a voi” | — | ||
| 66-4 | Un ballo in maschera: Atto I, scena 1. “Alla vita che t'arride” | — | ||
| 66-5 | Un ballo in maschera: Atto I, scena 1. “Il primo giudice” | — | ||
| 66-6 | Un ballo in maschera: Atto I, scena 1. “Volta la terrea fronte alle stelle” | — | ||
| 66-7 | Un ballo in maschera: Atto I, scena 1. “Signori, oggi d'Ulrica” | — | ||
| 66-8 | Un ballo in maschera: Atto I, scena 1. “Ogni cura si doni al diletto” | — | ||
| 66-9 | Un ballo in maschera: Atto I, scena 2. “Zitti! L'incanto non dèssi turbare” | — | ||
| 66-10 | Un ballo in maschera: Atto I, scena 2. “Re dell'abisso, affrettati” | — | ||
| 66-11 | Un ballo in maschera: Atto I, scena 2. “Su, fatemi largo” | — | ||
| 66-12 | Un ballo in maschera: Atto I, scena 2. “Si batte! — Che veggo!” | — | ||
| 66-13 | Un ballo in maschera: Atto I, scena 2. “Della città all'occaso” | — | ||
| 66-14 | Un ballo in maschera: Atto I, scena 2. “Su, profetessa, monta il treppiè” | — | ||
| 66-15 | Un ballo in maschera: Atto I, scena 2. “Di' tu se fedele” | — | ||
| 66-16 | Un ballo in maschera: Atto I, scena 2. “Chi voi siate, l'audace parola” | — | ||
| 66-17 | Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia” | — | ||
| 66-18 | Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio” | — | ||
| 66-19 | Un ballo in maschera: Atto I, scena 2. “Ma la sventura è cosa” | — | ||
| 66-20 | Un ballo in maschera: Atto II. Preludio | — | ||
| 66-21 | Un ballo in maschera: Atto II. “Ecco l'orrido campo” | — | ||
| 66-22 | Un ballo in maschera: Atto II. “Ma dall'arido stelo divulsa” | — | ||
| 66-23 | Un ballo in maschera: Atto II. “Teco io sto” | — | ||
| 67-1 | Un ballo in maschera: Atto II. “Ahimé! S'appressa alcun!” | — | ||
| 67-2 | Un ballo in maschera: Atto II. “Odi tu come fremono cupi” | — | ||
| 67-3 | Un ballo in maschera: Atto II. “Seguitemi — Mio Dio!” | — | ||
| 67-4 | Un ballo in maschera: Atto II. “Ve', se di notte, qui colla sposa” | — | ||
| 67-5 | Un ballo in maschera: Atto III, scena 1. “A tal colpa è nulla il pianto” | — | ||
| 67-6 | Un ballo in maschera: Atto III, scena 1. “Morrò, ma prima in grazia” | — | ||
| 67-7 | Un ballo in maschera: Atto III, scena 1. “Alzati! Là, tuo figlio” | — | ||
| 67-8 | Un ballo in maschera: Atto III, scena 1. “Eri tu” | — | ||
| 67-9 | Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite!” | — | ||
| 67-10 | Un ballo in maschera: Atto III, scena 1. “Dunque l'onta di tutti sol una” | — | ||
| 67-11 | Un ballo in maschera: Atto III, scena 1. “Qual è dunque l'eletto?” | — | ||
| 67-12 | Un ballo in maschera: Atto III, scena 1. “Il messaggio entri” | — | ||
| 67-13 | Un ballo in maschera: Atto III, scena 1. “Ah! di che fulgor” | — | ||
| 67-14 | Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse” | — | ||
| 67-15 | Un ballo in maschera: Atto III, scena 2. “Ma se m'è forza perderti” | — | ||
| 67-16 | Un ballo in maschera: Atto III, scena 2. “Ah! dessa è là” | — | ||
| 67-17 | Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze (1)” | — | ||
| 67-18 | Un ballo in maschera: Atto III, scena 2. “Alto de' nostri è questo” | — | ||
| 67-19 | Un ballo in maschera: Atto III, scena 2. “Saper vorreste” | — | ||
| 67-20 | Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze (2)” | — | ||
| 67-21 | Un ballo in maschera: Atto III, scena 2. “So che tu sai distinguere” | — | ||
| 67-22 | Un ballo in maschera: Atto III, scena 2. “Ah! Perché qui! Fuggite!” | — | ||
| 67-23 | Un ballo in maschera: Atto III, scena 2. “E tu ricevi il mio!” | — | ||
| 67-24 | Un ballo in maschera: Atto III, scena 2. “No, no, lasciatelo” | — | ||
| 68-1 | La Traviata: Act I: Prelude | — | ||
| 68-2 | La Traviata: Act I: Dell'invito trascorsa e già l'ora | — | ||
| 68-3 | La Traviata: Act I: Libiamo ne' lieti calici (Brindisi) | — | ||
| 68-4 | La Traviata: Act I: Che è ciò (Waltz Duet) | — | ||
| 68-5 | La Traviata: Act I: Un dì felice, eterea | — | ||
| 68-6 | La Traviata: Act I: Ebben? Che diavol fate? | — | ||
| 68-7 | La Traviata: Act I: Si ridesta in ciel l'aurora | — | ||
| 68-8 | La Traviata: Act I: È strano, è strano! ... Ah, fors'è lui | — | ||
| 68-9 | La Traviata: Act I: Follie! Follie! Delirio vano | — | ||
| 68-10 | La Traviata: Act I: Sempre libera | — | ||
| 68-11 | La Traviata: Act II: Scene 1: Lunge da lei ... De' miei bollenti spiriti | — | ||
| 68-12 | La Traviata: Act II: Scene 1: Annina, donde vieni? | — | ||
| 68-13 | La Traviata: Act II: Scene 1: Alfredo? — Per Parigi or or partiva | — | ||
| 68-14 | La Traviata: Act II: Scene 1: Pura siccome un angelo | — | ||
| 68-15 | La Traviata: Act II: Scene 1: Non sapete quale affetto | — | ||
| 68-16 | La Traviata: Act II: Scene 1: Ah, dite alle giovine | — | ||
| 68-17 | La Traviata: Act II: Scene 1: Morrò! Morrò! | — | ||
| 68-18 | La Traviata: Act II: Scene 1: Dammi tu forza, o cielo! | — | ||
| 68-19 | La Traviata: Act II: Scene 1: Ah, vive sol quel core all'amor mio! | — | ||
| 68-20 | La Traviata: Act II: Scene 1: Di Provenza | — | ||
| 68-21 | La Traviata: Act II: Scene 1: Ne rispondi | — | ||
| 69-1 | La Traviata: Act II: Scene 2: Avrem lieta di maschere la notte | — | ||
| 69-2 | La Traviata: Act II: Scene 2: Noi siamo zingarelle | — | ||
| 69-3 | La Traviata: Act II: Scene 2: Di Madride noi siam mattadori | — | ||
| 69-4 | La Traviata: Act II: Scene 2: Alfredo! Voi? | — | ||
| 69-5 | La Traviata: Act II: Scene 2: Invitato a qui seguirmi | — | ||
| 69-6 | La Traviata: Act II: Scene 2: Ogni suo aver tal femmina | — | ||
| 69-7 | La Traviata: Act II: Scene 2: Di sprezzo degno sé stesso rende | — | ||
| 69-8 | La Traviata: Act II: Scene 3: Prelude | — | ||
| 69-9 | La Traviata: Act II: Scene 3: Annina? — Comandate? | — | ||
| 69-10 | La Traviata: Act II: Scene 3: Teneste la promesa... | — | ||
| 69-11 | La Traviata: Act II: Scene 3: Addio del passato | — | ||
| 69-12 | La Traviata: Act II: Scene 3: Largo al quadrupede | — | ||
| 69-13 | La Traviata: Act II: Scene 3: Signora — Che t'accadde? | — | ||
| 69-14 | La Traviata: Act II: Scene 3: Parigi, o cara | — | ||
| 69-15 | La Traviata: Act II: Scene 3: Ah, non più | — | ||
| 69-16 | La Traviata: Act II: Scene 3: Ah, gran Dio, morir sì giovane | — | ||
| 69-17 | La Traviata: Act II: Scene 3: Ah, Violetta! — Voi, signor! | — | ||
| 69-18 | La Traviata: Act II: Scene 3: Prendi, quest'è l'immagine | — | ||
| 69-19 | La Traviata: Act II: Scene 3: È strano! | — | ||
| 70-1 | Missa solemnis, op. 123: Kyrie | — | ||
| 70-2 | Missa solemnis, op. 123: Gloria | — | ||
| 70-3 | Missa solemnis, op. 123: Credo | — | ||
| 70-4 | Missa solemnis, op. 123: Sanctus | — | ||
| 70-5 | Missa solemnis, op. 123: Agnus Dei | — | ||
| 71-1 | Requiem Mass no. 1 in C minor: Introitus et Kyrie | — | ||
| 71-2 | Requiem Mass no. 1 in C minor: Graduale | — | ||
| 71-3 | Requiem Mass no. 1 in C minor: Dies irae | — | ||
| 71-4 | Requiem Mass no. 1 in C minor: Offertorium | — | ||
| 71-5 | Requiem Mass no. 1 in C minor: Sanctus | — | ||
| 71-6 | Requiem Mass no. 1 in C minor: Pie Jesu | — | ||
| 71-7 | Requiem Mass no. 1 in C minor: Agnus Dei | — | ||
| 72-1 | Mefistofele: Prologue: Ave, Signor degli angeli | — | ||
| 72-2 | Mefistofele: Prologue: Ave, Signor. Perdona | — | ||
| 72-3 | Mefistofele: Prologue: T'è noto Faust? | — | ||
| 72-4 | Mefistofele: Prologue: Siam nimbi volanti | — | ||
| 72-5 | Mefistofele: Prologue: Salve, Regina! | — | ||
| 72-6 | I Lombardi: Act III — Trio: Introduction | — | ||
| 72-7 | I Lombardi: Act III — Trio: Qui posa il fianco | — | ||
| 72-8 | Rigoletto: Act IV: E l’ami? | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-9 | Rigoletto: Act IV: La donna è mobile | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | T-912.866.624-0 | |
| 72-10 | Rigoletto: Act IV: Un dì, se ben rammentomi | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-11 | Rigoletto: Act IV: Bella figlia dell’amore (Quartet) | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-12 | Rigoletto: Act IV: M’odi! Ritorna a casa | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-13 | Rigoletto: Act IV: È amabile in vero cotal giovinotto! | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Nicola Moscona, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-14 | Rigoletto: Act IV: Della vendetta alfin | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-15 | Rigoletto: Act IV: Chi è mai? | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-16 | Rigoletto: Act IV: V’ho ingannato | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 72-17 | Rigoletto: Act IV: Lassû in cielo | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 73-1 | Messa da Requiem: Requiem & Kyrie | — | ||
| 73-2 | Messa da Requiem: Dies irae: Dies irae | — | ||
| 73-3 | Messa da Requiem: Dies irae: Tuba mirum | — | ||
| 73-4 | Messa da Requiem: Dies irae: Mors tupebit | — | ||
| 73-5 | Messa da Requiem: Dies irae: Liber scriptus | — | ||
| 73-6 | Messa da Requiem: Dies irae: Quid sum miser | — | ||
| 73-7 | Messa da Requiem: Dies irae: Rex tremendae | — | ||
| 73-8 | Messa da Requiem: Dies irae: Recordare | — | ||
| 73-9 | Messa da Requiem: Dies irae: Ingemisco | — | ||
| 73-10 | Messa da Requiem: Dies irae: Confutatis | — | ||
| 73-11 | Messa da Requiem: Dies irae: Lacrymosa | — | ||
| 73-12 | Messa da Requiem: Offertorio: Domine Jesu Christe | — | ||
| 73-13 | Messa da Requiem: Offertorio: Hostias | — | ||
| 73-14 | Messa da Requiem: Sanctus | — | ||
| 73-15 | Messa da Requiem: Agnus Dei | — | ||
| 73-16 | Messa da Requiem: Lux aeterna | — | ||
| 73-17 | Messa da Requiem: Libera me: Libera me, Domine | — | ||
| 73-18 | Messa da Requiem: Libera me: Dies irae | — | ||
| 73-19 | Messa da Requiem: Libera me: Libera me, Domine | — | ||
| 74-1 | Te Deum (Quattro pezzi sacri no. 4) | — | ||
| 74-2 | Nabucco: Va, pensiero, sull'ali dorate | — | ||
| 74-3 | Luisa Miller: Quando le sere al placido | — | ||
| 74-4 | Inno delle nazioni | — | ||
| 75-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 75-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 75-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | — | ||
| 75-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 75-5 | Symphony no. 101 in D major "Clock": I. Adagio – Presto | — | ||
| 75-6 | Symphony no. 101 in D major "Clock": II. Andante | — | ||
| 75-7 | Symphony no. 101 in D major "Clock": III. Menuetto. Allegretto – Trio | — | ||
| 75-8 | Symphony no. 101 in D major "Clock": IV. Finale. Vivace | — | ||
| 75-9 | A Midsummer Night's Dream, op. 21: Scherzo | — | ||
| 76-1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 76-2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 76-3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto – Trio | — | ||
| 76-4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | — | ||
| 76-5 | A Midsummer Night's Dream, op. 21: Scherzo | — | ||
| 76-6 | A Midsummer Night's Dream, op. 21: Nocturne | — | ||
| 76-7 | Variationen über ein Thema von Haydn, op. 56a: Chorale St. Antoni. Andante | — | ||
| 76-8 | Variationen über ein Thema von Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 76-9 | Variationen über ein Thema von Haydn, op. 56a: Variation II. Più vivace | — | ||
| 76-10 | Variationen über ein Thema von Haydn, op. 56a: Variation III. Con moto | — | ||
| 76-11 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 76-12 | Variationen über ein Thema von Haydn, op. 56a: Variation IV. Vivace | — | ||
| 76-13 | Variationen über ein Thema von Haydn, op. 56a: Variation VI. Vivace | — | ||
| 76-14 | Variationen über ein Thema von Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 76-15 | Variationen über ein Thema von Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 76-16 | Variationen über ein Thema von Haydn, op. 56a: Finale. Andante | — | ||
| 76-17 | Siegfried Idyll | — | ||
| 76-18 | L'apprenti sorcier | — | ||
| 77-1 | Orfeo ed Euridice: Atto II, scena 2. Dance of the Blessed Spirits | — | ||
| 77-2 | Il barbiere di Siviglia: Overture | — | ||
| 77-3 | L'italiana in Algeri: Overture | Arturo Toscanini | T-301.972.539-0 | |
| 77-4 | Semiramide: Overture | Arturo Toscanini | — | |
| 77-5 | La traviata: Atto I: Prelude | — | ||
| 77-6 | La traviata: Atto III: Prelude | — | ||
| 77-7 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | Arturo Toscanini | — | |
| 77-8 | Lohengrin: Prelude Act I | Arturo Toscanini | — | |
| 77-9 | Lohengrin: Prelude Act III | — | ||
| 78-1 | La Mer: De l'aube à midi sur la mer | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-2 | La Mer: Jeux des vagues | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-3 | La Mer: Dialogue du vent et de la mer | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-4 | Ibéria (Images pour orchestre II): Par les rues et par les chemins | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-5 | Ibéria (Images pour orchestre II): Les parfums de la nuit | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-6 | Ibéria (Images pour orchestre II): Le matin d'un jour de fête | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 78-7 | Feste romane: Circenses | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 78-8 | Feste romane: Il giubileo | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 78-9 | Feste romane: L'Ottobrata | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 78-10 | Feste romane: La Befana | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 79-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio – Allegro non troppo | — | ||
| 79-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 79-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 79-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso | — | ||
| 79-5 | Tod und Verklärung, op. 24: Largo: Glückliche Erinnerungen an die Kindheit | — | ||
| 79-6 | Tod und Verklärung, op. 24: Allegro molto agitato: Todeskampf | — | ||
| 79-7 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve: Träume des Sterbenden — Tod | — | ||
| 79-8 | Tod und Verklärung, op. 24: Moderato: Verklärung | — | ||
| 80-1 | Symphony No. 9, D944 "Die Große/The Great": I. Andante; I. Allegro ma non troppo | The Philadelphia Orchestra, Arturo Toscanini | T-031.682.208-8 | |
| 80-2 | Symphony No. 9, D944 "Die Große/The Great": II. Andante con moto | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 80-3 | Symphony No. 9, D944 "Die Große/The Great": III. Scherzo: Allegro vivace | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 80-4 | Symphony No. 9, D944 "Die Große/The Great": IV. Allegro vivace | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 81-1 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture | — | ||
| 81-2 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo | — | ||
| 81-3 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne | — | ||
| 81-4 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Song with Chorus | — | ||
| 81-5 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March | — | ||
| 81-6 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo | — | ||
| 81-8 | Roméo et Juliette, op. 17: Scherzo: La reine Mab | — |
